LIBRO CON CD

Bruce Buckingham
Publisher: Musicians Institute Press

MASTER CLASS

Pro musician and G.I.T. instructor Bruce Buckingham covers all the basics guitarists need to know in this book/CD pack designed from MI elective courses. Rhythms covered include: bossa nova, samba, partido alto, baião, bolero, cha cha, mambo, nanigo 6/8 and more. The accompanying CD includes 79 demo tracks.

Bossa Nova - The One-Bar Pattern

Bossa Nova - Two-Bar Patterns And Beyond

Samba

Variations - Partido, Alto, Balao, and 3/4 Bossa Nova

Bolero

Cha Cha

Mambo

Nanigo 6/8

A MODERN APPROACH TO JAZZ, ROCK & FUSION GUITAR. Jean Marc Belkadi, Musicians Institute. Le scale maggiori, i cromatismi, triadi e tapping, arpeggi e sweep picking, fusione di idee. CD TABLATURE

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Jean Marc Belkadi

Jean Marc Belkadi gives you over 30 great lines using a variety of techniques and melodic ideas. Covers: alternate, sweep, and skip picking; major scale, chromaticism, arpeggios, superimposing triads; legato, wide intervals, alterations; and much more. Includes standard notation and tablature.

Inventory #HL 00695143
ISBN: 9780793573776
UPC: 073999951431
Width: 9.0"
Length: 12.0"
24 pages

A Modern Approach to JAZZ, ROCK, & FUSION GUITAR

Jean Marc Belkadi gives you over 30 great lines using a variety of techniques and melodic ideas

- Major scale, chromaticism, arpeggios, superimposing triads
- Alternate picking, sweep picking, and string skipping
- Legato, wide intervals, alterations
-Standard notation and TABLATURE

HL00695143

MUSICIAN INSTITUTE PRESS
is the official series of Southern California's renowned music school. Musicians Institute
MI instructors, some of the finest musicians in the world, share their vast knowledge and
experience with you nomatter what your current level.
Whether your instrument is guitar, bass, drums, vocals, or keyboards, MI PRESS
offers the finest music curriculum for higher learning through a variety of series:

Essential Concepts – designed from MI core curriculum program

Master Class - designed from MI elective courses

Private Lessons - tackle avariety of topics "one-on-one" with MI faculty instructors

Pocket Guide - handy reference to the basics

Video - in-depth lessons with many of Ml's well-known instructors

Workshops - transcribed scores of music's greatest songs, designed from Ml's performance workshop classes.

HAL LEONARD

by Jean Marc Belkadi

Contents

Dedication
About the Author
Introduction
Introduction to the Recording
Tuning
Chapter 1: The Major Scale and Chromatism
Chapter 2: Triads
Chapter 3: Arpeggios
Chapter 4: Additional Ideas
Closing
Guitar Notation Legend

ISBN 0-7935-7377-7
HAL-LEONARD

DEDICATION
This book is dedicated to Marie Christine Belkadi, my brother Patrick, and my
parents whose love, strength, and faith has been a source of inspiration and
growth.
Special thanks to:
Karen Segal for transcribing, copying, editing, and for all your positive
suggestions.
Vasso Dimitriou for producing, recording, and for your supportive attitude.
Ted Green for editing and positive advice.
Thanks to Frank Gambale, Michael Komitchisk, Francois and Fred from LAG
guitars and Steve Butcher from Dimarzio pick-ups.

ABOUT THE AUTHOR
Jean Marc Belkadi started playing guitar at age 14. He graduated from the
Toulouse Music Conservatory in his hometown. In 1984,he left France for the
u.s. to learn at the Musicians Institute of Technology in Los Angeles where he
received the Best Guitar of the Year Award.
In 1989 and 1992he was awarded third and second prize at the Billboard Song
Contest. For three years he was musical director of the Johnny Hune TV show.
He has written two guitar method books addressing Jazz, Fusion and Rock
soloists and recorded one solo album.

INTRODUCTION
The purpose of this book is not to be a guitar method book with a captalIM."
Rather, it is intended as a source of inspiration to help you develop your own
ideas. The three key areas that I focus on and encourage you to explore are:

Melody
In any style of music you are into, the melodic direction, sound, and phrasing
are the first and most important things to consider. For this reason-and to
develop the connection between your ear and fingers-I recommend that you
sing all the lines (slowly at first).

Harmony
All of the lines are performed against a certain chordal background. However,
they can also be used with other chords and will sound different in each context.
I encourage you to experiment by playing them in different chordal contexts using
a tape recorder, a synthesized background, a friend, or whatever you may have
available.

Technique
This book is geared for guitar players and makes use of various techniques that
are unique to the guitar, including alterna te, sweep, and skip picking, hammer-ons,
pull-offs, and tapping. Play the lines very slowly and accurately at first and
gradually speed up. Don't forget that the melody should sound natural to you at
any tempo. The harmony should be implicit, your phrasing clean, and timing
perfect.
Let's begin now! I hope you will enjoy this as much as l do ...

Editor's notes:
Follow the audio icons in the book to keep your spot on the CD.
A short "introductory" solo portion may sometimes precede the main lick of each
figure, to give it a better sense of context. However, only the main lick itself
appears transcribed in each case.

GREEN GRANT, Essential Jazz Lines in the Style of for Guitar. CD TAB.

Product Description:
Grant Green was one of the most innovative jazz guitarists of the 1960s. His horn-like lines, original tone, and superb sense of time elevated him to being one of Blue-Note Records first call session players as well as a respected bandleader. This book covers many of the techniques Grant used in his playing and provides many melodic lines in the style of Grant Green for minor, dominant seventh, short and long ii-V, major, and minor ii-V chord progressions. Chapters on double-slurs, double-stops, pentatonic and blues scales as well as chapters on the basics of the jazz language will help guitarists understand and play the music of Grant Green. Presented in standard notation, tab and fretboard diagrams, this book comes with a play-along CD that will assist guitarists in mastering this material.

Contents:

Introuction
Guide Tones
Bebop Scales
3 to 9
Playing the Upper Structure of Chords
Targeting
Double Slurs
Pentatonic and Blues Scales
Double-Stops
Syncopation
Minor Chord Material
Dominant Chord Material
Short ii-V Material
Long ii-V Material
Major Chord Material
Minor ii-V Material
Play-Along Recordings
Short ii-V-I
Long ii-V-I
Minor ii-V-i
Turnarounds
Etude
Progression similar to "Misty"
B 12-Bar Blues
Progression similar to "Solar"
About the Author

FUNK/R&B GUITAR Creative Solos, Grooves & Sounds, T. Hogarth Berklee. CD TABLATURE

Creative Solos, Grooves & Sounds
Series: Berklee Guide
Publisher: Berklee Press
Medium: Softcover with CD TAB
Author: Thaddeus Hogarth

Learn deep funk/R&B guitar! These hands-on exercises, licks, and technical discussions will help you play in the style of Kool and the Gang, Prince, James Brown, Sly and the Family Stone, Jimi Hendrix, Curtis Mayfield, Soulive, and other great artists, spanning from old school to contemporary funk/R&B grooves. The CD features demonstration and practice tracks, played by the Boston-based R&B/funk group the Thaddeus Hogarth Band. Guitar tablature, fretboard diagrams, and traditional notation are included. You'll learn how to: play lead lines and build solos; understand and use scales over funk/R&B harmonies; create rhythm-guitar parts that support funk/R&B grooves; bend strings to expand your palette of scales, harmonies, and ornamentation; and much more!

These hands-on exercises, licks, and technical explanations will help you play in the style of Prince, James Brown, Kool and the Gang, Sly and the Family Stone, Jimi Hendrix, Curtis Mayfield, Soulive, and other great artists, spanning from old school to contemporary funk/r&b grooves. The CD features demonstration and practice tracks, played by the Boston-based r&b/funk group, the Thaddeus Hogarth Band. Guitar tablature, fretboard diagrams, and traditional notation are included. You will learn how to:

• Play lead lines and build solos
• Understand and use scales over funk/r&b harmonies
• Create rhythm-guitar parts that support funk/r&b grooves
• Bend strings to expand your palette of scales, harmonies, and ornamentation
• Use articulations, such as muting, sliding, plucking, and others
• Use characteristic funk/r&b amplification and effects such as distortion, wah-wah, envelope filters, chorus, and more
• Gain facility with all these tools via time-tested exercises

Thaddeus Hogarth is an associate professor of guitar at Berklee College of Music, where he has trained hundreds of guitarists in the art of funk/r&b. He is an active performer and recording artist.

"When I was a young blood, starting out in the Apollo Theater house band, the knowledge the old timers shared with me was invaluable. As I started working through the lessons in this book, it felt like an extension of those glorious soulsters—guiding me like Lewis and Clark, down the trail to Funkland. This will be a priceless tool for the novice, as well as the pro of other disciplines. Bravo."

—Nile Rodgers, Guitarist/Producer/Composer/Arranger (Chic)

"Thaddeus Hogarth has articulated some of the 'secrets of the funk' in an easy to understand, practical manner. It is the only book I've ever seen that approaches funk and r&b with due respect, in its simplicities and complexities. He not only gives great examples but also takes you into the exploratory harmonic possibilities to find your own voice. If you're looking for "That Book" to unlock the inner workings of the groove and what to do on top of it, this is the book to read."

—Billy "Spaceman" Patterson, Guitarist/Composer/Producer/Arranger (James Brown, Sly Stone, Miles Davis, George Clinton)

"A timeless staple of r&b guitar. The format is meticulously detailed, the recorded examples are first rate, and the listening list is a veritable treasure-chest map."

HARRIS BARRY, THE HARMONIC METHOD FOR GUITAR.

Studying the concepts put forth in this book will not teach you a set of hip sounding voicings. You won't come out sounding like everyone else - and that's the good news!

What you will find herein are the structural components, as mapped out and developed by jazz giant Barry Harris, that will guide and aid you on your own personal road to discovery. Imagine, a system for learning jazz harmony that actually embraces the concept of improvisation.

As I see it, there are two paths for a chord player to go down. Either one becomes a "hitter" or, one becomes a "mover". The "hitter" sits up and works out a couple of beautiful sounding voicings for each kind of chord (or worse, learns someone else's from a method book) - and from that point on, plays them exactly the same way. These vertical groups of notes are "hit" or "struck" on the instrument - with no thought to creating movement. The "mover" on the other hand, understands that chords come from scales and thereby learns to approach chording in a more fluid fashion. As well, one realizes that the interesting spots in music, whether you are comping, harmonizing a melody or writing an arrangement, are the places in between the chord symbols. In fact, I prefer to think - movement-to-movement - as opposed to chord to chord. When was the last time you listened to the symphony, for instance, and said oh yeah, Am7b5 - D7. It's not that the classical folks don't play chords, they just know something about getting from one to the next in an unobvious manner. Suddenly the musical ceiling gets raised and points us back to the purpose behind this book.

Having had the pleasure of seeing Alan grow musically over the past 20 years, I am delighted that his insightfulness and hard work have found their way into a form that others can benefit from. I am confident that guitarists everywhere who are fortunate enough to pick up this book will thank him again, and again. Howard Rees

Introduction

CD Tracks

Acknowledgments

Disclaimer

Dr. Barry Harris

The Guitar in Jazz

Chapter 1 Drop Voicings & Scales

1.1 Voicings

1.2 The Scales

1.3 The Voicings Charted

Chapter 2 Movement

2.1 The Organic Diminished Chord

2.2 The Diminished Scale

2.3 Sisters and Brothers

2.4 Using the Scales

2.5 The Sixth on the Fifth

2.6 Movement

2.7 Major to Minor to Minor with Sixth in the Bass

2.8 Playing with your 'Sisters and Brothers'

2.9 Monk Moves

Chapter 3 Borrowing

3.1 Borrowing Through Sixth Diminished Scales

3.2 Surrounding

3.3 Borrowing on the Diminished Scale

Chapter 4 Practicing the Scales

4.1 Single Notes

4.2 Thirds

4.3 Sixths

4.4 Tenths

4.5 Four Note Chords in Tenths

4.6 Expand and Contract

4.7 Long - Short

Chapter 5 Like Someone In Love

Appendix

Seventh Diminished Drop 2

Seventh Flat Five Diminished Drop 2

Seventh Diminished Drop 3

Seventh Flat Five Diminished Drop 3

Major Sixth Diminished Drop 2&4

Minor Sixth Diminished Drop 2&4

Seventh Diminished Drop 2&4

Seventh Flat Five Diminished Drop 2&4

Major Sixth Diminished Drop 2&3

Minor Sixth Diminished Drop 2&3

Seventh Diminished Drop 2&3

Seventh Flat Five Diminished Drop 2&3

Partial Chords

Double Note Chords

After Word
121 pages.