LIBRO CON CD

PROFESSIONAL MICROPHONE TECHNIQUES-HUBER CD LIBRO MICROFONAZIONE REGISTRAZIONE

PROFESSIONAL MICROPHONE TECHNIQUES. Williams. CD

Price: €44,99
€44,99

RECORDING GUITAR AND BASS-BOOK CD LIBRO REGISTRAZIONE CHITARRA BASSO MICROFONAZIONE

RECORDING GUITAR AND BASS, Getting a Great Sound Every Time You Record Huw Price. 176 pagine. book CD

Series: Book
Publisher: Backbeat Books
Medium: Softcover with CD
Author: Huw Price

Guitarists and bassists are forever striving to capture their instrument's sound on recordings. This hands-on guide describes the techniques that accomplish this best. The book provides practical advice for creating a home studio space, choosing and using amps and microphones, processing and enhancing sound with effects, and special approaches for recording acoustic and electric bass and guitar, as well as double bass. It also includes interviews with top technicians, producers and musicians in which they teach their tricks of the trade. A 63-track companion CD demonstrates every important technique and sound, including: variation created by different amplifiers, microphones, positioning within the studio, EQ applications, and more. Features a full glossary that explains all the tech terms you'll need to know. 176 pages

Price: €39,99
€39,99

EASY FLAMENCO SOLOS Mel AGEN CD TABLATURE METODO CHITARRA SPARTITI LIBRO FACILE

EASY FLAMENCO SOLOS. Mel Agen. CD TAB.

This book was written for the student who wants to learn to play flamenco guitar correctly in the shortest time possible. A fanciful historical essay on the origins of the flamenco style begins this modest 32-page volume. Several of the most common techniques are used in the various introductory pieces, including various forms of rasgueos and the 4-note tremolo. Classical guitarists with 1-2 years of experience will enjoy these challenging exercises and pieces. All studies and solos are shown in notation and tablature, and are included on the enclosed CD.
Format: Book/CD

Contents:

In Memory Of Carlos -- Mel Agen
Idioma Musical (Moorish Dance) -- Mel Agen
The Saracens Dance -- Mel Agen
Alegrias In A -- Mel Agen
Cantineros -- Mel Agen
Gypsy Fandango -- Mel Agen
Solo Y Triste -- Mel Agen
In Memory Of Carlos -- Mel Agen
Idioma Musical (Moorish Dance) -- Mel Agen
The Saracens Dance -- Mel Agen
Alegrias In A -- Mel Agen
Cantineros -- Mel Agen
Gypsy Fandango -- Mel Agen
Solo Y Triste -- Mel Agen

Price: €18,99
€18,99

FLAMENCO GUITARRENSCHULE 1, Rasgeado, Golpe, Solea Graf-MARTINEZ. CD TABLATURE

FLAMENCO GUITARRENSCHULE 1, GRAF-MARTINEZ. Lezioni su: postura, suono, vari rasgueado, foto, e altro. In tedesco. CD NOTEN & TABULATUR

Contents of volume 1
Contents List of Compositions and Music Examples
Preface

The Author

Text Styles Used in This Book

About this CD

LESSON 1
Posture

The Sound of the Flamenco Guitar

Fingerlabelling

Rasgueado

One-Finger-Rasgueo

3-Finger-Rasgueo

4-Finger-Rasgueo

Continuing Rasgueo
Sencillos I (Tangos)
Sencillos I (simplified notation)

3-Finger Rasgueo

Estudio por Soleá

4-Finger Rasgueo

Sencillos II (Tangos)

Naino I (Tangos)

LESSON 2
Pulgar

Pulgar and ima-Downstroke

Pulgar and Rasgueo

Remate

Pulgar-Downstroke

Ayudado
Naino II (Tangos)
Naino III (Tangos)

Naino IV (Tangos)

Soleá-Remate

Mantón I (Soleá)

Caí I (Alegrías en Do)

Ayudado Exercise I

Ayudado Exercise II

Rumbita (Rumba)

LESSON 3
Golpe

Golpeador

i- and p-Downstroke with Golpe

m-Golpe with Downstroke

The Rumba-Stroke
Mantón II (Soleá)
i-Downstroke with Golpe (Garrotín)

p-Downstroke with Golpe and p-Upstroke (Garrotín)

Naino IV (Tangos)

m-Golpe

a-Golpe

Quejío I (Taranto)

Rumba-Compás I

Rumba-Compás II

Rumba-Compás III

Rumba-Compás IV

Rumba-Compás V

Rumba-Compás VI

LESSON 4
Tresillos

a-m-i-p-Rasgueo
Tresillo I
Tresillo II

Tresillo III

Tresillo IV

Tangos-Compás with Tresillos

Soleá-Compás with Tresillos I

Soleá-Compás with Tresillos II

Soleá-Compás with Tresillos III

Soleá-Compás with Tresillos IV

Fandango de Huelva (Intro)

Fandango de Huelva (Copla)

Sevillanas (Intro)

Sevillanas

Paso Lento (Alegría)

Mantón III (Soleá)

LESSON 5
La Guitarra Flamenca

Guitarreros

Guitarreros actual

La Cejilla

Guitarristas

Guitarristas actual

Uñas

Palmas

Compás

Modo Dórico - Harmony and chords

GLOSSAR
Contents of Volume 2

Addresses
Index

Price: €34,99
€34,99

FLAMENCO MUSIC FOR ACOUSTIC GUITAR Mel Agen CD TABLATURE SPARTITI CHITARRA METODO LIBRO

FLAMENCO MUSIC FOR ACOUSTIC GUITAR. Agen. CD TAB.

Product Description:
This book/cd set contains 15 beautiful flamenco guitar solos in notation and tablature written especially for teachers, students and soloists. Flamenco guitar selections you will want in your repertoire for club and concert work.

All selections have been re-recorded by Ben Bolt on the newly released companion CD as of December 15, 2005.

Format: Book/CD Set

Contents:

Alegrias De Mofa -- Mel Agen
Anhelo (Old Time Soleares) -- Mel Agen
Sangre De Gitano -- Mel Agen
Bulerias -- Mel Agen
Caracoles -- Mel Agen
Amante (Peteneras) -- Mel Agen
Malaguena Del Sonador -- Mel Agen
Soleares (De Montes) -- Mel Agen
Farruca De Juerga -- Mel Agen
Granadinas -- Mel Agen
Canela -- Mel Agen
Guajiras -- Mel Agen
Peteneras De Espana -- Mel Agen
Malaga City Of Dreams -- Mel Agen
Seguiriyas -- Mel Agen

Price: €21,99
€21,99

LA CHITARRA GITANA E FLAMENCA Vol1 a compas "por arriba" CD TABLATURE rasgueados-pulgar-alzapúa-picado RUMBA SOLEA

LA CHITARRA GITANA E FLAMENCA, Vol.1 a compas "por arriba". C. Fano. Testo in italiano. CD TABLATURE

C. Fano [Metodi + CD | Chitarra]

In tre capitoli dedicati a degli stili "por arriba", vale a dire in modo flamenco di MI (rispettivamente: tangos, soleá e rumba), scoprirete in questo metodo: - una descrizione dettagliata delle tecniche principali della mano destra proprie della chitarra flamenca (rasgueados, pulgar, alzapúa, picado, ecc.) e dei consigli per lavorarle efficacemente. - un’analisi degli elementi strutturanti gli assolo: compás, llamadas, falsetas, remates, ecc. - numerosi consigli mostranti come eseguire perfettamente i compás complessi tramite delle tecniche ripetitive della mano destra (controllo ritmico) e delle concatenazioni "istintive" delle posizioni della mano sinistra (controllo melodico-armonico). - analisi di falsetas tradizionali che vi permetteranno di creare e di variare le vostre proprie falsetas. In quanto al CD, esso riprende i numerosi esempi musicali del metodo per facilitarne la comprensione e quindi anche l’assimilazione.

Libro + CD

Price: €29,99
€29,99

MARTIN'S JUAN GUITAR METHOD, EL ARTE FLAMENCO DE LA GUITARRA CD TABLATURE RASGUEADO GOLPE

MARTIN'S JUAN GUITAR METHOD, EL ARTE FLAMENCO DE LA GUITARRA. 170 pagine fitte di musica, spiegazioni, interessanti fotografie delle diverse posizioni delle mani. 60' CD TAB.

A book and CD set for those wishing to learn the marvellous art of the flamenco guitar, presented by one of the most celebrated performers.

This comprehensive method assumes no knowledge of flamenco or music on the part of the beginner. 168 pages.

Price: €49,99
€49,99

SERRANO JUAN FLAMENCO GUITAR TECNICAS BASICAS LIBRO CD TABLATURE CHITARRA METODO

SERRANO JUAN, FLAMENCO TECNICAS BASICAS. Metodo in inglese e spagnolo. CD. TAB.

Product Description:
This book, written in both English and Spanish is the most authoritative method available on flamenco guitar technique. Juan Serrano is one of the world's premier flamenco concert soloist and is a seasoned teacher and performer in this vibrant, colorful musical genre. The text describes the history and development of flamenco music; teaches basic music theory; presents developmental studies on flamenco guitar techniques such as rasgueado and tremolo; and offers 14 exciting flamenco guitar solos. Written in notation and tablature.

Format: Book/CD

Contents:

The history of flamenco
Music Theory
Learning Notes
Symbols
Tablature
Explanation of the Rasgueado
Preparatory Study
Rasgueado Exercises
Scale Study #1
Scale Study #2
Scale Study #3
Tremolo Study #1
Tremolo Study #2
Study for the Thumb
Studies in Legatos
Arpeggio Exercises
Study in C
Sevillanas I, II, III, and IV
Farrucas
Soleares
Alegrias
Alegrias para BaileFandangos de Huelva
Tempestad (Rumba flamenca)
Bulerias
Malaguena (Flamenca)
Malaguena (Regional)
Romance Flamenco

Price: €34,99
€34,99

PACO PENA, TOQUES FLAMENCOS CD TABLATURE

Flamenco guitar music, together with flamenco singing and dancing, is a local form of expression which was developed by a certain people in a particular region of Spain - Andalucìa. It has become known outside Spain because Andalucìans have played it to larger and larger audiences and its general appeal and musical qualities have become apparent to more and more music lovers. As a result, quite a number of people have become interested in playing flamenco guitar themselves. But, traditionally, the Andalucìans have learnt the music from their family or friends within their small community; it was not written down. Therefore, it is very important to listen as much as possible to authentic flamenco played by people closely acquainted with it in order to appreciate the 'flamenco' quality of the music - which cannot be learnt from paper. In this book, we have attempted to write flamenco pieces as accurately as possible, using suitable symbols and explanations. Yet, in my experience, most students learn more quickly by listening to flamenco as well as reading it - especially when they first start to learn to play flamenco. This project is an attempt to combine both these approaches. The student can listen to a number of flamenco pieces, learn the notes and techniques from the written music, and then go back to the record to check that he is making the right sound. I was asked to compose some pieces easy enough for students to be able to play, but I found that flamenco pieces which are too easy do not sound attractive enough to encourage the student or to make interesting listening. So I have arrived at a compromise which I hope will satisfy most students. Some of the pieces are rather more complex than was originally intended, but most of the falsetas are quite straightforward. The rhythmic passages, rasgueados etc. are, for the most part not as intricate as I would play in other pieces, although I may use this kind of rasgueado when I play. My aim has been to produce some attractive and strictly authentic flamenco pieces easy enough for most students to play, yet difficult enough to encourage them to improve their technique and understanding of flamenco. Finally, I must add that flamenco is a free, improvised form of music, and the guitarist is not expected to play exactly what he has learned from somebody else. I strongly encourage him to experiment with the music. But before he can improvise he must have a very sound understanding of the compàs (rhythmic structure) and the character of the piece he is playing. Therefore, I advise the student to first learn these pieces strictly correctly. That way I trust he will get familiar with each of these flamenco styles and only then should he experiment and "do his own thing." Paco Peña 10 pieces from the album Toques Flamencos. In standard notation and tablature and complete with guidelines on technique and notation. Includes a CD TABLATURE

 

INTRODUCTION
Andalucla, whose musical tradition is embedded in its earliest history, must have built up that
tradition from the influences and remnants of the cultures left by the various peoples who passed
through or settled on its land. Among these different cultures one can note the Byzantine, Moorish,
Mozarabic and Jewish, whose influence must have finally crystallized and become integrated in the
songs and dances of the Andaluclan people. Andalucfa was under Moorish domination for many
centuries - Cordoba being at that time the capital of the Western Islamic world. Therefore the
music of this land already reflected the Oriental influence.
Later, in the 15th century, many tribes of gypsies found their way into Andalueta as a branch of
immigrants who around 1447 entered Spain by Catalonia. They lived mainly in the fields,
nomadically and in poor conditions. Traditionally the gypsies were not great poets - hardly surprising
considering their circumstances - but they had a remarkable facility for rhythm and music,
and in Andalucla they found a rich, colourful folklore of exceptional poetic charm. Unlike other
music they had come across elsewhere in Spain, this folklore suited their character and came to
form part of their lives. They assimilated it and added something different to it. This "marriage"
gave rise to the phenomenon of Cante Flamenco, neither "gypsy music" nor Andaluclan folklore,
but both. So, it can be said without doubt that there are two main elements in Flamenco:
Andalucla, with its old musical background, and the gypsies - without both, Flamenco would never
have existed.
Nobody knows for certain when it all started because there are very few written records available.
The first notice we have is about a singer of Seguiriyas, Tfo Luis el de la Juliana, around 1780.
But even that is a little dubious because it was not mentioned until a century later in 1881 - by
Antonio Machado Alvarez ("Demofilo"); in fact the Seguiriya seems to have developed later from
another style: Tonas.
There are three main periods in the history of Flamenco. From the beginning of the 19th
century to 1860 it was part of the life of Andaluclan gypsies and poor people who kept it for
themselves and never performed outside their communities. From 1860 to 1910 was the era of the
"Cafes Cantantes", special tablaos or places wholly dedicated to Flamenco music. Since then,
Flamenco has emerged from its original environment to become known throughout the world.
No evidence exists that guitars were used during the first period. But as Flamenco emerged
("Cafes Cantantes") the guitar, which was already the instrument of Spain, was brought in to
accompany and enhance the human voice. Paradoxically, it is the guitar as a solo instrument, rather
than the singing, which has made Flamenco popular, when in fact the guitar, like the dancing,
derives all its inspiration from the Cante Janda (Flamenco singing) - the purest expression of
Andalucfan art.
When accompanying, the function of the flamenco guitarist is to help the singer or dancer to
to bring out the best of his talent. He must create an atmosphere suitable to each piece, and he must
provide a good clear rhythm and follow the voice in whatever nuances the singer may bring to it.
Also he must colour it by playing falsetas, or brief melodic sequences, between verses. The guitarist
is then at the absolute service of the singing and from it he takes all his inspiration.
When playing solo, the guitarist must convey the whole atmosphere of Flamenco. The falsetas
become much more elaborate and musical to resemble the singing. The rhythm also becomes
stronger and more elaborate to resemble the "foot-work" of the dancer.


A La Feria (Sevillanas)
A Paso Lento (Tientos)
El Mantoncillo (Garrotin)
El Nuevo Dia (Colombiana)
En Las Cuevas (Farruca)
Herecia Latina (Rumba)
La Romeria (Alegrias)
Santuario (Soleares)
Son De Companas (Seguiriyas)
Tonos Levantinos (Tarantas)

Price: €30,99
€30,99

SERRANO JUAN KING OF THE FLAMENCO GUITAR CD TABLATURE CHITARRA LIBRO SPARTITI

SERRANO JUAN, KING OF FLAMENCO GUITAR. Mani vigorose e tendini tenaci, 230 pagine, Rapida introduzione alla tecnica di base della chitarra flamenca: rasgueado, studio sul tremolo, arpeggio, picado, golpe. CD TAB.

Product Description:
Introduces basic flamenco studies, concert selections, and a brief history of the flamenco tradition. Includes the four basic song forms (siguiriyas, soleares, tangos, and fandangos) that influence all flamenco music.

Format: Book/CD Set
232 PAGES.

Contents:

Dos Colores -- Juan Serrano
Punta Umbria -- Juan Serrano
Tarifa -- Juan Serrano
Nostalgia -- Juan Serrano
Cueva Gitana -- Juan Serrano
Lamento Gitano -- Juan Serrano
Amigo Mariano -- Juan Serrano
Lagriamas De Granda -- Juan Serrano
Fantasy -- Juan Serrano
La Juderia -- Juan Serrano
Dos Colores -- Juan Serrano
Punta Umbria -- Juan Serrano
Tarifa -- Juan Serrano
Nostalgia -- Juan Serrano
Cueva Gitana -- Juan Serrano
Lamento Gitano -- Juan Serrano
Amigo Mariano -- Juan Serrano
Lagriamas De Granda -- Juan Serrano
Fantasy -- Juan Serrano
La Juderia -- Juan Serrano

Price: €49,99
€49,99
Syndicate content