LIBRO CON CD

PLAYING FUNKY RHYTHM GUITAR Chris Hunt CD TABLATURE SPARTITI CHITARRA LIBRO ACCORDI

PLAYING FUNKY RHYTHM GUITAR. Chris Hunt. CD TAB.

Series: Guitar Educational
Publisher: Cherry Lane Music
Softcover with CD - TAB
Author: Chris Hunt

Learn how to play funk and R&B rhythm guitar with easy-to-follow instructions on the hottest grooves. CD features recorded demonstrations of every example, plus 8 jam along tracks! Topics covered include: the backbeat - single-line parts - quarter note, eighth note, and 16th note feels - reggae grooves - shuffle and triplet feels - common chords and progressions - and more! 32 pages.

Price: €21,99
€21,99

ARPEGGIOS FOR THE MODERN GUITARIST, The Complete Guide, Including Theory, Patterns, Techniques. CD TABLATURE

ARPEGGIOS FOR THE MODERN GUITARIST, The Complete Guide, Including Theory, Patterns, Techniques and Applications. CD TABLATURE

Arpeggios for the Modern Guitarist
The Complete Guide, Including Theory, Patterns, Techniques and Applications

Series: Guitar Educational
Format: BOOK W/CD - TAB
Author: Stephen Ross

Using this no-nonsense book/CD pack, guitarists will learn to apply and execute all types of arpeggio forms using a variety of techniques, including alternate picking, sweep picking, tapping, string skipping, and legato. This is not just another arpeggio book, but a methodical approach to expanding your skills as a guitarist – and as a musician!

Inventory #HL 00695862
ISBN: 9780634086090
UPC: 073999265620
Width: 9.0"
Length: 12.0"
64 pages

With this no-nonsense book and CD, you'll learn to apply and execute all types of arpeggio form using a variety of techniques, including alternate picking, sweep picking, tapping, string skipping, and legato. This is not just another arpeggio book, but a methodical approach to expanding your skills as a guitarist and as a musician.


ABOUT THE AUTHOR

Stephen Rogouski (aka Stephen Ross) has been a professional guitarist for eighteen years. His most
recent project, Rogosonic, has released a new CD called Leave the World Alone. Additionally, he has
released a solo album titled Midnight Drive on the highly acclaimed Shrapnel label, appeared on
numerous other notable recordings such as Warmth in the Wilderness, Part II (Lion Music) and The Alchemist
(Liquid Note Records), received praise from several major guitar publications, and contributed guitar
lessons to several online instructional web sites. He currently lives in Monmouth Junction, New Jersey.

PREFACE
My first real jazz teacher was Harry Leahey, who not only was a student of the great Johnny Smith but also
toured with Phil Woods and taught at William Paterson College. He was a legend in the area, and
almost every guitarist worth his or her salt studied with him at one time or another. I recall that my mom
would drive me to his large Victorian house in South Plainfield, New Jersey, for my lessons, and we would
wait in a small room with food and cigarette ashes strewn about while he finished his previous student's
lesson. As we sat waiting, the sound of wonderful bebop licks would emerge from the teaching room.
Usually it would take about ten minutes before the door would spring open and a smiling Harry would
greet us and call me in.
It was in those lessons with Harry that I was first introduced to arpeggios and chord theory. I have always
loved the sound of arpeggios and feel they are an important part of my guitar style. Thus I felt compelled to share my insights and ideas by writing this book. I hope you enjoy learning from it as much as I enjoyed writing it.

INTRODUCTION

Why this book?

OK, so here's another book on arpeggios. What makes this one different from the others? Most arpeggio
books I have seen focus primarily on forms with little information on how to play them effectively. In this
book, the forms given are designed around certain techniques such as sweep picking, alternate picking, legato
playing, two-hand tapping, and multi-finger tapping. If you can play one form well using one particular technique,
you should not have too much trouble playing the other forms well using that same technique.
 
Prerequisites
Many musicians think of arpeggios as an intermediate to advanced topic-and they're right! To use this book
effectively, you should understand what scales and modes are, know how to play and transpose them in
different keys, understand basic chord theory, and have some knowledge of meter and rhythm.
 
Methodology
An arpeggio book must teach the student arpeggio forms and show how to execute and apply them. The challenge
in creating a successful text is carefully blending and balancing these topics.
 
1. Learning arpeggio forms: To learn arpeggio forms effectively, they must be organized in a
structured and logical manner. This book organizes arpeggios by tonality and harmonic complexity.
The tonality of the arpeggio is simply designated as major, dominant, minor, diminished,
or augmented. Harmonic complexity is closely related to the number of notes in the
chord formula; for example, a Gmaj13 arpeggio is considered more harmonically complex
than a G major.
To make memorizing arpeggio forms easier, forms that are harmonically complex are sometimes
built by stacking basic forms; for example, seventh arpeggios, which have four-note
chord formulas, can be built by stacking three-note triad forms. This approach is utilized
quite frequently throughout the text.
 
2. Playing arpeggio forms: This book integrates practice tips and execution notes throughout
each chapter. Techniques covered in this book include alternate picking, sweep picking, hammer-
ons and pull-offs, two-hand tapping, and string skipping.
 
3. Application: Integrating arpeggios into your playing style is the part of the process that
takes the longest amount of time, but is also the most rewarding. By the time you are finished
with this book, you should be well on your way to integrating the arpeggio forms illustrated
in this book as well as your own into your playing style
 
TABLE OF CONTENTS
 
 ABOUT THE AUTHOR & PREFACE
 INTRODUCTION
 HOW TO PRACTICE ARPEGGIOS
 CHAPTER 1: Triad Arpeggios
 CHAPTER 2: Seventh Chord Arpeggios
 CHAPTER 3: Extended Chords (9ths, llths, and 13ths)
 CHAPTER 4: Altered Dominant Arpeggios
 CHAPTER 5: Octave Arpeggios
 CHAPTER 6: Tapping Arpeggios
 CHAPTER 7: Arpeggios and String Skipping
 CHAPTER 8: Key Transposition
 CHAPTER 9: Arpeggio Examples
 GUITAR NOTATION LEGEND
Price: €24,99
€24,99

JAZZ-ROCK TRIAD IMPROVISING FOR GUITAR Jean Marc Belkadi CD TABLATURE 50 LICKS-Substitution-

JAZZ-ROCK TRIAD IMPROVISING FOR GUITAR, Jean Marc Belkadi. Mus. Inst. CD TABLATURE
50 LICKS AND LESSONS FOR CREATING RED HOT LEAD PHRASES

Jazz-Rock Triad Improvising for Guitar
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Jean Marc Belkadi

In this “private lesson,” MI instructor Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top, red-hot licks and lead phrases! He covers: modal and tonal usage, triad substitution and superimposition techniques, and much more. The book is in standard notation and tab, and the CD features 50 full-band tracks.

Inventory #HL 00695361
ISBN: 9780634001581
UPC: 073999953619
Width: 9.0"
Length: 12.0"
24 pages

PRIVATE LESSONS

JAZZ-ROCK TRIAD IMPROVISING for Guitar
50 LICKS AND LESSONS FOR CREATING RED HOT LEAD PHRASES

Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top phrases.

- CD Includes 50 Full-Band Tracks
- Modal and Tonal Usage
- Triad Substitution and Superimposition Techniques
- Standard Notation and Tablature

ISBN 0-634-00158-2

 

Introduction
In contemporary music, the use of triads is an important element in improvisation and composition.
They are as prevalent as scales, modes, arpeggios, rhythms, and intervallic ideas.
Like scales and modes, triads can be substituted in tonal and modal music. They can also be
superimposed, creating bitonality or polytonality. Superimposed triads give us synthetic scales
such as hexatonic (6 note scales = 2 triads), or nonatonic scales (9 note scales = 3 triads).
What Is a Triad?
A triad is a three-note chord made up of a root, third, and fifth. There are four triad families:
Major triad: 1-3-5
Minor triad: 1-b3-5
Diminished triad: 1-b3-b5
Augmented tri ad: 1-3-# 5
Of course, in everyday applications triads are played with different inversions:
Root position
1-3-5

Inversion possibilities
3-5-1, 5-1-3, 3-1-5, etc.

Sometimes triads are played with one degree dispersed an octave higher:

regular triads
open triads

This dispersement procedure creates what is referred to as an open triad, and can be applied
to minor, diminished, and augmented triads, as well as major.

Triad Substitution
Triad substitution is where one triad is substituted in place of another. One of the most common
is flat-five-or tri-tone substitution. This is when a triad a flat-fifth degree (tri-tone) away is
substituted for a chord. For example: instead of playing a G major triad over a G7 chord, a Db
major triad (Db is a flat-fifth away from G) is "substituted."

Triad Superimposition
Triad superimposition is where two or more triads are played one after the other, creating a
"dispersed scale" effect of bitonality or polytonality. Of course all triads can be substituted or superimposed
in both tonal and modal music, either using the single-note approach or voiced in chord form.
 

About this Book
The purpose of this book is to help you to create your own ideas using triad concepts. It is
divided into two parts: tonal music (II-V-I chord progressions, Chapters 1 and 2) and modal
music (Chapters 3 and 4). Keep in mind that the examples do not follow a specific order
of difficulty; you can jump in anywhere and work with the licks you like best. You also might want
to listen to the CD first to locate the examples that appeal to you the most.

About the Audio
Throughout this book, the numbers in the audio symbols (+) indicate the CD track number
where each example will be found on the accompanying CD.
Each example is played at full tempo, and most are repeated at half speed. In addition, short
introductory phrases (which are not transcribed in the examples) are sometimes included to provide
a better sense of context and to maintain an improvisational feel.

 

Acknowledgments
I wish to give special thanks to Marie-Christine Belkadi, Kevin Holmes for editing assistance, all at Hal Leonard Corporation, Frank Gambale and Mike Stern for their support, Keith Wyatt from Musicians Institution, Steve Blutcher from DiMarzio, HHHrrernst Homeyer for his good advice, Marco Biasella and Pierre Pichon for letting me use their equipment, Alain Lasseube-Le frere
Gagarine, Olivier Hermitant for his friendship, and Chris Jero of Yamaha.
This book is dedicated to my dear Grandma, Georgette Bach.

About the Author
Jean-Marc Belkadi started playing guitar at age 14. He graduated from the Toulouse Music
Conservatory in his hometown. In 1984, he left France for the U.S. to study at Musicians
Institute in Los Angeles where he received the Best Guitarist of the Year award.
In 1989 and 1992, he was awarded third and second prize at the Billboard Song Contest.
For three years, he was musical director of the Johnny Hune TV show. He has written three guitar
method books-A Modern Approach to Jazz, Rock, & Fusion Guitar, The Diminished Scale for
Guitar, and Advanced Scale Concepts and Licks for Guitar-and has recorded one solo album.

 

Table of Contents
About this Book
About the Audio
Introduction

Chapter 1: Substitution and Superimposition Techniques in Tonal Music
Major Key II-V-I Progressions Using Substitution
Major Key II-V-I Progressions Using Superimposition
Minor Key II-V-I Progressions Using Substitution
Minor Key II-V-I Progressions Using Superimposition
Major Key IImi7b5-V-1 Progressions Using Substitution
Major Key IImin5-V-1 Progressions Using Superimposition
Major Key 117-V-1Progressions Using Substitution
Major Key 117-V-1Progressions Using Superimposition

Chapter 2: Open Triad Techniques in Tonal Music
Major Key II-V-I Progression Using Open Triads .
Minor Key II-V-I Progression Using Open Triads
Major Key Ilmi7b5-V-1 Progression Using Open Triads
Major Key II7-V-1Progression Using Open Triads

Chapter 3: Substitution and Superimposition Techniques in Modal Music
Ma7 Chord Examples
Ma7#11 Chord Examples
Mi7 Chord Examples
Mi(ma7) Chord Examples
Dominant7 Chord Examples

Chapter 4: Open Triad Techniques in Modal Music
Ma7 Chord Examples
Mi7 Chord Examples
Mi(ma7) Chord Examples
Mi6 Chord Examples
Dominant7 and Altered Dominant7 Chord Examples
Acknowledgments
About the Author
Guitar Notation Legend
Note: Track to tune up. 

Price: €17,99
€17,99

LATIN GUITAR Musicians Institute Bruce Buckingham CD TABLATURE SPARTITI CHITARRA METODO

Bruce Buckingham
Publisher: Musicians Institute Press

MASTER CLASS


Pro musician and G.I.T. instructor Bruce Buckingham covers all the basics guitarists need to know in this book/CD pack designed from MI elective courses. Rhythms covered include: bossa nova, samba, partido alto, baião, bolero, cha cha, mambo, nanigo 6/8 and more. The accompanying CD includes 79 demo tracks.

 

 

Bossa Nova - The One-Bar Pattern

Bossa Nova - Two-Bar Patterns And Beyond

Samba

Variations - Partido, Alto, Balao, and 3/4 Bossa Nova

Bolero

Cha Cha

Mambo

Nanigo 6/8

Price: €18,99
€18,99

ULTIMATE GUITAR TECHNIQUE-Bill LaFleur-Musicians Institute CD TABLATURE CHITARRA TECNICA

ULTIMATE GUITAR TECHNIQUE, Bill LaFleur, Mus. Inst. . CD TAB.

Publisher: Musicians Institute Press

From bends and picking styles to multi-finger tapping and animal sounds, this book/CD pack contains loads of guitar techniques to learn and master. Hone your skills with chop-building exercises, and use the demonstration CD to master every technique in the book. Includes: chop-building exercises - tremolo bar, tapping, harmonics - bends, slurs, slides - picking styles, rakes - fret-hand techniques - pick-hand techniques - lead and rhythm guitar - rock, classical, Latin, folk, metal, jazz and more - tricks and sound effects - standard notation and TAB.

Price: €25,99
€25,99

A MODERN APPROACH TO JAZZ, ROCK & FUSION GUITAR Jean Marc Belkadi Publisher Mus. Inst. CD TABLATURE

A MODERN APPROACH TO JAZZ, ROCK & FUSION GUITAR. Jean Marc Belkadi, Musicians Institute. Le scale maggiori, i cromatismi, triadi e tapping, arpeggi e sweep picking, fusione di idee. CD TABLATURE


Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Jean Marc Belkadi

Jean Marc Belkadi gives you over 30 great lines using a variety of techniques and melodic ideas. Covers: alternate, sweep, and skip picking; major scale, chromaticism, arpeggios, superimposing triads; legato, wide intervals, alterations; and much more. Includes standard notation and tablature.

Inventory #HL 00695143
ISBN: 9780793573776
UPC: 073999951431
Width: 9.0"
Length: 12.0"
24 pages

 

A Modern Approach to JAZZ, ROCK, & FUSION GUITAR

Jean Marc Belkadi gives you over 30 great lines using a variety of techniques and melodic ideas

- Major scale, chromaticism, arpeggios, superimposing triads
- Alternate picking, sweep picking, and string skipping
- Legato, wide intervals, alterations
-Standard notation and TABLATURE

HL00695143

MUSICIAN INSTITUTE PRESS
is the official series of Southern California's renowned music school. Musicians Institute
MI instructors, some of the finest musicians in the world, share their vast knowledge and
experience with you nomatter what your current level.
Whether your instrument is guitar, bass, drums, vocals, or keyboards, MI PRESS
offers the finest music curriculum for higher learning through a variety of series:

Essential Concepts – designed from MI core curriculum program

Master Class - designed from MI elective courses

Private Lessons - tackle avariety of topics "one-on-one" with MI faculty instructors

Pocket Guide - handy reference to the basics

Video - in-depth lessons with many of Ml's well-known instructors

Workshops - transcribed scores of music's greatest songs, designed from Ml's performance workshop classes.

HAL LEONARD


by Jean Marc Belkadi

Contents

Dedication
About the Author
Introduction
Introduction to the Recording
Tuning
Chapter 1: The Major Scale and Chromatism
Chapter 2: Triads
Chapter 3: Arpeggios
Chapter 4: Additional Ideas
Closing
Guitar Notation Legend

ISBN 0-7935-7377-7
HAL-LEONARD


DEDICATION
This book is dedicated to Marie Christine Belkadi, my brother Patrick, and my
parents whose love, strength, and faith has been a source of inspiration and
growth.
Special thanks to:
Karen Segal for transcribing, copying, editing, and for all your positive
suggestions.
Vasso Dimitriou for producing, recording, and for your supportive attitude.
Ted Green for editing and positive advice.
Thanks to Frank Gambale, Michael Komitchisk, Francois and Fred from LAG
guitars and Steve Butcher from Dimarzio pick-ups.

ABOUT THE AUTHOR
Jean Marc Belkadi started playing guitar at age 14. He graduated from the
Toulouse Music Conservatory in his hometown. In 1984,he left France for the
u.s. to learn at the Musicians Institute of Technology in Los Angeles where he
received the Best Guitar of the Year Award.
In 1989 and 1992he was awarded third and second prize at the Billboard Song
Contest. For three years he was musical director of the Johnny Hune TV show.
He has written two guitar method books addressing Jazz, Fusion and Rock
soloists and recorded one solo album.

INTRODUCTION
The purpose of this book is not to be a guitar method book with a captalIM."
Rather, it is intended as a source of inspiration to help you develop your own
ideas. The three key areas that I focus on and encourage you to explore are:

Melody
In any style of music you are into, the melodic direction, sound, and phrasing
are the first and most important things to consider. For this reason-and to
develop the connection between your ear and fingers-I recommend that you
sing all the lines (slowly at first).

Harmony
All of the lines are performed against a certain chordal background. However,
they can also be used with other chords and will sound different in each context.
I encourage you to experiment by playing them in different chordal contexts using
a tape recorder, a synthesized background, a friend, or whatever you may have
available.

Technique
This book is geared for guitar players and makes use of various techniques that
are unique to the guitar, including alterna te, sweep, and skip picking, hammer-ons,
pull-offs, and tapping. Play the lines very slowly and accurately at first and
gradually speed up. Don't forget that the melody should sound natural to you at
any tempo. The harmony should be implicit, your phrasing clean, and timing
perfect.
Let's begin now! I hope you will enjoy this as much as l do ...

Editor's notes:
Follow the audio icons in the book to keep your spot on the CD.
A short "introductory" solo portion may sometimes precede the main lick of each
figure, to give it a better sense of context. However, only the main lick itself
appears transcribed in each case.

Price: €17,99
€17,99

TECHNIQUE EXERCISES FOR GUITAR LIBRO CD TABLATURE Speed Power Jean Marc Belkadi

TECHNIQUE EXERCISES FOR GUITAR, Lessons and Licks for Improving Your Speed, Power & Clarity. Mus. Inst. Jean Marc Belkadi. CD TAB.

Lessons and Licks for Improving Your Speed, Power & Clarity
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Medium: Softcover with CD
Author: Jean Marc Belkadi

Hone your precision, endurance, dexterity, and synchronization skills with loads of interesting exercises to learn and practice. The accompanying CD contains 81 demonstration tracks of all the exercises in the book. 40 pages.

Price: €16,99
€16,99

MONTGOMERY WES Essential Jazz Lines in the Style of LIBRO CD GUITAR TABLATURE Chord Substitution-Mixolydian Bebop

MONTGOMERY WES, Essential Jazz Lines in the Style of. CD TAB.

Product Description:
Wes Montgomery took jazz guitar to a new level when he came to the public's attention in the late 1950's. Known for his fluid lines and his big jazz guitar sound, Wes influenced thousands of guitarists in the styles of jazz, blues, and rock. This book will present some of the soloing techniques that Wes used as well has present many melodic ideas (lines) similar to the way he played over the chord progression in many jazz standards. Because the major and minor ii-V-I progression are the most widely used chord progression in jazz standards, the lines in this text will work over these progressions. The accompanying CD contains many play-along tracks (vamps of one chord and vamps around the circle of fourths) that the student should use to practice the material in one key and then master it in all twelve keys. By learning the techniques used by Wes Montgomery, guitarists will add to their own improvising arsenal. As improvising musicians add to their collection of musical ideas, their ability to express themselves completely increases. Have fun studying these ideas and applying them in improvised solos.

Contents:

Wes Montgomery Introduction
Wes Montgomery and Charlie Parker
Guide Tones
Bebop Scales

Mixolydian Bebop
Dorian Bebop
Major Bebop
3 to 9
Fingering Charts
Playing the Upper Structure of Chords
Targeting
Arpeggios

Transposed Arpeggio Examples
Playing Octaves
Block Chords
Chord Substitution
Solo Development
Minor Ideas
Dominant Seventh Ideas
Short ii-V Ideas
Long ii-V Ideas
Major Ideas
Minor ii-V Ideas
Short ii-V-I Progressions
Long ii-V-I Progressions
Minor ii-V-I Progressions
Turnarounds
Chord Progression...

Etude
Similar to "Misty"
B 12 Bar Blues

CD CONTENTS:
Tuning
Minor Chord Vamp
Minor Moving in Fourths
Dominant Seventh Vamp
Dominant Seventh Moving in Fourths
Short ii-V Vamp
Short ii-V Moving in Fourths
Long ii-V
Long ii-V Moving in Fourths
Major Chord Vamp
Major Chords Moving in Fourths
Minor ii-V Vamp
Minor ii-V Moving in Fourths
Short ii-V-I Vamp
Short ii-V-I Moving in Fourths
Long ii-V-I Vamp
Long ii-V-I Moving in Fourths
Minor ii-V-I Vamp
Minor ii-V-I Moving in Fourths
Turnaround Vamp
Turnaround Moving in Fourths
Etude
Progression similar to "Misty"
Blues

Price: €20,99
€20,99

FUNK R&B GUITAR Creative Solos Grooves & Sounds Hogarth Berklee CD TABLATURE SPARTITI LIBRO

FUNK/R&B GUITAR Creative Solos, Grooves & Sounds, T. Hogarth Berklee. CD TABLATURE

Creative Solos, Grooves & Sounds
Series: Berklee Guide
Publisher: Berklee Press
Medium: Softcover with CD TAB
Author: Thaddeus Hogarth

Learn deep funk/R&B guitar! These hands-on exercises, licks, and technical discussions will help you play in the style of Kool and the Gang, Prince, James Brown, Sly and the Family Stone, Jimi Hendrix, Curtis Mayfield, Soulive, and other great artists, spanning from old school to contemporary funk/R&B grooves. The CD features demonstration and practice tracks, played by the Boston-based R&B/funk group the Thaddeus Hogarth Band. Guitar tablature, fretboard diagrams, and traditional notation are included. You'll learn how to: play lead lines and build solos; understand and use scales over funk/R&B harmonies; create rhythm-guitar parts that support funk/R&B grooves; bend strings to expand your palette of scales, harmonies, and ornamentation; and much more!

 

These hands-on exercises, licks, and technical explanations will help you play in the style of Prince, James Brown, Kool and the Gang, Sly and the Family Stone, Jimi Hendrix, Curtis Mayfield, Soulive, and other great artists, spanning from old school to contemporary funk/r&b grooves. The CD features demonstration and practice tracks, played by the Boston-based r&b/funk group, the Thaddeus Hogarth Band. Guitar tablature, fretboard diagrams, and traditional notation are included. You will learn how to:

  • Play lead lines and build solos
  • Understand and use scales over funk/r&b harmonies
  • Create rhythm-guitar parts that support funk/r&b grooves
  • Bend strings to expand your palette of scales, harmonies, and ornamentation
  • Use articulations, such as muting, sliding, plucking, and others
  • Use characteristic funk/r&b amplification and effects such as distortion, wah-wah, envelope filters, chorus, and more
  • Gain facility with all these tools via time-tested exercises

Thaddeus Hogarth is an associate professor of guitar at Berklee College of Music, where he has trained hundreds of guitarists in the art of funk/r&b. He is an active performer and recording artist.

"When I was a young blood, starting out in the Apollo Theater house band, the knowledge the old timers shared with me was invaluable. As I started working through the lessons in this book, it felt like an extension of those glorious soulsters—guiding me like Lewis and Clark, down the trail to Funkland. This will be a priceless tool for the novice, as well as the pro of other disciplines. Bravo."

—Nile Rodgers, Guitarist/Producer/Composer/Arranger (Chic)

"Thaddeus Hogarth has articulated some of the 'secrets of the funk' in an easy to understand, practical manner. It is the only book I've ever seen that approaches funk and r&b with due respect, in its simplicities and complexities. He not only gives great examples but also takes you into the exploratory harmonic possibilities to find your own voice. If you're looking for "That Book" to unlock the inner workings of the groove and what to do on top of it, this is the book to read."

—Billy "Spaceman" Patterson, Guitarist/Composer/Producer/Arranger (James Brown, Sly Stone, Miles Davis, George Clinton)

"A timeless staple of r&b guitar. The format is meticulously detailed, the recorded examples are first rate, and the listening list is a veritable treasure-chest map."

Price: €29,99
€29,99

CREATIVE GUITAR 1 CUTTING-EDGE TECHNIQUES-GUTHRIE GOVAN CD TABLATURE SPARTITI METODO SCALE

CREATIVE GUITAR 1, CUTTING-EDGE TECHNIQUES GUTHRIE GOVAN. CD TAB.

Book/CD set. The aim is to help rock guitarists who feel stuck in a rut. Focuses on refining playing techniques, explaining the nuts and bolts of theory, how to practice efficiently, and includes lots of licks. Promotes a self-sufficient approach to learning. The CD has detailed examples of pentatonic patterns, minor arpeggios and backing tracks. Note/tab. 117 pp.

By Guthrie Govan. For Guitar. Creative Guitar Series. Rock. Level: Intermediate. Sheet Music and Audio CD. 104 pages. This Creative Guitar Series aims to provide frustrated rock guitarists with new directions to explore their art. Armed with the accompanying CD, featuring detailed examples of pentatonic patterns, minor arpeggios and backing tracks, you will be able to do much more than simply learn solos and licks note for note. This book also contains a thorough explanation of music theory.

GENERAL STUFF
TECHNIQUE
THEORY WITHOUT TEARS
SCALES AND CHORDS

CD CONTENTS:

A MINOR PENTATONIC SCALES SHAPES
A MAJOR PENTATONIC SCALES SHAPES
MINOR PENTATONIC BENDS
SLIDING IDEAS
CONNECTING PENTATONIC SHAPES
CONNECTING PENTATONIC IN GROUP OF THREE
PENTATONIC PATTERNS
PENTATONIC PATTERNS
PENTATONIC PATTERNS
PENTATONIC PATTERNS
PENTATONIC PATTERNS
PENTATONIC PATTERNS
PENTATONIC PATTERNS
PENTATONIC PATTERNS
PENTATONIC PATTERNS
PENTATONIC PATTERNS
G MAJOR ARPEGGIOS
G MINOR ARPEGGIOS
G MAJOR 7 ARPEGGIOS
G MINOR 7 ARPEGGIOS
G DOMINANT 7 ARPEGGIOS
G MINOR 7 FLAT 5 ARPEGGIOS
G DORIAN SHAPES
G AEOLIAN SHAPES
G PHRYGIAN SHAPES
G LYDIAN SHAPES
G IONIAN
G MIXOLYDIAN SHAPES
G LOCRIAN SHAPES
HENDRIX STYLE CHORDAL EMBELLISHMENTS
STRING BEND SOLO
BACKING TRACK
AFRICAN STYLE TRIADS
APRICAN STYLE SOLO
BACKING TRACK
COMBINING PENTATONICS
BACKING TRACK
AEOLIAN BLUES
BACKING TRACK
TOWER OF POWER STYLE FUNK RHYTHM
BACKING TRACK
DOMINANT ARPEGGIO BLUES
BACKING TRACK
LYDIAN IMPROVISATION
BACKING TRACK
PENTATONIC KEY CHANGES
BACKING TRACK
METAL RHYTHM
BACKING TRACK

Price: €32,99
€32,99
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