LIBRO CON CD

MORRICONE ENNIO FOR GUITAR Marchione LIBRO CD TABLATURE BUONO BRUTTO CATTIVO-Gabriel's oboe

MORRICONE ENNIO, FOR GUITAR. Carlo Marchione. CD TABLATURE

BOOK FOR GUITAR WITH CD AND TABLATURE

Arrangiamenti per chitarra a cura di Carlo Marchione
Il volume include i seguenti brani di Ennio Morricone trascritti per chitarra sia in notazione standard che in intavolatura.Gabriel's oboe - Il buono, il brutto e il cattivo - Nuovo cinema paradiso - Sean sean - Nostromo - A l'aube du 5° jour - Per

Brani:
Morricone, Ennio - A l'aube du 5° jour
Morricone, Ennio - Gabriel's oboe
Morricone, Ennio - Il buono, il brutto e il cattivo
Morricone, Ennio - Nostromo
Morricone, Ennio - Nuovo cinema paradiso
Morricone, Ennio - Per Elena
Morricone, Ennio - Sean sean

Price: €19,99
€19,99

BERKLEE TEORIA MUSICALE EDIZIONE ITALIANA, PAUL SCHMELING. CD

BERKLEE TEORIA MUSICALE EDIZIONE ITALIANA, PAUL SCHMELING. CD 

Arriva l’edizione italiana di uno straordinario metodo di Teoria Musicale della Berklee, scritto da Paul Schmeling, preside emerito del Dipartimento di Pianoforte al Berklee College of Music, grande pianista, interprete, improvvisatore e arrangiatore. La Teoria Musicale Berklee Volume 1 è un metodo essenziale per chiunque voglia suonare meglio, imparare a leggere, scrivere e comprendere gli elementi della musica, e inserirli nelle proprie composizioni e arrangiamenti. Il libro propone una serie di esercizi rigorosi e pratici, che aiutano a esplorare dall’interno il funzionamento della musica, presentando note, scale e ritmi, così come questi si presentano nel pop, nel jazz, nel blues. Un libro per comprendere i concetti fondamentali della teoria musicale, indispensabili per migliorare le proprie capacità di scrittura ed esecuzione musicale, attraverso esercizi scritti, esempi audio ed esercizi di ear training. Il Cd allegato è un ottimo strumento complementare, che facilita l’apprendimento. Nello specifico, dopo aver studiato questo volume, si sarà in grado di: leggere e scrivere la musica, applicare la teoria musicale al pianoforte, costruire scale e intervalli, sviluppare abilità di ear training, scrivere melodie.

 

Indice

Tracce

Introduzione 

Lezione 1. Pulsazione e Metro

Lezione 2. Le note

Lezione 3. Le pause

LEZIONI 1–3, ESERCIZI. RITMO, NOTE E PAUSE

Lezione 4. Ottavi e relative pause

Lezione 5. Unire gli ottavi

Lezione 6. Punti e legature 

LEZIONI 4–6, ESERCIZI. OTTAVI, PUNTI E LEGATURE

Lezione 7. Istruzioni sulla notazione ritmica

Lezione 8. Posizionamento di crome e pause di croma

Lezione 9. Altre indicazioni del tempo . .

LEZIONI 7–9, ESERCIZI. NOTAZIONE E INDICAZIONI DEL TEMPO 

Lezione 10. Notazione dell’altezza 

Lezione 11. La chiave di violino 

Lezione 12. La chiave di basso . 

Lezione 13. Il pentagramma doppio 

Lezione 14. Le alterazioni . .

Lezione 15. Alterazioni in chiave 

Lezione 16. Equivalenti enarmonici 

LEZIONI 10–16, ESERCIZI. IL PENTAGRAMMA, LE ALTERAZIONI

E LE ALTERAZIONI IN CHIAVE

Lezione 17. Toni e semitoni 

Lezione 18. La scala cromatica 

Lezione 19. La scala esatonale 

LEZIONI 17–19, ESERCIZI. SEMITONI E TONI

Lezione 20. La scala maggiore 

Lezione 21. I gradi della scala 

Lezione 22. Scale maggiori con diesis

Lezione 23. Scale maggiori con bemolli 

LEZIONI 20–23, ESERCIZI. SCALE MAGGIORI .

Lezione 24. La scala minore naturale 

Lezione 25. La relativa maggiore/minore .

LEZIONI 24–25, ESERCIZI. SCALE MINORI 

Lezione 26. La scala minore armonica .

Lezione 27. La scala minore melodica ascendente 

Lezione 28. La scala minore melodica discendente

Lezione 29. Le alterazioni in chiave delle scale minori 

LEZIONI 26–29, ESERCIZI. SCALE MINORI ARMONICHE E MELODICHE . 

Lezione 30. Intervalli 

Lezione 31. Intervalli maggiori e giusti . 

Lezione 32. Maggiore vs Minore 

Lezione 33. Intervalli giusti e diminuiti 

Lezione 34. Intervalli aumentati .

Lezione 35. Intervalli composti .

LEZIONI 30–35, ESERCIZI. INTERVALLI .

e adesso? 

Note sull’Autore

Il Traduttore 

Tastiera 

 

 

Track List

Traccia Pagina

1. Il metro 4/4

2. Semibrevi 

3. Minime 

4. Semiminime  

5. Pause di semibreve 

6. Pause di minima 

7. Pause di semiminima 

8. Lezioni 1-3, Esercizi, Ear Training 1 

9. Lezioni 1-3, Esercizi, Ear Training 2

10. Lezioni 1-3, Esercizi, Ear Training 3 

11. Crome 

12. Crome e pause di un ottavo 

13. Figure col punto

14. Lezioni 4-6, Esercizi, Ear Training 1 

15. Lezioni 4-6, Esercizi, Ear Training 2

16. Lezioni 4-6, Esercizi, Ear Training 3

17. Indicazioni del tempo 

18. Lezioni 7-9, Esercizi, Ear Training 1

19. Lezioni 7-9, Esercizi, Ear Training 2 .

20. Lezioni 7-9, Esercizi, Ear Training 3 

21. Altezza delle note 

22. Ottave

23. Diesis .

24. Bemolli 

25. Lezioni 10-16, Esercizi, Ear Training 1 

26. Lezioni 10-16, Esercizi, Ear Training 2

27. Toni e semitoni

28. Scala cromatica 

29. Scala esatonale .

30. Lezioni 17-19, Esercizi, Ear Training 1

31. Lezioni 17-19, Esercizi, Ear Training 2

32. Scala di Do maggiore

33. Lezioni 20-23, Esercizi, Ear Training 1 

34. Lezioni 20-23, Esercizi, Ear Training 2

35. Scala di Do minore naturale 

36. La relativa maggiore/minore: Do maggiore/La minore

37. Lezioni 24-25, Esercizi, Ear Training 1

38. Lezioni 24-25, Esercizi, Ear Training 2 

39. La scala minore armonica 

40. La scala minore melodica ascendente 

41. La scala minore melodica discendente 

42. La scala minore melodica bachiana, ascendente e discendente

43. Lezioni 26-29, Esercizi, Ear Training 1 

44. Lezioni 26-29, Esercizi, Ear Training 2 

45. Lezioni 26-29, Esercizi, Ear Training 3 

46. Intervalli: quarta giusta e quinta giusta . . 

47. Intervalli melodici e intervalli armonici 

48. Intervalli giusti 

49. Intervalli maggiori 

50. Intervalli minori 

51. Lezioni 30-35, Esercizi, Ear Training 1 

52. Lezioni 30-35, Esercizi, Ear Training 2 

53. Lezioni 30-35, Esercizi, Ear Training 3 

54. Lezioni 30-35, Esercizi, Ear Training 4

55. Lezioni 30-35, Esercizi, Ear Training 5

56. Lezioni 30-35, Esercizi, Ear Training 6

57. Lezioni 30-35, Esercizi, Ear Training 7 

Price: €23,99
€23,99

NORTHERN ITALIAN & TICINO REGION FOLK SONGS FOR MANDOLIN-Carlo Aonzo-Ponzoni-Borsani CD TABLATURE

NORTHERN ITALIAN & TICINO REGION FOLK SONGS FOR MANDOLIN. Carlo Aonzo, Clara Ponzoni, Giorgio Borsani. CD TABLATURE

Ticino is a small area at the southernmost tip of Switzerland on the border with Italy. The Ticino region was actually part of Italy until a few centuries ago. The mandolin arrived in Ticino through immigrants and their music, and put down important cultural roots there. The mandolin style in Ticino is a link to the old Italian folk music tradition, which has been largely lost in Italy and throughout other parts of the world. This book is a collection of some of the most famous pieces from this vast historical repertoire. The collection includes lots of popular folk songs, virtuosic pieces by original mandolin composers, as well as an original Aonzo composition. The book is presented in English and in Italian while the music is in standard notation and mandolin tablature. 

PREFACE
In a small area in the south of Switzerland, right on the border with Italy, there is the Ticino. This small territor)j until a few centuries ago was part of Italy, has therefore various shades of Italian culture, although part of Switzerland. Ticino (like the remaining part of the nation) had a great economic and industrial development since the end of 19th century. Then it was transformed from a land of emigrants (from Ticino to America) in a land of immigration. It's probably just due to immigration of many Italians that the mandolin arrived in Ticino, and took important roots, and become one of the main elements of the local cultural heritage. In Ticino, in fact there is a high density of musicians and mandolin orchestras. Mandolin music has a great tradition of aggregation and celebration. Even today it grows spontaneously among musicians and fans who are happy to spend some time together enriched with mandolins, guitars, bass, singing, accordion and other instruments. This way of playing that has been lost in Italy and in other parts of the world, but in Ticino still stands. Polkas, songs, waltzes, mazurkas, opera arias, serenades still resound until late in the meeting places. All accompanied by good traditional wine and food. In addition to spontaneous music, there are many mandolin orchestras, playing written repertoire for this kind of ensemble (which is not the aim of this book). The spontaneous repertoire is rather huge, and linked to the ability and knowledge of the individual musicians. It ranges from popular songs (many have unknown authors) to the original mandolin composers, through music handed down by oral tradition (many musicians could not read music) to the repertoire of great virtuosity. Significant sources were the magazines published in Italy by the end of 19th centur)j which were issued every two weeks and that subscribers waited anxiously ("II plettro", "II mandolino", and others ... ). The aim of this book is broadcasting to all the mandolin lovers worldwide the musical culture in Ticino and the joyful and kind liveliness characterizing the Italian Switzerland.

AUTHORS' NOTES
In popular music performer rarely plays with score; composition are learnt, arranged and performed by ear. This is the reason why the written notes are just a trace, and the interpretation is different each time.

CARLO AONZO
He performs regularly in Europe and the United States, where he has established himself as a principal proponent of the classical mandolin. He graduated with honors from the conservatory in Padova. He has played with several musical institutions like the Philharmonic Orchestra of La Scala in Milan and the Nashville Chamber Orchestra. Among his awards are the "Vivaldi" first prize in Venice, and first prize at the Walnut Valley National Mandolin Contest in Winfield Kansas. He has recorded a concert video on the mandolin repertory across the centuries for Mel Bay (Usa). His CDs include "Serenata" (Acoustic Music, Germany), "Traversata" (Acoustic Disc, USA), "Antonio Vivaldi - Concerti per Mandolino e Concerti per Orchestra" (EDT,Torino), in 2007 the acclaimed "Kaze", in 2008 "mandolino italiano nel Settecento", and in 2010 "Fantasia Poetica". He leads the "Manhattan Mandolin Workshop" in New York and in 2006 he began the International Italian Accademy for the Mandolin. As a researcher, he has worked on the origins of his instrument and has collaborated with the New Grove Dictionary of Music and Musicians. He edited several mandolin musical publications and gives presentations on the iconography of the mandolin, in institutions such as Boston University and the National Instrument Museum in Rome.

GIORGIO BORSANI
Born in Como (Northern Italy), he began studying classical guitar at the age of 12, graduating at the Conservatory "Giuseppe Nicolini" in Piacenza. Currently has partnerships with several ensembles, also as soloist, and is a member of some plucked orchestras in Switzerland and in Italy. Along with concert activity he supports the didactics, he taught in various music schools and is responsible for instrumental training in mandolin ensembles in Switzerland and works in the organization of national and international music courses. He's also involved the organization of concerts and musical events and degreed in Economics for Arts, Culture and Communication.

CLARA PONZONI BORSANI
Born and grown in Switzerland, she began studying mandolin orchestras when she was a child in the local plucked orchestras and pursued her studied with Carlo Aonzo. She plays in some mandolin orchestras, in duo with classical guitar (Duo Vivace) and as a soloist or chamber orchestras. The repertoire ranges from folk to contemporary music. He regularly gives concerts in Switzerland and abroad. In addition to the musical activity, deals with teaching and organization of national and international music courses as Maestro Aonzo' collaborator.
 

Al Grott del Fin - Remo Giambonini

Carnevale di Venezia - Arr. Carlo Munier
Cesarina - Cesare Pezzolo
Czardas - Vittorio Monti
Graziella - Pino Guerra
L’Alborela - Remo Giambonini
La Sisina - Traditional
Nina Pancha - José Garcia
Ninna nanna - Giuseppe Aonzo
Oh Katia! - Traditional
Polca del Dorin - Traditional
Scugnizza Remo - Giambonini
Speranze perdute - Alessandro Morelli
Tarantella - Raffaele Calace
Tra veglia e sonno - Luigi Canora
Vulcano - Mario Cavallari

Price: €32,99
€32,99

PLAYING GUITAR IN JAZZ BAND Practical Guide Students Teachers Sinclair LIBRO CD TABLATURE

PLAYING GUITAR IN JAZZ BAND, A Practical Guide for Students and Teachers. David Sinclair. CD TABLATURE

 

 

Format: Book & CD

Instrument: Guitar

 

Playing Guitar in Jazz Band is for beginning to intermediate guitarists who are interested in playing in a jazz big band. Playing this style of guitar can be challenging, as the chord changes are often complex, yet the guitar parts should remain simple enough to avoid detracting from the overall sound of the band. This book breaks down that process by substituting difficult chord shapes with more flexible voicings that are designed to sound good on the guitar. Learn a wide variety of rhythmic patterns and work with authentic chord charts that are exactly like the ones you will encounter in real-life situations. This is the perfect crash course for students who have just joined their first jazz band and the ideal companion for music teachers who want to better understand the role of the guitar in their ensemble. A CD demonstrating the examples in the book is included. 

Price: €23,99
€23,99

TOTAL LATIN GUITARIST A Fun and Comprehensive of Latin Guitar Playing Doug Munro CD TABLATURE

The Total Latin Guitarist
A Fun and Comprehensive Overview of Latin Guitar Playing
By Doug Munro

Series: The Total Guitarist
Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar

It’s time to infuse your playing with a little hot-blooded romance! The Total Latin Guitarist is an exciting journey into the world of Latin guitar playing. The book begins by teaching you soloing and accompaniment techniques used in all genres of Latin music, as well as the rhythmic backbone of many Latin styles, the clave. You'll learn to play in the Afro-Cuban styles of salsa, rumba, guaguancó, cha-cha-cha, mambo, and songo. You'll get a solid introduction to the Brazilian styles of choro, samba, batucada, partido alto, bossa nova, baião, and frevo. Other Latin styles featured are meringue (Dominican Republic); calypso, soca, and bachata (Trinidad); tango (Argentina); and ranchera, mariachi, norteño/conjunto, and tejano (Mexico). Aside from all of the important techniques involved with playing these styles, you will also learn all of the relevant theory. This book is for guitar players who are already familiar with the basics, but are looking to expand their vocabulary and repertoire in new and exciting ways. The CD features a full band demonstrating the examples in the book. 

Price: €29,99
€29,99

GROOVY GUITAR 15 CLASSIC '60 SONGS Bill Piburn CD TABLATURE LIBRO (Sittin' On) The Dock Of The Bay

 

GROOVY GUITAR, 15 CLASSIC '60 SONGS. Bill Piburn. CD TABLATURE

 

Series: Guitar Solo

Format: Softcover with CD - TAB

Arranger: Bill Piburn

Artist: Various

 

From the editor of Fingerstyle Guitar magazine comes 15 custom arrangements of popular music classics, including: Daydream • Happy Together • A Hard Day's Night • Last Train to Clarksville • Scarborough Fair • (Sittin' On) The Dock of the Bay • Spooky • Walk On By • What Becomes of the Broken Hearted • and more. Songs are arranged for solo guitar in notes and tab.

 

Song List:

Daydream

Downtown

Happy Together

A Hard Day's Night

I'll Never Fall In Love Again

Last Train To Clarksville

Mellow Yellow

Scarborough Fair

(Sittin' On) The Dock Of The Bay

Spooky

Sunny

Up On The Roof

Walk On By

What Becomes Of The Broken Hearted

What The World Needs Now Is Love

 

56 pages

Price: €26,99
€26,99

POPULAR GUITAR STYLES REGGAE & MUSIC OF THE ISLANDS Burkhard Buck Wolters CD TABLATURE

 

POPULAR GUITAR STYLES, REGGAE & MUSIC OF THE ISLANDS. Burkhard Buck Wolters. CD TABLATURE

 

Popular Guitar Styles: Reggae and Music of the Islands reflects recent popular styles and transfers them to classical or fingerstyle technique. Guitar players who want to add reggae or Island music to their solo-repertoire will find an original and unique collection of compositions which will give joy to both players and listeners. The playing-level is intermediate to advance. Left-hand difficulties like barres and stretches are minimized as much as possible to make it easy to make the music groove. Written in notation and TABLATURE.

Series: Popular Guitar Styles

Price: €29,99
€29,99

BRAZILIAN RHYTHMS FOR GUITAR, Samba, Bossa Nova, Choro, Baião, Frevo, Other Styles. Arana. CD TABLATURE

 

Brazilian Rhythms for Guitar
Samba, Bossa Nova, Choro, Baião, Frevo, and Other Brazilian Styles
By Carlos Arana
Series: Guitar Masters Series
Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar

Educator and performer Carlos Arana captures Brazil's rich musical heritage with impeccable stylistic, historic, and technical analyses. The first section of this book covers the fundamental rhythmic and harmonic characteristics of samba, bossa nova, and choro styles followed by practical applications on the guitar. The practical applications break each of the styles down to their historic and regional roots combined with examples that capture the essence of each style. The next section takes you to the northeast of Brazil with the rhythm figures of baião, toada, xote, afoxé, frevo, Marcha, and Marcha Rancho. Over 60 examples, written in standard notation and tablature, are demonstrated on the included CD. 

Price: €22,99
€22,99

PENTATONIC SOLOING STRATEGIES FOR GUITAR, Modern Ideas for All Styles. Erik Halbig. CD TABLATURE

 

PENTATONIC SOLOING STRATEGIES FOR GUITAR, Modern Ideas for All Styles. Erik Halbig. CD TABLATURE

Pentatonic Soloing Strategies per la chitarra prende i più comuni strumenti di improvvisazione, le scale pentatoniche, e vi fa vedere le sue praticamente illimitate possibilità. Inizia con scale pentatoniche standard magiori e minori nelle 5 posizioni base e continua con la sfida delle variazioni pentatoniche per string skipping e sweep picking. Il libro culmina con le serie delle scale ?, compreso la 9-a tonica, diminuita, e la scala pentatonica a tono pieno aumentata. CD con la dimostrazione di tutti gli esempi inclusi nel libro.

Pentatonic Soloing Strategies for Guitar Modern Ideas for All Styles
By Erik Halbig
Item: 00-35302
UPC: 038081396064
ISBN 10: 0739070967
ISBN 13: 9780739070963

Series: The Improv Series
Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar

Pentatonic Soloing Strategies for Guitar takes the most common improvisational tool, the pentatonic scale, and shows you its almost limitless possibilities. It begins with standard major and minor pentatonic scales in the five basic positions and quickly moves into challenging pentatonic variations for string skipping and sweep picking. The book culminates with a series of substitution scales, including the rootless 9th, the half-diminished, and the whole-tone augmented pentatonic scales. A CD demonstrating all the examples in the book is included:

FEATURES

THEORY, FORMS AND VARIATIONS FOR MAJOR AND MINOR PENTATONIC SCALES.

PENTATONIC SCALE PATTERNS THAT INCORPORATE SWEEP PICKING AND STRING SKIPPING.

EXTENDED INTERVAL FINGERINGS

12 SUBSTITUION SCALES TO EXPAND YOUR TONAL VOCABULARY AND ADD COLOR TO YOUR PLAYING.

EXAMPLES IN TAB AND STANDARD MUSIC NOTATION.

 

INTRODUCTION
The pentatonic scale is a scale consisting of five notes. It can be found in almost every style of music, from early African-American spirituals such as "Swing Low, Sweet Chariot" to the classical compositions of Claude Debussy and Maurice Ravel to the bluesy rock guitar sounds of Jimi Hendrix, Jimmy Page, and Eric Clapton.
Players sometimes fall into the rut of playing the "same old pentatonic licks." This book-which will change how you think about the pentatonic scale-is the remedy for this situation.
This is not a beginner's book. To use it effectively, you should already have a working knowledge of music, music theory, and the minor and major pentatonic scales. However, a quick review of the basics is included on page 5. A review of the minor and major pentatonic scales follows (starting on page 11), after which you will learn many new and exciting ways to manipulate and rework these basic scales. Most importantly, practical applications are provided.
There are lots of new ideas in this book to stimulate your own creativity. You can write
down ideas that come to you on the blank page (page 95) at the end of this book. Good luck!

A compact disc is included with this book. Use the CD to help ensure you're capturing the
feel of the examples and interpreting the rhythms correctly. The symbol shown at the left
appears next to every example that is on the CD. Example numbers are above the symbol,
while the track number below the symbol corresponds directly to the example you want to
hear. If there's a decimal (1.1,1.2, etc.), it means that there's more than one example on the
track. Track I provides tuning notes for your guitar.

ABOUT THE AUTHOR
Erik Halbig holds a degree in studio/jazz guitar performance from the University of
Southern California School of Music. He has presented numerous clinics and special
seminars at the California and Nashville campuses of the National Guitar Workshop.
He is also the author of two other Alfred/National Guitar Workshop titles: Mastering
Rock Guitar (#14096) and Stand Alone Tracks: Country (#17805). Currently living
in Nashville, Tennessee, Erik is busy doing session work and touring. He has toured
and recorded with Sugarland, Sara Evans, Blackhawk, Tanya Tucker, Wynonna,
and many others.

Acknowledgements
Thanks to Bruce Bolen, Jr. at Fender Guitars, Myles Rose at Groove Tubes, Ryan
and Chris at Gadow Guitars, Derek Brooks at Ernie Ball, Danica Levy at Levy's
Leathers, James Heidrich at Bad Cat Amplifiers, Steve Blucher at DiMarzio,
Michael Tuttle, Don Grosh, and Ampeg Amplifiers.

 

CONTENTS
About the Author .
Introduction .
Getting Started .
Whole Steps, Half Steps, and Scales .
Standard Music Notation .
Tablature (TAB) .
Sliding .
The Guitar Fretboard .
Pentatonic Theory , .
The Major Scale .
The Minor Pentatonic Scale .
The Major Pentatonic Scale ; .
The Minor Pentatonic Scale .
Five Minor Pentatonic Scale Forms in A .
The Major Pentatonic Scale .
Five Major Pentatonic Scale Forms in A .
Variations .
Variation I-Sliding Combinations .
Variation 2- Weaving Combinations .
Variation 3-Extended Weaving Combinations .
Variation 4-Extended Weaving and Sliding Combinations .
Variation 5-Skipping and Weaving .
Variation 6-Sequenee Weaving .
Variation 7-Weaving and Sliding .
Extended Interval Fingerings .
Extended 4th Intervals .
Extended 5th Intervals ,. .
Extended 7th Intervals .
Penta-Scales .
Pentatonic Motives .
Four-Note Motives .
Five-Note Motives .
String-Skipping Pentatonics .
One-Note-Per-String Pentatonics-Sweep Picking .
One-Note-Per-String Pentatonic Combinations .
Substitutions .
Rootless 9th Pentatonic Scale .
Dominant 7th/9th Pentatonic Scale .
Minor 6th Pentatonic Scale .
Minor 6th Blues Pentatonic Scale .
Lydian Dominant Pentatonic Scale .
Half-Diminished Pentatonic Scale .
Lydian Pentatonic Scale .
Dominant Pentatonic Scale .
Altered Dominant Pentatonic Scale .
Whole Tone Augmented Pentatonic Scale .
Dominant 7b9 Pentatonic Scale .
Diminished Pentatonic Scale .
Conclusion .

Price: €21,99
€21,99

Fox MIMI Guitar Method Graduated Soloing LIBRO CD TABLATURE SOLO SCALE ARPEGGI PATTERN JAZZ

Mimi Fox Guitar Method The, Graduated Soloing. CD TABLATURE

 

This method book by renowned jazz artist Mimi Fox utilizes a unique approach to helping guitarists develop strong solos. Scales, arpeggios, patterns, and syncopated rhythms are introduced in a logical clear fashion. All of this is then applied to the "graduated" studies that follow.

Starting with simple melodies, and then progressively adding more complex figures based on arpeggios, scales, passing tones, and syncopated rhythms the "graduated" solos will teach students how to develop their own great solos by using the techniques contained herein. "Graduated Soloing" is stuffed full of great ideas/patterns/licks drawn from Mimi's many years of playing with the top musicians in Jazz/Pop music.

The book concludes with an explosive solo of Mimi's over a 12 bar blues and includes tab as well as musical notation with a detailed analysis by the author. CD contains all examples and solos.

Format: Book/CD Set
ISBN: 0786681381
UPC: 796279110525
ISBN13: 9780786681389
Series: Non-Series

Price: €24,99
€24,99
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