Product Description:
Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as The Wind Cries Mary, Little Wing, and Castles Made of Sand), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressions

Chord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, R&B, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist’s ability to "stand alone"; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. CD included. Standard notation and tablature.

Price: €24,99

BUSTER B. JONES JUST US-14 Complete Notation & Tab Transcriptions CD TABLATURE LIBRO SPARTITI

BUSTER B. JONESJUST US: 14 Complete Notation & Tab Transcriptions. CD TABLATURE

Product Description:
Although his scorching fingerpicking was most impressive at first glance, a closer look at "Just Us" reveals that he is equally adept at what many musicians consider as a more difficult task: playing fewer notes... ones that mean more, and say more with less, as he does on album opener "A Simple Gift", title cut "Just Us", and "One Sad Clown".

"Just Us" is an album consisting largely of his own compositions inspired by his two main guitars "Merle" and "Pearl". Along the way we are treated to a barn-storming version of "Alabama Jubilee" (it must be tunes like this that caused Chet Atkins to say of Jones "He plays like he's double-parked"), "Collage-a-Reed" and "Clawin'" (each inspired by mentor Jerry Reed), while "Let the Sun Shine In" sounds like an instant fingerpicking classic that you could swear you have heard before, but haven't. Including detailed notation on 15 of Buster’s songs from "Just Us", this Book/CD lesson will challenge even the best players. Presented in standard notation and tablature.

Song Title: Composer/Source:

A Second Glance
A Simple Gift
Alabama Jubilee
Be Like Dad
Flight Path
Just Us
Last Request
Let the Sun Shine In
One Sad Clown
Still Live Five
The Thoughts of One
Thom's Thumb

Price: €32,99


KESSEL BARNEY, A Step-by-Step Breakdown of His Guitar Styles and Techniques. Barney's Blues -Begin The Blues -Contemporary Blues -Easy Like -Foreign Intrigue -Indiana (Back Home Again In Indiana) -(I'm Afraid) The Masquerade Is Over -Minor Mood -On A Slow Boat To China -Salute To Charlie Christian -64 Bars On Wilshire -Speak Low -Tenderly -Vicky's Dream. CD TAB.

Wolf Marshall guides guitarists through the styles and techniques of jazz legend Barney Kessel, examining in depth 14 top tunes. 96 pages.

Price: €29,99


BLUES DELUXE. D. Rubin. All the King's Horses (Luther Allison) -Are You Losing Your Mind? (Buddy Guy) -Don't Take Advantage of Me (Johnny Winter) -Give Me Back My Wig (Hound Dog Taylor) -Gravel Road (Magic Slim) -Look Now, Baby (Son Seals) -Master Charge (Albert Collins) -The Moon Is Full (Albert Collins & Robert Cray) -Somebody Loan Me a Dime (Fenton Robinson) -Two-Headed Man (Lonnie Brooks). CD TAB.

Series: Guitar Masters Series
Format: Softcover with CD - TAB
Author : Dave Rubin
Artist : Various

Learning authentic blues has never been more fun! Not only does this deluxe edition provide accurate transcriptions of ten blues classics plus performance notes and artist bios, it also includes a CD with the original Alligator Records recordings of every song!
120 pages

Price: €31,99

BURRELL KENNY Step-By-Step Guitar Styles Techniques Jazz Legend LIBRO CD TABLATURE

BURRELL KENNY, A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend. All Night Long -All Of You -Autumn Leaves -Do What You Gotta Do -Groovin' High -In A Sentimental Mood -K.B. Blues -Lyresto -Moment's Notice -My Favorite Things -Since I Fell For You -Soulful Brothers -This Time The Dream's On Me -Wholly Cats. CD TAB.

Techniques of a Jazz Legend
Series: Signature Licks Guitar
Format: Softcover with CD - TAB
Artist : Kenny Burrell
Author : Wolf Marshall

Take an in-depth look at Kenny Burrell's jazz guitar mastery with Wolf Marshall, who will teach you how to play some of his hottest licks. Wolf covers 14 tunes. The CD features a demo of each. 128 pages

Price: €29,99

FLUID SOLOING BOOK 4, String Skipping & Wide Interval Soloing for Guitar, Quinn. CD TABLATURE

FLUID SOLOING BOOK 4, String Skipping & Wide Interval Soloing for Guitar, Quinn. CD TAB.

Product Description:
String Skipping & Wide Interval Soloing: 212 Melodic Studies and Patterns for Guitar is a much-needed guitarist’s guide to mastering wide interval soloing.

This collection of repeating, continuous motion studies shows the guitarist how to develop melodic patterns that are characterized by large intervallic jumps in pitch, from one note to the next, in constant succession. This book presents four unique approaches to developing wide interval soloing, all of which utilize string skipping: 1) double pentatonic scales, which are three-note-per-string pentatonic scale patterns; 2) octave sliding, which uses sliding octave shapes in a variety of ways; 3) stacked fifths, which are wide interval shapes derived from pentatonic scales; and 4) wide interval arpeggios derived from the diatonic major scale.

The sound that results from these techniques is exciting and unpredictable because it is such a departure from conventional melodic flow, which tends to be scalar, moving stepwise from one note in a scale to the next. By contrast, wide interval soloing is angular and skewed with big skips and sudden directional changes, creating a complex and fascinating sound. All of the studies in this book are designed as melodic etudes that can be applied directly to soloing in rock, jazz, fusion, and blues music.

This book is ideal for serious guitarists in any style who want to break out of typical soloing patterns and create a more explosive, radical sound! CD included. 152 Pages.



Section One: Double Pentatonic Scales and Shapes
A) Basic Non-Shifting Scale Exercises

Double Pentatonic Scale Fingerings
Wide-Interval Shapes
Basic Sequencing Exercises
Non-Shifting String Skipping Exercises
Stacked Fifth Exercises
B) String Skipping Shapes and Position Shifting

String Skipping Shapes
String Skipping Shape Sets
Shift Patterns (for horizontal position shifting)
Motion Exercises (using the shift patterns)
Non-Shifting Exercises (using shape sets)
C) Melodic Studies

Six Studies, presented in one scale fingering that combines All Of The Above
How to apply each melodic study to a different scale fingering

Section Two: Octave Sliding
A) Identifying Octave Shapes within Pentatonics
B) Octave Sliding Exercises

23 exercises showing all of the possible ways to slide octaves within one pentatonic scale fingering area
How to apply octave scale sliding exercises to other scale fingerings
C) Melodic Studies (Fifteen Studies)

Section Three: Pentatonic "Stacked Fifths"
A) The Concept
B) Wide Interval Shapes (in 5 fingerings)
C) Shape Connection Exercises

Non-Shifting (Positional)
Shifting (Whole Neck)
Combining Shifting and Non-Shifting Motion
Section Four: Wide Interval Diatonic Arpeggios
A) Diatonic Arpeggios in 5 Fingerings
B) Wide Interval Arpeggio Sets

Due to the large volume of exercises in this book, only selected examples are represented on the CD. It is in the student's best interest to study all the exercises for any given subject, including those that are not represented on the CD.
Breaking up the predictability
Exercises playing Sets 2-5 in all 12 keys
C) Licks Using Arpeggios

Section Five: Soloing Etudes
Appendix: "Guidelines For Using This Book"
Tablature Symbols Key

Price: €19,99



Category: Guitar Method or Supplement
Format: Book & CD
This amazing three-section set of personal lessons with jazz guitar guru Don Mock features hours of personal audio instruction, play-along tracks, and demonstrations, with a complete accompanying book of music examples, exercises, and transcriptions in notation and TAB. Section 1 covers the all-important, Wes Montgomery-inspired Octave Technique. Section 2 is devoted to the target tone concept, which simplifies the improvising process, enabling you to play sophisticated lines that resolve beautifully into the correct chord tones. Section 3 is devoted to turnarounds: short four-chord progressions often found at the end of tunes to setup and return to the beginning.

Price: €27,99





By Don Mock
Category: Guitar Method or Supplement
Format: Book & CD










This powerful book and audio lesson will expand your knowledge of not only the familiar V dominant 7th, but all of the secondary dominant 7ths that can be found in major and minor keys. Join Don Mock as he builds "master scales" for each dominant 7th and shows you the best voicings and the theory behind how they function. You’ll also explore the subject of extensions and alterations that can be added to dominants and the two basic ways dominants operate which are "static" and "functioning." You’ll play them in progressions and tunes and learn sample solos that demonstrate the correct scales, arpeggios and melodies for the various dominants. Discover why the study of dominant 7th chords will offer you the "keys to the kingdom" for truly understanding the workings of music. This one magical little chord gives music it’s movement, energy and tension. Knowing how dominants work will also greatly improve your dealings with other chord types including major and minors.

Welcome to this lesson on dominant 7th chords. A whole lesson on a single chord may sound a bit boring but stay tuned. With the aid of the pages here in the book and the audio recording, I hope to expand your knowledge of not only the familiar "V" dominant 7th, but all of the other secondary dominant 7ths that can be found in major and minor keys. We'll learn the best voicings and uses for dominant 7ths and the theory behind how they function. We'll also explore the subject of extensions and alterations that can be added to dominants and the two basic ways dominants operate which are "static" and "functioning." We'll play them in progressions and tunes and learn some sample solos that demonstrate the correct scales, arpeggios and melodies for the various dominants. And you'll learn that the study of dominant 7ths offer you the "keys to the kingdom" for understanding the workings of music. This one magical little chord gives music it's movement, energy and tension. Knowing how dominants work will also greatly improve your dealings with other chord types including major and minors. We will begin with understanding the diatonic system, it's "cycle of 5ths" and secondary dominants. Most players don't have a clear understanding of how and why there can be several "secondary" dominants in a single key. I was one of those players. I learned to play Rock, Blues and Jazz primarily by ear, and although I could play convincing chords and melodic lines over secondary dominants, I really didn't fully understand what they were or where they came from. This led to a lot of frustrating playing situations on gigs where I had to basically "fake it" by ear through certain chord changes. Even during my early years teaching theory at GIT, I did not clearly understand the big picture of the diatonic system's secondary dominants. I figured they were based in some form of "classical" theory and didn't relate to the modern music I was playing. Was I ever wrong. When I finally pieced together the complete story of secondaries, I found it much easier to negotiate even the most difficult chord changes. And my chord choices and melodic lines began to make much more musical sense. This lesson may appear to be very intense with lots of lists, details and the "do's and don'ts" of dominant 7ths. And to an extent, it is, but after we learn the specifics of each dominant type, there is a very important section later on where we will simplify and streamline all the information covered into an easy and practical "player's approach" to dealing with dominant 7ths. But for now, let's start at the beginning and learn as much as you can about each dominant chord. Learn the master scales and chord voicings and check out the sample solos which are full of melodic phrases you can use in lots of situations. And play all the chord progressions to help train your ear. You'll find that each dominant has it's own unique personality and sound. And once you start to "hear" those, you'll have much more success dealing with them.

About the Music Notation in This Book.

The point of the lesson is to learn the theory and application of dominant 7ths in the easiest and most practical way. Some traditional "classical" notation rules are not followed such as lower-case Roman numerals usedfor minor chords. Only upper-case numerals are used. Also, chord symbols will always be notated as; "m" for minor, "maj" for major, "dim" for diminished and "aug" for augmented. Alterations will not be in parenthesis with very few exceptions. And to help you clearly understand and analyze dominants in "keys," chord symbols in the examples will usually be shown as basic "seventh chords" with no extensions or alterations added.


The dominant 7th gives music movement, energy, and tension. This powerful audio lesson and book will expand your understanding of not only the familiar “V” dominant 7th, but all the secondary dominant 7ths in major and minor keys. Join Don Mock as he builds “master scales” for each dominant 7th, demonstrates the best voicings, and explains the theory behind how they function. You’ll explore extensions and alterations of dominants, as well as the two basic ways dominants operate, “static” and “functioning.” The included progressions and tunes give you a chance to practice, and sample solos demonstrate the correct scales, arpeggios and melodies. Discover why the study of dominant 7ths offers you the “keys to the kingdom” for truly understanding the workings of music.


Don Mock has become one of America's most respected guitar educators and players. Growing up in the Seattle area, his musical upbringing probably parallels that of any guitarist who started out in the 60's. First influenced by the Beatles, and guitar hero's like Jimi Hendrix, Alvin Lee, Eric Clapton and Mike Bloomfield, Don soon discovered Jazz and emulated many of the top players of the time. Don's reputation grew from the rock guitarist to the jazz guitarist in the Northwest. His ability to quickly learn the styles of other guitarists turned out to be quite an advantage in the long run. After evolving through the various rock, blues and jazz phases, borrowing from all the best, Don is now the master of his own style, a style that is literally a "fusion" in the purest sense of the word. Don is well known among guitarists for his amazing technique and total command of the instrument. His improvising concepts have been documented in several instructional books including: "Hot Licks," "Fusion - Hot Lines," "Ariful Arpeggios," "Ten," his popular Warner/Alfred Guitar Scale Secrets series: "Melodic Minor Revealed," "Harmonic Minor Revealed" and "Symmetric Scales Revealed." His recent Guitar Axis Masterclass series include; "Octaves," "Turnarounds" and "Target Tones." Don's latest work; "Modal Mojo" is the definitive study of modal playing. He also has three instructional videos: "The Blues from Rock to Jazz," "Jazz Guitar Tips" and "Jazz Guitar Rhythm Chops." Don began his teaching career in 1972 at the Cornish School of the Allied Arts and Olympic Jr. College, both in Washington State. In 1974 Don met guitar legend Howard Roberts and soon managed guitar-teaching seminars in the Northwestfor Howard. In 1977, Howard brought Don to Los Angeles to help start the Guitar Institute of Technology (GIT). Don became a primary instructor and curriculum author for the school. That same year, Don teamed up with publisher Roger Hutchinson (REH) to write and produce guitar method books. Don taught full time at GIT until 1983 when he began a part-time arrangement commuting back and forth from Seattle to LA. He also traveled around the U.S. and to Europe giving seminars to promote GIT. LA., Don had an exciting fusion band and performed at most of the top jazz venues. The band developed a large following of students and fans alike. He became well known for his intense style and amazing guitar synthesizer. In 1983, Don was brought in to direct most ofGIT's 300 plus videos. And in 1988, when REH began its very successful instructional video line, Don was hired as the primary director and producer. His talent and expertise as a player and teacher, as well as video producer, have been a huge benefit to the many artists who have been featured in REH videos. Artists include: Joe Pass, Allan Holdsworth, Robben Ford, Scott Henderson, Herb Ellis, Steve Morse, Paul Gilbert, Pat Martino, Albert Collins, Frank Gambale, Al DiMeola, Keith Wyatt, John Petrucci, Joe Diorio, Clint Strong and many more. As a recording artist, Mock has appeared as a sideman on several albums and has two solo efforts: "Mock One" and "Speed of Light. " In 2004, Don joined Jay Roberts, son of Howard Roberts, to establish the Roberts Music Institute in Bellevue, Washington. Don added his expertise in developing the schools curriculum and also teaches classes on contemporary guitar playing.




Introduction .

What Is a Secondary Dominant? .

Diatonic Harmony .

The Diatonic Cycle of 5ths .

Static and Functioning Dominant 7ths .

Building "Dominant Master Scales" .

I7-C7 (The Secondary Dominant 17 Chord) .

II7-D7 (The Secondary Dominant 117Chord) .

III7-E7 (The Secondary Dominant 1117Chord) .

IV7 -F7 (The Secondary Dominant IV7 Chord) .

V-G7 (The Primary Dominant V Chord) .

VI7 -A 7 (The Secondary Dominant VI7 Chord) .

VI17-B7 (The Secondary Dominant VII7 Chord) .

Combining the Master Scales .

All Dominant Demo .

Extensions and Alterations for Dominant 7ths .

Useful Dominant 7th Voicings: Extended .

Useful Dominant 7th Voicings: Altered .

Additional Altered Dominant Voicings .

Extensions and Alterations that can be added to Dominant 7ths .

Diatonic Chord Substitutes for Dominant 7ths .

Dominant 7ths in Progressions .

I7-The Secondary Dominant 17 Chord .

I7 Demo Solo .

I7 continued .

II7- The Secondary Dominant 117Chord .

II7Demo Solo .


III7-The Secondary Dominant 1117Chord .

III7Demo Solo .

III7continued .

IV7 - The Secondary Dominant IV7 Chord .

IV7 Demo Solo .

IV7 continued .

V- The Dominant V Chord .

V Demo Solo .

V continued .

VI7 - The Secondary Dominant VI7 Chord .

VI7 Demo Solo .

VI7 continued .

VI17-The Secondary Dominant VI17 Chord .

VI17 Demo Solo .

VI17 conti nued .

bV117-The Dominant bV117Chord .

bV117Demo Solo .

Flat-Fifth Substitution .

Diminished and Augmented Chords are Dominants Too .

Diminished and Augmented Scales .

Diminished/Whole Tone Demo Solo .

Minor/Major 7ths as Dominants .

Using Equivalent II Minor 7th Chords with Dominants .

Simplifying the 8 Dominants into 3 Basic Groups .

Chord Charts: Dominants in Tunes .

Price: €27,99


BEGINNING JAZZ BASS, How to Create Jazz Bass Lines Including Two-Feel, Walking Bass, Bossa Nova, Ballads, Fills & More! CD TAB.

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Author : Dominik Hauser

Ideal for any bassist looking to explore new styles, this one-on-lesson includes loads of exercises, diagrams, patterns, styles, and real-life applications to study and practice. The 43-track accompanying CD lets you play along with recorded exapmples to further fine-tune your jazz chops! 88 pages

Price: €26,99


THE CAGED SYSTEM FOR GUITAR, A Clear-Cut Guide to Learning the Entire Guitar Fretboard . CD TAB.

Series: Guitar Educational
Format: Softcover with CD - TAB
Author : Pete Madsen

The CAGED system, applicable to all playing styles, will help you clearly map out the fretboard with recognizable forms and shapes that intertwine sensibly. The result is equal comfort with all areas, and the confidence to play what you want, where you want! Break free from the prison of unfamiliarity - get CAGED! Covers major, minor and 7th chords, song structures, shortcuts, and info on studying theory. 48 pages

Price: €23,99
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