LIBRO CON CD

BRAZILIAN JAZZ GUITAR STYLES CARLOS BARBOSA-LIMA LIBRO CD TABLATURE SPARTITI CHITARRA

BRAZILIAN JAZZ GUITAR STYLES, C. B. LIMA. CD TAB.

Product Description:
Brazilian classical/jazz guitar virtuoso Carlos Barbosa-Lima and John Griggs have collaborated in writing these five extended, original solo compositions. These pieces explore a wide variety of Brazilian jazz rhythms, harmonies, and tone colors. The enclosed compact disc features Barbosa-Lima's performance of each solo. Thoughtfully written in separate standard notation and tablature editions, these pieces would best be played on a nylon-string guitar by the intermediate to advanced guitarist.

Amethyst John Griggs. Carlos Barbosa-Lima
Emerald John Griggs. Carlos Barbosa-Lima
Jacinth John Griggs. Carlos Barbosa-Lima
Sardius John Griggs. Carlos Barbosa-Lima
Topaz John Griggs. Carlos Barbosa-Lima

Price: €26,99
€26,99

BRAZILIAN JAZZ GUITAR-John Zaradin-Mike Christiansen-Felicidade-Desafinado CD TAB TABLATURE

BRAZILIAN JAZZ GUITAR. Zaradin. CD TAB.

Ogni titolo è scritto e registato in due versioni, la trascrizione completa dell'accompagnamento ritmico e in fingerstyle, nel libro anche la parte della voce. CD TAB.

Product Description:
Contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature. Tunes arranged by John Zaradin and Mike Christiansen. All tunes included on companion CD in solo and rhythm styles.

Thirteen classic Brazilian songs arranged for guitar solo. A comping etude is included for each song. A Felicidade -Chega De Saudade -Quiet Nights of Quiet Stars -Day in the Life of a Fool -Desafinado -Gentle Rain -Girl From Ipanema -How Insensitive -The Island -Meditation -One Note Samba -Sabia -So Nice (Summer Samba).

Song Title: Composer/Source:
01) Introduction
02) A Day in the Life of a Fool (lead sheet)
03) A Day in the Life of a Fool (solo) arr. Mike Christiansen
04) A Day in the Life of a Fool (rhythm) arr. Mike Christiansen
05) Chega de Saudade (lead sheet)
06) Chega de Saudade (solo) arr. Mike Christiansen
07) Chega de Saudade (rhythm) arr. Mike Christiansen
08) Desafinado (lead sheet)
09) Desafinado (solo) arr. John Zaradin
10) Desafinado (rhythm) arr. John Zaradin
11) A Felicidade (lead sheet)
12) A Felicidade (solo) arr. John Zaradin
13) A Felicidade (rhythm) arr. John Zaradin
14) Gentle Rain (lead sheet)
15) Gentle Rain (solo) arr. John Zaradin
16) Gentle Rain (rhythm) arr. John Zaradin
17) The Girl From Ipanema (lead sheet)
18) The Girl From Ipanema (solo) arr. Mike Christiansen
19) The Girl From Ipanema (rhythm) arr. Mike Christiansen
20) How Insensitive (lead sheet)
21) How Insensitive (solo) arr. Mike Christiansen
22) How Insensitive (rhythm) arr. Mike Christiansen
23) Meditation (lead sheet)
24) Meditation (solo) arr. Mike Christiansen
25) Meditation (rhythm) arr. Mike Christiansen
26) One Note Samba (lead sheet)
27) One Note Samba (solo) arr. Mike Christiansen
28) One Note Samba (rhythm) arr. Mike Christiansen
29) Quiet Nights of Quiet Stars (lead sheet)
30) Quiet Nights of Quiet Stars (solo) arr. Mike Christiansen
31) Quiet Nights of Quiet Stars (rhythm) arr. Mike Christiansen
32) Sabia (lead sheet)
33) Sabia (solo) arr. John Zaradin
34) Sabia (rhythm) arr. John Zaradin
35) So Nice (lead sheet)
36) So Nice (solo) arr. John Zaradin
37) So Nice (rhythm) arr. John Zaradin
38) The Island (lead sheet)
39) The Island (solo) arr. John Zaradin
40) The Island (rhythm) arr. John Zaradin
41) About the Authors

Price: €29,99
€29,99

CONTEMPORARY TROPICAL CLASSIC GUITAR COMPOSITIONS. José Febles. MEL BAY CD TABLATURE

CONTEMPORARY TROPICAL CLASSIC GUITAR COMPOSITIONS, José F CD TABLATURE

PREFACIO

Es una gran responsabilidad ademas de una satisfaccion personal escribir una o varias
composiciones para este hermoso instrumento, la guitarra, especialmente si pensamos en esos
grandes compositores como Agustfn Barrios Mangoré, Heitor Villalobos, Joaquin Rodrigo,
Antonio Lauro, Jorge Morel y otros. Humildemente y con gran respeto a estos grandes
compositores, he sentido la necesidad y el deseo de contribuir, mantener viva y en expectativa
la composicion para guitarra, pensando en aquellos aficionados que se deleitan en escuchar y
ejecutar la musica para este instrumento.
Este libro ofrece una excelente oportunidad a guitarristas y estudiantes a poder
interpretar musica contemporanea y fresca sin perder la esencia y la belleza que merece la
composicion de este bello instrumento. He aquf mi humilde aportacion a la musica para
guitarra clasica contemporanea.
José Febles

PREFACE
It is a great responsibility and also personally satisfying to write one or several compositions
for this beautiful instrument, the guitar. This is true especially when we think about the
great composers like Agustin Barrios Mangoré, Heitor Villalobos, Joaquin Rodrigo, Antonio
Lauro, Jorge Morel and others. Humbly and with great respect for these great composers and
thinking of those enthusiasts who enjoy listening and making music for this instrument, I have
feH the need and desire to contribute to the composition for guitar keeping it alive and full of
expectation.
This book offers an excellent opportunity for guitarists and students alike to play fresh,
contemporary music without losing the essence and beauty that a composition for this beautiful
instrument deserves. This is my humble gift to the music for contemporary classic guitar.
José Febles

 

EL AUTOR

José Febles nacio el18 de julio de 1949 en la ciudad de Ponce, Puerto Rico. Su
inclinacion musical desde una edad tiernafue evidente. Su padre J. Angel Febles (Gelo)
acordeonista, y su madre Nereida Toro, cantante aficionada, le dejaron como herencia el arte
musical. Comenzo sus estudios de musica a la edad de 9 anos en la escuela Libre de Musica
Juan Morel Campos donde estudio teoria, apreciacion musical, solfeo e instrumento siendo
este la trompeta.
Su aficion por la guitarra comenzo a los 13 anos cuando consiguio una guitarra y
comenzo a estudiar por su propia cuenta con diferentes métodos. Sus primeras lecciones
formales de guitarra fueron con los senores Rafael Martell y Francisco Laboy. A los 14 anos
escribio su primer arreglo musical el cual marco su futuro como uno de los mas destacados
arreglistas de el ambiente latino hoy dia.
En el ano 1969 se mudo a Nueva York donde ha cosechado tremendo éxito como
arreglista y compositor durante décadas. José ha sido arreglista de casi todos los artistas de
renombre en el mundo latino al igual que compositor, no solo en Nueva York sino también ha
realizado trabajos para artistas de otros paises como Japon, Holanda, Alemania, Francia,
Espana, paises de Sur América, Puerto Rico y de otros ciudades de los Estados Unidos. No fue
hasta la década de/80 cuando José comenzo a estudiar con el profesor de guitarra Jorge Morei,
quien en realidad desperto e/ interés en José por la composicion de guitarra.

THE AUTHOR
José Febles was born on July 18th, 1949 in the city of Ponce, Puerto Rico. His musical
inclination was evident from an early age. His father J. Angel Febles (Gelo), accordionist, and
his mother Nereida Toro, amateur singer, left him a legacy of musical artistry. He started his
musical studies at the age of 9 at the Escuela Libre de Musica Juan Morel Campos where he
studied theory, musical appreciation, solfeggio and instrument, the trumpet being the instrument
of study.
His love for the guitar started at the age of 13 when he found a guitar and started to study
by himself with different methods. His first formaI guitar lessons were with Rafael Martell and
Francisco Laboy. At 14 years of age he wrote his first musical arrangement which marked his
future as one of the most outstanding arrangers in the Latin field today.
In 1969 he moved to New York where he has had great success as an arranger and composer
for decades. José has been an arranger for almost alI the famous artists in the Latin world
not only in New York, but he has also produced arrangements for artists from other countries
like Japan, Holland, Germany, France, Spain, countries of South America, Puerto Rico and from
other cities in the United States. It was not until the ' 80s when José started to study under guitar
professor Jorge Morel, who in fact sparked José's interest in guitar composition.

8 Pieces:

l - Preludio d'Aida (Prelude d'Aida)
2 - Coral
3 - Ternura (Tenderness)
4 - Madrigal
5 - Black and White
6 - El Arpa del Rey David (King David's Harp)
7 - Oasis
8 - Cascada (Cascade).

CD Contents

Recording by Ben Bolt: Guitar 

 

Price: €22,99
€22,99

LATIN AMERICAN JAZZ FOR FINGERSTYLE GUITAR John Zaradin LIBRO CD TABLATURE BOSSA SAMBA RUMBA

LATIN AMERICAN JAZZ FOR FINGERSTYLE GUITAR. Zaradin. CD TABLATURE.

Inglese John Zaradin è un chitarrista talentuoso che si esibisce in jazz e in chitarra classica. Lui è particolarmente  esperto del vasto e variegato mondo del solo e stili ritmici della chitarra Latino Americana. Questo libro contiene 6 solo basati sul  Ritmo della Rumba (Mosaico de Rumbas) e sei solo eseguite in modalità Bossa-Samba (Ambientes Brasileiras). Ogni solo ha notazioni e tablature e rifletta la vitalità, il ritmo e l'improvisazione di questa idioma.

England's John Zaradin is a gifted performer both in jazz and in the field of classic guitar. He is especially knowledgeable in the wide and diverse world of Latin American guitar solo and rhythm styles. This book contains six solos based on the Rumba Rhythm (Mosaico de Rumbas) and six solos in the Bossa-Samba mode (Ambientes Brasileiras). Each solo is scored in both notation and tablature and reflects the vitality, rhythm, and improvisatory nature of this idiom.

Formato: Libro/CD 


Contenuto del CD:

Piedra de Toques

Conchicha de Mar

Preciso de Voçe

Arremolinando

Quintumba

Carumba! Como no?

Samba Risoleta

Que Distança

Esperança

Teardrops

Primavera

Solidão

Price: €26,99
€26,99

MUSIC OF LATIN AMERICA FOR ACOUSTIC GUITAR Barreiro libro CD tablature TICO TICO CUBA MESSICO PERU

MUSIC OF LATIN AMERICA FOR ACOUSTIC GUITAR. Barreiro. Tico tico e altri 15 titoli. CD TAB.

Music from: Cuba, Mexico, Brazil, Ecuador, Venezuela, Peru, Puerto Rico.

Price: €29,99
€29,99

MOREL JORGE-LATIN AMERICAN RHYTHMS FOR GUITAR-CD TABLATURE SPARTITI CHITARRA SALSA

MOREL JORGE, LATIN AMERICAN RHYTHMS FOR GUITAR. Tango, Samba, Malambo, aire de gato, ecc. CD TAB.

For FINGERSTYLE GUITAR.


Product Description:
Renowned Argentine virtuoso Jorge Morel offers insight in the playing of complex Latin dance rhythms: the milongo, tango, samba, malambo, and choro - plus a salsa tune! In standard notation and tablature.

Format: Book/CD Set

Contents:

Samba -- Arr. By Jorge Morel
Danza Paraguaya -- Arr. By Jorge Morel
Brasilian Dance (Choro) -- Arr. By Jorge Morel
Salsa -- Arr. By Jorge Morel
Tango -- Arr. By Jorge Morel
Malambo -- Arr. By Jorge Morel
Milonga Urbana -- Arr. By Jorge Morel
Argentinian Dance (Aire De Gato) -- Arr. By Jorge Morel
Milonga Campera -- Arr. By Jorge Morel

Price: €23,99
€23,99

MEXICO MUSIC FOR ACOUSTIC GUITAR VOL.1 BOOK & CD TABLATURE MARIA ELENA SPARTITI CHITARRA

MEXICO MUSIC FOR ACOUSTIC GUITAR VOL.1. Contiene 12 conosciute canzoni, tra esse "cielito lindo". CD TAB.

Product Description:
Books "Acoustic Guitar" category are written to be played fingerstyle on either nylon or steel string guitars. The titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature.

Product Description:
Books in Mel Bay's "Acoustic Guitar" category are written to be played fingerstyle on either nylon or steel string guitars. The titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature.
Format: Book/CD Set
Series: Acoustic Guitar Series

Song Title: Composer/Source:
Ay, Ajlisco No Te Rajes! (2:04) Arranged By Ruben Delgado
Cielito Lindo (2:04) Arranged By Ruben Delgado
Donde Estas Corazon? (2:47) Luis Martinez Serrano Arranged By Ruben Delgado
Jesusita En Chihuahua (2:03) Quirino Mendoza And Cortez; Arranged By Ruben Delg
La Adelita (2:13) Arranged By Ruben Delgado
La Golondrina (2:33) Arranged By Ruben Delgado
La Leyenda De La Llorona (6:06) Ruben Delgado
La Llorona (3:18) Arranged By Ruben Delgado
Maria Elena (2:30) Lorenzo Barcelata Arranged By Ruben Delgado
Noche De Rhonda (2:21) Maria Teresa Lara Arranged By Ruben Delgado
Solamente Una Vez (2:14) Augustin Lara Arranged By Ruben Delgado

Price: €35,99
€35,99

THE BRAZILIAN GUITAR BOOK Samba Bossa nova Brazilian Styles NELSON FARIA CD CHITARRA

THE BRAZILIAN GUITAR BOOK, Nelson Faria. Contiene 84 esempi di Samba, Choro, Bossa, frevo, Baião. Con fotografie, discografie, ritmi, ecc. ecc. . Con notazione tradizionale e accordi. CD

This is the only book on the market designed to show guitarists how to play authentic accompaniments in all the main Brazilian styles. On the accompanying CD, Nelson plays each exercise so the student can clearly hear and see what his role in this beautiful music is. There are also fingerboard diagrams for people who are not great readers. Nelson has been singer/songwriter Joao Bosco's accompanist for many years, one of the most prestigious gigs in Brazil. Endorsed by Tonino Horta and Joe Diorio, among others. 139 Pages.

By one of Brazil's best new guitarists. A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles (Samba, Bossa Nova, Frevo, etc. ) Comes with a CD of Nelson demonstrating each exercise, plus a tune in each style. Many variations of basic comping patterns written out, each with complete chord voicings. Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto, etc. Leny Andrade - "When I think about Brasil, I think about "Violao" (that's what we call the nylon string guitar in our country). The art of playing "Violao" looks simple, but it isn't and this book shows how to assimilate and how to understand this art. This makes me feel happy. With talent and clear information, Nelson will help guitar players all around the world to enjoy all the pleasures of this wonderful instrument. Make good use of this excellent musical book!" Toninho Horta - "Nelson Faria was the right person to write this book, which contains examples and transcriptions of Brazil's greatest guitarists. This talented musician and dedicated music professor has a deep knowledge of Brazilian music and its rhythmic, melodic and harmonic subtleties." Joe Diorio - "Nelson Faria's book is a welcome addition to the guitar literature. I'm sure those who work with this volume will benefit greatly."

Contents:
So te esperando (Song & accompaniment example) 17 samba variations.
Tristez (chord melody example) 17 samba variations.
Antes Tarde (song & accompaniment example) 6 bossa nova variations.
Triste (chord melody example) 6 bossa nova variations.
Influenciado (song & accompaniment example) 5 Choro variations.
Marceneiro Paulo (chord melody example) 5 Choro variations.
Ioio (song & accompaniment example) 5 Frevo variations.
Baiao por acaso (song & accompaniment example) 7 Baiao.

 

Guitarist, arranger and composer, Nelson Faria was born in Belo Horizonte, MG (1963), and when he was a child he moved to Brasilia, OF, where he began his guitar lessons. In 1983, he moved to L.A. to attend G.I.T (Guitar Institute of Technology), where he studied with Joe Diorio, Joe Pass, Ron Eschete, Howard Roberts, Scott Henderson, Frank Gambale, and many others. While in L.A., he also attended private lessons with the chord melody master Ted Greene. Back in Brazil, Nelson Faria became one of the most important names on call lists for guitar workshops, clinics and seminars all over the country. He released a book on improvisation -"A arte da improvisacao" (Lumiar Editora), an instructional guitar video "Toques de Mestre" (Giannini S/A), and a solo CD - "Ioio" (Perfil musical). He also performed on the instructional video "Secrets of Brazilian Music" and on the book "Brazilian Music Workshop" by Antonio Adolfo. Presently Nelson teaches guitar and improvisation at the ESTACIO DE SA UNIVERSITY, in Rio de Janeiro, Brazil, and has been performing and recording with many fine Brazilian artists, such as: - Milton Nascimento, Edu Lobo, Toninho Horta, Antonio Adolfo, Joao Bosco, Wagner Tiso, Nivaldo Ornelas, Nico Assumpcao, Baby Consuela, Cassia Eller, Luiz Melodia, Carlos Lyra, Emilio Santiago, Tim Maia, among others. Nelson Faria also leads his own group. Nelson's CD "Ioio" (containing complete versions of his original compositions found in this book) is available from Sher Music Co., P.O. Box 445, Petaluma, CA 94953.

TABLE OF CONTENTS:
About the author .
My special thanks to .
Note from the author .
List of recorded examples .
Understanding the chord symbol system .
Reading the examples .
Table of contents .
Credits .
PART I Samba
General outline .
Subdivisions .
Musical characteristics .
Basic pattern and variations for rhythm guitar .
Basic Pattern .
Musical example .
Variations .
Variation #1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Variation #4 .
Musical example 1 .
Musical example 2 .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Variation #7 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Musical example 4 .
Variation #8 .
Musical example 1 .
Musical example 2 .
Variation #9 .
Musical example .
Variation #10 .
Musical example .
Variation # 11 .
Musical example .
Variation #12 .
Musical example .
Variation #13 .
Musical example .
Variation #14 .
Musical example .
Variation #15 .
Musical example .
Variation # 16 .
Musical example .
Variation #17 .
Musical example .
Song example "So te esperanda" .
Accompaniment example "So te esperanda" .
Chord melody example "Tristeza" .

PART II Bossa Nova
General outline .
Musical characteristics .
Bossa Nova clave .
Basic pattern and variations for rhythm guitar .
Basic pattern - .
Musical example .
Variations .
Variation #1 .
Musical example .
Variation #2 .
Musical example 1 .
Musical example 2 .
Variation #3 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Variation #4 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Musical example 4 .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Song example "Antes Tarde" .
Accompaniment example "Antes Tarde" .
Chord melody example "Triste"

PART III - Choro
Musical characteristics ,
Musical examples .
Basic pattern and variations for rhythm guitar ,
Basic pattern ,
Musical example .
Variations .
Variation # 1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example .
Variation #4
Musical example .
Variation #5
Musical example .
Song example "1nfluenciado" .
Accompaniment example "1nfluenciado" .
Chord melody example "Marceneiro Paulo" ,

PART IV - Frevo
General outline .
Subdivisions .
Musical characteristics .
Musical examples .
Basic pattern and variations for rhythm guitar .
Basic pattern , .
Musical example .

Variations .
Variation # 1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example .
Variation #4 .
Musical example 1 .
Musical example 2 .
Variation #5 .
Musical example .
Song example "loio" .
Accompaniment example "loio" .

PART V Baiao
General outline .
Musical characteristics .
Musical examples .
Basic pattern and variations for rhythm guitar .
Basic pattern .
Musical example .
Variations .
Variation # 1 .
Musical example 1 .
Musical example 2 .
Variation:2 .
Musical example .
Variation #3 .
Musical example .
Variation #4 .
Musical example .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Variation #7 .
Musical example : .
Song example "Baiao por acaso" .
Accompaniment example "Baiao por acaso" .
Selected discography
Bibliography
Glossary

LIST OF RECORDED EXAMPLES
[track 01] Tuning notes (E, B, G, D, A, E) page
[track 02] Samba basic pattern musical example
[track 03] Samba variation #1 musical example
[track 04] Samba variation #2 musical example
[track 05] Samba variation #3 musical example 1
[track 06] Samba variation #3 musical example 2
[track 07] Samba variation #3 musical example 3 - partial transcription of
the guitar part played by Toninho Horta on the song
"Aquelas Coisas Todas" by Toninho Horta
[track 08] Samba variation #4 musical example 1 - partial transcription of
the guitar part played by Ivan Lins on the song
"Desesperar Jamais" by Ivan Lins / Victor Martins 31
[track 09] Samba variation #4 musical example 2
[track 10] Samba variation #5 musical example
[track 11] Samba variation #6 musical example
[track 12] Samba variation #7 musical example 1
[track 13] Samba variation #7 musical example 2
[track 14] Samba variation #7 musical example 3 - partial transcription of
the guitar part played by Joao Bosco on the song
"Incompatibilidade de Genius" by Joao Bosco / Aldir Blanc
[track 15] Samba variation #7 musical example 4 - partial transcription of the
guitar part played by Joao Bosco on the song "Coisa Feita"
by Joao Bosco / Aldir Blanc / Paulo Emilio
[track 16] Samba variation #8 musical example 1 - partial transcription of the
guitar part played by Joyce on the song "Feminina" by Joyce
[track 17] Samba variation #8 musical example 2
[track 18] Samba variation #9 musical example - partial transcription of the
guitar part played by Luiz Bonfa on the song "Batukada" by Luiz Bonfa
[track 19] Samba variation #10 musical example
[track 20] Samba variation #11 musical example 4
[track 21] Samba variation #12 musical example - partial transcription
of the guitar part played by Milton Nascimento on the
song "Cravo e Canela" by Milton Nascimento 4
[track 22] Samba variation #13 musical example 4
[track 23] Samba variation #14 musical example 4-
[track 24] Samba variation #15 musical example 4
[track 25] Samba variation #16 musical example - partial transcription of the
guitar part played by Toninho Horta on the song "From the Lonely
Afternoon" by Milton Nascimento / Fernando Brant
[track 26] Samba variation #17 musical example
[track 27] Song example: "S6 te esperando" by Nelson Faria
[track 28] Accompaniment example: "So te esperando" by Nelson Faria
[track 29] Chord melody example: "Tristeza" by Haroldo Lobo
[track 30] Bossa Nova basic pattern musical example - partial transcription
of the guitar part played by Joao Gilberto on the song
"Insensatez" by Tom Jobim
[track 31] Bossa Nova variation #1 musical example
[track 32] Bossa Nova variation #2 musical example 1
[track 33] Bossa Nova variation #2 musical example 2
[track 34] Bossa Nova variation #3 musical example 1
[track 35] Bossa Nova variation #3 musical example 2
[track 36] Bossa Nova variation #3 musical example 3 - partial transcription
of the guitar part played by Oscar Castro Neves on the
song "Brigas nunca mais" by Tom Jobim
[track 37] Bossa Nova variation #4 musical example 1
[track 38] Bossa Nova variation #4 musical example 2
[track 39] Bossa Nova variation #4 musical example 3
[track 40] Bossa Nova variation #4 musical example 4 - partial transcription
of the guitar part played by Joao Gilberto on the song
"Esse seu olhar" by Tom Jobim
[track 41] Bossa Nova variation #5 musical example - partial transcription of
the guitar part played by Helio Delmiro on the song
"é com esse que eu vou" by Pedro Caetano
[track 42] Bossa Nova variation #6 musical example - partial transcription
of the guitar part played by Roberto Menescal on the song
"Aquarela do Brasil" by Ary Barroso
[track 43] Song example: "Antes Tarde" by Nelson Faria
[track 44] Accompaniment example: "Antes Tarde" by Nelson Faria
[track 45] Chord melody example: "Triste" by Tom Jobim
[track 46] Choro basic pattern musical example
[track 47] Chorovariation#l musicalexampl.
[track 48] Choro variation #2 musical example - Choros n 1
by Heitor Villa Lobos
[track 49] Choro variation #3 musical example
[track 50] Choro variation #4 musical example
[track 51] Choro variation #5 musical example
[track 52] Song example: "Influenciado" by Nelson Faria
(Lyrics by Zelia Christina)
[track 53] Accompaniment example: "Influenciado" by Nelson Faria
[track 54] Chord melody example: "Marceneiro Paulo" by Helio Delmiro
[track 55] Frevo basic pattern musical example
[track 56] Frevo variation #1 musical example
[track 57] Frevo variation #2 musical example
[track 58] Frevo variation #3 musical example
[track 59] Frevo variation #4 musical example 1
[track 60] Frevo variation #4 musical example 2
[track 61] Frevo variation #5 musical example
[track 62] Song example: "loio" by Nelson Faria .
[track 63] Accompaniment example: "loio" by Nelson Faria .
[track 64] Baiao basic pattern musical example .
[track 65] Baiao variation #1 musical example 1 .
[track 66] Baiao variation # 1 musical example 2
"Vera Cruz" by Milton Nascimento .
[track 67] Baiao variation #2 musical example .
[track 68] Baiao variation #3 musical example .
[track 69] Baiao variation #4 musical example .
[track 70] Baiao variation #5 musical example .
[track 71] Baiao variation #6 musical example .
[track 72] Baiao variation #7 musical example .
[track 73] Song example: "Baiao par acaso"
by N. Faria / H. Stamato / R. Cardoso .
[track 74] Accompaniment example: "Baiao par acaso"
by N. Faria / H. Stamato / R. Cardoso .
[track 75] Tamborim playing a samba pattern
[track 76] Pandeiro playing a samba pattern
[track 77] Ganza playing a bossa nova pattern
[track 78] Clave playing a bossa nova pattern
[track 79] Pandeiro playing a choro pattern
[track 80] Pandeiro playing a frevo pattern
[track8!] Surdo playing a frevo pattern
[track 82] Triangle playing a baiao pattern
[track 83] Cowbell playing a baiao pattern
[track 84] Zabumba playing a baiao pattern 

Price: €27,00
€27,00

SALSA HOMAGE TO LATIN MUSIC Jorge Morel CD TABLATURE CHITARRA SPARTITI LIBRO SHEET MUSIC

SALSA HOMAGE TO LATIN MUSIC. In viaggio da Cuba a Puerto Rico sulla zattera di Jorge Morel, cibandosi di senape. CD TAB.

Product Description:
Argentine master Jorge Morel combines his years of experience of life in Cuba and Puerto Rico and acquaintances with great Latin musicians with his talent for guitar performance in composing this delightful extended dance for solo classic guitar. Written in separate standard notation and tablature editions within the same folio (13 pages each), Morel's Homage makes extensive use of the syncopated clave rhythm pattern and the anticipated attack of bass notes so typical of salsa music. The standard notation edition is carefully fingered for the left hand to facilitate performance, with only minimal suggestions for the right hand.

Price: €23,99
€23,99

EAR TRAINING FOR THE CONTEMPORARY GUITARIST JODY FISHER CD LIBRO CHITARRA TABLATURE

EAR TRAINING FOR THE CONTEMPORARY GUITARIST, J. Fisher. This companion to the popular book "Theory for the Contemporary Guitarist" starts with the basics of pitch discrimination and leads you to making fine distinctions between interval types, chord types, scales and chord progressions. Everything is organized in a handy workbook format with correct answers provided for all exercises. Examples are shown in standard music notation and TAB. A CD demonstrating all the examples played on guitar is included. CD TAB.

Price: €29,99
€29,99
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