LIBRO CON CD

BAROQUE LUTE MUSIC FOR GUITAR, Walter Abt. CD TABLATURE

BAROQUE LUTE MUSIC FOR GUITAR:
Notes by Walter Abt:
The pieces published in this volume are some of the most beautiful masterpieces by four famous Baroque lute players who created their own composition style.
I have developed a particular guitar tuning for this type of music, which allows for playing pieces written for the lute imitating the lute fingering.
This type of fingering makes it easy to move the left hand on the handle and makes the most of the guitar's resonance.
The different resonance ratio of the instrument enables the music for Baroque lute to be easily played on the guitar with a natural and authentic sound.
This tuning recalls the real handle grip and the way of fretting strings of the compositions for lute, which reduces notably the difficulty level.

Notes on the development of the Suite composition:
The first polyphonic instrumental compositions for lute or vihuela date back to 1500 as Ricercare, Tentos o Fantasias. They are free form of music and are not linked to any specific types of musical movement.
It is only at the dawn of the 17th century that they start to flourish as court balls, when the lute becomes one of the most preferred instruments in the European courts. In the ensemble with other instruments such as the Theorbo, the Chitarrone, the Colachon and the Pandora, the low and continuous sound of the lute dominated these pizzicato instruments.
Due to the composition for lute, the instrumental structures and ornamentation influence the compositions for harpsichord and piano positively, specifically in the form of the fourmovement
sonatas of the 18th century.
The "broken style" with its brilliant ornamentation is considered the vocal guide that changes the contrapuntal sounds. The art of the lute complements the contrapuntal melisma.
In the 16th century in France, it delivers a way of playing diminished at best and within the lute school in Paris of the brothers Jacques and Denis Gaultier it developed a majestic structure and sensation that inspired cembalists such as Rameau, Froberger, Bach and Handel. The lute was worshiped at the court of Louis XIII, even Richelieu took some lessons from Emmenond Gaultier.
Extraordinary pupil of Ennemond Gaultier ("the older"), Francois Dufaut (also Du Faux or Dufault), born around 1600 in Bourges, is one the most outstanding French lutenist. His tablatures for lute were printed in 1638 in the musical publications by Pierre Ballard. In his G-minor Suite Reusner reduced the Gigue Nr. 72 by Dufaut and the thematic similarities confirm the thesis that Dufaut was the maestro of the German luthanist Esaias Reusner between 1651 and 1654.

Contents

Introduction
Silvius Leopold Weiss (1686 - 1750)
Sonata VI, Nr.25 G-minor
1. Prelude
2. Allemande andante
3. Passepied
4. Bourrée
5. Sarabande (6 str,D)
6. Menuet
7. Gigue

Francois Dufaut (1604? -1672)
La Superbe, courante
Sarabande 64
Double de la Sarabande 64
Gigue 72

Esaias Reusner (1636-1679)
Suite G-minor
1. Allemande
2. Courente
3. Sarabande
4. Ballett
5. Gigue

Johann Anton Losy (1637-1721)
1. Allemande
2. Ciaconna
3 Menuet I

Jan Adam von Questenberk (1678-1752)
4 Menuet II

Johann Anton Losy (1637-1721)
5 Sarabande
6 Double
7 Gavota
8 Gigue

Silvius Leopold Weiss (1686-1750)
Tombeau sur la mort de M. Comte de Logy

Appendix: Execution of the different types of decorations
 

EXPLORING JAZZ GUITAR
An introduction to jazz harmony, technique and improvisation. CD TABLATURE

LIBRO DI MUSICA PER CHITARRA CON CD E TABLATURE.

author: Phil Capone
cover design and layout: Adam Hay

Difficulty: 5
Edition: edition with CD
Language: English
192 Pages - Paperback/Soft Cover
ISMN: 979-0-2201-2591-1
ISBN: 978-1-902455-90-7
 

Description

Perfect for the beginner guitarist who wants to learn more about jazz, this book provides a comprehensive introduction to the world of Jazz Guitar.
Author Phil Capone explains jazz harmony in a clear and accessible style, from simple chord changes through to the II-V-I progression, turnarounds and other classic jazz sequences.
Building steadily throughout the book, you'll learn authentic jazz voicings and accompaniment styles, as well as vital jazz theory.
Packed with practical advice on getting to grips with improvisation, "Exploring Jazz Guitar" unlocks the secrets of jazz harmony, allowing you to construct authentic jazz solos.
Complete with accompanying CD containing demonstration solos and live jazz backing tracks.

Content

Introduction

1. Static Minor Triads
The Minor 7tch Chord & Arpeggio
The Aeolian Mode
The Dorian Mode
Minor Jam
Checkpoint
Assignments & Improvisation Tips
Pentatonic Superimposition
The Harmonic Minor
The Jazz Melodic Minor
Identity Crisis
Checkpoint
Assignments & Improvisation Tips

2. Static Dominant 7tch Chords
The Dominant 7th Chord & Arpeggio
The Mixolydian Mode
Dorian Superimposition
Seventh Heaven
Checkpoint
Assignments & Improvisation Tips
The Phrygian Dominant Mode
The Altered Scale
Secrets
Checkpoint
Assignments & Improvisation Tips

3. Static Major 7th Chords
The Major 7th Chord & Arpeggio
The Major Scale
The Major Pentatonic
Pentatonic Superimposition
Happy To Be Blue
Checkpoint
Assignments & Improvisation Tips
The Lydian Mode
Using Pentatonic Superimposition To Create Lydian Sounds
Winter Sun
Checkpoint
Assignments & Improvisation Tips

4. The II-V-I
The Major II-V-I
Major II-V-I Guide Tones
Major II-V-I Arpeggios
Hitting The Changes
Checkpoint
Assignments & Improvisation Tips
The Minor II-V-I
Minor II-V-I Licks
Creating Tension
Three Way Freeway
Checkpoint
Assignments & Improvisation Tips

5. The Jazz Blues Progression
The Basic Blues Progression
The Major Pentatonic
The Mixolydian Mode
The Basic Jazz 12-Bar
Sunnyside Up
Checkpoint
Assignments & Improvisation Tips
Modulating To Chord IV
The V17 Chord
The Diminished Chord
Mr. Smith Called
Checkpoint
Assignments & Improvisation Tips

6. Adding Colour - The Minor 9th
The Dominant 9th
Dhe Major 9th
Using the 7th Chords To Create 9th Chords
The Dominant 11th Chord
Wake-Up Call
Checkpoint
Assignments & Improvisation Tips
The Dominant 7th Minor 9th Chord
The Dominant 7th Augmented 9th Chord
Into Somewhere
Checkpoint
Assignments & Improvisation Tips

7. Time Signatures & Rhythms
The Jazz Waltz - 3/4 Comping Rhythms
Compound Time
6/8 Comping Rhythms
Three Into Six
Checkpoint
Assignments & Improvisation Tips
The Bossa Nova
The Jazz Samba
Double Stop Comping
The Latin Quarter
Checkpoint
Assignments & Improvsation Tips

8. Turnarounds & Rhythm Changes
The I-VI-II-V Progression
Introducing Non-Diatonic Chords
Changing Chord II To A Secondary Dominant
Replacing Chord I With Chord III
Using III7 To Create A Series Of Dominant 7ths
The Twister
Checkpoint
Assignments & Improvisation Tips
The Minor I-VI-II-V Progression
Substituting Secondary Dominants On VI & II
Minor Detail
Checkpoint
Assignments & Improvisation Tips
Conclusion
Suggested Listening
Index
CD Track Listing 

Discovering Rock Bass

editor: Dominic Palmer

An introduction to playing rock and pop styles, techniques, sounds and equipment

Instrumentation: Electric Bass Guitar
Difficulty: intermediate
Edition: edition with CD
Language: English
160 Pages - Paperback/Soft Cover
ISMN: 979-0-2201-3126-4
ISBN: 978-1-84761-142-0
 

Content

Chapter 1: Introduction
Chapter 2: Technical exercices
Chapter 3: Rock 'n' Roll
Chapter 4: Mowtown [and the 60s]
Chapter 5: The Beatles [and the 60s]
Chapter 6: Disco [and the 70s]
Chapter 7: Country Rock
Chapter 8: Classic Rock
Chapter 9: Hard Rock
Chapter 10: Reggae
Chapter 11: Slap
Chapter 12: Alternative Rock
Chapter 13: R&B
Chapter 14: Latin
Chapter 15: Ballads

FINGERSTYLE LIVELLO BASE, IL METODO COMPLETO PER CHITARRA FINGERSTYLE. CD TABLATURE

LIBRO DI MUSICA, METODO PER CHITARRA ACUSTICA CON CD E TABLATURE
SPARTITI CON ACCORDI, PENTAGRAMMA E TABLATURE. 

Un manuale completo per il chitarrista che vuole affrontare seriamente lo studio del fingerstyle. Comprende: esempi in notazione standard (su pentagramma) e TAB, tecnica e teoria per realizzare arrangiamenti fingerstyle originali, esempi numerosi e divertenti da eseguire, numerosi brani completi in diversi stili da studiare, una sezione sulle accordature alternative. Un libro per chi vuole muovere i primi passi nella chitarra fingerstyle, ma anche per i musicisti con più esperienza, desiderosi di colmare eventuali lacune o di migliorare le loro conoscenze.

Titolo Fingerstyle - Liv. Base - Metodo completo di chitarra fingerstyle
Autore Lou Manzi  

Complete Fingerstyle Guitar Method: Beginning Fingerstyle Guitar
By Lou Manzi
Item: 00-22909
UPC: 038081258775
ISBN 10: 0739037307
ISBN 13: 9780739037300

Category: Guitar Method or Supplement
Format: Book & DVD
Instrument: Guitar
Every imaginable technique and pattern right at your fingertips. Whether you're new to fingerstyle or an experienced player wanting to enhance your skills and knowledge, this comprehensive course won't leave any gaps in your training and even includes techniques for creating your own fingerstyle arrangements. All three 96-page books include TAB as well as standard notation for every example. 

BATTERIA, LIVELLO BASE. METODO COMPLETO. IN ITALIANO.

LIBRO DI MUSICA, METODO IN ITALIANO PER BATTERIA CON CD.
SPARTITI PER BATTERIA.

MANUALE, STUDIO, DIDATTICO, 

Autore Pete Sweeney  

LIBRO PER BATTERIA IN ITALIANO CON CD E TABLATURE

Un libro per principianti da utilizzare insieme ad un insegnante, ma anche da soli, per imparare divertendosi a suonare su tutta la batteria. Si inizia con la lettura della notazione per batteria e la tecnica fondamentale per il rullante, ma dopo aver seguito il libro sino alla fine si sarà in grado di suonare su tutta la batteria e si sarà pronti per suonare in gruppo. L’autore, Pete Sweeney, è un musicista professionista dal 1983 e membro del corpo insegnanti del National Guitar Workshop dal 1993. Ha suonato con vari musicisti come “Dangerous” Dan Toler, Duke Robillard, Larry Corryell, Frank Gambale.