MANCINI HENRY, ACOUSTIC MASTERCLASS SERIES PINK GUITAR. CD TABLATURE
Pink Panther Theme - Laurence Juber
Moon River - Ed Gerhard (from the movie "Breakfast at Tiffany's")
Days of Wine and Roses - David Cullen
It's Easy to Say - Doug Smith (from the movie "10")
Peter Gunn - Pat Donohue
The Thornbirds Theme - Al Petteway
The Sweetheart Tree - Mark Hanson (from the movie "The Great Race")
What's Happening - Mike Dowling
Charade - Aaron Stang
Dear Heart - Wayne Johnson
Baby Elephant Walk - William Coulter (from the movie "Hatari")
Two for the Road - Amrit Sond
Twelve classic Henry Mancini tracks arranged for solo guitar by 12 master guitarists. This album-matching folio comes with a "masterclass" CD on which the artists describe the critical elements of their arrangements. Titles and arrangers include: Baby Elephant Walk/William Coulter; Charade/Aaron Stang; The Days of Wine and Roses/David Cullen; Dear Heart/Wayne Johnson; It's Easy to Say/ Doug Smith; Moon River/Ed Gerhard; Peter Gunn/Pat Donohue; The Pink Panther/Laurence Juber; Session at Pete's Pad/Mike Dowling; The Sweetheart Tree/Mark Hanson; Theme from the Thorn Birds/Al Petteway; Two for the Road/Amrit Sond. CD TABLATURE
About the Arrangements
The Pink Panther
"The Pink Panther" starts in E minor, which, in theory, should make it an easy fit on guitar. However, the characteristic chromatic walkup from C# to E would put the arrangement an octave too high in standard tuning. CGDGAD allows me to not only capture that signature run, but it also provides the open C and the open G bass notes, which are essential for the harmonic structure of the composition. I have attempted to remain true to the elements of the original arrangement, maintaining the essence of the bass part and of Plas Johnson's improvised tenor sax solo. My guide for this work is an image of a group of LA's finest studio musicians performing in tight ensemble under Mr. Mancini's baton; this must have been one breathtaking session! -Laurence Juber
Moon River
Although "Moon River" is in 3/4, I don't emphasize the waltz feel in my arrangement. In myopinion, de.-emphasizing the waltz feel contributes to the dreamlike quality of the tune. Let the melody notes ring out as long as possible (a little bit of subtle vibrato will help the melody stand out). This arrangement should be very easy to play, so savor every note. Good luck. -Ed Gerhard
The Days of Wine and Roses
I enjoyed putting together this solo guitar arrangement of "The Days of Wine and Roses:' It includes the same modulation that is popular among jazz pianists. The great Bill Evans does this same modulation in his rendition. I hope you enjoy the bossa nova rhythmic feel in the introduction. I think it sets the mood for the tune. Thank you, Mr. Mancini, for all the memorable melodies. -David Cullen
PeterGunn
Arranging the "Peter Gunn" theme came down to a matter of synchronizing the famous bass line and melody by way of dozens of one-beat finger mechanisms that occur frequently. Until the very end, the only chord in the "Peter Gunn" theme is E7. The challenge was to take it through a few times in different ways. In the A section, I play one time through with a single-note melody and then one time through with a harmonized melody, all against the recurring bass line. Letter B is a bridge of sorts. The C section is the harmonized melody again. The D section is another bridge I composed myself using a combination of diminished and major chord triad shapes. In the E section, there is a technique that simultaneously uses tremolo and bass line in the right hand: the right-hand fingers move up and down rapidly against the first three strings while the right-hand thumb pounds out that familiar bass melody. This arrangement has been extremely exciting and challenging. Don't call me at home with questions! I can't help you. I'll be in therapy. -Pat Donohue
Two for the Road
Technically, this is a pretty simple and straightforward piece to play. Care and attention should be devoted to the right-hand fretting-sustain each melody and chord voicing for as long as possible to allow for smooth transitions throughout. Also, dynamics will really help to bring out the emotional aspect, so experiment with softer and louder right-hand picking-bearing in mind that the melody needs to be up front at all times, and in certain instances I have even chosen to drag the time for effect. The bass counterpart is critical in its role as harmony, so ensure that you pay as much attention to keeping it nice and smooth against the melody. The run that occurs at bar 47 is played with just downstrokes (with the right-hand thumb), slightly speeding up toward the end and then returning to the slower tempo. All harmonics are natural, played at the 12th fret. -Amrit Sond
About Pink Guitar. As owner of Solid Air Records, I would love to take credit for this collection of arrangements, but like most owners, I am luckier than I am smart. Aaron Stang, our partner in print publishing at Warner Bros. Publications, came up with the concept; I can take credit only for agreeing that it could be fun. Of course, asking a dozen artists to find time to pick out a favorite Mancini tune, work up a creative arrangement, record it, transcribe it, and then record a lesson-all in just a few weeks' time-is asking a lot! Fortunately for me, the artists on our label are all up for such challenges and delivered the goods-as they say in the entertainment biz. At this 10th anniversary of the passing of the legendary composer Henry Mancini and the 40th anniversary of the Pink Panther, there are many products in stores honoring his memory: everything from repackages of older recordings to new and exciting versions of his tunes from jazz ensembles to pop stars. Our collection marks the first time a group of guitarists has tackled his compositions; it's a tribute to the strength of his melodies that even played as solos they retain all of their power, beauty, and playfulness. I won't go into detail about each tune since the artists themselves have done a better job than I could, but I would like to say that 2004 marks our own lOth anniversary. We could think of no better way to start this collection than with Laurence Juber, the artist with whom we launched our label. It was obvious to us that the challenging job of turning "The Pink Panther" theme into a solo guitar arrangement had to go to this Grammy-winning musician-and the results speak for themselves. Finally, my sincere thanks to you for purchasing this collection of arrangements. I hope you'll check out the other CDs, books, and DVDs by these wonderful musicians. They're all extremely talented composers in their own rights. Until we meet again and the case is solved. -James Jensen
WAYNE ]OHNSON
After joining the Manhattan Transfer in 1977, Wayne has taken plenty of time off from the gig to keep his solo interests alive. With eight solo CDs to his credit (both trio and solo), Wayne has also recorded and performed with an eclectic variety of other artists in addition to the Manhattan Transfer including Rickie Lee Jones, John Tesh, Akiko Yano, and Lee Oskar ofWar. At home, Wayne does studio work, produces, and is a guest instructor at the Musicians Institute and Los Angeles Music Academy. Look for his new solo acoustic release on Solid Air Records entitled One Guitar.
LAURENCE JUBER
Laurence Juber grew up in North London, where he was inspired by the explosive British pop scene of the early' 60's. Laurence became a highly in-demand studio player, contributing to many recordings ranging from the Alan Parsons Project and Rosemary Clooney to playing lead guitar on the Academy Award-nominated soundtrack to The Spy who Loved Me. In 1978 Paul McCartney asked Laurence to become the lead guitarist for his band Wings. After McCartney folded Wings in 1981, Laurence moved to the U.S., where he concentrated on raising a family while resuming his studio career. He played on such classic '80s TV shows as "Happy Days" and "Family Ties." In 1990 Laurence released his first solo album, Solo Flight, which first showcased his fingerstyle guitar work. His next CD, Naked Guitar, solidified his reputation among guitar fans, and he began touring internationally as a solo concert performer. His solo fingerstyle CDs include Winter Guitar, Mosaic, Altered Reality, Different Times, Guitarist, and the best-selling LJ Plays the Beatles.
AL PETTEWAY
AI Petteway has had an illustrious career as a guitarist, composer, and producer. He has been featured on more than 60 nationally released recordings, including 14 ofhis own. His original compositions have been used in movie sound-tracks and for programs on NPR and PBS, including Ken Burns' film Mark Twain. His trademark musical style, mixing Celtic and American themes, has won him more than 50 Music Association awards, including the Indie award for Gratitude, a duo guitar project with his wife and musical partner, Amy White. Al is the coordinator for the World-renowned Swannanoa Gathering's Guitar Week and is Artist-in-Residence at Warren Wilson College near Asheville, North Carolina. When they aren't touring as a duo, he and An1y work together, recording music and photographing nature at their home high in the mountains of western North Carolina.
DOUGSMITH
Doug Smith's originai instrumental compositions combine folk, classical, jazz, and contemporary forms with virtuoso guitar technique to create a unique, flowing, and highly melodie fingerpicking style. His music has been heard on radio and TV stations throughout the world, including CNN, ESPN, E!, The Discovery Channel, and Encore; his playing has been heard on the soundtracks to movies such as Twister and Moll Flanders; and he has performed on the nationally syndicated radio programs "Echoes," "West Coast Live:' and "River City Folk" as well as local radio and TV shows around the country.
AMRITSOND
Arnrit's unique contemporary instrumental music draws on elements of jazz, classical, folk, world music, and newacoustic techniques, which are ali honed into a highly refined and melodically driven compositional approach. Amrit has graced the same billing as the world's most renowned guitarists, including Dominic Miller (Sting , Hugh Burns (George Michael), Ronnie Johnson (Van Morrison), Doyle Dykes, Jaques Stotzem, and Preston Reed. Affili records for Solid Air Records.
AARON STANG
Aaron Stang is the author of Warner Bros. Publications' 21st Century Guitar Method. One of the most popular guitar methods published, the 21st Century Guitar Method has become the standard text used by many guitar teachers throughout the country and has been translated into Spanish, French, German, and Japanese. Aaron is managing editor of fretted instruments at Warner Bros. Publications, where he has overseen the publication of hundreds of guitar books and videos. Aaron performs solo and with his group, Relative Viewpoint, in concerts and folk festivals throughout south Florida. Currently, Aaron is the lead author of Guitar Expressions, the first comprehensive guitar curriculum designed for middle and high school students.
Acoustic Masterclass Series: Henry Mancini, Pink Guitar
the music of Henry Mancini
SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD
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Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement.
Twelve classic Henry Mancini tracks arranged for solo guitar by twelve master guitarists. This album-matching folio comes with a "masterclass" CD on which the artists walk through the key aspects and techniques for each arrangement. Titles and arrangers are: Baby Elephant Walk (William Coulter) * Charade (Aaron Stang) * The Days of Wine and Roses (David Cullen) * Dear Heart (Wayne Johnson) * It's Easy to Say (Doug Smith) * Moon River (Ed Gerhard) * Peter Gunn (Pat Donohue) * The Pink Panther (Laurence Juber) * What's Happening (Mike Dowling) * The Sweetheart Tree (Mark Hanson) * Theme from "The Thorn Birds" (Al Petteway) * Two for the Road (Amrit Sond).
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Includes the Following Selection:
Title Composer
BABY ELEPHANT WALK FAMOUS MUSIC
HENRY MANCINI
CHARADE (FROM "CHARADE")
MANCINI HENRY/L: MERCER, JOHNNY
DEAR HEART (FROM "DEAR HEART")
MANCINI, HENRY/EVANS, RAY/L: LIVINGSTON, JAY
IT'S EASY TO SAY
HENRY MANCINI, ROBERT WELLS
MOON RIVER (INSTRUMENTAL)
MANCINI, HENRY
PETER GUNN (FROM "PETER GUNN")
MANCINI HENRY
THE DAYS OF WINE AND ROSES
L: MERCER, JOHNNY/MANCINI, HENRY
THE PINK PANTHER (FROM "THE PINK PANTHER")
MANCINI, HENRY
THE SWEETHEART TREE (FROM "THE GREAT RACE")
L: MERCER, JOHNNY/MANCINI, HENRY
THE THORN BIRDS (MAIN THEME)
MANCINI, HENRY
TWO FOR THE ROAD (FROM "TWO FOR THE ROAD")
L: BRICUSSE, LESLIE/MANCINI, HENRY
WHAT'S HAPPENING!!
HENRY MANCINI
Italiano
English
