LIBRO CON CD

SULTAN KENNY-GUITAR BLUES CD TABLATURE LIBRO SPARTITI CHITARRA ACUSTICA-Honky Tonk-METODO

SULTAN KENNY, GUITAR BLUES. CD TAB.

Cascade Rag
Funky Butt
Honky Tonk
If the Shoe Fits
Lightnin' Strikes Read 'Em and Weep
The Sick Boogie
Slippin' and Drippin'
Suspcious Strut
West Coast Blues

Acoustic Masterclass Series: Kenny Sultan, Guitar Blues
By Kenny Sultan

SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. This book is an encyclopedia of vital blues licks and patterns.

This book is an encyclopedia of vital blues licks and patterns. Includes: Cascade Rag * Funky Butt * Honky Tonk * If the Shoe Fits * Lightenin' Strikes * Read 'Em and Weep * The Sick Boogie * Slippin' and Drippin' * West Coast Blues * Suspicious Strut.

Price: €29,99
€29,99

PETTEWAY AL CELTIC BLUES BEYOND CD GUITAR TABLATURE DADGAD Tuning DADDAD DGCFAD CHITARRA

PETTEWAY AL, CELTIC, BLUES AND BEYOND. CD TABLATURE

LIBRO PER CHITARRA CON CD E TABLATURE

After Dark
Alphonso Brown is Back
The Darkest Hour
E Funk
Lightning Rod
Meant to Be
Meant to Be
She Moved Through the Faire Slinky Soozie
Smoky Mountain Morning
Spindrift
St. Clair's Rag
Station to Station
The West Wind
Tony's Rag

Acoustic Masterclass Series: Al Petteway -- Celtic, Blues, and Beyond
SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
VERSION: Guitar TAB
FORMAT: Book & CD
--------------------------------------------------------------------------------
Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement.

Al Petteway has a unique solo guitar style that mixes varied influences, from folk and Celtic music, to R&B and blues. Includes: After Dark * Alphonso Brown Is Back in Town * The Darkest Hour * E Funk * Eureka Hotel * Lightning Rod * Meant to Be * Requiem * She Moved Through the Faire * Slinky Soozie * Smoky Mountain Morning * Spindrift * St. Clair's Rag * Station to Station * The West Wind * Tony's Rag.

 

ACOUSTIC MASTERCLASS

16 SOLO GUITAR MASTERPIECES
DAZZLING CONTEMPORARY FINGERSTYLE GUITAR
MASTERCLASS CD INCLUDED


Acknowledgments
Thanks to all the folks who helped make this project a reality.
Years ago, after hearing a tune on one of my early albums, James Jensen of Solid Air Records
had the idea for me to do a blues-oriented recording. The resulting solo guitar project, Shades
of Blue, would not have happened without him.
Aaron Stang of Warner Bros. Publications has been a great inspiration during this project and
its sister DVD. His kind patience and knowledge of guitar were instrumental in making it all
come together.
Frank LaRouche helped immensely by transcribing my music so that the folks at Warner Bros.
Publications would have something from which to work.
And finally, my wife, Amy White, helped every step of the way by being my best ~usical editor
and my best friend.

TRANSCRIBED BY: FRANCOIS LaROUCHE

Introduction
A number of varied techniques are represented in this book. Some come directly from my
blueslrock guitar past and others from playing lute in the university madrigal group or playing
funk bass with a top-40 dance band during the '70s. My acoustic guitar career began with some
serious flatpicking of bluegrass, newgrass, and swing during the '80s and eventually led to writing
and interpreting Celtic music for fingerstyle guitar in the '90s. I'm always amazed at how much of
each style stays with me when I sit down to write or arrange a tune for fingerstyle guitar.
Playing Celtic music in DADGAD tuning taught me new ways to approach the guitar and brought
me full circle to the blues and rock styles of my youth. I was struck with how easy it was to play
these styles on an acoustic guitar when three of the strings are tuned down a whole step and the
bottom two strings make an open fifth. Suddenly, I could bend notes as I did on electric guitars,
and with a bit of practice, I could even add bass and drum parts to accompany myself. A whole new
world opened to me.
Most of the tunes in this book are from my Shades of Blue album on Solid Air Records. I let the spirit
of improvisation carry me many times during the recording of that album, and most of the tunes
are played a bit differently each time I revisit them. In addition, there are three pieces that are more
from the Celtic side of the spectrum and are also included on the DVD Celtic, Blues and Beyond.
These tunes also differ somewhat from my original recordings. The important thing is to get the
melody and the feeling in each of the tunes. The rest is up for grabs. I think it's always best for each
guitarist to reinterpret the tune to fit his or her style and showcase his or her own strong points.
In every case, however, it is important to set up a hierarchy within the parts of an arrangement. The
melody is always played loudest, the bass line a bit softer, and the chord flll notes softer yet. This
approach helps separate the different parts and make everything clearer and easier to listen to.
Ballad tunes should be played as if they were being sung. The music should breathe and not feel
restricted by the meter.
The next few pages contain specific notes about each of the tunes included in this collection. I hope
you enjoy everyone of them.
AI Petteway

 

The Compositions

After Dark
This one is a relatively straightforward jazzy blues built from a melody and bass line. Note that the
first section is played with a swing feel as if the tune were in 12/8. The second part is played straight
and a bit faster. The transition back to the swing feel happens over a few measures and should be
gradual and smooth.

Alphonso Brown Is Back in Town
My name really is Alphonso Brown Petteway. I always fancied Alphonso Brown as my funk bass playing alias. The primary techniques used in this tune combine a funk bass sensibility with blues licks.
The hardest part (and the most satisfying) is keeping that downbeat happening at all times. The
intro and the funky rhythmic patterns that occur throughout the piece use a technique I came up
with to imitate bass and drums playing together. My right hand maintains a constant slap on the
strings by playing notes on the downbeat with the back of my nails and by pulling the string away
from the fingerboard with the flesh of my finger for any notes on the upbeat. With the addition of
hammer-ons and pull-offs, this technique can result in an incredible groove. You can teach yourself
this technique by playing simple melodies on one string while maintaining the downbeat hit on the
strings. It's not easy, but once you get it, you'll be able to improvise easily. During the main section
of the tune, I use a pretty straightforward technique of muting the bass string with my right-hand
palm while playing blues licks with my fingers. There's lots of bending and snapping going on.

The Darkest Hour
This one is a total improvisation. I used the trick of tuning the entire guitar down a step so that I
could bend the strings further and with more expression.

E Funk
Again the hierarchy of melody, bass, and chords comes into play. The "x" represents a rhythmic hit
on the strings. You can execute the funky bass lines by pulling the string away from the fingerboard
and letting it slap down for the note to sound. This technique takes very little effort but results in a
nice loud slap sound.

Eureka Hotel
Here's a great use for DADGAD tuning: Play the melody in parallel octaves on
three pairs of strings. The repeating bass notes on the downbeat keep this tune
rolling along, and the melody comes right out of the chords. Many times, my
fingers are holding down the entire chord even when I play only one or two notes
of it. That way, I'm safe if I hit one of the other strings by accident or if I want to
fill out the chord a bit more.

Lightning Rod
This tune evolved from an exercise I wrote for my students to teach them how
to jam with themselves. Learning to playa repeating quarter note on the low
E string while improvising on top can lead to hours of fun.


Meant to Be
In DADGAD, the key of Am lends itself nicely to blues styles. On this tune, I set up a rhythmic
pattern with my right hand hitting the strings on beats 2 and 4 rather than on every beat. This
creates a nice backbeat to play the melody over. The same technique is used as in "Alphonso
Brown," where any notes that fall on 2 or 4 must be played with the back of the nails to maintain
the rhythmic pattern. Many times I'll stretch notes up without releasing them or start
notes at the top of a stretch and bring them down. Both of these techniques sound great on
acoustic guitar.

She Moved Through the Faire
Traditionally sung a cappella, this melody in the Mixolydian mode falls nicely under the fingers
without having to change positions. Remember to breathe and let the tempo relax at the ends of
phrases. These kinds of tunes just don't sound right if they are played with a metronomic feel. In
measure 23, the triplet can be played by alternating the thumb and first finger or using all three
fingers on the right hand in quick succession on the one note.

Requiem
This tune needs lots of space as well. The ornaments are very Celtic, but the chord structure is not.

Slinky Soozie
I cheated on this one by tuning the entire guitar down a whole step. Many of my favorite blues
techniques involve stretching pairs of strings. On an electric, it's easy, but with a wound mediumgauge
third string on an acoustic, it's nearly impossible unless you tune down. Since I wanted
to play in standard tuning, this meant tuning down all six strings. It really feels slinky when
you do this.

Smoky Mountain Morning
This Celtic-sounding piece evolves into more of a mountain tune complete with the sound of
a frailing banjo. DAD GAD tuning is wonderful {or these kinds of things because of its modal
character. The melody in the frailing section is played with the thumb while the backs of the first
and second fingernails are used to strum in a down-up pattern creating a banjo-like drone.

Spindrift
The right-hand arpeggio in measures 3 and 7 is played T 1 2 3 2 1 T. Practice this
move slowly until it becomes relaxed and flows easily from the tips of your fingers.
I used this arpeggio to relax my right hand when warming up since it's almost
impossible to do when the muscles in your hand are tensed.

St. Clair's Rag
Simple alternating bass lines drive this Am rag.


Station to Station
The technique used here is the same as the one in the second half of "Smoky Mountain
Morning:' The melody is played in octaves, and the chords are strummed with the fingertips
using a down-up pattern. The intent is to imitate a train speeding up to full speed before pulling
into the next station. The rhythm should be kept even as it speeds up and then slows down. On
some of the double-stops, use vibrato to emulate a slide guitar.

Tony's Rag
This one is just a fun rag based on thousands of similar rags I've heard. The time signature says
4/4, but it feels more like it is in 2/4 when played up to speed. If you tap your foot, tap on beats
1 and 3 instead of all four to get this feel. Pay close attention to the cascading line that appears in
measures 43 and 44. It's a tricky one since some of the higher notes are played on the lower
strings. Using open strings in conjunction with fingered notes can be really effective, especially
in fast passages like this one.

The West Wind
Better known as an Irish tune called "The South Wind," this old Celtic piece is claimed under
different names by all of the Celtic nations. Since I learned it from a piping record, it had a
decidedly Scottish flavor. One of the typical musical figures in Scottish music is the "Scottish
Snap." Typically written as a 16th-dotted-eighth-note pattern, it appears here as a 32nd-dotted16th-
note figure due to the tune being transcribed in 6/8 rather than 3/4. It still sounds exactly
the same.

Outro
DADGAD Tuning Track
DADDAD Tuning Track
DGCFAD Tuning Track
Standard Tuning Track

Introduction :
Performance Notes
After Dark
Alphonso Brown Is Back in Town
The Darkest Hour
E Funk
Eureka Hotel
Lightning Rod
Meant to Be
She Moved Through the Faire
Requiem
Slinky Soozie
Smoky Mountain Morning
Spindrift
St. Clair's Rag
Station to Station
Tony's Rag
The West Wind
Title
Contents
Page CD Track

 

AI Petteway
The Guitarist
AI Petteway has played music professionally since he was 12 years old, performing nearly
every type of popular, folk, and classical music. Though his primary instrument has always
been the guitar, he has also studied lute, string bass, percussion, and music composition. His
compositions for acoustic fingerstyle guitar are strongly influenced by his love of Celtic
music and his own roots in folk, rock, and blues. His recordings, music books, and instructional
videotapes have helped to win him international acclaim and appearances on National
Public Radio. Before relocating from Takoma Park, Maryland, to the mountains of western
North Carolina, AI was awarded 45 Wammies by the Washington Area Music Association,
including the top honors of Artist of the Year and Musician of the Year. He was the recipient
of two Maryland State Arts Council Individual Artist Awards for Music Composition and has
performed at the Vice President's Residence and the White House. His playing is featured on
more than 60 recordings by some of the world's best-known folk and Celtic musicians, and
his music is heard daily between segments on NPR. He performs extensively with his wife,
Amy White. He teaches private lessons and records acoustic music in their home studio in
Fairview, North Carolina. He is also the Guitar Week coordinator for the world-famous
Swannanoa Gathering music camp at Warren Wilson College near Asheville, North Carolina. 

 

Price: €39,99
€39,99

JUBER LAURENCE-THE GUITARIST ANTHOLOGY VOL.2 CD TABLATURE SPARTITI CHITARRA LITTLE WING

JUBER LAURENCE, THE GUITARIST ANTHOLOGY VOL.2. CD TABLATURE

Dancing On Streams -Different Times -Leaning Post -Liquid Amber -Along The Way -Love At First Sight -Buffalo Nickel -Cannery Row -Catch! -The Green Kitchen -The 5:55 -Breaking Point -Eye of the Storm -I Saw Her Standing There -Little Wing.

Acoustic Masterclass Series: Laurence Juber -- The Guitarist Anthology Vol. 2
By Laurence Juber
SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement.

Laurence Juber, the former lead guitarist for Paul McCartney and Wings, is the premier solo acoustic guitarist of our generation. This new anthology contains 16 of LJ's most popular solo guitar pieces, in DADGAD, CGDGAD, and standard tuning. All are transcribed by LJ himself, including his classic arrangements of the Beatles' "I Saw Her Standing There," Jimi Hendrix's "Little Wing, " and Eric Clapton's "Layla." Also included is a masterclass-style CD, in which LJ walks through the key aspects and techniques for each arrangement. Songs include: Dancing on Streams - Different Times - Leaning Post - Gate 43 - Liquid Amber - Along the Way - Love at First Sight - Buffalo Nickel - Cannery Row - Catch! - The Green Kitchen - The 5:55 - Breaking Point - Eye of the Storm - I Saw Her Standing There - Little Wing.

Includes the Following Selection:
Title Composer

ALONG THE WAY
LAURENCE JUBER

BREAKING POINT
LAURENCE JUBER

BUFFALO NICKEL
LAURENCE JUBER

CANNERY ROW
LAURENCE JUBER

CATCH!
LAURENCE JUBER

DANCING ON STREAMS
LAURENCE JUBER

DIFFERENT TIMES
LAURENCE JUBER

EYE OF THE STORM
LAURENCE JUBER

GREEN KITCHEN
LAURENCE JUBER

I SAW HER STANDING THERE
LENNON, JOHN/MCCARTNEY, PAUL
(is not presented on CD)

LAYLA
CLAPTON, ERIC/GORDON, JIM

LEANING POST
LAURENCE JUBER

LIQUID AMBER
LAURENCE JUBER

LITTLE WING
JIMI HENDRIX
(is not presented on CD)

LOVE AT FIRST SIGHT
LAURENCE JUBER

THE 5:55
LAURENCE JUBER

Price: €44,99
€44,99

TOTAL KEYBOARD WIZARDRY, A Technique and Improvisation Workbook. Jordan Rudess. Book & CD Package.

TOTAL KEYBOARD WIZARDRY, A Technique and Improvisation Workbook. Jordan Rudess. Book & CD Package.
Take your playing to the next level with Jordan Rudess, the Juilliard-trained, award-winning keyboardist of Dream Theater! Work at your own pace to improve your skills in physical technique, improvisation, soloing and comping with clear, easy-to-follow directions and exercises that create real results. With beginner, intermediate and advanced exercises that cover everything from classical technique to blazing prog-rock solos and beyond, this book has something for keyboardists of all styles. A CD of the exercises is included - played by the master himself! - as are 12 solo-worthy etudes and a valuable appendix with major and minor arpeggio and scale fingerings. 144 pages.

Price: €25,99
€25,99

VERHEYEN CARL-IMPROVISING WITHOUT SCALES-THE INTERVALLIC GUITAR SYSTEM OF CD TABLATURE

VERHEYEN CARL, IMPROVISING WITHOUT SCALES, THE INTERVALLIC GUITAR SYSTEM OF. CD TAB.

Product Description:
In this remarkable book, Carl Verheyen teaches his philosophy and techniques for improvising. Rather than hashing out scales, Carl teaches how to play lines with strong melodic content. By approaching melodies through intervals and chord qualities, infinite lines can be generated. Carl stresses the importance of collecting lines that can be used in improvised settings. These lines and examples will provide outstanding material for any guitarist yearning for melodic ideas and inspiration. Presented in standard notation and tab.

Contents:

01) In the Beginning --
02) The Integrity of the Line --
03) The Proximity Factor --
04) Make Music Sound Different --
05) The Lines --
06) The Intervals --
07) Melodic Direction --
08) Major Key LInes --
09) Minor Key Lines --
10) Dominant 7th Key Lines --
11) Coda --
01) In the Beginning --
02) The Integrity of the Line --
03) The Proximity Factor --
04) Make Music Sound Different --
05) The Lines --
06) The Intervals --
07) Melodic Direction --
08) Major Key LInes --
09) Minor Key Lines --
10) Dominant 7th Key Lines --
11) Coda

Price: €24,99
€24,99

COMPLETE BLUES BASS BOOK MIKE HILAND BOOK WITH CD LIBRO METODO SPARTITI BASSO TABLATURE

COMPLETE BLUES BASS BOOK. M. Hiland. Texas Blues, Chicago blues, blues alla S.R.V, Aretha Franklin, Muddy Waters, ecc., rock blues, scale maggiori, minori, pentatoniche, tournaround, 194 pagine di metodo per chitarra basso, con brani completi. CD. TAB.

Product Description:
A very thorough study of blues bass lines covering many different blues styles from Texas swing to jazz and rock blues. Along with specific instruction and analysis, plenty of sample blues bass lines are included. Great for beginners to advanced players, this book will teach you everything you need to know to play the blues. In notation and tablature. This package includes a play-along stereo CD demonstrating most of the exercises in the book. Most of the exercises are recorded with bass and drums only, with the last few lessons adding electric guitar.

Format: Book/CD Set
196 PAGES

Contents:

DEFINITIONS
Fretboard Diagram
Music and Tablature
BASIC BLUES CONCEPTS
Major Scale Walking Pattern
Mixolydian Walking Pattern
The Basic 12-Bar Blues Progression
Playing The Blues
Basic Blues Grooves
More Blues
Playing Techniques
SCALES AND CHORDS
Major Scales
The Mixolydian Scale
Minor Pentatonic Scales
The Minor Blues Scale
The Altered Blues Scale
Chord Types
BLUES PROGRESSIONS
Basic 12-Bar Progressions
12-Bar Variations
8-Bar Blues
16-Bar Blues
Minor Blues Progressions
BLUES STYLES
Texas Swing
Texas Shuffle
Jump Blues
Chicago Blues
Rhythm And Blues
Slow Blues Styles
Rock Blues
Jazz Blues
INTROS, ENDINGS, TURNAROUNDS, AND FILLS
Intros
Fills
Turnarounds
Endings
ADVANCED BLUES BASS LINES
Blues Review
Puttin' It All Together
NOW WHAT?

APPENDIX A

Price: €31,99
€31,99

KING ALBERT-THE ESSENTIAL-A Step-by-Step the Styles and Techniques of a Blues and Soul Legend CD TABLATURE

KING ALBERT, THE ESSENTIAL. A Step-by-Step Breakdown of the Styles and Techniques of a Blues and Soul Legend. CD TABLATURE

The Essential Albert King
A Step-by-Step Breakdown of the Styles and Techniques of a Blues and Soul Legend
Series: Signature Licks Guitar
Format: Softcover with CD - TAB
Artist: Albert King
Author: Wolf Marshall

Learn the trademark riffs and solos of this blues King! Provides in-depth analysis of 12 songs: Angel of Mercy • Answer to the Laundromat Blues • Blues Power • Born Under a Bad Sign • Crosscut Saw • Don't Throw Your Love on Me So Strong • The Hunter • I Wanna Get Funky • I'll Play the Blues for You • Laundromat Blues • Oh Pretty Woman • Personal Manager. CD features full demonstrations.

Inventory #HL 00695713
ISBN: 9780634049064
UPC: 073999957136
Width: 9.0"
Length: 12.0"
88 pages

A highly revered member of the King blues guitar triumvirate (B.B., Freddie, and
Albert), Albert King differed significantly from his musical brethren. Though he named his
guitar Lucy (after Lucille Ball, not B.B.'s Lucille), that was where any similarities to B.B.
ended. In contrast with B.B. and Freddie, who preferred the more traditional look, feel, and
sound of semi-hollow Gibson ES-355s and ES-345s, Albert favored a modernistic solidbody
Flying V-which eminently suited his unconventional style. Where B.B. and Freddie
played right-handed in standard tuning, Albert was a southpaw who played his Flying V
upside-down without reversing the strings. Unlike his blues brothers-in-arms, he employed
an unusual open E minor tuning, usually dropped down three half steps, sometimes with
the low E (sixth) string dropped down to a low C note.
Albert's most famous Lucy was a 1958 Gibson Flying V. This is the instrument
heard on his classic Stax recordings. Announced in 1957 and phased out by 1959, the
original Flying V is one of the rarest and most collectable guitars in history. It features a
two-piece solid Korina hardwood body in a natural finish, gold-plated hardware, and a
twenty-two-fret unbound rosewood fingerboard with dot inlays and a 24 3/4-inch scale.
The unique visual aspects of the Flying V include its symmetrical V body shape, arrowlike
headstock with a raised gold-painted Gibson logo, four-ply angular pickguard and
round jack plate, and a V-shaped tailpiece with through-the-body stringing. The guitar was
equipped with two humbucking pickups, two individual volume controls, a master tone
control, and a three-way pickup selector switch. Albert acquired other Lucys, based on his
Gibson Flying V, including a custom-made 1974 model by Dan Erlewine and a 1980
model by Radley Prokopow.
Albert usually played Lucy with both pickups engaged. He generally turned the
bridge pickup volume all the way up and adjusted the neck pickup volume during his performance
for tonal variations. (He set the tone control on full.) Albert used a mixed set of
Black Diamond strings: light-gauge (with a wound G) on the first three strings, and medium-
gauge on the lower three strings.
Albert cultivated a unique blues guitar sound based almost exclusively on a
streamlined, largely pentatonic single-note conception and distinguished by his sharp,
percussive attack and bright, twangy tone. He plucked and pulled the strings with his bare
fingers, usually his thumb, and employed a strikingly economic approach emphasizing
vocalesque string bends, dramatic use of space, and short rhythmic phrases with few
notes. In Albert's hands, these ingredients produced an immediately recognizable and
highly influential style.

 

Songlist:

- Angel Of Mercy

- Answer To The Laundromat Blues

- Blues Power

- Born Under A Bad Sign

- Crosscut Saw

- Don't Throw Your Love On Me So Strong

- I Wanna Get Funky

- I'll Play The Blues For You

- Laundromat Blues

- Oh Pretty Woman

- Personal Manager

- The Hunter

Price: €29,99
€29,99

VAI STEVE-ULTRA ZONE NAKED VAMPS-Signature Licks Guitar CD TABLATURE LIBRO SPARTITI Jibboom

VAI STEVE, THE ULTRA ZONE NAKED VAMPS. CD TAB.

Series: Signature Licks Guitar
Softcover with CD - TAB
Author: Wolf Marshall

Learn the secrets behind the signature sounds of this guitar virtuoso, and then play along with the actual backing tracks from The Ultra Zone - mixed and produced by Vai himself! In this unique book/CD pack, Wolf Marshall teaches you everything you need to know to play exactly like Steve. Songs include:

The Blood & Tears
I'll Be Around
Jibboom
The Silent Within
The Ultra Zone
Voodoo Acid
Windows To The Soul

88 pages

Price: €29,99
€29,99

Magazine, ESSENTIAL ACOUSTIC GUITAR LESSONS CD TABLATURE CELTIC- RHYTHM-BASICS-LEAD-HAWAIIAN

acoustic guitar magazine, ESSENTIAL ACOUSTIC GUITAR LESSONS. CD TABLATURE

LIBRO CON CD, IN NOTAZIONE E TABLATURE

Essential Acoustic Guitar Lessons
14 In-Depth Lessons for Players of All Levels
Series: String Letter Publishing
Publisher: String Letter Publishing
Format: Softcover with CD - TAB
Author: Various Authors

Inventory #HL 00695802
ISBN: 9780634068355
UPC: 073999958027
Width: 9.0"
Length: 12.0"
66 pages

This book/CD pack offers a superb selection of lessons and songs for the acoustic guitar, expertly played by teachers on the accompanying CD. It includes exercises, licks and 8 full songs to play, in standard notation and tablature with chord diagrams. The CD includes two versions of each song: one played slowly and the other, up to tempo. The book is divided into four main sections: Basics - covering the fretboard, barre chords and flatpicking; Rhythm - bluegrass in dropped D, bass lines, classic pop changes; Lead - Celtic jigs, melodic improvisation, soloing with arpeggios; and Exploration - capo use, Hawaiian slack key, classical etude variations; and modal harmony. Players of all levels will find lessons to benefit them. 66 pages

Price: €20,99
€20,99

GUITAR ATLAS: INDIA Sanjay Mishra LIBRO CD TABLATURE devotional north

GUITAR ATLAS: INDIA. Sanjay Mishra. CD TAB.

LIBRO CON CD, IN NOTAZIONE E TABLATURE

By Sanjay Mishra
SERIES: National Guitar Workshop
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

The Guitar Atlas series is your passport to a new world of music. Learn the characteristic rhythms and techniques of some of the world's most remarkable guitar music, discovering the history, origins, and pioneering artists of distinctive styles from around the globe.

Whether you play jazz, rock, blues, or any other style, the beautiful musical language of India will infuse your playing with a new, unique flavor. Explore ornamentation, modes, and rhythms of folk music from Darjeeling, Assam, Bengal and other regions. Learn how ragas are structured, and discover the subtle, graceful improvisational art form of Hindustani music. The examples and compositions throughout all 48 pages are presented in standard notation and TAB and demonstrated on an enclosed CD.

In November 2006, Guitar Atlas: India and its author Sanjay Mishra were featured on NPR radio's "Sanjay Mishra: A Cross-Cultural Exploration in Music."

Price: €15,99
€15,99
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