Hendrix-ize a C chord! Van Halen-ize a G chord! Color your chords like the masters of rock guitar! With expert yet user-friendly advice on fretting, voicing, technique, feel and other topics, you'll learn how to cop the chordal styles of: Chuck Berry, John Frusciante, Jimi Hendrix, James Hetfield, Dave Matthews, Jimmy Page, Keith Richards, Pete Townshend, Eddie Van Halen and Angus and Malcolm Young.

Price: €21,99


In 25 Great Guitar Solos, we take an in-depth look at some of rock guitar's finest moments. Whether it's the jaw-dropping technique of Yngwie Malmsteen, the unmistakable individuality of Jeff Beck, or the melodic brilliance of Mark Knopfler, each solo stands out as a unique achievement within the rock guitar genre. Travel through time as we explore rock' n' roll history with bios, photos, lessons, full notation and tablature, a sound-alike audio CD, and much more. There's plenty here to keep you occupied and enough stylistic variation to satisfy your occasional craving for the eclectic. About the CD. The accompanying audio CD with this book includes all 25 solos performed note for note with a full band and is playable on any CD player. For PC and MAC computer users, the CD is enhanced with Amazing Slow Downer software so you can adjust the recording to any tempo without changing pitch! The time code shown at the start of each solo transcription indicates the point at which the solo begins in the original recording. All solos on the CD performed by Hal Leonard studio musicians. Scotty Moore, Jeff Beck, Eddie Van Halen, Steve Vai and many others, take an inside look at the genesis of rock lead guitar. The book and CD compendium provides solo transcriptions in standard notation and tablature, lessons on how to play them "HOW TO PLAY IT", guitarist biographies, AGE AT TIME OF RECORDING, GUITARS, AMPS, equipment,  photos, history and much more. The accompanying CD contains full-band demonstrations of every guitar solo in the book! 152 pages. Note: only solos are notated, not complete songs.

25 Great Guitar Solos is the latest instructional paperback release from Hal Leonard Publishing, the leader in educational material for musicians. It's 25 transcriptions of some of the greatest signature guitar solos ever recorded. This collection will no doubt thrill any burgeoning, motivated guitarist, whether they're young or old, novice or veteran. The content is comprehensive and accurate, yet portrayed in a simplified manner that doesn't overwhelm or discourage the learner. The book is complete with transcriptions, lessons on how to, biographies on each song and artist, photos, and a notation legend. A CD is attached as well, which includes note-for-note renditions of all 25 songs, done by a complete band, and playable on any CD player. Additionally, the CD is enhanced for PC and MAC users, with slow down software for a painless learning experience. You can decelerate the songs to any tempo without changing note pitch. Taking full advantage of the lessons in this book will improve and add sparkle to any guitarist. The bio sections are fascinating, and loaded with info pertaining to the songs and the recording artists who played them. For example: 'All Along The Watchtower' gives a short bio of the life of Jimi Hendrix and his music, and then goes into detail about how the song is done, its arrangement and chord changes, key and measure continuance, and also about the guitar and gear used. The collection of songs is excellent.

Transcriptions · Lessons · Bios · Photos
Series: Guitar Book
Softcover with CD - TAB
Author: Chad Johnson

"A composer does not just write the main Inelody; he composes every orchestrated part in the entire sound spectrum. That is also what I do, but I do it in the form of rock 'n' roll." -Yngwie Malmsteen. Of all the eighties "shredders," Yngwie Malmsteen stands out as the most prominent. He raised the bar more than any other single guitarist and inspired legions of followers in the same way as Eddie Van Halen (see "Eruption"), Joe Satriani (see "Satch Boogie"), or Steve Vai (see "Big Trouble"). With the release of 1984's Rising Force came a fully-developed and entirely unique style that fused heavy metal and classical music with dizzying results. Eddie's technique was awesome, but Yngwie's was simply staggering. He had solidified his place instantly among the guitar gods. Born Lars Johann Yngwie Lannerback in 1963 in Stockholm, Sweden, he adopted his mother's maiden name, Malmsteen, after his parents divorced. As a young child he was particularly unruly and actually refused his mother's suggestions to take up a musical instrument, feeling as though music wasn't quite macho enough. At the age of seven, however, this would change. Yngwie saw a documentary on Jimi Hendrix (see "All Along the Watchtower") in which he burned his guitar on stage, and that was all Yngwie needed. Hendrix and Deep Purple's Ritchie Blackmore (see "Highway Star") inspired him early on, and Yngwie was particularly interested in the way Blackmore combined classicallytinged minor lines with heavy rock riffs. To say he became obsessed would even be an understatement; Yngwie eventually dropped out of school at around age ten (!) so. he could stay home and practice. His mother, well aware of the talent young Yngwie displayed, supported the decision. Through his sister, Yngwie was introduced to the music of classical composers such as Bach, Beethoven, Mozart, and Paganini. He became particularly interested in Paganini, who combined a dazzling technique with an unruly, "wild man" demeanor. Yngwie patterned much of his attitudes after the nineteenth-century violinist, eventually resulting in a healthy ego and wild on-stage antics. By his late teens, Yngwie was playing in several local bands around Sweden but finding little success with the then pop-dominated musical tastes of the time. After sending demo tapes to several labels in the U.S., he struck gold in the form of Mike Varney. The president of Shrapnel records, a label tailored to the new "shredding" style emerging at the time, Varney invited Malmsteen to Los Angeles in 1981. Yngwie quickly joined the band Steeler, which did release one album, but he soon left in search of a band with a style better suited to his. Alcatrazz was a closer fit, and Yngwie remained with them until 1983, releasing one studio album (No Parole from Rock 'N' Roll) and one live album (Live Sentence) before deciding to set out on his own. Yngwie's spot in Alcatrazz would be filled by Steve Vai. Yngwie recruited his longtime keyboardist friend Jens Johansson and formed his own band, Yngwie J. Malmsteen's Rising Force. Their debut album, Rising Force, was released in 1984 and sent shockwaves through the rock guitar world. The album actually peaked at #60 on the charts-an extremely impressive feat considering the majority of the album was instrumental- and received a Grammy nomination for Best Rock Instrumental Performance. Yngwie swept the readers' polls in ... 

... over 13 million. The band instantly became the biggest in the world, and they freely indulged in all of the debaucheries that rock stardom affords. In 1988 they released G N' R Lies, an album that combined their first EP with four new acoustic-based songs. They scored another huge hit with the delicate ballad "Patience," but "One in a Million," with its shocking, outspoken lyrical content, swarmed the band in controversy and negative publicity. At the American Music Awards, Slash and bassist Duff McKagan, both severely intoxicated, made an extremely inappropriate acceptance speech laced with profanity, further damaging the band's public image. By 1990, both Slash and Steven Adler had developed serious heroin addictions, and while on tour with the Rolling Stones, Axl announced that he would leave the band if certain members didn't stop "dancing with Mr. Brownstone." Although Slash was able to get himself clean, Adler continued to truggle and was eventually fired from the band, with Matt Sorum (from the Cult) brought in as a replacement. Amid all the controversy and drama, the band had been working on their followup album, augmented in the studio by keyboardist Dizzy Reed. The release was delayed for nearly a year, but Use Your Illusion I and Use Your Illusion II finally came out in September of 1991-unfortunately for them, this was the same month that Nirvana's Nevermind hit the helves. Though the Illusion albums sold ell initially, it was only a matter of time before grunge took the nation by storm. The Spaghetti Incident?, a collection of punk covers, was released in 1993. but failed to make much of a splash. Since then, Slash has stayed active with Slash's Snakepit in the mid-nineties and more recently the successful Velvet Revolver, which features former Stone Temple Pilots frontman Scott Weiland, Duff McKagan, and Matt Sorum. Axl Rose, the only remaining member of G N' R, has been promising the release of a new album for nearly a decade, which has turned into somewhat of a running joke amongst the music industry. How to Play It: Slash was truly a breath of fresh air in the late eighties. His sound was so raw and unpolished compared to others of the day, yet he still had considerable chops that seemed unlikely given his punkish edge. With "Sweet Child 0' Mine," he created one of the most memorable guitar tracks of the decade. The infamous intro was striking enough, but the lengthy solo really provided him an opportunity to shine. At first the song comes off as a jangly, upbeat pop rock song, complete with loves truck lyrics and the standard changes. The entire mood changes at the solo, however, and that new darker, menacing vibe carries out through the rest of the song. The solo begins with a dramatic key change from D major to E minor by way of a chromatic walk-up. Slash begins navigating the new Em-C-B7-Am progression with sparse, tasty phrases from the E minor scale, occasionally alluding to the harmonic minor scale over the B7 chord. He employs imitative phrasing throughout to lend direction to the solo, as is evident is measures 2-3, 6-8, and 9-14. He makes extensi e use of both half- and whole-step bends throughout, with pitch-perfect intonation in each instance. Notice how Slash works with the rhythm section, gently accenting the "and" of beat 2 with many of his melodies to reinforce the main rhythmic pulse of the song. At the end of measure 16 he kicks on the wah and unleashes a pre-composed sixteenth-note ascenuing rUll based 011 the E harmonic minor scale that ushers in the energized second half of the solo. The lick lasts two measures, as the Am chord is extended for one extra measure to heighten the build-up into the next section. Though it begins in seventh position, it ends up in twelfth position, shifting positions on the high E string exclusively with pinky slides. The first two beats don't pose much of a fingering problem, but after that things can get hairy if you don't think ahead. Try fingering the C and D# notes in the second half of beat 3 (measure 16) with your first and third fingers, respectively. After that, you should be able to continue sliding your pinky up for the position shifts without a problem. At measure 18, over the new four-measure progression of Em-GS-AS-BS-CSDS- G5, Slash turns up the heat with gutsy pentatonic-based phrases mostly in...  Vital Stats: Guitarist: Slash, Song: "Sweet Child O' Mine", Album: Appetite for Destruction, 1987 Age at time of recording: 22, Guitar: Gibson Les Paul, Effects: wah wah, Amp: Marshall



1955, Rock Around The Clock, DANNY CEDRONE, BILL HALEY, shake, rattle & roll
1956, Hound Dog, SCOTTY MOORE, ELVIS PRESLEY, The real Elvis
1967, Sunshine Of Your Love, ERIC CLAPTON, CREAM, Disraeli Gears
1968, All Along The Watchtower, JIMI HENDRIX, Electric Ladyland
1969, Let It Be, GEORGE HARRISON, THE BEATLES, Let it be
1970, 25 Or 6 To 4, TERRY KATH, CHIGAGO, Chicago II
1972, Highway Star, RITCHIE BLACKMORE, DEEP PURPLE, Machine Head
1973, Free Bird, GARY ROSSINGTON, ALLEN COLLINS, LYNYRD SKYNYRD, Pronounced Leh-Nerd Skin-Nerd
1973, La Grange, BILLY GIBBONS, ZZ TOP, Tres Hombres
1975, Bohemian Rhapsody, BRIAN MAY, QUEEN, A Night At the Opera
1975, She's A Woman, JEFF BECK, Blow by Blow
1975, Walk This Way, JOE PERRY, AEROSMITH, Toys in the attic
1978, Eruption, VAN HALEN, Van Halen
1978, Sultans Of Swing, MARK KNOPFLER, DIRE STRAITS, Dire Straits
1978, Sultans Of Swing, PART 2 SOLO, MARK KNOPFLER, DIRE STRAITS, Dire Straits
1980, Crazy Train, RANDY RHOADS, Blizzard of Ozz
1980, You Shook Me All Night Long, ANGUS YOUNG, AC/DC, Back in Black
1983, (You Can Still) Rock In America, BRAD GILLIS, JEFF WATSON, NIGHT RANGER, Midnight Madness
1983, Am I Evil? KIRK HAMMETT, METALLICA, Garage Inc.
1983, Pride And Joy, STEVIE RAY VAUGHAN, Texas Flood
1984, Black Star, YNGWIE MALMSTEEN, Rising Force
1986, Big Trouble, STEVE VAI, Eat 'em and Smile
1987, Satch Boogie, JOE SATRIANI, Surfing with the Alien
1987, Sweet Child O' Mine, SLASH, GUNS N' ROSES, Appetite for destruction
1990, Get The Funk Out, NUNO BETTENCOURT, EXTREME, Pornograffitti

Price: €26,99

STRATOCASTER CHRONICLES THE-Celebrating 50 Years of the Fender Strat Tom Wheeler LIBRO CHITARRA

THE STRATOCASTER CHRONICLES, Celebrating 50 Years of the Fender Strat. Tom Wheeler.

Series: Book
Publisher: Hal Leonard
Medium: Hardcover with CD
Author: Tom Wheeler

The world's most famous guitar had a golden anniversary in 2004, and this official, authorized book/CD package offers the best photos, quotes, facts and sounds to properly celebrate this achievement. From Buddy Holly to Jimi Hendrix to today's hottest players, the Fender Stratocaster defines rock'n'roll for generations of fans and players.

Special features include exclusive photos from the world's greatest guitar collection, as well as a CD with musical examples of famous Strat sounds and styles hilariously performed by Greg Koch even spoken excerpts from the author's interviews with the Strat's beloved inventor, Leo Fender.

This book also recognizes that the Stratocaster's deeper significance lies in the music that guitarists have created with it. You'll hear what Strat players have to say about their instrument, their music and each other. The Fender Stratocaster both reflects and influences popular culture worldwide. The Stratocaster Chronicles focuses on the people who brought it into the world, the designers and builders who refined it, and the players who have taken it from there. 280 pages.

Price: €56,99

25 GREAT BLUES GUITAR SOLOS Dave Rubin CD TABLATURE Sweet Home Chicago-srv-Luther Allison



Transcriptions · Lessons · Bios · Photos

Series: Guitar Book
Softcover with CD - TAB
Author: Dave Rubin

From Magic Sam and the Three Kings to Eric Clapton and the Vaughan brothers, take an inside look at the genesis of blues guitar. This book and CD compendium provides solo transcriptions in standard notation and tablature, lessons on how to play them, guitarist biographies, equipment, photos, history, and much more. The accompanying CD contains full-band demonstrations of every guitar solo in the book. For PC and Mac users, the CD is enhanced with Amazing Slow Downer software so you can adjust the recording to any tempo without changing pitch! 124 pages. Songs include:

Ever since the first guitar hero, Sylvester Weaver, recorded the first blues guitar solos on "Guitar Blues" and "Guitar Rag" in 1923, they have been an integral part of the blues experience. From that time forward through the country and Delta blues era until the early 1940s, acoustic guitars were the only means of expression, and most blues were solo affairs. With the exception of the sensational duets Lonnie Johnson performed with Eddie Lang in the late 1920s and Scrapper Blackwell's accompaniment of pianist Leroy Carr in the 1930s, little in the way of memorable soloing was

accomplished for obvious reasons: the acoustic guitar playing single-note lines could not stand up against bleating horns and wailing harmonicas. All that changed after T-Bone Walker's amplified debut in 1942 (see "I Got a Break Baby"). A new "voice" was heard, and the face of blues changed almost overnight. The results of more than half-a-century of electric blues solos are what now lie before you. Twenty-five of the best, from Walker's suave, subtle statement to Buddy Guy's emotional outburst and Stevie Ray's fret-melting foray up the fingerboard, they are here
in all their magnificence. Taken together, they represent an unparalleled course in how to become a blues guitar monster. So grab your axe and start roaring.
About the CD
The accompanying audio CD with this book includes all 25 solos performed note for note with a full band and is playable on any CD player. For PC and MAC computer users, the CD is enhanced with Amazing Slow Downer software so you can adjust the recording to any tempo without changing pitch! The time code shown at the start of each solo transcription indicates the point at which the solo begins in the original recording. All music on the CD performed by: Guitar: Doug Boduch
Bass: Tom McGirr
Keyboards: Warren Wiegratz
Drums: Scott Schroedl
Recorded, mixed, and mastered by Jim Reith at Beathouse Music in Milwaukee, WI.





Year - Title - GUITARIST

1942 - I Got a Break Baby - T-Bone Walker 

1954 - Okie Dokie Stomp - Clarence "Gatemouth" Brown

1956 - Honky Tonk - Billy Butler

1956 - All Your Love (I Miss Loving) - Otis Rush

1961 - Blue Guitar - Earl Hooker

1962 - Moaning for Molasses - Jody Williams

1963 - Hidden Charms - Hubert Sumlin

1963 - Remington Ride - Freddie King

1963 - Rockin' Awhile - B.B. King

1966 - Sweet Sixteen - B.B. King

1968 - Blues Power - Albert King

1968 - Cross Road Blues (Crossroads) - Eric Clapton

1968 - Every Day I Have the Blues - Kenny Burrell

1968 - Sweet Home Chicago - Magic Sam

1969 - Be Careful with a Fool - Johnny Winter

1969 - Don't Throw Your Love on Me So Strong - Michael Bloomfield

1973 - Cotton Picking Blues - Son Seals

1974 - Let's Have a Little Talk - Luther Allison

1974 - Wayfaring Pilgrim - Roy Buchanan

1979 - I Smell a Rat - Buddy Guy

1980 - Brick - Albert Collins

1983 - Phone Booth - Robert Cray

1983 - Texas Flood - Stevie Ray Vaughan

1985 - Satisfy Susie - Lonnie Mack

1986 - Why Get Up - Jimmie Vaughan


Guitar Notation Legend

Price: €27,99

CHORDS FOR BASS The Complete Guide to Understanding and Applying Chord Structures on the Bass Guitar. CD TABLATURE

CHORDS FOR BASS, The Complete Guide to Understanding and Applying Chord Structures on the Bass Guitar. CD TAB.

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Softcover with CD - TAB
Author: Dominik Hauser

Explore new sounds on the bass that you may never have considered! Learning to play chords will enhance your ability to hear chord progressions and qualities, improve your composition and arranging skills, and strengthen your soloing chops and overall musicianship. Covers: double stops, major & minor triads, diminished and augmented triads, seventh chords, chordal song arrangements, different styles, a chord glossary and more. The accompanying CD features 76 demo tracks of all the exercises in the book. 80 pages.

Price: €22,99


FORD ROBBEN, Signature Licks Guitar. CD TAB.

Author: Dave Rubin
Artist: Robben Ford

Play the signature licks and riffs from 12 of Robben's most popular songs, the CD includes demos to make learning easier.

Born Under A Bad Sign
The Brother (For Jimmie and Stevie)
Busted Up
Help The Poor
I Just Want To Make Love To You
Mama Talk To Your Daughter
The Miller's Son
Red Lady With Cello
Rugged Road
Start It Up
You Cut Me To The Bone

Price: €29,99



Guitar Atlas: Cuba offers an in-depth look at the signature sound of Cuban music. At the heart of Cuban music lies the clave, the very definition of Cuban groove. Often mystifying to learn, Jeff Peretz breaks down the fundamental rhythm of the clave in Guitar Atlas: Cuba. Now any guitarist, even those who don’t play Cuban music, can learn the clave and improve their sense of rhythm and syncopation. The book also explores the African and European cultural influences that shaped modern Cuban music, as well as the political events of the 20th century. Learn about the different styles of music from all over the island, the musicians who popularized them, and many unique Cuban instruments including the tres, botija, marimbula, and other percussion instruments. Plus, the included CD demonstrates all the examples and compositions featured in the book.

Price: €24,99



Instructional book and examples CD for guitar.
Series: National Guitar Workshop Book,
Approved Curriculum.
With standard guitar notation, guitar tablature and instructional text. Instructional and Method.

The music of Italy is known for its lively rhythms and emotional melodies. This rich tradition of Italian music has been under-represented in the "world music" genre - until now! Each chapter in this book focuses on a particular region of Italy. Readers learn the history, cultural influences, and instruments of each area. While some of the songs featured were originally performed on instruments such as flute, mandolin, or bagpipes, they appear as guitar arrangements for the first time here. The book covers both fingerstyle and pick playing, and explores special techniques such as grace notes, hammer-ons, pull-offs, and tremolo, to help guitarists pick up all the nuances of style. Tips for playing accompaniments to Italian songs are included, and some of the tunes feature a second guitar part perfect for duets! With this wealth of material, everyone from beginners to advanced players can learn to master this culturally rich music. Compositions are written in both standard music notation and TAB. A CD demonstrating all the examples and compositions featured in the book is included.

About the Author
About this Book
Chapter 1 - Introduction to Traditional Italian Music
Northern Italy
Central Italy
Southern Italy
Sicily and Sardinia
Traditional Italian Folk Instruments
Chapter 2 - Northern Music
La Rcciola (The Curly Haired Girl)
La Ricciola (The Curly Haired Girl): Melody
La Ricciola (The Curly Haired Girl): Harmony
Sui Nostri Monti (On Our Mountains)
Lipa Ma Marica (My Beautiful Maria)
Chapter 3 - Central Music
Scura Maie
Saltarello in A: Pick Style
Saltarello in A: Fingerstyle
Saltarello in G
Cade l'unliva (The Olive Falls)
Chapter 4 - Southern Music
Tu Scendi Dalle Stelle (You Came Down from the Stars)
U Pulice (The Flea)
Tarantella in D
Bagpipe Piece from Calabria
Chapter 5 - Sicilian and Sardinian Music
Tarantella in G
Conca D'Oro (Valley of Gold)
Ballo Tondo (Round Dance)
Chapter 6 - Popular Italian Standards
Bella Ciao
Tarantella in A Minor
Appendix 1 - Alternate Tuning Guide
Appendix 2 - Accompaniment Style
Final Thoughts

Price: €23,99



Steve Bailey’s Rock Bass offers one of the most comprehensive bass technique methods available. Infamous bassist Steve Bailey is a pioneer in his field, known for his expertise with the six-string fretless bass, an instrument he’s been playing since childhood. Rock Bass offers exercises which have both studio and live-playing applications, and covers an array of topics from hand dexterity to bass line construction, from double stops to chords. The book will help any bassist develop the necessary technique to produce quality records, as well as the technical dexterity to rock out any show. Other topics include developing right-hand alternation, advanced eighth-note patterns, -Finger Buster and -Hazard, exercises, developing solid time, and playing odd-note groupings. Plus, the included CD features examples of songs and exercises from the book. Get Rock Bass today and impress everyone with your rockin’ skills in no time.


Possibly, at this moment, in a dark recording studio somewhere in Los Angeles, sits an engineer, a
producer, and a bass player. They are putting the finishing touches to the bass line of what might be
the next platinum single from a major rock and roll band. The throbbing pulse of an eighth-note bass
groove pushes the chorus into overdrive as the guitar screams over the lead and background vocals.
Thirty seconds later the producer pushes the stop button on the remote control box, the red lights go
off and the tape grinds to a halt. "We'll be faded out by this point-incredible job-you did it again!
Let's go celebrate:' What's wrong with this picture?
The bassist with the producer is not the bassist whose name and picture appears on the CD jacket.
He's not the bassist who spent countless hours rehearsing and recording the basic tracks for this
record. The bassist who "saved this song" is not the one who will be hurt, humiliated, and quite
unhappy to find out the producer brought in somebody else to ghost his tracks. Sounds like a drag,
doesn't it? The producer is not the "bad guy:' His ultimate responsibility is to "produce" a great
record and present it to the record company. He can't do that if one of the main ingredients (the
bass line) has fret buzz, noise, bad timing, bad tone, or any combination of the above!
Having been the "hired gun" brought in by the producer more times than I care to remember, I
decided to put on paper the techniques and concepts that could eventually put me out of the
"hired gun" business. Ifthe principles in these pages are adhered to and practiced, the odds are
much greater that you-the bassist in the band-will emerge from the studio (as well as the stage)
confident that your artistry will be heard by millions.
The basic concepts for this book were initially conceived as curriculum for Rock Bass class at the
Bass Institute of Technology in Hollywood, California.
About the Book
1. Most units are arranged with the "meat" of the lesson first, including numerous exercises.
This material is followed by "Technique Builders," a series of exercises designed to build
skillful technique. Next comes the "Lick of the Week," an etude of high technical demand,
the essence of which is derived from the previous lesson material.
2. All exercises should be practiced with a metronome or a solid drum machine pattern.
3. The Technique Builders should be reviewed frequently, and tempos should be increased
when all transitions are smooth and consistent. (Keep a log of your progress and set weekly goals.)
4. As you will notice, there is an emphasis on getting the most out of each practice session.
Condition your brain and hands to work together. For example, try to be aware of your
left-hand fingering, right-hand alternation and consistency, and your time feel. To combine
all three is a major accomplishment, but with practice and concentration, you will get more
out of a one-hour practice session than you ever imagined.
5. If you don't read music notation, start relating the TAB notes to what is written above.
Reading music will only open more doors for you.
Price: €23,99

BLUES/ROCK GUITAR MASTERS CD TABLATURE lazy-smoke on the water-Strange Brew-Stumble-hey joe-badge


A Step-by-Step Breakdown of Guitar Styles and Techniques
Series: Signature Licks Guitar
Softcover with CD - TAB
Author: Andy Aledort

This book/CD pack offers detailed analysis and instruction on the playing of nine of the greatest blues/rock guitar heroes that have ever lived: Duane Allman, Jeff Beck, Ritchie Blackmore, Eric Clapton, Rick Derringer, Peter Green, Jimi Hendrix, Stevie Ray Vaughan, Leslie West and Johnny Winter. Learn to play like them by studying their signature licks in 17 songs:

Dreams Of Milk & Honey
Hey Joe
Killing Floor
Let Me Love You
Mississippi Queen
Pride And Joy
Rock And Roll Hoochie Koo
Rock My Plimsoul
Smoke On The Water
Someday, After Awhile (You'll Be Sorry)
Statesboro Blues
Still Alive And Well
Strange Brew
The Stumble
Whipping Post

112 pages

Price: €21,99
Syndicate content