LIBRO CON CD

ANDERSON MURIEL, HOMETOWN LIVE! CD TABLATURE

Sheet music: 72 pages

Publisher: John August Music, Mel Bay Publications (1995)
Language: English
ISBN-10: 0786614471
ISBN-13: 978-0786614479

HOMETOWN LIVE!
by Muriel Anderson
This was originally a song I wrote about one of my favorite hangouts in Nashville (my second home), the Ultra Violet Cafe. Anne Sullivan recorded it as the title track for her CD, Ultra Violet Cafe. Renamed "Hometown/' ·this solo guitar arrangement incorporates the melody into the accompaniment. The basic concept of the composition is an arpeggio - feel with a gentle melody floating over the top. The right hand fingering is crucial to getting the fluid yet rhythmic character, especially in the introduction.
Note where the thumb (p) drops down to play the notes on the third string. Think of the notes played by the thumb as a separate rhythmic figure. Beginning in measure five, bring out the melody notes louder than the accompaniment. In general, the right hand fingering stays to the one-finger-per-string concept; the ring finger (a) plays the first string, the middle finger (m) plays the second string, and the index finger (i) plays the third string, although often the thumb takes the index finger's job and plays the third string. This adds to the cascading feel of the arpeggio. Exceptions: Where there are several consecutive melody notes on the same string, alternate fingers. Two consecutive notes on the third string (measure 24) are played index (i) - thumb (p). As is true of many of the compositions in this collection, some of the accompaniment notes are played so quietly that they are meant to be felt more than heard, These" ghost notes" help to subtly keep the rhythm moving along. After you've been playing the piece for a while, you may vary the accompaniment a little while keeping the chordal structure and feel of the piece intact. Play with dynamic swells and fades. Start by getting louder as the melody goes up and getting softer as the melody goes down. Then vary the dynamics as you feel the melody leads you. Also, sing the melody as you play it, and even make up lyrics to help phrase the melody. The piece ends with right hand harmonics an octave higher than the fretted note. With the right hand, touch the point on the string exactly twelve frets higher than the fretted note with the index finger, and pluck with the ring finger. This leaves the thumb free to play the bass notes.

NOLA by felix Arndt
I discovered Nola when I was experimenting with bluegrass banjo techniques on the guitar; using as many open strings as possible in scale passages and fingerjrg the succeeding notes on different strings. This technique is often called "cross-string fingerings," used extensively by Chet Atkins and others. The notes ring into each other with a harp-like or "cascading" sound. Cross-string fingering also allows the notes to be played more quickly than would be possible otherwise. Some of the left hand fingerings in this transcription are a bit difficult, but necessary in order to keep the notes ringing on as many different strings as possible. When I first started arranging Nola, I played it at a music store for my friend and mandolin teacher Jethro Burns while he played a descending line on the mandolin. With the new line in my ears, I went home to work on incorporating it as an inner voice into my solo arrangement. From measures 21-26, the new line fits into the solo arrangement on beats two and four of the measure (instead of beats one and three where it was originally played). Pay close attention to the fingerings in this section. The descending line is indicated with accents in the arrangement. When Nola is played in the key of G with the 6th string dropped down to D and the 5th string down to G, it is possible to play all the notes of the piano transcription on the guitar (although sometimes in a different octave). In addition, this tuning allows for a great number of open strings in both the melody and bass. As the arrangement evolved, some phrases were modified from the original to maintain the momentum of the piece in a more guitaristic way. The piano version of the long run beginning in measure 54 goes below the range of the guitar.
To change the octave register of these notes would disrupt the shape of the run. Because of the cascading nature of the run, the most graceful resolution to the problem (however nonstandard) was to shorten the run by three eight notes (one beat). This is the reason for the 9/8 bar in measure 55. Another option, to keep consistent 12/8 measures (if you're playing with a drummer, for instance), is to repeat the first three eighth notes at the beginning of measure 56. (These are the notes that are an octave lower in the piano arrangement.) Sometimes the same note functions as a bass note and a melody note. This is indicated in the music by a double note with the stems going in either direction, as in measure four, fourth note. In this case, the double note head indicates the note's (double) musical functions, not to play the same note on two different strings. The notes with x's marked "muffle" are played with a down-stroke with the backs of the nails, bringing the palm down to muffle the strings quickly after they are struck. This creates a percussive effect with just a hint of the harmony. For some right hand fingering suggestions for Nola, refer to Fingerstyle Guitar Magazine, NO.5. If you are comfortable with using the pinkie finger, there are a couple of places in the theme where it would be handy to use it (in addition to the ring, middle, and index fingers.) I originally wrote this arrangement to be played on a Martin 00-21 strung with nylon strings in the bass and steel strings in the treble. Then I came to prefer the sound played on all nylon strings, on my Paul McGill classical guitar.

PERFORMARNCE NOTES
A Roman numeral means to bar all (or part) of that fret. 1/2[Roman numeral] means to bar specifically half way across.
[SQUIGGLY LINE] means to strum down or arpeggiate. In Fantasia de Fuego and In Memory of a Friend, a squiggly line indicates a rasqueado: a down strum with the backs of the finger nails, one finger after another in quick succession starting with the pinkie finger, then ring, middle, index.
Measures are numbered from [!]as the first full measure.
Right hand fingerings are indicated by p = thumb, i = index, m = middle, and a = ring.
Thanks to all my students at Wheaton college who helped me carefully proofread this music. Special thanks to Kathy Tyers. Music typography by Paul Kurtz.

To order Muriel Anderson's recordings:
MURIEL ANDERSON, Elmhurst, IL 60126
Note: Anderson's CD Hometown Live! contains three additional selections not included on the book edition CD.

Titles - AUTHOR - YEAR
- Hometown - MURIEL ANDERSON - 1995
- It Never Gets Easier - MURIEL ANDERSON - 1995
- All Thumbs - MARK CASSTEVENS - 1995
- The Three Sisters - MURIEL ANDERSON - 1995
- Arioso - MURIEL ANDERSON - 1995
- Fantasia De Fuego - MURIEL ANDERSON - 1995
- In Memory of a Friend - MURIEL ANDERSON - 1995
- Mister Chester - MURIEL ANDERSON - 1995
- After Tonight - MURIEL ANDERSON - 1995
- Nola - FELIX ARNDT - 1995
- The Water Is Wide - AMERICAN FOLK SONG - 
- Andante From Symphony For a Country Gentleman – JEAN-FELIX LALANNE - 1995

CELTIC MUSIC FOR GUITAR VOLUME 1. CD TAB.

Celtic Music For Guitar by Allan Alexander contains 31 pieces transcribed for Guitar, most of them originating from Ireland and Scotland. The book also includes three charming original pieces written in the Celtic style by Allan Alexander. The music is presented in both music notation and guitar tablature for people who do not read music.

Play the beautiful haunting melodies of the Irish Harper O'Carolan, take a musical journey with dances that were written more than 400 years ago and experience Celtic traditional music that is the mainstay of modern players. If you are learning and looking for great music, this is one book that you will not be able to put down. If you are a performer looking for high quality material, these great pieces, expertly arranged, will become part of your permanent repertoire.

The CD, played by Allan Alexander, gives the musician the advantage of being able to hear how these pieces should be played by an expert in this genre of music and will make the learning process easier. Many of these pieces were written for the Lute; however Allan Alexander has found that they work very well on the guitar. Being an accomplished player of both lute and guitar, he has the knowledge to make accurate, musical transcriptions. Other pieces in this book are traditional tunes that have been arranged specifically for guitar. Many of the selections have variations on the original melodies. This adds another dimension to the music and enhances the performance.

D'AGOSTINO PEPPINO, NEW ACOUSTIC GUITAR. 24 Titoli. CD TAB.

Acoustic Masters Series:
By Peppino D'Agostino
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Fingerstyle virtuoso Peppino D'Agostino examines topics such as solo guitar arranging, composition, alternate tunings, chord voicings, and fingerstyle techniques. New Acoustic Guitar contains 11 original Peppino works. Titles include:

STANDARD TUNING:

Calypso Facto

Song for Carol (Duet)

Mediterranean Dance

DADGAD TUNING:

Rondo alla Turca

Echo of Delphi Valley

Acoustic Spirit

EBBF#BE TUNING:

House of the Rising Sun

Goodbye Robbie

Grand Canyon

DAC#EBC# TUNING:

Silent Night

Walk Away Renée

FBbDFCD TUNING:

Mademoiselles de Paris

Aleza's Eyes

Close to Heaven

DADF#AD TUNING:

The Entertainer

Bella Donna

EBEGAD TUNING:

Star of the County Down

Mother's Tears

New Acoustic Guitar contains 12 of Peppino's brilliant guitar arrangements (11 original pieces, plus his beautiful version of "Walk Away Renée," as recorded with David Wilcox). In addition, Peppino provides numerous etudes and simple arrangements of folk melodies to help familiarize you with a variety of altered tunings. The book illustrates:

Solo Guitar Arranging
Composition
Alternate Tunings
Chord Voicings
Fingerstyle Techniques
The included CD contains all 24 songs and music examples and all music is written in standard notation and tablature.

DYKES DOYLE, ACOUSTIC MASTERS SERIES VIRTUOSO FINGERSTYLE GUITAR. CD TAB.

Doyle Dykes / transcr. Jon Chappell
SERIES: Acoustic Masters Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Doyle Dykes is the natural heir to Chet Atkins' throne. This Nashville-based virtuoso fingerstyle guitarist plays solo guitar arrangements of originals, hymns, and secular pop music with astounding feel and unheard-of technique. This volume includes Doyle's original guitar compositions and his hugely popular arrangement of The Beatles' song "Girl." Songs are:

Includes the Following Selection:
Title Composer

ANGEL'S DESIRE
DOYLE DYKES

BIRMINGHAM STEELE
DOYLE DYKES

CALEB'S REPORT
DOYLE DYKES

CELTIC COWBOY
DOYLE DYKES

CHANGING OF THE GUARD, THE
DOYLE DYKES

COUNTRY FIED PICKIN'
DOYLE DYKES

GIRL
LENNON, JOHN / MCCARTNEY, PAUL

HOWLING OF THE WOOD
DOYLE DYKES

JAWBONE, THE
DOYLE DYKES

MARTHA'S KITCHEN
DOYLE DYKES

MISS HALEY'S MUSIC BOX
DOYLE DYKES

MISTY NIGHTS IN TOKYO
DOYLE DYKES

ROAD BACK HOME, THE
DOYLE DYKES

SELF PORTRAIT ON ACOUSTIC GUITAR
DOYLE DYKES

VISITATION, THE
DOYLE DYKES

WABASH CANNON BALL (PRINT ONLY)
A.P. CARTER

WHITE ROSE FOR HEIDI
DOYLE DYKES

EMMANUEL TOMMY, FINGERSTYLE GUITAR METHOD. CD TABLATURE

The incomparable Australian guitarist Tommy Emmanuel presents four fingerstyle exercises plus an arrangement of the classic tune Freight Train and two signature compositions- Mister Guitar and Dixie McGuire. This book would serve either as a reference text for one of Tommy's workshops or as a helpful guide to developing fingerstyle guitarists working on their own. All selections are written in notation and tablature for the guitar in standard tuning. A convenient chord chart is provided in the appendix. All of the selections in the book appear on the companion CD.

Intermediate to advanced in difficulty, playing these tunes literally involves the thumbs of both hands! Gaining flexibility and control of your left thumb, you too can play like TE!

Dictation Notes with Tommy Emmanuel Getting Started on Fingerstyle ...

GETTING PREPARED