TRASCRIZIONE

Fox MIMI Guitar Method Graduated Soloing LIBRO CD TABLATURE SOLO SCALE ARPEGGI PATTERN JAZZ

Mimi Fox Guitar Method The, Graduated Soloing. CD TABLATURE

LIBRO DI MUSICA, METODO, SPARTITI PER CHITARRA CON CD E TABLATURE. 

This method book by renowned jazz artist Mimi Fox utilizes a unique approach to helping guitarists develop strong solos. Scales, arpeggios, patterns, and syncopated rhythms are introduced in a logical clear fashion. All of this is then applied to the "graduated" studies that follow.

Starting with simple melodies, and then progressively adding more complex figures based on arpeggios, scales, passing tones, and syncopated rhythms the "graduated" solos will teach students how to develop their own great solos by using the techniques contained herein. "Graduated Soloing" is stuffed full of great ideas/patterns/licks drawn from Mimi's many years of playing with the top musicians in Jazz/Pop music.

The book concludes with an explosive solo of Mimi's over a 12 bar blues and includes tab as well as musical notation with a detailed analysis by the author. CD contains all examples and solos.

Format: Book/CD Set
ISBN: 0786681381
UPC: 796279110525
ISBN13: 9780786681389
Series: Non-Series

 

Introduction
Acknowledgements
Preface
Arpeggio Studies through a Piece of Music
Chords and Arpeggios
Jazz Night
Scales
Scale Syllabus
G Major Scale in Five Shapes
G Melodic Minor in Five Shapes
G Harmonic Minor in Five Shapes
G Minor Pentatonic in Five Shapes
Scale Patterns
Whole Tone and Diminished Scales
Whole Tone and Diminished Patterns
Rhythm/Comping
Rhythmic Studies
Rhythmic Comping Ideas
More Comping Rhythms
Graduated Solo Studies
Duke’s Train 1
Duke’s Train 2
Bossa Blues 1
Bossa Blues 2
12 Bar Blues 1
12 Bar Blues 2
Standard in C 1
Standard in C 2
Buddy’s Blues
Mimi Fox

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YOUNG NEIL HARVEST Guitar Recorded Version TABLATURE LIBRO Alabama-Are You Ready For The Country

YOUNG NEIL, HARVEST. Guitar Recorded Version. TABLATURE

LIBRO DI MUSICA ROCK.
SPARTITI PER CHITARRA E VOCE.
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE. 

Neil Young - Harvest
Series: Guitar Recorded Version
Format: Softcover - TABLATURE
Artist : Neil Young

Matching note-for-note transcriptions to the 1972 release, one of Young's most popular and enduring recordings. Includes the classics: Harvest • Heart of Gold • A Man Needs a Maid • Needle & the Damage Done • Old Man • and more.

Song List:
Harvest
Alabama
Are You Ready For The Country
Heart Of Gold
A Man Needs A Maid
The Needle And The Damage Done
Old Man
Out On The Weekend
There's A World
Words (Between The Lines Of Age)

64 pages

 

YOUNG NEIL, HARVEST. TABLATURE

SERIES: Classic Album Editions
CATEGORY: Guitar Personality
FORMAT: Book

Selected by Rolling Stone as one of the greatest albums of all time, Harvest is a quintessential album of the 1970s. The music is acoustic Neil Young at his best stripped down and simple, vulnerable and very raw. Titles are:

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SCHENKER MICHAEL THE LEGENDARY GUITAR OF TABLATURE DVD CHITARRA LIBRO SPARTITI

SCHENKER MICHAEL, THE LEGENDARY GUITAR OF. TABLATURE DVD

VIDEO DVD WITH SHEET MUSIC BOOKLET 48 PAGES. 

VIDEO METODO DVD DI MUSICA METAL. 

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

LESSON, LEZIONE VIDEO DIDATTICO. 

 

The Legendary Guitar of Michael Schenker

Serie: Music Sales America
Editore: Hot Licks
Formatto: DVD - TAB
Autore: Dave Celentano
Artista: Michael Schenker

Questo eccezionale e istruttivo DVD svela sei dei più grandi hit di Michael, tra queste "Doctor Doctor" e "Rock Bottom", realizzati esclusivamente per la Hot Licks. Il DVD studia molto da vicino lo stile e la tecnica di questo realmente leggendario chitarrista. Brillante istruttore di chitarra, Dave Celentano scompone e analizza in ogni dettaglio la tecnica dei solo della fenomenale leggenda della chitarra. In un intervista bonus Michael racconta la sua educazione musicale e che cosa lo ha influenzato nelle scelte, la sua attuale atrezzatura musicale, l'importanza della individualità e della creativià. Include un libretto di 48 pagine con notazione standard e Tablature. Durata 2 ore 22 minuti.

Larghezza: 5.5"

Lunghezza: 7.5"

Tempo: 2:22:00

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BLACK SABBATH HEAVEN AND HELL Guitar Recorded Version TABLATURE IOMMI PADOVANA

BLACK SABBATH, HEAVEN AND HELL. Guitar Recorded Version. TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON TABLATURE.

 

Series: Guitar Recorded Version

Format: Softcover - TAB

Artist: Black Sabbath

 

Questo disco uscito il 25 Aprile 1980 è il primo con Ronald James Padavona (10 luglio 1942 – 16 maggio 2010), il cantante italo americano che aveva da poco lasciato i Rainbow di Blackmore nel 1979.
Il sostituto di Osbourne era nato a Portsmouth nel New Hampshire, figlio unico di genitori italiani. 
Studiò tromba e corno francese, e ha registrato alcuni singoli con gruppi Rockabilly intorno al 1958 suonando anche il basso, con i Ronnie & The Redcaps. La voce di Padovana la potete ascoltare in 'Lover', e la sua tromba in 'Conquest' un pezzo strumentale in stile Ventures.

Il dipinto della copertina di Lynn Curlee non fu ordinato su commissione per l'album.

 

  • All songs written & arranged by Ronnie James Dio / Tony Iommi / Bill Ward / Geezer Butler
  • Lyrics by Ronnie James Dio 

Other Credits

  • Tony Iommi - Lead Guitar
  • Geezer Butler - Bass
  • Ronnie James Dio - Vocals
  • Bill Ward - Drums
  • Geoff Nicholls - Keyboards
  • Produced & Engineered by Martin Birch
  • ssistant Engineer: Joe "C" Foglia
  • Recorded at Criteria Recording Studios, Miami, Florida
  • Additional recording at Studio Ferber, Paris France

This matching folio to Sabbath's platinum “comeback” album featuring new vocalist Ronnie James Dio includes: Neon Knights • Children of the Sea • Lady Evil • Heaven and Hell • Wishing Well • Walk Away • Lonely Is the Word • Die Young.

 

Song List:

Children Of The Sea

Die Young

Heaven And Hell

Lady Evil

Lonely Is The Word

Neon Knights

Walk Away

Wishing Well

 

98 pages

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GALLAGHER RORY THE ESSENTIAL THE COMPLETE TASTE GUITAR TABLATURE SPARTITI CHITARRA LIBRO

GALLAGHER RORY, THE ESSENTIAL: THE COMPLETE TASTE. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA ROCK BLUES.
SPARTITI PER CHITARRA CON: 
ACCORDI, PENTAGRAMMA E TABLATURE.

 

The Essential Rory Gallagher: The Complete Taste
Artist: Rory Gallagher

All nineteen songs from Taste and On the Boards, the only two studio albums released by Rory Gallagher's band, Taste before he pursued his solo career. The band's sound was characterised by Gallagher's Guitar playing, which was so impressive that when the band performed at the Isle of Wight festival alongside Jimi Hendrix and The Who in 1970 they were called back for a total of 5 encores. All songs are presented in Guitar Tab arrangements complete with full lyrics. 152 pages

With a foreword by Brian May

 

Blister On The Moon - Parole e Musica: Rory Gallagher
Born On The Wrong Side Of Time - Parole e Musica: Rory Gallagher
Catfish - Traditional arrangiato da: Rory Gallagher
Dual Carriageway Pain - Parole e Musica: Rory Gallagher
Eat My Words - Parole e Musica: Rory Gallagher
Hail - Parole e Musica: Rory Gallagher
If I Don't Sing I'll Cry - Parole e Musica: Rory Gallagher
If The Day Was Any Longer - Parole e Musica: Rory Gallagher
I'll Remember - Parole e Musica: Rory Gallagher
I'm Moving On - Parole e Musica: Hank Snow - 1950
It's Happened Before, It'll Happen Again - Parole e Musica: Rory Gallagher
Leaving Blues - Parole e Musica: Alan Lomax, Huddie Leadbetter, John Lomax
Morning Sun - Parole e Musica: Rory Gallagher
On The Boards - Parole e Musica: Rory Gallagher
Railway And Gun - Parole e Musica: Rory Gallagher
Same Old Story - Parole e Musica: Rory Gallagher
See Here - Parole e Musica: Rory Gallagher
Sugar Mama - Parole e musica: John Lee Williamson
What's Going On - Parole e Musica: Rory Gallagher

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CLASSIC ROCK HEROES, GUITAR MASTERS SERIES Joe Charupakorn CD TABLATURE All Right Now-Born To Be Wild

CLASSIC ROCK HEROES, GUITAR MASTERS SERIES Joe Charupakorn CD TABLATURE

ORIGINAL RECORDINGS

Classic Rock Heroes
Guitar Masters Series
Series: Guitar Masters Series
Format: Softcover with CD - TAB
Author: Joe Charupakorn

Inventory #HL 00699915
ISBN: 9781423423614
UPC: 884088129606
Width: 9.0"
Length: 12.0"
104 pages

Classic Rock Heroes not only contains accurate guitar transcriptions of 10 classic rock anthems and biographical information on each artist, it also includes a CD with the ORIGINAL RECORDINGS OF EVERY SONG! Hear every note as played, every lyric as sung, and every bend as you remember – this is the real deal! Songs include: All Right Now - Born to Be Wild - Cold Gin - Renegade - Rocky Mountain Way - Snortin' Whiskey - Stuck in the Middle with You - Takin' Care of Business - Thirty Days in the Hole • What's Your Name. Also features great photos, detailed gear listings, and album info. 104 pages

Song List:

All Right Now - FREE - 1970
Born To Be Wild - STEPPENWOLF - 1968
Cold Gin - KISS - 1974
Renegade - STYX - 1978
Rocky Mountain Way - JOE WALSH - 1973
Snortin' Whiskey - PAT TRAVERS - 1980
Stuck In The Middle With You - STEALERS WHEEL - 1973
Takin' Care Of Business - BACHMAN -TURNER OVERDRIVE - 1973
Thirty Days In The Hole - HUMBLE PIE - 1972
What's Your Name - LYNYRD SKYNYRD - 1977

 

Billboard Hot 100. The band was now a major act,
breaking attendance records worldwide on its tours.
Skynyrd opened for the Rolling Stones in front of
a crowd estimated at up to 500,000 people at the
Knebworth Fair in Hertfordshire, England. After the
show, members of the band hobnobbed backstage
with society's elite-even smoking a joint with actor
Jack Nicholson!
The band's next album, Nuthin' Fancy (1975), was
recorded with new drummer Artimus Pyle, who
replaced Bob Burns (Burns left the band citing
fatigue and health issues). Other big lineup changes
soon occurred-AI Kooper bowed out of being
Skynyrd's producer and midway through the tour
for Nuthin' Fancy (named the "Torture Tour") Ed
King, exhausted by both life on the road and Van
Zant's abusive behavior when drunk, left the band;
this would later prove to be a life-saving move. In
December 1975, female background vocalists, The
Honkettes (Leslie Hawkins, JoJo Billingsley, and
Cassie Gaines) were added. Mega-producer Tom
Dowd was brought on to produce the band's next
album Gimme Back My Bullets. Dowd agreed to
produce the album only on the conditions that the
band follow his zero tolerance policy for drunkenness
and that they rehearse consistently at a set time. At
the recommendation of Honkette Cassie Gaines, her
brother, guitarist Steve Gaines was added to Lynyrd
Skynyrd. Gaines brought back the three-guitar fury
to the Skynyrd sound and very shortly after joining,
took part in the live album, One More for the Road.
Gaines appeared on the band's next studio album,
Street Survivors (1977). Initially, it seemed like this
album would be a disaster. Producer Tom Dowd
left midway through the recording to finish a Rod
Stewart album, and initial impressions of the album
were lackluster at best. The finished product turned
out to be a miracle and is considered by many to be
Skynyrd's best album. It went platinum and reached
#5 in the US. Unfortunately the album will always
be associated with the tragic events that happened
three days after its release. On October 20, 1977,
while en route to a gig at Louisiana University,
Skynyrd's chartered tour plane ran out of fuel and
crashed into a swamp in Gillsburg, Mississippi. This
crash killed Ronnie Van Zant, Steve Gaines, Cassie
Gaines, and Dean Kilpatrick (road manager). As an
eerie coincidence, the cover of the original edition of
Street Survivors depicted the band in flames. After
the tragedy, that cover was replaced with a different
shot, sans flames.
MCA released a compilation album, Gold and
Platinum in 1979. That same year, the surviving
members performed "Freebird" at Charlie Daniel's
5th annual Volunteer Jam, at the Nashville Municipal
Auditorium. This performance was the impetus
behind the Rossington-Collins band, formed in
1980. Female singer Dale Krantz was added along
with former Skynyrd bassist Leon Wilkeson and
keyboardist Billy Powell. This short-lived band
released two albums between 1980 and 1982. Other
offshoot bands included the Artimus Pyle Band (Pyle
wouldn't join the Rossington-Collins band because
he didn't approve of Krantz fronting the band)
formed in 1981, the Allen Collins Band, formed in
1983, and Rossington, formed in 1986.
To commemorate the tenth anniversary of the crash,
Lynyrd Skynyrd reunited in 1987 with surviving
members Rossington, Powell, Wilkeson, Pyle, and
King. Allen Collins, paralyzed from a 1986 drunk
driving accident, singed on as musical director, and
new members, vocalist Johnny Van Zant (Ronnie's
younger brother) and guitarist Randall Hall (from
the Allen Collins Band) were added. Allen Collins
died on January 23, 1990 from complications caused
by pneumonia. The following year, Lynyrd Skynyrd
recorded its first studio album since the airplane
tragedy, Lynyrd Skynyrd 1991, which was produced
by Tom Dowd, and in 1996, a documentary entitled
Freebird ... The Movie was released. The band's place
in history was cemented on March 13, 2006, when it
was inducted into the Rock and Roll Hall of Fame.
Lynyrd Skynyrd is an icon that has forever impacted
the American cultural landscape and now, more than
three decades later, is still going strong.
Performance Notes
Lynyrd Skynyrd's sixth offering, Street Survivors
(1977), was among the band's most successful
albums, reaching platinum status and peaking at #5
in the US. Sadly, it was the last album recorded with
the original lineup. Among the highlights of Street
Survivors was "What's Your arne:' a ignature song...

 

...now-apprehensive band had to do the gig, if only to
get gas money for the trip back to Ohio. To everyone's
surprise, the band kicked ass as a power trio and would
consequently retain this format. A lucky break came
in the form of a last-minute slot opening up for The
Who in Pittsburgh, PA. Pete Townsend took a liking
to Walsh, referred to him as "America's answer to all
the English flash guitarists," and brought the James
Gang out for its European tour. After the tour, the
James Gang released The James Gang Rides Again,
which featured one of its all-time classics, "Funk #49."
The band's next album, Thirds, was Walsh's last studio
album with the band. In addition to tour burnout,
Walsh started to feel restricted by the confines of the
trio format. This precipitated his departure from the
James Gang after the live release from Carnegie Hall,
James Gang Live in Concert, which was recorded live
with no studio overdubs or fixes.
After leaving the band, Walsh moved to Boulder,
Colorado and took six months off from guitar,
spending time on his radio hobby. In 1972, he
released his first solo album, Barnstorm, which had
a more fleshed out sound with keyboards, synthesizers,
and vocal harmonies. Walsh's next album,
The Smoker You Drink, the Player You Get, was his
breakthrough album, peaking at #6 on the charts.
The album featured one of his most recognizable
songs, the classic "Rocky Mountain Way." Tragedy
struck in 1973 when Walsh's baby daughter was
involved in a car accident and died shortly thereafter.
This incident forever changed Walsh's life and
propelled his self-abusive personality. Residue of
the tragic event is evident in the title of his next two
releases, So What in 1976, and the live album, You
Can't Argue With a Sick Mind. After the loss of his
daughter, Walsh did not have the strength to continue
a solo career and joined the Eagles in 1976, replacing
Bernie Leadon.
With Walsh on board, the Eagles recorded the
landmark Hotel California, one of the best selling
albums of all time. The album was #1 for eight nonconsecutive
weeks on the album charts and featured
two #1 singles-"Hotel California" and "New Kid in
Town." In 1978, Walsh recorded another solo effort,
But Seriously Folks, which featured the signature
Wal h classic "Life's Been Good" It took the Eagles
two-and-a-half year to rele oll '-up album,
The Long Run, but it was worth the wait. The album
reached #1, earned the Eagles a GRAMMY®, and
spawned three Top 10 singles-"Heartache Tonight,"
"I Can't Tell You Why," and "The Long Run." After
The Long Run, the Eagles took a "fourteen-year
vacation," disbanding until 1994's reunion album,
Hell Freezes Over, a mixed live/studio set that hit
#1 immediately upon release. Now older and wiser,
the Eagles reunited on the condition that everyone
stay clean and sober, prompting Walsh to check into
rehab. In 1998, the Eagles were inducted into the
Rock and Roll Hall of Fame and to this day, continue
to forge ahead, bucking the ever-changing musical
climate. In 2007, the Eagles released The Long Road
to Eden, the band's first studio album since 1979.
In the period since the Eagles' comeback, Walsh
recorded a slew of solo albums including There Goes
the Neighborhood, You Bought It: You Name It, The
Confessor, Got Any Gum?, and MTV Unplugged,
among others. He also regrouped with the James
Gang in 1996 at an election rally for President
Bill Clinton. With Walsh back in the band, the
James Gang has made several television appearances
including The Drew Carey Show, and has since
performed and toured sporadically.

Performance Notes
Despite his reckless image and his ballsy style, Joe
Walsh is a studied musician with a firm grasp on
music theory. He minored in music at Kent State
University and later received an honorary doctorate
in music from Kent. Growing up, Walsh started on a
diet of Beatles and Rolling Stones, learning George
Harrison's lines note-far-note. He later moved on to
the solos of Eric Clapton and Jeff Beck, meticulously
copying every nuance. This determination, combined
with his relentless gigging schedule, nurtured a
refined, yet powerful guitar stylist.
"Rocky Mountain Way" is one of Walsh's personal
favorite solos. The song is basically an extended
blues, enhanced with slide guitar and talk box. Walsh
nailed the slide parts in one take. After the first take,
Walsh wanted to do another, like most musicians
would, just to make sure. Everyone in the studio
unanimously agreed that it was a perfect run and told
Walsh "you're done." The rest is history.
 

... experience, having previously played with the moderately
successful MS Funk (a band that had opened for
Kiss). Initially, Shaw didn't know much about Styx
and actually looked down on them. He wasn't interested,
but went to the audition anyway and wound up
getting the gig without even touching his guitar. He
sang "Lady" with DeYoung and because he could hit
the high notes, DeYoung said "we want you in the
band."
Shaw made his debut, playing guitar, singing, and
writing/co-writing several songs on the band's next
album, Crystal Ball. The album did moderately
well, but it was the band's next album, The Grand
Illusion, that would take Styx into the big time.
The album went multi-platinum and "Come Sail
Away," a fantasy-themed single from that album
hit #8 in the US. Styx's next effort, Pieces of Eight,
also went multi-platinum. By this point, Shaw had
been making his mark on the band's sound. Pieces
of Eight featured three singles penned by Shaw,
"Renegade," "Blue Collar Man (Long Nights)," and
"Sing for the Day." The album Cornerstone followed
in 1979 and contained the bands biggest hit "Babe,"
which hit #1 on the charts. Cornerstone veered away
from the prog-rock sounds of previous efforts and
into a more pop/rock vein. As a result, its more mainstream-
friendly sound went multi-platinum, peaking
at #2 on the album charts. The bands momentum
continued with Paradise Theater, which also went
multi-platinum and was the only Styx album to
reach #1. "Snowblind," one of the songs from the
album caused controversy when activist Tipper Gore,
among others, accused the track of containing backwards,
satanic messages.
Although the band was on top of the world, not all
was well in Styx land. Around the time Shaw joined
the band, DeYoung suffered a nervous breakdown
and went for a stay at a psychiatric center. After
his recovery, he brought his wife and daughter on
the road. The DeYoungs were devout Catholics,
which created a major lifestyle conflict with the
band and brought about increasing intrapersonal
tension. Artistic tensions also came to a boil among
the band's songwriters-DeYoung's vision saw the
band going into a more theatrical direction while
Shaw and Young were pushing for a harder, more
rockin' sound. DeYoung got his way with the band's
next platinum album, Kilroy Was Here. The album
was a concept album that spawned the legendary
mega-hit "Mr. Roboto." DeYoung was also hellbent
on making a film version of Kilroy Was Here,
much to the chagrin of the other band members.
The movie was ultimately abbreviated to a fifteenminute
short film (costing Styx $1.5 million) to be
played on the Kilroy tour, which was already an
over-the-top, theatrical affair that had band members
wearing costumes and reciting dialogue. The tour's
ultra-elaborate production proved to be a nightmare
for the crew. Gargantuan sets had to be transported
daily from arena to arena, and numerous technical
snafus plagued the production. DeYoung didn't make
the situation easier. Whenever the film projectors
failed and the Kilroy film couldn't be shown,
DeYoung would refuse to sing and the show would
be over-not a good move considering ticket sales
were already drastically declining. It got so bad that
the last round of the tour was suddenly cancelled.
Tension in the band was at an all-time high and a
breakup was all but inevitable. During this period of
uncertainty, A&M released a live album, Caught in
the Act, which featured material from the Kilroy Was
Here and Paradsie Theater tours. The band went on
hiatus and Shaw and DeYoung pursued solo careers,
each releasing several solo albums. In 1990, after
extensive negotiations, the members of Styx decided
to record another album. DeYoung called Shaw to
start pre-production but got a shocker on the phone.
Shaw, with the aid of A&R legend John Kalodner,
had formed a new band, the Damn Yankess, which
featured Ted Nugent and Jack Blades, and was in the
process of recording an album. Glen Burtnick, who
had a deal as a solo artist with A&M Records, was
brought in as a replacement for Shaw and joined Styx
while they were still recording Edge of the Century.
During the negotiations for this album, DeYoung
used his clout to revamp the financial terms of the
band in his favor. He made himself the sole producer
of the album, thus getting points from the album,
excluding the others in the band.
Also, rather than split the publishing equally as
had been done previously, each songwriter now
solely owned his publishing, and at this point, only
DeYoung and James Young were writing songs for
the album. DeYoung also somehow managed to get...
 

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BONAMASSA JOE COLLECTION PLAY IT LIKE IT IS GUITAR TABLATURE LIBRO-Last Kiss-Lonesome Road Blues

BONAMASSA JOE, COLLECTION. PLAY IT LIKE IT IS. TABLATURE

ARTIST APPROVED

THIS BOOK WAS APPROVED BY JOE BONAMASSA IN PERSON

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON TABLATURE. 

 

Joe Bonamassa Collection
Series: Play It Like It Is
Publisher: Cherry Lane Music TAB
Artist: Joe Bonamassa

Artist-approved, note-for-note transcriptions in standard notation and tab for a dozen of the best from this formidable blues rocker. Includes: Asking Around for You • The Ballad of John Henry • Ballpeen Hammer • Black Night • Bridge to Better Days • Dirt in My Pocket • The Great Flood • Last Kiss • Lonesome Road Blues • One of These Days • Sloe Gin • So Many Roads, So Many Trains.

TITLE - AUTORE- ALBUM - ANNO

Asking Around For You - WORDS AND MUSIC BY: JOE BONAMASSA, MICHAEL HIMELSTEIN - YOU & ME - 2006
The Ballad Of John Henry - WORDS AND MUSIC BY: JOE BONAMASSA - SLOE GIN - 2009
Ballpeen Hammer - WORDS AND MUSIC BY: CHRIS WHITLEY - THE BALLAD OF JOHN HENRY - 1998
Black Night - WORDS AND MUSIC BY: JESSIE MAE ROBINSON - SLOE GIN - 1951
Bridge To Better Days - WORDS AND MUSIC BY: JOE BONAMASSA - YOU & ME - 2006
Dirt In My Pocket - WORDS AND MUSIC BY: JOE BONAMASSA, JIM HUFF - SLOE GIN - 2007
The Great Flood - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009
Last Kiss - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009
Lonesome Road Blues - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009
One Of These Days - WORDS AND MUSIC BY: JOE BONAMASSA - SLOE GIN - 2007
Sloe Gin - WORDS AND MUSIC BY: BOB EZRIN, MICHAEL KAMEN - SLOE GIN - 1978
So Many Roads, So Many Trains - WORDS AND MUSIC BY: PAUL MARSHALL - YOU & ME - 

160 pages

 

Joe Bonamassa performs at the Kravis Center on Tuesday.

Guitarist Joe Bonamassa doesn’t just play the blues – he is a student of the form.

For example, here’s how he describes Rory Gallagher, an Irish blues guitarist who never got nearly as well-known in the United States as he did in Europe: “Think of Rory like this – what you see is what you get. He comes out in a flannel shirt, blue jeans, playing a battered old Strat. He walks up to the mic, and he just plays, and it’s honest, the music’s honest.”

Bonamassa, who’ll be performing at the Kravis Center on Tuesday, is not just interested in knowing the blues. He wants to pass along his knowledge – so he started Keeping the Blues Alive, where he visits with groups of middle-school and high-school students to keep the fire of the blues burning.

“That’s the whole point, how do we get through the next hundred years?” Bonamassa said in a telephone interview. “Blues is 100 years old, essentially, so how do we get to the next hundred years? We get the kids interested in it. A lot of blues guys tend to play the victim – that the music doesn’t get covered by the media, it gets ignored. But at the end of the day, you have to be proactive about it.”

Directions, invite a friend, nearby dining
So Bonamassa will be taking his love of the blues to the kids – including a session before his show at the Kravis.

“As it happens, it’s about self-preservation for the blues, but it’s also about giving a little back to the community,” he said. “I get to do this nightly, playing music and a couple thousand people show up, so I feel indebted to the community.”

These days, it’s just one more thing on a busy slate for Bonamassa – he’s just wrapped up a pair of albums and tours with the supergroup Black Country Communion, which also features bassist/vocalist Glenn Hughes, drummer Jason Bonham and keyboardist Derek Sherinian; he’s worked on an album with singer/songwriter Beth Hart that he calls the project he’s most proud of; and he’s touring in support ofDust Bowl, his latest solo record.

Bonamassa set out to make Dust Bowl a much more American album than what he’s done before – he said his guitar work was closer to that of Duane Eddy, the great surf guitarist of the 1950s and ’60s, than anyone else. He also had the chance to work with singer/songwriter John Hiatt and Vince Gill, a country legend who also happens to be a highly respected guitarist in his own right. Bonamassa first met Gill at the Crossroads Guitar Festival just outside Chicago in the summer of 2010, and from there, it just took off.

“I saw him from afar, but I didn’t really approach him,” Bonamassa said. “But he came up to me, and he said, ‘My wife and I watched your concert at Albert Hall on DVD and we really like it,’ and he asked, ‘Do you know me?’ I said, ‘I know exactly who you are!’

“I’m not one to go up to famous people, I don’t enjoy the experience, it’s very daunting to me. I probably wouldn’t have approached him, but he approached me, and it’s Vince freakin’ Gill! Two months later we’re doing a session with John Hiatt, and then he’s on stage with me at the Beacon Theater in New York. My Rolodex has changed a bit in the last 10 years – used to be my mom and dad and a couple of friends!”

 

As Joe Bonamassa grows his reputation as one of the world’s greatest guitar players, he is also evolving into a charismatic blues-rock star and singer-songwriter of stylistic depth and emotional resonance. His ability to connect with live concert audiences is transformational, and his new album, Black Rock, brings that energy to his recorded music more powerfully than ever before. The tenth solo album and eighth studio release of his career – as well as his fifth consecutive with producer Kevin Shirley (Led Zeppelin, Black Crowes, etc.) – the disc adds an enlivening dose of ‘world’ vibes to Bonamassa’s virtuoso mix of ‘60s-era British blues-rock (à la Beck and Clapton) and roots-influenced Delta sounds.

The album was recorded at Black Rock Studios in Santorini, Greece. “With this album, we wanted to explore a ‘world’ feeling, and this was the inspiration behind going to record in Greece and using some of the best Greek musicians to add a little flavor to a couple of the tracks. But it’s by no means a ‘world’ album. We wanted Joe’s usual youthful and energetic tones to play alongside the worldly vibes of the Greek bouzouki and clarino,” said Shirley. Bonamassa adds, “It was the kind of record Kevin and I wanted to make. We needed to rock again a bit like on my first album. It’s youthful, like going back to your childhood.” Throughout, Bonamassa is again backed by the stellar players Carmine Rojas (bass), Anton Fig, Bogie Bowles (both on drums) and Rick Melick (keyboards).

2009 was a big year for Bonamassa. He was awarded the Breakthrough Artist of the Year Award at the U.K.’s prestigious Classic Rock Roll of Honour Awards and Classic Rock magazine has said, “They’re calling him the future of blues, but they’re wrong – Joe Bonamassa is the present; so fresh and of his time that he almost defines it.” He was also named Best Blues Guitarist in Guitar Player Magazine’s 2009 Readers’ Choice Awards for the third consecutive year. Guitar Player writer Matt Blackett has said, “He’s an old soul, and that comes through in his bends, vibrato, singing voice, and note choices, which – which each passing year – get more restrained and refined.”

In May ’09, he played to a sold out crowd at London’s Royal Albert Hall, arguably the most prestigious concert venue in the world. During the show, Bonamassa’s hero, Eric Clapton, joined him on stage for a joint-performance of Clapton’s hit “Further On Up The Road.” London’s The Independent said about the show, “The man has arrived, and there’s no turning back.” Shortly after, Bonamassa released a 2-DVD live set – Joe Bonamassa – Live From The Royal Albert Hall – which captures the night in full. Guitar Edge gave it five stars and also said, “It is the wallop of his emotional expression, fueled by the rocking energy he derives from that trans-Atlantic connection and driven by his devastating technical ability, that elevates him about his peers and makes him a certifiable blues guitar hero and the face of his blues generation.”

Last year also coincided with Bonamassa’s twentieth year as a professional musician, an extraordinary timeline for a young artist just into his ’30s. A child prodigy, Bonamassa was finessing Stevie Ray Vaughan licks when he was seven and by the time he was ten, had caught B.B. King’s ear. After first hearing him play, King said, “This kid’s potential is unbelievable. He hasn’t even begun to scratch the surface. He’s one of a kind.” By age 12, Bonamassa was opening shows for the blues icon and went on to tour with venerable acts including Buddy Guy, Foreigner, Robert Cray, Stephen Stills, Joe Cocker and Gregg Allman.

Bonamassa reunites with King for a duet on Black Rock. The song they perform together is a rendition of the Willie Nelson-penned song, “Night Life,” which appeared on King’s 1967 album Blues Is King. Shirley says about the experience, “This is a rollicking Stonesy-vibe version of the Willie Nelson song on which B.B. duets with Joe, both vocally and on his famous Lucille guitar. What a joy and an honor to work with the legend who is possibly the pivot point and unifying musician between blues and rock.”

Other tracks appearing on Black Rock include Jeff Beck’s “Spanish Boots,” a lively version of Leonard Cohen’s poetic “Bird On A Wire,” Otis Rush’s “Three Times A Fool,” as well as Bobby Parker’s “Steal Your Heart Away,” a song recommended by Robert Plant, who said Led Zeppelin rehearsed it in their earliest days. Also, Blind Boy Fuller’s “Baby, You Gotta Change Your Mind,” John Hiatt’s “I Know A Place,” and James Clark’s “Look Over Yonder’s Wall,” as well as the Bonamassa-penned originals “When The Fire Hits The Sea,” “Wandering Earth,”

“Athens To Athens,” and “Blue and Evil.”

Bonamassa’s recording career began in the early ’90s with Bloodline, a hard-charging rock-blues group also featuring Robby Krieger’s son Waylon and Miles Davis’ son Erin. His 2000 solo debut, A New Day Yesterday, was produced by the legendary Tom Dowd; Bonamassa’s rendering of the title track, originally a Jethro Tull hit, was called, “a jaw-dropping performance” by allmusic.com.

His last studio album, The Ballad Of John Henry – with no shortage of its own jaw-dropping moments – debuted at #1 on the Billboard blues chart and stayed there for six months. The album marks a more confessional approach to songcraft than he’s previously employed. “Making the first half of the album,” Bonamassa says, “I was in the happiest place I’d ever been in my life. The second half found me in completely the opposite state. I’ve come to the conclusion that experience makes for better art. I had more to say, and it’s the first time I’ve personally opened up the book on my life.”

Previous studio sets include 2007’s Sloe Gin, which debuted at #1 on Billboard’s blues chart and received a 2008 nod for Album Of The Year from the Classic Rock Roll Of Honour Awards. Sloe Gin careens between heavy electric blues-rockers and acoustic, folk-etched cuts in a flow that Bonamassa says was partly inspired by Rod Stewart’s classic 1969 solo debut LP. Modern Guitars Magazine wrote, “If calling Sloe Gin a Bonamassa sampler isn’t graphic enough, think of the album as a musical buffet in which unrelated entrees share a single trait: they taste good.” The Boston Phoenix called it, “an elegant and brawny guitar-hero album.”

In 2008, he released the 2-CD set Live From Nowhere In Particular, which Guitar Player said, “finds Joe playing with soul, intensity and savage tones.” It features 13 songs recorded live in concert on the artist’s 2007 North American tour – at shows like the one at New York’s Westhampton Beach Performing Arts Center reviewed by Lon S. Cohen: “In a thousand years, when archeologists dig out Joe Bonamassa’s guitar from the strata of the earth, it will still be smoking…He holds the guitar like a shotgun but what comes out of it is poetry, color, and a story is told in notes.” A review of a show at Alexandria, VA’s Birchmere drew similar sentiments from writer Paul Roy on blogcritics.org: “I have flirted with the opinion that Bonamassa may be the overall best guitarist on the planet these days, and after seeing him perform live again…I am now totally comfortable with that opinion. He is simply mesmerizing to watch.”

Bonamassa circles the globe playing an average of 200 shows a year, and his mind-blowing guitar wizardry and electrifying stage presence are selling out progressively larger venues all the time. The OC Register’s Robert Kinsler has written, “Whether in a club or outdoors at a festival, something magnetic happens when Bonamassa steps to the front of the stage, leans his head back and simply lets loose.”

Ongoing journeyman touring is a given, and looking beyond Black Rock, Bonamassa will continue his recording collaboration with producer Kevin Shirley, who says, “It’s great working with Joe and seeing him enjoy the discovery of all these places he can go. He’s an artist who can play anything, there are so many facets to him.” Bonamassa adds, “Kevin comes up with fantastic ideas outside the box. He appreciates the blues, but pushes me, the only person besides Tom Dowd who’s done that.”

On top of touring, recording and overseeing the independent label J&R Adventures with his entrepreneurial partner and manager Roy Weisman, Bonamassa is a spokesperson for the Blues Foundation’s respected Blues In The Schools program, volunteering his time during tours to speak with groups of high school students about the heritage of blues music – the first pure American music form. Recently, he was chosen by Channel One, the largest in-school news network, to host an ongoing segment called “Know Your Roots with Joe Bonamassa” in which he traces the musical roots of Channel One’s weekly “Hear It Now” featured artist.

And, 2010 has already started with a bang – Guitar World dubbed Bonamassa “The Blues Rock Titan” and his song, “Lonesome Road Blues,” is a part of Guitar Hero V’s New Blues Masters Track Pack. Keeping with his blues roots but fluently moving between rock n’ roll and international sounds, 2010 is not only a new decade but a new era for Bonamassa.

 

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BLUES INSTRUMENTALS Guitar Play-Along Volume 91 CD TABLATURE The Stumble SPARTITI CHITARRA

BLUES INSTRUMENTALS, Guitar Play-Along Volume 91. Sheet Music Book with CD & GUITAR TABLATURE. 

LIBRO DI MUSICA BLUES CON CD. 

CD DI BASI .

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

Guitar Play-Along Volume 91

Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: Various

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

8 songs: Blue Guitar • Honky Tonk (Parts 1 & 2) • Just like a Woman • Okie Dokie Stomp • Scuttle Buttin' • Steppin' Out • The Stumble • Wham.

Blue Guitar
Honky Tonk (Parts 1 & 2)
Just Like A Woman
Okie Dokie Stomp
Scuttle Buttin'
Steppin' Out
The Stumble
Wham

56 pages

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LED ZEPPELIN ULTIMATE GUITAR PLAY-ALONG VOLUME 2 Authentic Guitar TAB CD TABLATURE LIBRO

LED ZEPPELIN, ULTIMATE GUITAR PLAY-ALONG VOLUME 2. Authentic Guitar TAB. SHEET MUSIC BOOK WITH  CD JAM TRAX & GUITAR TABLATURE. 

LIBRO DI MUSICA HARD ROCK, CON CD DI BASI.

CD DI BASI PER VOCE E, VOCE E CHITARRA.

SOFTWARE PER RALLENTARE LA VELOCITA' DELLE TRACCIE SENZA CAMBIARE LA TONALITA'. 

SPARTITI PER VOCE E CHITARRA, CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

For the first time ever we are proud to present the legendary songs of Led Zeppelin transcribed for Guitar, complete with backing and demo tracks on 2 CDs!

The Guitar tablature, chord symbols, chord boxes and full lyrics have been newly transcribed. The recordings on the CDs have been made using authentic instruments, amps and recording techniques of the time the songs were originally cut. Comprehensive notes describe the painstaking process of simulating the Led Zeppelin sound for this breakthrough series.

The result? The definitive collection of Led Zeppelin classics arranged and presented for the true fan who wants to play Guitar with one of the world's all-time great bands!

 

 

EDITOR'S NOTE

It is simply impossible to actually recreate the recorded performances of Led Zeppelin and the production techniques of Jimmy Page. The intention of these recordings is to aid in the study of the guitar parts by providing credible backing tracks to play along with, hopefully capturing the spirit of the original music. Ultimately, it is essential to listen to, and try and. emulate, the original Led Zeppelin tracks to really understand the musical nuance, intensity, and brilliance of those recordings.

 

CREDITS .

Supervisory editors: Brad Tolinski and Jimmy Brown

Project manager and music editor: Tom Farncombe

Audio recording and mixing: Jonas Persson

Guitars and guitar transcriptions: Arthur Dick

Additional transcription and editing: Jimmy Brown

Bass guitar and bass transcriptions: Paul Townsend

Drums, percussion, and drum transcriptions: Noam Lederman

Keyboards and keyboard transcriptions: Paul Honey

Music engraving: Paul Ewers Music Design

Recorders: Kirsten Halliday

Harmonica: Son Maxwell

"Kashmir" orchestra arranged and programmed by Rick Cardinali

Thanks to Chandler Guitars

Special thanks to Mark Lodge at Hiwatt UK for supplying the Hiwatt 100 Head, an

exact replica of Jimmy Page's amp from the Led Zeppelin sessions.

 

EQUIPMENT LIST

In addition to the instruments specified under Recording Notes (starting on

page 6), the following were used for the recordings:

1968 Ludwig drum kit (24" bass drum, 13" rack tom, 16" floor tom, 18" second

floor tom)

Paiste cymbals

1991 Fender Jazz Bass

1978 Fender Precision Bass

1962 reissue Fender Jazz Bass (strung with flatwound strings)

Ashdown bass amplification

Miscellaneous guitar effects:

Fulltone Full-Drive 2

Pete Cornish sustain pedal

Celmo Sardine Can compressor

Jim Dunlop Crybaby wah-wah pedal

 

Recording Notes

The following notes detail the guitars and amplifiers used on each song in this book, as an indication of how one might try to match the kind of tone Jimmy Page achieved on the original Led Zeppelin recordings. These choices were based on the information available about the original recording setups. However, with other, less-controllable factors to consider (studio size, mic type and placement, location, tape machines, and recording consoles), choices about the right sound were driven as much by ear as by the reported original conditions.

 

Achilles Last Stand

The main verse guitars for IlAchilles Last Stand" were recorded with a 1959 Les Paul and a Hiwatt 100; the other guitars were recorded with a 1952 Les Paul, again through the Hiwatt. The tremolo effects are from the Roger Mayer Voodoo Vibe + pedal. In the last g section, the high guitar was pitch-shifted by an octave.

 

All My Love

The acoustic parts were played on a Santa Cruz Model D. The original recording features a Telecaster fitted with a B-bender; this was emulated here with a standard 1969 Telecaster through the Hiwatt.

The nylon-string parts were played on an Edward B. Jones Oxford classical guitar.

The electric parts were recorded with the 1969 Telecaster through a Marshall JCM2000.

The keyboard sounds are synth strings and trumpet patches from the Expand sampler in

Pro Tools.

 

 

Kashmir

The main guitar for this was a 1965 Danelectro DC 59 (courtesy of Dave Cousins of The Strawbs) recorded through a VOX AC30. The other parts were played on the 1969 Telecaster using the Marshall.

 

Nobodys Fault but Mine

The intra riffs were tracked with the 1959 Les Paul through the Hiwatt, and the 1952 Les Paul through the Hiwatt and a Cornell Romany 10-watt amplifier. The octave part is on the 1952 with an Eventide Instant Phaser. The solo was played on the 1969 Telecaster through the Hiwatt and Cornell.

The harmonica solo was recorded through the VOX AC30.

 

Over the Hills and For Away

The acoustic parts are a combination of a Santa Cruz D 6-string and a Brook 12-string. The electric parts were played on the 1952 Les Paul through the Hiwatt. The sound of the solo was achieved with the 1959 Les Paul, with the signal split between a direct input and the VOX AC30. The direct signal was processed through a Tube-Tech valve compressor, and the amp was recorded using a combination of close and ambient microphones, with automated panning and Eventide Instant Phaser effects.

 

The Song Remains the Some

The 12-string parts in this song were recorded with a Rickenbacker 12 through the Marshall. The other electric parts were tracked with the 1952 Les Paul and a 1964 Epiphone Casino, both through the VOX AC30. The solos were played on the 1969 Telecaster through the Cornell.

 

 

Stairway to Heaven

The acoustic parts for this song were performed on the Santa Cruz Model D guitar, recorded with Neumann U47 and Sennheiser 421 microphones alongside two AKG 414 ambient mics.

The electric parts were done with the 1969 Telecaster through the vox AC30 and a Fender XII 12-string through a 1O-watt Cornell.

All the solo parts were played on the 1969 Tele through the Marshall. The keyboard parts were played on a Nord Electro 2 modelling keyboard with a Fender Rhodes patch.

 

Trampled Under Foot

All the guitar parts for this song were recorded using the 1959 Les Paul and the Hiwatt. The lead parts in the second and third verses have an automated reverse reverb effect created in Pro Tools. The keyboard parts are from a Nord Electro 2 clavi net sound recorded through the 1965 VOX AC30.

 

 

Achilles Last Stand
All My Love
Kashmir
Nobody's Fault But Mine
Over The Hills And Far Away
The Song Remains The Same
Trampled Underfoot 
Stairway To Heaven 

 

https://youtu.be/xd8AVbwB_6E

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WHO Guitar Play-Along Volume 108 LIBRO CD BASI TABLATURE Baba O'Riley-Pinball Wizard-bargain

THE WHO, Guitar Play-Along Volume 108. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE

LIBRO DI MUSICA ROCK, CON CD. 

CD DI BASI PER VOCE, E VOCE E CHITARRA.

SPARTITI PER VOCE E PER CHITARRA CON

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

The Who
Guitar Play-Along Volume 108
Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: The Who

Play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are included in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player, and also enhanced so Mac & PC users can adjust the recording to any tempo without changing pitch!

8 songs: Baba O'Riley • Bargain • Behind Blue Eyes • The Kids Are Alright • Long Live Rock • Pinball Wizard • The Seeker • Won't Get Fooled Again.

Want to learn more about the tempo adjustment software included on each CD?
View a video demo of the Amazing Slow Downer.

Inventory #HL 00701053
ISBN: 9781423468646
UPC: 884088312084
Width: 9.0"
Length: 12.0"
72 pages 

 

-Baba O'Riley
-Bargain
-Behind Blue Eyes
-The Kids Are Alright
-Long Live Rock
-Pinball Wizard
-The Seeker
-Won't Get Fooled Again

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