TRASCRIZIONE

EXPLOSIÓN LATINA DE LA GUITARRA ROCK GUITAR LATIN LIBRO CHITARRA TABLATURE SMOOTH SANTANA

EXPLOSIÓN LATINA DE LA GUITARRA ROCK, LATIN ROCK GUITAR EXPLOSION. BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA LATINA MODERNA.

SPARTITI PER VOCE E CHITARRA CON:

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE. 

 

96 Pagine. Como Dueles En Los Labios -Como Tú -Corazón Espinado -Detrás De Los Cerros -Dime Jaguar -El Secreto -El Último Planeta -Hechicera -Oasis -Ride -Sal Pa'fuera -Se Me Olvido Otra Vez -Smooth -Socialize. 

Series: Guitar Recorded Version TAB
Artist: Various

96 pages, This hot collection features note-for-note tab transcriptions for 14 of today's biggest Latin hits by bands such as Maná, Jaguares, Puya, Santana and others. Includes:

Como Dueles En Los Labios
Como Tu
Corazon Espinado
Detras De Los Cerros
Dime Jaguar
El Secreto
El Ultimo Planeta
Hechicera
Oasis
Ride
Sal Pa'Fuera
Se Me Olvido Otra Vez
Smooth
Socialize

Prezzo: €23,99
€23,99

WHITFIELD MARK GUITAR COLLECTION TABLATURE CHITARRA LIBRO Blues for Davis Alexander-Brother Jack-HAL LEONARD

WHITFIELD MARK, GUITAR COLLECTION. TABLATURE

LIBRO PER CHITARRA CON TABLATURE. 

MARK WHITFIELD

Mark Whitfield
Series: Artist Transcriptions
Artist: Mark Whitfield

Right-from-the-record, note-for-note transcriptions for ten top tunes from four of Mark Whitfield's releases. Includes: Blues for Davis Alexander • Brother Jack • David's Theme • The Joy of Love & Peace • The Marksman • More Than You Know • Namu • Runnin' with the Ooze • Salvation of MRT • and The Very Thought of You, plus a biography, an intro by Mark, and a discography. Guitar Tab, with chord symbols TAB

Artist Transcriptions are authentic, note-for-note transcriptions by legendary artists including Miles Davis, Thelonious Monk, Stan Getz, Oscar Peterson, Jim Hall, and dozens more. These outstanding, accurate arrangements are in an easy-to-read format which includes all essential lines. Artist Transcriptions can be used for performance, sequencing, or for historical reference.

Inventory #HL 00672320
ISBN: 9780793544677
UPC: 073999723205
Width: 9.0"
Length: 12.0"
88 pages

Blues For Davis Alexander
Brother Jack
David's Theme
The Joy Of Love & Peace
The Marksman
More Than You Know
Namu
Runnin' With The Ooze
Salvation Of MRT
The Very Thought Of You

Prezzo: €24,49
€24,49

YELLOWJACKETS SONGBOOK Sher music BAND PARTITURA SPARTITI DI OGNI STRUMENTO LIBRO

The YELLOWJACKETS, SONGBOOK. BAND.

Separate Books for Each Player


Endorsed by Russ Ferrante, leader of the Yellowjackets, this book contains 6 separate books for piano, bass, drums, saxophone, synthesizer and melody lines, all in a large binder. Each book includes 20 of the Yellowjackets greatest songs, including: Greenhouse o Imperial Strut o and Storytellers. Separate books makes these complex songs playable by keeping page turns to a minimum. 364 pages.

The Yellowjackets Songbook by The Yellowjackets. For Piano/partial score , C melody lead sheet , Synthesizer/miscellaneous parts, Bb & Eb Horn melody part , Bass, Drums. Contains 20 great tunes from their entire career. Contemporary Jazz. 6 Books. 400 pages. Published by Sher Music Company (SR.YJ).

Complete package contains six separate spiral-bound books, one each for:

Piano/partial score, 86 PAGES.

C melody lead sheet, 62 PAGES.

Synthesizer/miscellaneous parts, 70 PAGES.

Bb & Eb Horn melody part , 52 PAGES. 

Bass, 52 PAGES. 

Drums. 42 PAGES.

Charts exactly as recorded. Approved by the Yellowjackets with world famous Sher Music Company's accuracy and legibilit

 

Seven Stars - Russell Ferrante, Jimmy Halslip, William Kennedy

Storytellers  - Russell Ferrante

Imperial Strut - Russell Ferrante - Miscellaneous parts: synth, percussion, guitar

Greenhouse - Russell Ferrante, Jimmy Halslip

Indian Summer - Russell Ferrante

The Hornet - Russell Ferrante, Jimmy Halslip - Miscellaneous parts: synth, guitar, flute

Sightseeing - Russell Ferrante, Jimmy Halslip

Postcards - Russell Ferrante, Jimmy Halslip

Indigo - Russell Ferrante

Spirits - Bob Mintzer

Evening Dance - Russell Ferrante

Prayer For El Salvador - Russell Ferrante

Galileo (for Jaco) - Jimmy Halslip

Wisdom -  - Russell Ferrante, Jimmy Halslip

Invisible People - Russell Ferrante, Jimmy Halslip, William Kennedy

Sandstone - Russell Ferrante, Jimmy Halslip, William Kennedy

Whistle While You Walk - Russell Ferrante

The Spin - Russell Ferrante, Jimmy Halslip, William Kennedy, Marc Russo

River Waltz - Russell Ferrante, Jimmy Halslip, William Kennedy

Foreign Correspondent - Russell Ferrante, Jimmy Haslip. Marc Russo, William Kennedy

Prezzo: €159,99
€159,99

STERN MIKE ORIGINAL SCORES LIBRO TABLATURE MARK EGAN CHITARRA BASSO BATTERIA AFTER YOU

STERN MIKE, ORIGINAL SCORES. SHEET MUSIC BOOK WITH BASS & GUITAR TABLATURE . 

LIBRO DI MUSICA FUSION ,

PARTITURA DI OGNI STRUMENTO CON TABLATURE. 

SPARTITI PER CHITARRA, BASSO, BATTERIA, CON: 

ACCORDI, PENTAGRAMMA, TABLATURE.

CHITARRA E BASSO CON TABLATURE . 

 

- After you (con Mark Egan al basso) -another way around -chromazone -jigsaw -loose ends -mood swings (con Jaco) -time in place -upside downside (con Mark Egan al basso).

 

Transcriptions de Mike Stern;

Dennis Chambers;

Peter Erskine;

Steve Jordan;

Dave Weckl;

Jaco Pastorius;

Mark Egan and Jeff Andrews 

 

Per chitarra Tablature, basso Tablature, batteria. 131 Pagine. SCORE TABLATURE

DRUMS TRANSCRIBED BY : PATRICK BUCHMANN . 

BASS TRANSCRIBED BY : 

GUITAR TRANSCRIBED BY : 

Prezzo: €99,99
€99,99

STERN MIKE ULTIMATE PLAY-ALONG FOR GUITAR BOOK & 2 CD TABLATURE CHITARRA SPARTITI METODO

STERN MIKE, ULTIMATE PLAY-ALONG FOR GUITAR. Basi complete. 2 CD. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA FUSION CON 2 CD. 

CD CON BASI JAM TRAX PER CHITARRA. 

SPARTITI PER CHITARRA CON : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Ultimate Play-Along for Guitar
By Mike Stern with Askold Buk
SERIES: Ultimate Play-Along Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & 2 CDs

Ultimate Play-Along for Guitar has been developed so that the beginner to intermediate level guitarist can practice in different styles along with all-star musicians including Mike Stern on guitar, John Patitucci on bass and Dave Weckl on drums. This book and CDs package contains two CDs: the first disc contains seven complete rhythm tracks with the guitar melodies and solos, and the second CD contains the rhythm tracks minus the guitar. The book features complete transcriptions of all of Mike Stern's guitar parts and solos, as well as tear-out "roadmap" charts for each tune.

One of the most important considerations to take into account when playing a tune is how to interpret a written melody line. You want to get your "voice" on the tracks, but at the same time, you have to be true to the composer's intent. Here's how I try to approach this. There are times when I get asked to play on a session where the rhythm tracks (bass, drums and piano) are already recorded. My job would then be to overdub the melody. I try to prepare for this beforehand by getting the music ahead of time. Then, I generally learn the notes as written and try to get as comfortable as possible playing them (figuring out positions, etc.). Once I'm more comfortable with the melody, I try to take a few liberties with it. I might find a few spots were I can put in a personal stamp, be it playing a fill or two, bending a few notes or adding some vibrato. This adds a bit of my personality to the tune and, hopefully, makes it come more alive. If you have the chance, it's good to check with the composer ahead of time to make sure that your interpretation goes along with his original intent. This was the case in recording the songs on this project. Before I laid down my parts, I talked with Dave and John (the composers) and made sure that they liked the direction I was going to take. My approach to this tune was to play the melody so it would breathe and sing a little bit. I tried to play the melody pretty much as written, but in my own way, I wanted to lay back, make some of the notes a little longer and add a few embellishments. For example, in the very beginning of this tune (bars 4-7), I threw in a couple of fills that weren't originally written (refer to FIGURE 1- the actual chart given to me for the session). That's because I felt that the tune needed something extra in this space. Using embellishments such as slurs, vibrato and bends brings the individual's personality into interpreting a melody. You're still responsible to play what's written - you don't necessarily change the pitches - but at the same time, you don't want your performance to be stiff. So, in some cases, you could take more liberties. Obviously, the idea is to make these choices on an intuitive, instinctive level - so that it just feels good. Be careful, because you can overthink things. You don't want to get so selfconscious that you'll play like a robot. Let's look at some examples of the stylistic interpretations that I made in the music. As you can see, I didn't adhere strictly to the note values written in the original chart. For example, though the E in bar 14 in the original chart ends at the second beat, I chose to extend the value for the duration of the measure (see measure 12 in the transcription) - it just sounded better to me! I also chose to slide into the B in bar 14, though no slide was notated in the original chart. There's also a long slide at the end of bar 22. Rather than making the A a 16th-note, I slid it down the neck for a more dramatic effect. You can also see that even though no vibrato is indicated in the original chart, I freely use it whenever I think the tune calls for it. A note about rhythm playing: you've got to be careful that your rhythm part works with whatever the soloist is playing, yet doesn't clash with the other rhythm instruments. Otherwise, leave it out. Over the keyboard solo, I just played a single-note "scratch" part throughout, consisting of a D at the 7th position. D was a common tone for all the chords. A common tone is one that fits harmonically through all the changes. Upon analysis, you can see that D is the 9th of C, the flatted 7th of E and the 5th of G. On a session, you also have to be prepared for any unexpected changes in the chart. For example, though an Emll chord was originally written in bar 71, the keyboard player played an E7#9 instead. When I heard that E7#9 chord on the track, I thought it was a strong substitution, so I played it as well. When overdubbing, you should always listen for musical surprises and react to them accordingly.

The best way to practice is to have fun while you learn; and that is exactly what the ULTIMATE PLAY-ALONG series is all about. Every musician has learned by playing along with records, and now with Ultimate Play-Along you can practice with great recorded music as if you were a member of the band. That's because you get eaach track mixed without your instrument. You also get to hear the music with the featured instrument as well, for reference. 
 

ULTIMATE PLAY-ALONG has been developed so that the beginner to intermediate bassist can practice in different styles along with all-star musicians including Mike Stern on guitar and Dave Weckl on drums, John Patitucci on Bass. This book/CD package contains 2 CDs; the first disc contains the full 7 rhythm tracks with the guitar and the second CD includes the rhythm tracks minus the guitar. The seven CD tracks cover a wide range of syles including: Straight Eighths, Shuffle (Blues), Sixteenth-Note Feel, Hip-Hop (Jazz Funk), Pop Ballad, Reggae (Shuffle), and Rock. 

This book and CDs package contains two CDs: the first disc contains seven complete rhythm tracks melodies and solos, and the second CD contains the rhythm tracks minus the guitar. The book features complete transcriptions of all of Mike Stern's guitar parts and solos, as well as tear-out 'roadmap' charts for each tune.

The book features roadmap charts for each tune, as well as a step-by-step discussion of each section. John also gives you a variety of options you can use for both groove and fill ideas. Each section concludes with a 'talk down' of the chart, similar to what you'd encounter on a session or at a rehearsal. Each chart comes perforated so it can be easily removed for use on a music stand. The play-along charts will help improve your reading, time, feel and confidence. So, put on some headphones, turn up the music and work out with the ULTIMATE PLAY-ALONG!

ULTIMATE PLAY-ALONG FOR GUITAR, Features complete transcriptions of all of Mike Stern's guitar parts and solos, as well as "roadmap" charts for each tune. Every chart comes perforated so that it can be easily removed and placed on a music stand. In each chapter, Mike focuses on a specific musical style and explains in depth how he approaches playing in that idiom. He also offers practice tips, soloing suggestions and exercises to help you master each style. Playing along to the tracks will inprove your reading, time and feel and working on the transcriptions will certainly enable you to axpand your improvising vocabulary. So put on some headphones, crack up the music and work out with the ultimate play-along. For guitarists.

Contents: 

Introduction
guitar Notation Guide

Straight Eighths
Shuffle (Blues)
Sixteenth-Note Feel
Hip-Hop (Jazz Funk)
Pop Ballad
Reggae (Shuffle Style)
Rock
Closing Thoughts & Discography
Charts

Prezzo: €32,99
€32,99

REINHARDT DJANGO THE BEST OF GUITAR STYLES AND TECHNIQUES OF A JAZZ GIANT SIGNATURE LICKS CD TABLATURE

REINHARDT DJANGO, THE BEST OF, STYLES AND TECHNIQUES OF A JAZZ GIANT. Ain't Misbehavin' -Belleville -Daphne -Dinah -Djangology -Honeysuckle Rose -Limehouse Blues -Marie -Minor Swing -Nuages -Old Folks At Home (Swanee River) -Rose Room -Stardust -Swing 42 -Swing Guitar -Tiger Rag (Hold That Tiger). CD TABLATURE

LIBRO DI MUSICA PER CHITARRA CON CD E TABLATURE.

The Best of Django Reinhardt A Step-by-Step Breakdown of the Guitar Styles and Techniques of a Jazz Giant
Series: Signature Licks Guitar
Format: Softcover with CD - TAB
Artist: Django Reinhardt
Author: Joe Charupakorn

Explore the groundbreaking style of one of the most unique and influential guitarists in jazz! This book/CD pack explores 16 of his signature tunes: Ain't Misbehavin' - Belleville - Daphne - Dinah - Djangology - Honeysuckle Rose - Limehouse Blues - Marie - Minor Swing - Nuages - Old Folks at Home (Swanee River) - Rose Room - Stardust - Swing 42 - Swing Guitar - Tiger Rag (Hold That Tiger). The CD includes full demos of each.
Inventory #HL 00695660
ISBN: 9780634034312
UPC: 073999549607
Width: 9.0"
Length: 12.0"
96 pages 
 

INTRODUCTION
Just about a half century after his death, Django Reinhardt still remains a towering
figure in the annals of jazz guitar. To this day, his incendiary playing stands up to that
of later virtuoso jazz guitarists such as Joe Pass, Pat Martino, and George Benson. Author
James Lincoln Collier, in his book The Making of Jazz, calls Django "the most important
guitarist in the history of jazz"; when you take into account the hordes of jazz guitarists he
has influenced, he may very well be. His groundbreaking style of playing-marrying
European-influenced scales and harmonies with jazz rhythms-was unheard of during his
time. He was among the first of the European jazz musicians who could cop the jazz feel
correctly, and he left an indelible stamp on the world of jazz guitar. His major influence was
session guitarist Eddie Lang (the first major jazz guitarist). He absorbed Lang's Europeanbased
harmonic concepts and took them one step beyond.
Born Jean Baptise Reinhardt to LaBelle Reinhardt and Jean Vees (his assumed
father) on January 23, 1910 in Liverchees, Belgium near the French border, Django was
raised in true gypsy fashion, travelling around in a caravan and living like a vagabond. He
spent much of his formative years travelling across Europe, eventually settling just outside of Paris.
Django did not attend school and was illiterate-he could neither read nor write.
He did, however, have a passion and a gift for music and eventually received a banjo from
a neighbor named Raclot when he was twelve. He never took formal lessons, but learned
from his father and other musicians in the area, and shortly thereafter began playing with
his father in cafes. By age fourteen he had become a fixture on the Parisian club scene,
and by age eighteen he recorded his first session as a sideman, accompanying an accordion on banjo.
On November 2, 1928, tragedy struck. Django heard some noise and thought it
was a rat scurrying around his wagon. He grabbed a candle, which unexpectedly fell out
of the candleholder and onto a pile of highly flammable artificial flowers that immediately
burst into flames, setting the wagon on fire. Django used a blanket to carry his wife out of
the burning caravan, but his exposed legs and left hand were severely burned. Because
of the severity of the burn, doctors suggested amputating Django's legs, but he vehemently
refused. He would later regain the use of both legs.
His left hand did not have the same good fortune, and his music career appeared
to be doomed. Django was resilient, however, and trudged along, trying to play guitar
again while in the hospital. He eventually regained the use of his thumb, index, and middle
fingers, but never the full use of the ring and pinky fingers. Over a year later, he was
able to play again using his functioning left-hand fingers.
In 1928 Django met Stephane Grapelli, a violinist with whom he would have a
career-long relationship. They were both struggling young musicians trying to make their
way in the jazz scene. In 1933, they finally had the chance to play together in the Quintet
of the Hot Club of France (which also featured Django's brother Joseph on rhythm guitar),
an incarnation of the Hotel Claridge Orchestra. The Ultraphone Record Company gave the
group a record deal in 1934, and their first recording sent shockwaves throughout the
European jazz scene. This spawned a series of group recordings that would elevate the
group's popularity and allow them to play concert halls.
When World War II started, the group was on tour in London. Django and company
retreated to Paris, but Grapelli chose to stay behind in London. As a result of the
German invasion of France, Django became a god in the eyes of the French. He was a national hero who represented a unique and free spirit that stood tall against the repressive, stifling nature of the German invaders.

AIN'T MISBEHAVIN' Words by Andy Razaf
Music by Thomas "Fats" Waller and Harry Brooks
Django Reinhardt's solo on "Ain't Misbehavin' ,"with its motivic and rhythmic development,
is an exemplary model of solo construction. After the opening quote of the theme,
Django weaves through the chord changes with primarily scalar runs based on the D
major scale (D-E-F#-G-A-B-C#). In measure 7 he introduces a triplet motive that is
repeated for three consecutive measures. The motive begins on the root and hammers
and pulls back and forth up a half step. This lick is transposed up a perfect 4th in measure
8 to correspond to the chord change (Bm-Em). In measure 9 the pattern begins on the
9th of the D chord and hammers onto the minor 3rd (Fq), creating a bluesy effect. Notice
how the pattern gets rhythmically displaced in the following measures, starting on beat 3
in measure 7, beat 2 in measure 8, and back to beat 3 in measure 10. This figure is recalled in
measures 39-40.
Another motive is introduced in measure 25, comprised of a note followed by a
higher note, which is bent up a half step. Django leaps from A to E and bends up to Fq,
the bluesy b3rd of the D chord. This is followed by a bend from G# to A, the 5th of the D
chord. Some arpeggiated lines follow in measures 30-32, and in measures 33-36 Django
continues to develop the bending motive, this time starting with a bend from E#to F#, the 3rd of the D chord.
Chromaticism is abundant throughout the solo and used primarily in one of two
ways: as neighbor tones and passing tones. For example, the triplet motive (mentioned
above) in measures 7-9 uses a chromatic upper neighbor trill. In measure 58, chromatic
passing tones fill the gap from A down to F#.Measure 59 has an A# passing tone between
A and B, measure 61 also has an A# passing tone between A and B (this time an octave
lower), and in measure 62 there are chromatic passing tones from A# to ct

 

Table of contents:

Ain't Misbehavin'
Belleville
Daphne
Dinah
Djangology
Honeysuckle Rose
Limehouse Blues
Marie
Minor Swing
Nuages
Old Folks At Home (Swanee River)
Rose Room
Stardust
Swing 42
Swing Guitar
Tiger Rag (Hold That Tiger)

96 pages

Ain't Misbehavin' - WORDS: RAFAZ - MUSIC: WALLER, BROOKS - 1929
Belleville - DJANGO REINHARTD - 1944
Daphne - DJANGO REINHARDT - 1938
Dinah - WORDS: LEWIS, YOUNG - MUSIC: HARRY AKST - 1925
Djangology - DJANGO REINHARDT, STEPHANE GRAPELLI - 1937
Honeysuckle Rose - WORDS: ANDY RAFAZ - MUSIC: FATS WALLER - 1929
Limehouse Blues - WORDS: FURBER - MUSIC: BRAHAM -
Marie - IRVING BERLIN - 1928
Minor Swing - DJANGO REINHARDT, STEPHANE GRAPELLI - 1938
Nuages – DJANGO REINHARDT, JACQUES LARUE -
Old Folks At Home (Swanee River) - STEPHEN C. FOSTER -
Rose Room – WORDS: HARRY WILLIAMS - MUSIC: ART HICKMAN -
Stardust – WORDS: PARISH – MUSIC: CARMICHAEL - 1928
Swing 42 – DJANGO REINHARDT - 1941
Swing Guitar - DJANGO REINHARDT, STEPHANE GRAPELLI - 1937
Tiger Rag (Hold That Tiger) - WORDS: HARRY DECOSTA - MUSIC: DIXIELAND BAND -

Violin arranged for guitar
 

Prezzo: €25,99
€25,99

REINHARDT DJANGO, THE MUSIC OF Tiger Rag-After You've Gone-Avalon-Swannee River-Charleston-chicago

REINHARDT DJANGO, THE MUSIC OF. The Music of Django Reinhardt. Forty-Four Classic Solos by the Legendary Guitarist with a Complete Analysis by Stan Ayeroff. 272 Pages.

Product Description:
The solos of Django Reinhardt are an endless source of inspiration and amazement for any musician. In this exciting book, the author has compiled precise solo transcriptions (in notation only), as well as a thorough analysis of each. There is also a complete "how to" section that is like a book in itself. This book contains some of Django's best work. It covers a period of 17 years, from Django's first trio and quintet recordings to one of his last bop-influenced sessions, "Live at the Club St. Germain." Multiple versions of many solos are included to show Djangos' musical development over his long career. Studying the music of the master of Gypsy Jazz can help lay a solid foundation for your own sound and style.

Format: Book

Contents:

A Note About Django Reinhardt
Preparation for The Complete Analysis of Django's solos
Symbols and Abbreviations
Scales
Arpeggios
Ornamentation
Chord Substitutions
Chord Progressions
Putting it All Together
Melodic Ideas and Devices
Exercises
Introduction to the Analysis Section

A Complete Analysis of the Solos
Tiger Rag I
After You've Gone I
Tiger Rag II
Avalon I
Swannee River I
Swannee River II
The Sheik of Araby I
Avalon II
Some of These Days
St. Louis Blues I
Limehouse Blues I
After You've Gone II
Limehouse Blues II
Shine
Charleston
Chicago
Hot Lips
Rose Room
Runnin' Wild
The Sheik of Araby II
Limehouse Blues III
Japanese Sandman I
St. Louis Blues II
Baby Won't You Please Come Home I
Baby Won't You Please Come Home II
Farewell Blues
My Melancholy Baby I
Limehouse Blues IV
Japanese Sandman II
My Melancholy Baby II
Tiger Rag III
My Melancholy Baby III
Japanese Sandman III
Limehouse Blues V
A Pretty Girl Is Like a Melody
Margie I
Tiger Rag IV
Dark Eyes I
Improvisation on Tiger Rag V
The World is Waiting for the Sunrise
After You've Gone III
Dark Eyes II
St. Louis Blues III
Darktown Strutter's Ball
Margie II

The Solos
Tiger Rag I
After You've Gone I
Tiger Rag II
Avalon I
Swannee River I
Swannee River II
The Sheik of Araby I
Avalon II
Some of These Days
St. Louis Blues I
Limehouse Blues I
After You've Gone II
Limehouse Blues II
Shine
Charleston
Chicago
Hot Lips
Rose Room
Runnin' Wild
The Sheik of Araby II
Limehouse Blues III
Japanese Sandman I
St. Louis Blues II
Baby Won't You Please Come Home I
Baby Won't You Please Come Home II
Farewell Blues
My Melancholy Baby I
Limehouse Blues IV
Japanese Sandman II
My Melancholy Baby II
Tiger Rag III
My Melancholy Baby III
Japanese Sandman III
Limehouse Blues V
A Pretty Girl is Like a Melody
Margie I
Tiger Rag IV
Dark Eyes I
Improvisation on Tiger Rag V
The World is Waiting for the Sunrise
After You've Gone III
Dark Eyes II
St. Louis Blues III
Darktown Strutter's Ball
Margie II

Discography
Links
Composer Credits
Stan Ayeroff Biography

Prezzo: €33,99
€33,99

REINHARDT DJANGO REAL ACOUSTIC GUITAR LIBRO CD BASI TABLATURE Belleville-Minor Swing

REINHARDT DJANGO, REAL ACOUSTIC. CD TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON CD E TABLATURE. 

Titoli:

- Minor Swing (1937) - CON BASE SU CD

- Minor Swing (1947)

- Minor Swing (1949) 

- Swing Guitars - CON BASE SU CD

- I'll See You In My Dreams - BASE SU CD

- Django's Tiger

- After You've Gone

- Djangology

- Blues Clair

- Blues En Mineur

- Belleville

Prezzo: €79,00
€79,00

METHENY PAT QUESTION AND ANSWER Guitar Recorded Version TABLATURE LIBRO CHITARRA

METHENY PAT, QUESTION AND ANSWER. TABLATURE

LIBRO DI MUSICA, SPERTITI PER CHITARRA CON TABLATURE. 


Series: Guitar Recorded Version TABLATURE
Note-for-note transcriptions with tab, in a handwritten jazz-style font and supervised by Metheny himself. Includes all the songs from this 1989 album that the All Music Guide describes as "nine tracks of sheer jazz joy," calling Pat's playing "modernistic, highly fluid, almost liquid lightning." 144 pages

Songlist:

All The Things You Are
Change Of Heart
H & H
Law Years
Never Too Far Away
Old Folks
Question & Answer
Solar
Three Flights Up

Prezzo: €27,99
€27,99

MONTGOMERY WES-BEST Signature Licks Guitar CD TABLATURE besame mucho-Missile blues-SPARTITI

MONTGOMERY WES, THE BEST. LIBRO CON CD E TABLATURE

LIBRO METODO DI MUSICA JAZZ, CON CD.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA E TABLATURE. 

Performance notes, equipment, le tecnica del pollice, biografia. Invece di utilizzare il plettro, opta suonare con il polpastrello del pollice. Questa tecnica non ortodossa, affascina i chitarristi di oggi e stupisce per l'efficacia del suono caldo delle single-note. Missile blues -yesterdays -west coast blues -cariba -I¹ve grown accustomed to her face -bésame mucho (Kiss me much) -fried pies -mi cosa -four on six -misty -sundown -O.G.D. 

Guitar
Series: Signature Licks Guitar
Softcover with CD - TAB
Artist: Wes Montgomery
Author: Wolf Marshall

Explore the music of one of the greatest jazz guitarists of all time! This in-depth book/CD pack will guide you through 12 of the best-known tracks from the legendary Wes Montgomery, Features a foreword and introduction by Wolf Marshall, a discography and more.

Inventory # HAL LEONARD 00695387
ISBN: 0634009028
UPC: 73999953879
Width: 9
Length: 12
104 pages

Besame Mucho (Kiss Me Much)
Cariba
Four On Six
Fried Pies
I've Grown Accustomed To Her Face
Mi Cosa
Missile Blues
Misty
O.G.D.
Sundown
West Coast Blues
Yesterdays

Prezzo: €31,99
€31,99
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