TRASCRIZIONE

BURRELL KENNY, A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend.

LIBRO DI MUSICA JAZZ,

SPARTITI PER CHITARRA CON CD : 

ACCORDI, PENTAGRAMMA, TABLATURE . 

All Night Long -All Of You -Autumn Leaves -Do What You Gotta Do -Groovin' High -In A Sentimental Mood -K.B. Blues -Lyresto -Moment's Notice -My Favorite Things -Since I Fell For You -Soulful Brothers -This Time The Dream's On Me -Wholly Cats. CD TABLATURE

Techniques of a Jazz Legend
Series: Signature Licks Guitar
Format: Softcover with CD - TAB
Artist : Kenny Burrell
Author : Wolf Marshall

Inventory #HL 00695830
ISBN: 9780634074431
UPC: 073999567892
Width: 9.0"
Length: 12.0"
128 pages

It is hard to think of a jazz artist-make that any artist·with as much breadth depth, and sheer longevity as Kenny Burrell. His career, now over a half long has spanned all the major epochs of the art form and continues to flourish. Him gegan his professional life in the mid forties as swing music made its inexorable trans to bebop and modern jazz. He was one of the earliest guitarists in the medio to assimilate the novel innovations of Charlie Parker, Dizzy Gillespie, Clifford Brown, O. Peterson and mix them with his seminal swing and blues influences. Burrell early mosaic, already a diverse mix of swing, blues, and modern jazz, included Christian, Django Reinhardt, and Oscar Moore as well as T-Bone Walker, John L. Hooker, Waters, Floyd Smith, Johnny Moore, and the full gamut of jazz and keyboard players. The results were heard in strong relief with his output of the mid '50 on the Blue Note and Prestige labels. From there, Burrell assumed the role of trendsetter and has si ce been viewed as one of the genre's major innovators and leaders. By decade's end he as redefining the sonic possibilities of jazz guitar on his groundbreaking guitar-bass-drums recordings and set new standards in the organ-trio medium through his inventive and sympathetic work with Jimmy Smith. A Night at the Vanguard (1959) demonstrated wha a gui ar could do as the sole melodic/harmonic instrument in a combo setting. And Jimmy Smith recordings like The Sermon (1958), Home Gookin' (1959), Back at the Ghicken Shack (1960), and Midnight Special (1960) produced a template which is followed assiduously to this day. Never content to rest on his laurels, Burrell continued with a number of ambitious and successful experiments mating the jazz guitar to a wider variety of combo and orchestral applications. Moreover, Burrell's landmark efforts in the burgeoning soul-jazz style influenced legions of guitar players and other instrumentalists across various stylistic divides and indeed presaged the funk styles percolating and emerging in the late sixties. Since then, Burrell has touched virtually every form in the genre from the grittiest, folksy blues, funky soul-jazz, and traditional gospel hymns to esoteric modal jazz and the loftiest post-bop modern styles-always delivered with taste, musical sensitivity, and his personal, highly identifiable stamp. His appropriately titled opus Guitar Forms (1965), presented another side of his artistry and showcased many of his diverse tangents in microcosm, from the acoustic classical guitar/amplified jazz guitar and orchestral combinations in "Greensleeves" and his solo nylon-string adaptation of George Gershwin's "Prelude #2" to his Spanish/Mexican-influenced original "Loie," the down-home blues bent of "Downstairs," and the straight-ahead jazz rendition of "Breadwinner." Kenny Burrell continues to lead and inspire guitarists to the present day. His legacy is assured and implicit in his overriding credo: "Let your spirit come through and you will always touch others. Give the music your personal best. Be yourself-it works.". Truer words were never spoken. Kenny Burrell personifies and epitomizes the word and mood "blue." An attribute that permeates the heart of jazz, blue is a universal feeling, a resonance extending to all forms of music. Kenny said as much, in words and sounds, in his aptly titled work Blues: the Gommon Ground. And he has done much to show us the many hues of blue in his copious repertory. Over the years, Kenny has gained considerable cachet with evocative titles like K.B. Blues, Blue Moods, Blue Lights, Bluesin' Around, Midnight Blue, Blue Bash, Blues: the Gommon Ground, and his recent Blue Muse. Each underscores the fact that shades of indigo are primary colors in his artistic palette and convey the essence of his musical persona.

Take an in-depth look at Kenny Burrell's jazz guitar mastery with Wolf Marshall, who will teach you how to play some of his hottest licks. Wolf covers 14 tunes. The CD features a demo of each. 128 pages

Preface
Introduction
The Kenny burrell sound
Discography
The Recording
History and Highlights
Tuning
Guitar Notation legend

1959 - All Night Long - All night long, 1959
1954 - All Of You - COLE PORTER - Burrell, 1957
1947 - Autumn Leaves - JOSEPH KOSMA, parole: JACQUES PREVERT - sunup to sundown, 1991
1971 - Do What You Gotta Do - God bless the child, 1971
1944 - Groovin' High - John "Dizzy" Gillespie - Groovin' high, 1981
1935 - In A Sentimental Mood - DUKE ELLINGTON - Lucky so and so, 2001
1957 - K.B. Blues 
1958 - Lyresto - Kenny Burrell - BURRELL with JOHN COLTRANE 1958 - 
1957 - Moment's Notice - JOHN COLTRANE - Guilding spirit, 1989
1959 - My Favourite Things - RICHARD RODGERS - the sound of music, 1966
1948 - Since I Fell For You ('Round midnight) - Buddy Johnson - 'ROUND MIDNIGHT, 1972
1968 - Soulful Brothers - BURRELL, WARREN STEVENS - Blues the common ground, 1968
1941 - This Time The Dream's On Me - Music: HAROLD ARLEN - Parole: Johnny Mercer - Burrell, 1956
1941 - Wholly Cats - BENNY GOODMAN - a genaration ago today, 1966

CANZONI NAPOLETANE, NEAPOLITAN SONGS. TRANSCRIPTIONS FOR GUITAR  BY ALIRIO DIAZ . 

SHEET MUSIC BOOK FOR GUITAR IN STANDARD NOTATION . in appendix lyrics and CHORDS.

LIBRO DI MUSICA DI CANZONI NAPOLITANE TRASCRITTE PER CHITARRA CLASSICA da ALIRIO DIAZ.

SPARTITI CON : ACCORDI E PENTAGRAMMA. 

in appendice i testi cantati con ACCORDI. 

Neapolitan Songs
Series: Guitar
Format: Softcover
Arranger : Alirio Díaz
Composer : Various

Includes:

- 'A vucchella - ARIETTA DI POLISSIPO - Music by Francesco Paolo Tosti - words by GABRIELE D'ANNUNZIO .

- L'aniello - CANZONE POPOLARE NAPOLETANA - ANONYMOUS .

- Fenesta vascia - CALASCIONATA NAPOLITANA - TEODORO COTTRAU su melodia di anonimo napolitano del '500. 

- Funiculì funiculà - canto popolare per Pierdigrotta - MUSIC by Luigi Denza - words by Peppino Turco - 

- La Luisella - "Luisella la giardenera " o "Le bellezze di Luisella " - by Guglielmo Cottrau . 

- Raziella / Graziella - canzone popolare - anonymous .

- Michelemmà - antica canzone marinara - anonimous del '600 ascribed to Salvator Rosa . 

- Santa Lucia - il barcajuolo de Santa Lucia - music by Teodoro Cottrau - words by Enrico Cossovich .

- Tu ca nun chiagne - Music by Ernesto De Curtis - words by Libero Bovio . 

- Il saltimbanco - motivo popolare - anonymous - and harmonized by Alirio Diaz .

34 pages.

WOODSTOCK: THE GUITAR SONGBOOK. TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA E VOCE. PENTAGRAMMA, ACCORDI E TABLATURE. 

AUTHENTIC GUITAR TAB EDITION

3 giorni di pace e musica. 
Era il 15 - 16 - 17 Agosto 1969, il biglietto costava $6.00 al giorno. Il 18 agosto suonerà Hendrix che chiuse il concerto di "Pace e musica" con una canzone sulla gelosia criminale, Hey Joe:

Hey Joe, dove stai andando con quella pistola in mano
Hey Joe, ho detto dove stai andando con quella pistola in mano

Sto andando a uccidere la mia vecchia signora
Sai, l'ho trovata in giro con un altro tizio
Sto andando a uccidere la mia vecchia signora
Sai, l'ho trovata in giro con un altro tizio
e questo non va bene

Hey Joe, ho sentito che hai sparato alla tua vecchia signora,
le hai sparato, adesso
ho detto, ho sentito che hai sparato alla tua vecchia signora,
le hai sparato, l'hai stesa

sì è vero, le ho sparato
sai, l'ho trovata in giro, in giro per la città
sì è vero, le ho sparato
sai, ho trovato la mia signora che faceva casino in giro per la città
e l'ho ripagata con la pistola
LE HO SPARATO!

Hey Joe, va bene
sparale ancora, baby

Hey Joe, ho detto
e adesso dove te ne andrai?
adesso dove te ne andrai?
Hey Joe, ho detto adesso dove te ne andrai?
Dove, dove andrai?
Be', scava

Andrò a sud,
verso il Messico
va bene!
Andrò a sud,
a sud dove posso essere libero
nessuno mi troverà

Non ci sarà nessun boia,
non mi metterà una corda intorno al collo
farai meglio a crederci
adesso devo andare
Hey Joe, è meglio che ti muova
arrivederci a tutti
Hey Joe, uhh
vattene via 

Hey Joe, where you goin' with that gun in your hand 
Hey Joe, I said where you goin' with that gun in your hand 

I'm going down to shoot my old lady 
You know, I've caught her messin' around with another man 
I'm going down to shoot my old lady 
You know, I've caught her messin' around with another man 
And that ain't too cool 

Hey Joe, I've heard you shot your woman down, 
shot her down, now 
I said I've heard you shot your old lady down, 
You shot her down to the ground 

Yes I did, I shot her 
You know, I caught her messin' round, messin' round town 
Yes I did, I shot her 
You know, I caught my old lady messin' around town 
And I gave her the gun 
I SHOT HER! 

Hey Joe, alright 
Shoot her one more time, baby 

Hey Joe, said now 
Where you gonna run to now? 
Where you gonna run to? 
Hey Joe, I said where you gonna run to now? 
Where you, where you gonna go? 
Well, dig it 

I'm goin' way down south, 
Way down to Mexico way 
Alright! 
I'm goin' way down south, 
Way down where I can be free 
Ain't no one gonna find me 

Ain't no hangman gonna, 
He ain't gonna put a rope around me 
You better believe it right now 
I gotta go now 
Hey Joe, you better run on down 
Good by everybody 
Hey Joe, uhh 
Run on down 

FOR MUCH OF THE WORLD, THE SUMMER OF '69 IS MARKED BY THE MILESTONE OF THE MANKIND'S FIRST STEP ON THE MOON, SYNONYMOUS WITH THE SENTENCE, "THIS IS ONE SMALL STEP FOR  MAN, ONE GIANT LEAP FOR MANKIND." 

The year 1969 was characterized by a fracturing American society. In the aftermath of tumultuous events from the previous year; which included poIitical assassinations, race riots, the Tet Offensive in Vietnam, student uprisings, and the Soviet invasion of Czechoslovakia, the world seemed divided between whites and blacks, capitalists and communists, haves and have-nots, straights and stoners, the silent majority and the counterculture. Two days after the Apollo I I astronauts emerged from quarantine, 500,000 concert goers-more than two and a half times the anticipated number of attendees-assembled in the alfalfa fields outside of Bethel, New York, to hear 32 musical acts, some already the biggest artists in the world, and some whose careers would explode following their exposure at the festival. From the point of view of their elders, the young people had been "infected" by a threat to the mores of society that was more insidious than the unknown space germs possibly brought back to earth from Apollo I I's trans-lunar journey. These "hippies" largely opposed the Vietnam War; materialism, and racism, while practicing free love and illicit drug use, and their values were implicitly and explicitly stated in much of the music performed at Woodstock. 

Friday, August 15

Richie Havens

Swami Satchidananda - gave the invocation for the festival

Sweetwater

Bert Sommer

Ravi Shankar

Tim Hardin

Melanie

Arlo Guthrie

Joan Baez

Saturday, August 16

Quill, forty-minute set of four songs

Country Joe McDonald

John Sebastian

Santana

Keef Hartley Band

The Incredible String Band

Canned Heat

Mountain

Grateful Dead

Creedence Clearwater Revival

Janis Joplin with The Kozmic Blues Band

Sly & the Family Stone

The Who began at 4 a.m., kicking off a 25-song set including Tommy

Jefferson Airplane

Sunday, August 17

The Grease Band

Joe Cocker

Country Joe and the Fish

Ten Years After

The Band

Blood, Sweat & Tears

Johnny Winter featuring his brother, Edgar Winter

Crosby, Stills, Nash & Young

Paul Butterfield Blues Band

Sha-Na-Na

Monday, August 18

Jimi Hendrix

For the particular generation, it calls to mind a '80s pop song about the dashed hopes of youthful idealism. But for the baby boomer generation and free spirits everywhere, the summer of 69 is defined by a mid-August music Festival, where a half-million young people wallowed in the mud  of the Max Yasgur's 600-acre dairy farm.

A r t i s t  T i t l e

JOAN BAEZ - JOE HILL - Parole: Alfred Haynes. Musica: Earl Robinson - 1938
THE BAND - CHEST FEVER - parole e musica: Robbie Robertson - 1968
THE BAND - THE WEIGHT - parole e musica: Robbie Robertson - 1968
CANNED HEAT - GOING UP THE COUNTRY - parole e musica: Alan Wilson - 1968 
JOE COCKER - DELTA LADY - parole e musica: Leon Russell - 1969
JOE COCKER - LET’S GO GET STONED - parole e musica: Valerie Simpson, Nicholas Ashford, Josephine Armstead - 1965
COUNTRY JOE MCDONALD - I-FEEL-LIKE-I’M-FIXIN’-TO-DIE RAG - parole e musica: Joe McDonald - 1965

CROSBY, STILLS, NASH & YOUNG - BLUEBIRD - parole e musica: Stephen Stills - 1967
CROSBY, STILLS, NASH & YOUNG - WOODSTOCK - parole e musica: Joni Mitchell - 1969

GRATEFUL DEAD - DARK STAR - parole: Robert Hunter. musica: Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Ron McKernan, Bob Weir - 1971
GRATEFUL DEAD - ST. STEPHEN - parole: Robert Hunter. Musica: Jerry Garcia, Phil Lesh - 1969

ARLO GUTHRIE - COMING INTO LOS ANGELES -  parole e musica: Arlo Guthrie - 1969
RICHIE HAVENS - HANDSOME JOHNNY - parole e musica: Richie Havens, Luis Goussett - 1967
JANIS JOPLIN WITH THE KOZMIC BLUES BAND - PIECE OF MY HEART - parole e musica: Jerry Ragovoy, Bert Russell - 1967
JANIS JOPLIN WITH THE KOZMIC BLUES BAND - TRY (JUST A LITTLE BIT HARDER) - parole e musica: Jerry Ragovoy, Chip Taylor - 1968

THE JEFFERSON AIRPLANE - VOLUNTEERS - parole e musica: Marty Balin, Paul Kantner - 1969
JIMI HENDRIX WITH GYPSY SUN AND RAINBOWS - HEY JOE - parole e musica: Billy Roberts - 1962 
MOUNTAIN - THEME FOR AN I MAGINARY WESTERN - parole e musica: Jack Bruce, Pete Brown - 1971
SANTANA - EVIL WAYS - parole e musica: Sonny Henry - 1967
SLY AND THE FAMILY STONE - EVERYDAY PEOPLE - parole e musica: Sylvester Stewart - 1969
SLY AND THE FAMILY STONE - I WANT TO TAKE YOU HIGHER - parole e musica: Sylvester Stewart - 1968
THE WHO - MY GENERATION - parole e musica: Peter Townshend - 1965
THE WHO - SUMMERTIME BLUES - parole e musica: Eddie Cochran, Jerry Capehart - 1958
TEN YEARS AFTER - I’M GOING HOME - parole e musica: Alvin Lee - 1969

FUNK, Drum Play-Along Volume 5. Cissy Strut -Cold Sweat, Part 1 -Fight the Power, Part 1 -Flashlight -Pick Up the Pieces -Shining Star -Soul Vaccination -Superstition. CD TABLATURE

LIBRO DI MUSICA ROCK CON CD DI BASI PER VOCE, E VOCE E BATTERIA.

LIBRO DI SPARTITI PER BATTERIA.

TESTI DELLE CANZONI, TABLATURE PER BATTERIA.

Medium: Softcover with CD
Artist: Various

Play your favorite songs quickly and easily with the Drum Play-Along Series. Just follow the drum notation, listen to the CD to hear how the drums should sound, then play along using the separate backing tracks. The lyrics are also included for quick reference. The audio CD is playable on any CD player. For PC and MAC computer users, the CD is enhanced so you can adjust the recording to any tempo without changing the pitch! Includes: Cissy Strut - Cold Sweat, Part 1 - Fight the Power, Part 1 - Flashlight - Pick Up the Pieces - Shining Star - Soul Vaccination - Superstition. 45 pages

ACOUSTIC CLASSICS Guitar Play-Along Vol. 33. Across The Universe -Babe, I'm Gonna Leave You -Crazy On You -Heart Of Gold -Hotel California -I'd Love To Change The World -Thick As A Brick -Wanted Dead Or Alive. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE.

Series: Guitar Play-Along
Softcover with CD - TAB
Artist: Various

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

Songs:

- Across the Universe

- Babe, I'm Gonna Leave You

- Crazy on You

- Heart of Gold

- Hotel California

- I'd Love to Change the World

- Thick as a Brick

- Wanted Dead or Alive.

72 pages