TRASCRIZIONE

HENDRIX JIMI RADIO ONE SCORE GUITAR BASS DRUM TABLATURE Purple Haze-Hey Joe-Foxey Lady-fire

 

HENDRIX JIMI, RADIO ONE. RECORDED VERSIONS TABLATURE

SCORE:
GUITAR TABLATURE TRANSCRIBED DAVE WHITEHILL
BASS TABLATURE TRANSCRIPTIONS BY STEVE GORENBERG
DRUMS TABLATURE TRANSCRIPTIONS DAVE HERSHEY

AUTHORITATIVE TRANSCRIPTIONS FOR GUITAR, BASS AND DRUMS WITH DETAILED PLAYERS' NOTES AND PHOTOGRAPHS FOR EACH COMPOSITION.
283 PAGES.

 

RADIO ONE

As performed by the Jimi Hendrix Experience-Jimi Hendrix, Noel Redding, Mitch Mitchell-
on the Rykodisc album, Radio One.

Transcribed for guitarists by Dave Whitehill
Bass Transcriptions by Steve Gorenburg
Drum Transcriptions by Dave Hershey

Detailed player's notes by Dave Whitehill
Introduction by Noe Goldwasser
Photographs by Douglas Kent Hall
Music Editor • John Cerullo
Art Director • Richard Slater
Editorial Director • Noe "the G" Goldwasser
Photo Research by Bill Nitopi
Assisted by Barry Gruber
Released under the supervision of
Alan Douglas for Bella Godiva Music, Inc.
These transcriptions of music from
Radio One are authorized by
the Estate of Jimi Hendrix
All rights controlled and administered by Don Williams Group, Inc.
All compositions published by Bella Godiva Music, Inc. ASCAP except where otherwise noted.
All Rights Reserved. Any unauthorized use of the material herein is a violation of copyright law.
Hal Leonard Publishing Corporation

 

... that were to become his image-the strutting star of the sixstring
who played it upside down, around the back, with his
teeth, and generally with a lot of gusto.
The London of 1967 was, of course, going through its own
peacock transformation. "Swinging London," with its Mods
and Rockers, The Beatles, The Who, and The Rolling Stones,
Mary Quant, Lord Sutch, and Brian Jones, Jimi's stone buddy
in the heyday of flower power and psychedelic society. All of a
sudden, it was Jimi's world, and the lanky left-hander was on
top of it. He was more than just a novelty-a black American
raver cavorting with the cockney pretty things-he became the
mascot of the whole Brit-pop movement.
This accounts for the absolute cheerleading atmosphere that
prevailed in the studios of the "Top Gear" radio show when.
Jimi exhorted them to "get their hearts together" and join him
in a rendition of the blues-drenched "Hear My Train A
Comin'." "I see we got some friends laying around in this
studio," he said, "We're gonna lay some blues on you ...can
you dig that?" Then he sang a few verses of funk and 'Tm
gonna leave this town, leave this town. I'm gonna be big. I'm
gonna make a whole lot of money, baby, and come back to this
town, and 1 might even get a piece of you." That was to
become prophecy as Hendrix exploded like a supernova, and
the exuberant fans in the radio studio audience (as well as the
ones in the listening audience) that night and the others
collected on Radio One would henceforward have something to
tell their grandchildren about.
With Ryko's release of Radio One, bolstered by Joe Gastwirt's
digital mastering and Alan Douglas' wizened ear, the rest of us
will have that pleasure, too. Radio One is a treasure for those of
us who keep track of the limited supply of recorded evidence of
The Master's work, featuring as it does seventeen great versions
of songs we love, half of them selections not often heard on
"official" recorded sets. While "Purple Haze," "Stone Free,"
"Foxy Lady," and "Hey Joe" are interesting as "live" versions of
the same arrangements as on the official records, there are
fascinatingly bent renditions of "Killing Floor," "Love and
Confusion," "Hear My Train A Comin'," "Hoochie Coochie
Man," and "Fire." Thank God the tapes were rolling.
And there are cute vignettes of Jimi Hendrix the showman,
Jimi the evangelist of the Goodvibes Church of the New Rising
Sun, burning the midnight lamp with a cosmic grin. There is
the "Radio One Theme," Hendrix goofing on the role of the
cosmic radio announcer, playing as white as possible, spinning
off a jingle from the top of his head-"Radio One, you're the
only one"-as he inaugurate the event. And the wild
renditions of other people's classics-these are manna from
heaven. Jimi slashes through "Day Tripper" with reckless
abandon, obviously enjoying this romp through John Lennon's
song repertoire. Though Ryko purposely keeps the issue
vague in its position about the controversy about whether
that's John Lennon there doing the choruses and falsetto "day
trippers," Charles Shaar Murray, in his otherwise authoritative
Crosstown Traffic, states unequivocally that it's John Lennon
"joining in on the lead vocals." Alan Douglas says it's not!
What he heard from Noel Redding is that Noel sang it,
accounting for the nasal Brit accent on the tape.
There's nothing white about his version of "Killing Floor,"
though, and it's captured here on tape much as he would have
played it at many of his live shows-with passion. This is the
Jimmy James approach to a Howlin' Wolf classic in an
updated Muddy Waters country blues pattern, with lead and
rhythm integrated firmly. Ouch! There's just some great blues
on this album. There's also a real Muddy Waters tune,
"Catfish Blues." To me, the chance to hear Jimi stretch out in
this live setting with this bluesy material is one of the added
pleasures of Radio One. From the point of view of Jimi's
development as a musician, the time-frame has Jimi at the
peak of his interest in his own musical roots-not the shifty
slickness of soul, but the deeper, Mississippi Delta-born
motherlode of blues, which Jimi approached as a historian,
uncovering more and more gems in his research. "Catfish
Blues" reveals the blues scholar Jimi, having studied the
recorded works of Muddy Waters and John Hammond both,
and taken some from both, ironically pouring out this new
thing----experience.
When a musical genius has been dead for twenty years, the
discovery of a previously unreleased body of work becomes
an awesome event for those of us who study the master's
every nuance. When Radio One came out, it offered guitar
scholars a whole new palette of sounds to investigate,
correlate, appreciate, and imitate. The book you are about to
read will become your indispensible guide to that pursuit.
-Noif "the G" Goldwasser
Hendrix Library Editor


DRIVIN' SOUTH

I WHOLEHEARTEDLY AGREE WITH THE LINER NOTES TO RADIO ONE, BUT HAVE TO SAY THAT THIS HARD ROCKING INSTRUMENTAL IS DEFlNITELY
more than "worth the price of admission." It starts out in high gear and never once down-shifts. In fact, it seems to go into overdrive via an ascending whole-tone modulation from D to the key of E. Besides its entertainment value, there is truly a thorough education available here in the of art of playing blues and rock guitar. The study of Jimi's playing here will be the equivalent of years at the School of Hard Knocks for Aspiring Stringbenders and Licktraders. He uses all the scales common to these musical idioms, such as the "blues" scale ( 1 b3 4 #4 5 b7 ) and major pentatonic ( 1 2 3 5 6 ), plus he plays many of their characteristic riffs and licks, but in his own unique way that always transcends sounding cliched.
Since the dominant seventh chord is the harmonic base here, this chord's related scale, the mixolydian mode ( 1 2345 6 b7), is reflected in the key signatures. However, the notes used in this song aren't restricted to this particular mode, but these additional notes are used in a logical manner, often functioning as what are called chromatic passing tones. For example, during the first two beats of measure 11,he goes from A to G via Ab,the flatted fifth. Four measures later, he does a little more complicated move that involves delaying the resolution of the G note (which could be described, in this context, as a suspended fourth) by using E#as a leading tone into H, the third of the implied D7 chord (D F# A C). You'll also see these two ideas used frequently throughout this song in conjunction with partial chords, which is very pianistic and also fills up the consequential harmonic void when soloing in a power trio.

17 songs on the album of Jimi's live radio studio performance. Includes authoritative transcriptions for guitar, bass and drums with detailed players' notes/tablature and photographs for each composition.


1. Stone Free - WORDS AND MUSIC: JIMI HENDRIX - 1973
2. Radio One Theme - WORDS AND MUSIC: JIMI HENDRIX - 1967
3. Day Tripper  - WORDS AND MUSIC: JOHN LENNON, PAUL McCARTNEY - 1965
4. Killing Floor  - WORDS AND MUSIC: CHESTER BURNETT - 1973
5. Love or Confusion  - WORDS AND MUSIC: JIMI HENDRIX - 1967
6. Drivin' South - WORDS AND MUSIC: CURTIS KNIGHT - 1970
7. Catfish Blues  - WORDS AND MUSIC: MUDDY WATERS - 1959
8. Wait Until Tomorrow  - WORDS AND MUSIC: JIMI HENDRIX - 1968
9. Hear My Train a Comin'  - WORDS AND MUSIC: JIMI HENDRIX - 1973
10. Hound Dog  - WORDS AND MUSIC: JERRY LEIBER, MIKE STOLLER - 1956
11. Fire - WORDS AND MUSIC: JIMI HENDRIX - 1967
12. (I'm Your) Hoochie Coochie Man - WORDS AND MUSIC: WILLIE DIXON - 1973
13. Purple Haze - WORDS AND MUSIC: JIMI HENDRIX - 1967
14. Spanish Castle Magic  - WORDS AND MUSIC: JIMI HENDRIX - 1968
15. Hey Joe  - WORDS AND MUSIC: BILLY ROBERTS - 1962
16. Foxy Lady  - WORDS AND MUSIC: JIMI HENDRIX - 1967
17. Burning of the Midnight Lamp  - WORDS AND MUSIC: JIMI HENDRIX - 1967

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HENDRIX JIMI CONCERTS LIBRO GUITAR DRUMS BASS TABLATURE-Little Wing-Hey Joe-Foxy Lady-fire

HENDRIX JIMI, CONCERTS. RECORDED VERSIONS TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA, VOCE, BASSO, BATTERIA. PARTITURA DI OGNI STRUMENTO. TESTI, ACCORDI, PENTAGRAMMA E TABLATURE. 

TRANSCRIBED SCORE

GUITAR TABLATURE TRANSCRIBED JESSE GRESS
BASS TABLATURE TRANSCRIPTIONS BY MIKE DuCLOS
DRUMS TABLATURE TRANSCRIPTIONS DAVE HERSHEY

Twelve songs transcribed for guitar, bass and drums with detailed players' notes and photographs for each composition. Includes 'Fire', 'Foxy Lady' and 'Little Wing'.

Concerts by Jimi Hendrix. For guitar, voice, bass guitar and drum set. Hal Leonard Guitar Recorded Versions. Psychedelic Rock, Hard Rock and Classic Rock. Difficulty: medium to medium-difficult. Guitar/bass/drum tablature songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names, bass tablature, drum notation, performance notes, introductory text, black & white photos, guitar notation legend, bass notation legend and drum notation legend. 316 pages. Published by Hal Leonard (HL.660192).
ISBN 0793501024. With guitar tablature, standard notation, vocal melody, lyrics, chord names, bass tablature, drum notation, performance notes, introductory text, black & white photos, guitar notation legend, bass notation legend and drum notation legend. Psychedelic Rock, Hard Rock and Classic Rock. 9x12 inches.
A matching folio to all 12 songs on the live album with authoritative transcriptions for guitar, bass, and drums with detailed players' notes and photographs for each composition. Songs include: Fire * Red House * Are You Experienced? * Little Wing * Hey Joe * Foxy Lady * Wild Thing * and more.

Are You Experienced?
Bleeding Heart (BLUES IN C#)
Fire
Foxy Lady
Hear My Train A Comin' (Get My Heart Back Together)
Hey Joe
I Don't Live Today
Little Wing
Red House
Stone Free
Voodoo Child (Slight Return)
Wild Thing

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HENDRIX JIMI BAND OF GYPSYS Transcribed SCORE TABLATURE SPARTITI LIBRO Changes-Machine Gun

HENDRIX JIMI, BAND OF GYPSYS. Transcribed SCORE TABLATURE

 

LIBRO DI MUSICA, SPARTITI PER CHITARRA, VOCE, BASSO, BATTERIA. PARTITURA DI OGNI STRUMENTO. TESTI, ACCORDI, PENTAGRAMMA E TABLATURE. 

Series: Transcribed Score TAB
Artist: Jimi Hendrix

GUITAR TABLATURE TRANSCRIBED ANDY ALEDORT
BASS TABLATURE TRANSCRIPTIONS BY STEVE GORENBERG
DRUMS TABLATURE TRANSCRIPTIONS HOWARD FIELDS

Contains note-for-note transcriptions of: Who Knows - Machine Gun - Changes - Power to Love - Message of Love - We Gotta Live Together. Each song is presented in score format with lyrics, guitar, bass, and drum parts transcribed. Includes an introduction and playing tips.

Changes
Machine Gun
Message To Love (Message Of Love)
Power Of Soul (Power To Love)
We Gotta Live Together
Who Knows

184 pages

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HENDRIX JIMI, ARE YOU EXPERIENCED? TRANSCRIBED SCORES GUITAR TABLATURE Foxy Lady-Hey Joe-Purple Haze

HENDRIX JIMI, ARE YOU EXPERIENCED? TRANSCRIBED SCORES

LIBRO DI MUSICA ROCK.

SPARTITI DI OGNI STRUMENTO: VOCE, BASSO, BATTERIA, CHITARRA, ECC.

ACCORDI, PENTAGRAMMA E TABLATURE.

GUITAR TABLATURE
BASS TABLATURE
DRUMS TABLATURE

Jimi Hendrix - Are You Experienced

Series: Transcribed Score TAB
Artist: Jimi Hendrix

All 17 songs from the re-released album including: Are You Experienced - Foxy Lady - Hey Joe - Purple Haze.

Inventory #HL 00672308
ISBN: 9780793544615
UPC: 073999723083
Width: 9.0"
Length: 12.0"
272 pages

All 17 songs from the re-released album including:

Are You Experienced?
Can You See Me
51st Anniversary
Fire
Foxey Lady
Hey Joe
Highway Chile
I Don't Live Today
Love Or Confusion
Manic Depression
May This Be Love
Purple Haze
Red House
Remember
Stone Free
Third Stone From The Sun
The Wind Cries Mary

272 pages

 

THE ALBUM THAT SHOOK THE WORLD
When the American version of Are You Experienced? hit the record racks in September of 1967,
it was like a tidal shock wave, a conflagration that would wash over the world of music, leaving it
forever changed. I remember sitting in a friend's parents' living room (his folks were out of the
house of course) with the sound turned way up, and my ears blitzed by the torrents of sheer power
that blazed through the speakers. This was a true mind-bending experience back then, no doubt
the desired effect put there by the author of its sound and concept.
That album differed from its English counterpart in that three songs were replaced by Jimi's first
blockbuster singles, "Purple Haze," "Hey, Joe," and "The Wind Cries Mary," but the entirety of the
work was held together by the superior musicianship and performance impact of this collection of
songs, which we came to know in America as the definitive guitar trio album of our times. Now,
with the addition of six more tracks, the latest release of this album is even more monumental!
Amazing, too, is the fact that this multiplicity of astonishing sounds was recorded in all its denseness
of effect by constant Hendrix engineer Eddie Kramer on just a four-track recording system.
There was just so much energy and power springing from these three frizzy-haired players, such
inventiveness of attack, faithfully recorded and enhanced by Kramer, that it literally blew our
minds.
Now, more than ever, Hendrix is revered as the prophet and immortal high priest of rock guitar,
and Experienced is regarded as the Sermon on the Mount. It is the record that spawned an entire
generation of guitar players who, once having heard it, immediately chucked their piano lessons
and convinced their parents to buy them an electric guitar instead. In countless interviews with
today's guitar heroes, it is Hendrix who's cited as the guy that first turned them on and Are You
Experienced? the first dose of electric shock therapy that woke them to the possibilities of their
chosen instrument.
What is it about Jim; that makes this music so special? The funny thing about it - and this is true
of all works of great genius - is that you can't answer that question by analyzing the work intellectually,
or by trying to break it down into its component parts. Jimi was about impact - the total
effect of his music, the way he stood, the way he moved, and the absolutely awesome amount of
musical ideas he had in his head that were constantly clamoring to come out. This is why the many
imitations of Hendrix have usually paled by comparison to the original - because you can recreate
the technique, possibly, but in order to approximate the enormity of the man's artistic vision,
you have to be imbued with the feeling.
You have to keep this dictum in mind as you work through the authoritative transcriptions of the
songs on Are You Experienced? that we have assembled in this volume. You have to listen to the
album, hear what Jimi is doing with the notes and be inspired by his total oneness with his instrument.
There's no translation between what's in his head and what finally comes out through his
fingertips - it's all one expression of creativity. And remember, too, that Jimi was essentially a
blues player gone wild - he never really played the song the same way in live performance,
always letting the music suggest new directions that grew out of the moment and the spirit.
That being said, these transcriptions are the real thing. They have been commissioned by the
curators of the Hendrix estate, and they are complete, authoritative, and faithful to the notes that
you can hear on the album. They have been written out painstakingly and accurately, with insights
into Jimi's special arrangements and playing nuances prepared by eminent music scholars Dave
Whitehill and Andy Aledort in their notes to each song. And though you can't ever hope to duplicate
Jimi - for the reasons stated above - or to learn his chops by over-analyzing, you can learn
a lot about your instrument by reading these charts and practicing them constantly until the music ...
 

Are You Experienced? - WORDS AND MUSIC: JIMI HENDRIX - 1967
Can You See Me - WORDS AND MUSIC: JIMI HENDRIX - 1967
51st Anniversary - WORDS AND MUSIC: JIMI HENDRIX - 1967
Fire - WORDS AND MUSIC: JIMI HENDRIX - 1967
Foxey Lady - WORDS AND MUSIC: JIMI HENDRIX - 1967
Hey Joe - WORDS AND MUSIC: BILLY ROBERTS - 1962
Highway Chile - WORDS AND MUSIC: JIMI HENDRIX - 1967
I Don't Live Today - WORDS AND MUSIC: JIMI HENDRIX - 1967
Love Or Confusion - WORDS AND MUSIC: JIMI HENDRIX - 1967
Manic Depression - WORDS AND MUSIC: JIMI HENDRIX - 1967
May This Be Love - WORDS AND MUSIC: JIMI HENDRIX - 1967
Purple Haze - WORDS AND MUSIC: JIMI HENDRIX - 1967
Red House - WORDS AND MUSIC: JIMI HENDRIX - 1967
Remember - WORDS AND MUSIC: JIMI HENDRIX - 1967
Stone Free - WORDS AND MUSIC: JIMI HENDRIX - 1966
Third Stone From The Sun - WORDS AND MUSIC: JIMI HENDRIX - 1967
The Wind Cries Mary - WORDS AND MUSIC: JIMI HENDRIX - 1967

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H-BLOCKX TIME TO MOVE GUITAR TABLATURE VOCAL CHORD BOXES LIBRO SPARTITO REVOLUTION

H-BLOCKX, TIME TO MOVE. TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA E VOCE. PENTAGRAMMA, ACCORDI E TABLATURE. 

Pour Me a Glass
Revolution
Say Baby
Move
Fight the Force
Little Girl
Risin' High
H-Blockx
Real Love
Do What You Wanna Do (Dave Don't Like It)
Go Freaky
Fuck the Facts
Time to Fight  

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HELLOWEEN BETTER THAN RAW BAND SCORE GUITAR TABLATURE LIBRO TABLATURE SPARTITI CHITARRA

HELLOWEEN, BETTER THAN RAW. BAND SCORE 

SHEET MUSIC BOOK WITH 2 GUITARS TABLATURE , BASS TABLATURE, VOCAL, DRUM, ECC. ECC.

 

LIBRO DI MUSICA HEAVY METAL,

SPARTITI DI OGNI STRUMENTO: VOCE, CHITARRA 1, CHITARRA 2, BASSO, BATTERIA, ECC.  

TESTI, ACCORDI, PENTAGRAMMA, CHITARRA E BASSO CON TABLATURE. 

167 PAGES

TITOLI:

Deliberately Limited Preliminary Prelude Period In Z
Push
Falling Higher
Hey Lord!
Don´t Spit On My Mind
Revelation
Time
I Can
A Handful Of Pain
Lavdate Dominvm
Midnight Sun

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GUNS N' ROSES USE YOUR ILLUSION I GUITAR TABLATURE LIBRO November Rain-Don't Cry-SPARTITI

GUNS N' ROSES, USE YOUR ILLUSION I. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA HARD ROCK,
SPARTITI PER CHITARRA E VOCE.
ACCORDI, PENTAGRAMMA E TABLATURE. 

 

Nella copertina dell'album sono state riprese e modificare due figure dall'affresco di Raffaello "la scuola di Atene" che si trova ai musei vaticani a Roma.

Series: Guitar Personality

The complete note for note transcriptions to each of these best-selling albums featuring the hits. 168 pages

Back Off Bitch (Huge / Axl Rose/W/)
Bad Apples
Bad Obsession
Coma (Slash / Axl Rose)
Dead Horse
Don't Cry
Don't Damn Me (Slash, Lank / Axl Rose )
Double Talkin' Jive (Stradlin)
Dust N' Bones (Stradlin / Mckagan / S)
Garden Of Eden
Garden, The (Arkeen / James / Axl Rose )
Live And Let Die
November Rain
Perfect Crime (Stradlin / Slash / Axl )
Right Next Door To Hell
You Ain't The First (Stradlin)

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GUNS N' ROSES USE YOUR ILLUSION II Cherry Lane BASS TABLATURE BOOK LIBRO SPARTITI BASSO

GUNS N' ROSES, USE YOUR ILLUSION II. SHEET MUSIC BOOK WITH BASS TABLATURE. 

LIBRO DI MUSICA, SPARTITI PER CHITARRA BASSO CON TABLATURE.

 

 

Contents:

 

Tablature Explanation

 

Civil War - parole e musica: Slash, Duff McKagan,  W.Axl Rose

14 Years - parole e musica: Izzy Stradlin', W. Axl Rose

Yesterdays - parole e musica: West Arkeen, Del James, Billy e W. Axl Rose

Knockin' On Heaven's Door - parole e musica: Bob Dylan - 1973

Get In The Ring - parole e musica: Slash, Duff Mckagan, W. Axl Rose

Shotgun Blues - parole e musica: W. Axl Rose

Breakdown - parole e musica: W. Axl Rose

Pretty Tied Dp (The Perils of Rock N' Roll Decadence) - parole e musica Izzy Stradlin'

Locomotive (Complicity) - parole e musica: Slash , W. Axl Rose

So Fine - parole e musica: Duff McKagan

Estranged - parole e musica: W. Axl Rose 

You Could Be Mine - parole e musica: Izzy Stradlin', W. Axl Rose

Don't Cry (Alt. Lyrics) - parole e musica: Izzy Stradlin', W. Axl Rose

My World parole e musica: W. Axl Rose

 

CHERRY LANE MUSIC: THE PRINT COMPANY

EXECUTIVE: Michael Leflerts, President; Kathleen A. Maloney, Director 01 Customer Service; Len Handler, Creative Services Manager;

Rock Stamberg, Advertising and Promotion Manager; Karen DeCrenza, Executive Secretary; Karen Carey, Division Secretary.

MUSIC: Mark Phillips, Director 01 Music; Jon Chappell, Associate Director 01 Music; Steve Gorenberg, Music Editor; Kerry O'Brien, Music Editor;

Gordon Hallberg, Director, Music Engraving.

ART: Kerstin A. Fairbend, Art Director; Rosemary Cappa, Art Assistant.

PRODUCTlON: Daniel Rosenbaum. Production Manager; Geri Marmo. Production Coordinator.

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GUNS N' ROSES USE YOUR ILLUSION II Cherry Lane LIBRO GUITAR TABLATURE-Knockin' On Heaven's Door

GUNS N' ROSES, USE YOUR ILLUSION II. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA HARD ROCK,
SPARTITI PER CHITARRA E VOCE.
ACCORDI, PENTAGRAMMA E TABLATURE. 

Series: Guitar Personality
Publisher: Cherry Lane Music
Artist: Guns N' Roses

The complete note for note transcriptions to each of these best-selling albums featuring the hits: 143 pages
 
Breakdown (Axl Rose)
Civil War
Don't Cry
Estranged (Axl Rose)
14 Years (Stradlin' / Axl Rose)
Get In The Ring (Slash / Mckagan / Ax)
Knockin' On Heaven's Door
Locomotive
My World (Axl Rose)
Pretty Tied Up (The Perils Of Rock N' Roll Decadence)
Shotgun Blues (Axl Rose)
So Fine (Mckagan)
Yesterdays
You Could Be Mine

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GUNS N' ROSES USE YOUR ILLUSION I BASS TABLATURE HAL LEONARD CHERRY LANE

GUNS N' ROSES, USE YOUR ILLUSION I. SHEET MUSIC BOOK FOR BASS WITH TABLATURE. 

LIBRO DI MUSICA ROCK METAL.

SPARTITI PER BASSO CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Autore : Guns N 'Roses

Editore : Hal Leonard
Data di pubblicazione : Giugno 1992
EAN 007-3999068702
ISBN F00525454X 

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