TRASCRIZIONE

CARLTON LARRY FINGERPRINTS LIBRO CHITARRA TABLATURE-lazy susan-chicks with kickstands-gracias

CARLTON LARRY, FINGERPRINTS. TABLATURE

LIBRO DI MUSICA, SPARTITO PER CHITARRA CON TABLATURE.

 

Fingerprints -silky smooth -the storyteller -Ôtil i hurt you -slave song -all thru the night -lazy susan -chicks with kickstands -gracias -crying hands.

Description
All ten tracks from the album arranged for guitar in standard notation and tablature. Includes Silky Smooth, Til I Hurt You and Crying Hands. 120 Pages.

Prezzo: €89,99
€89,99

LARRY & LEE RITENOUR-CARLTON GUITARS TABLATURE SPARTITI CHITARRA TRASCRIZIONI BOOK

LARRY & LEE - LARRY CARLTON & LEE RITENOUR. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA JAZZ FUSION.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

2 PENTAGRAAMI, 2 LINEE DI TABLATURA.

103 PAGES.

SUPER TRANSCRIPTIONS !

LARRY CARLTON e LEE RITENOUR
(YEAR ALBUM: 1995)

Crosstown Kids - MUSIC BY LEE RITENOUR. 
Low Steppin' - MUSIC BY LEE RITENOUR and LARRY CARLTON. 
L.A. Underground - MUSIC by LEE RITENOUR. 
Closed Door Jam - MUSIC BY LARRY CARLTON.  
After the Rain - MUSIC by LEE RITENOUR. 
Remembering J.P. - MUSIC by LARRY CARLTON. 
Fun in the Dark - MUSIC by LEE RITENOUR. 
Lots About Nothin' - MUSIC by LARRY CARLTON. 
Take That - MUSIC by LEE RITENOUR. 
Up and Adam - MUSIC by LARRY CARLTON. 
Reflection of a Guitar Player - MUSIC BY LARRY CARLTON. 

Prezzo: €179,99
€179,99

CARLTON LARRY TABLATURE ROOM 335-NITE CRAWLER-POINT IT UP-RIO SAMBA DON'T GIVE IT UP-(IT WAS) ONLY

CARLTON LARRY, LARRY CARLTON. BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA JAZZ FUSION,

SPARTITO PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE.

Room 335 - Musica di: Larry Carlton - 1973
Nite Crawler - Musica di: Larry Carlton - 1977
Point It Up - Musica di: Larry Carlton - 1978
Rio Samba - Musica di: Larry Carlton - 1978
Don't Give It Up - Musica di: Larry Carlton - 1978
(It Was) Only Yesterday - Musica di: Larry Carlton - 1978

 

A longtime Nashville resident, Larry Carlton will perform a special hometown show at the Schermerhorn Symphony Center on Friday, September 30. Carlton spoke to Examiner.com about the upcoming show, his long career, playing with Michael Jackson and Dolly Parton, his continuing passion for music and more in the following interview.

Special thanks to Larry Carlton, and to Laurie Davis of the Nashville Symphony for arranging this interview.

 

You're playing at the Schermerhorn on Friday. Is this in conjunction with the Larry Carlton Plays the Sound of Philadelphia project?

That will be part of the show. The show I'm putting together is . . . I don't know if you'd call it the landscape of my career, but I'm going to do some things that I haven't done before, and the people are gonna be excited. They're gonna go, "Wow, I didn't know he played on that," or "Really? He was involved in that?"

I want to do a special show that night. It won't be just me and a sax player. (Laughs).

How did this come about? Did they approach you, or were you looking around for an appropriate venue for a particular type of show?

I was approached. I guess they finally got around to me. (Laughs). No, I was excited when I got the call. It's hometown for me, and the venue, if you will. I'm really excited.

I saw on your web site that you're going to be appearing with Steely Dan in New York City. Did you see them when they were in town?

No, I was actually out of town. Last year, or a year and a half ago they invited me to do seven shows with them. So I did a couple of nights in New York, one in Chicago, a couple of nights in LA. It was the first time . . . well, I'd never played live with them, and it was the first time in 35 years, since we cut The Royal Scam, that I went back and learned my solo from "Kid Charlemagne."

What's it like going back and re-visiting a part of your own career like that? Is it strange for you?

They're great memories. The weirdest thing for me is, I've never learned one of my own solos. (Laughs). I knew I had to play it note-for-note, and when I did, I got a standing ovation. People wanted to hear Larry play that solo.

After the long career you've had and all the various things you've done, what is it that keeps you active and excited about music?

That's a difficult question in that, at four years old I was fascinated with the guitar. At six years old I started taking lessons. I was passionate about it through the next fifty years, and that passion still exists.

Do you still keep an active practice regimen? Do you have the guitar in your hand every day?

No, normally I do about 125-150 a year touring around the world. So when I come home - and this is not new to me, I did this way back in the seventies - it's not unusual for me to not touch the guitar for a month, and just live my life; go horseback riding, go fishing.

I find that's good for my soul, good for my mind, and then when I come back to the guitar it's time to go again. It's a balance, I think.

You came up in an era where everything about the business was different. With all the changes in recording and distribution, do you think it's easier or harder for an artist in your position than it used to be?

Well, I have a unique situation, so I'm going to say it's easier. I have my own label now, and for the last four-and-a-half years. It was the first time in 17 years that I wasn't on a major label, and it was by choice. With the Internet I can talk to, play for, make music for the whole world, not just the US. When I was on a major they were very focused on the US.

Of course my albums were distributed overseas, and I have a great career in Japan and Europe. But now, I get an idea for a project . . . maybe it'll come from someone on Facebook saying, "Larry, have you ever thought of something with strings?" It could happen like that. So I'm enjoying the freedom of getting to make those choices.

What about the downside of the Internet, which is illegal downloading. Has that impacted you in the same way that it has rock and pop acts?

Well, of course. My numbers are down, like most artists, because everybody's exchanging files back and forth. That affects not only your record royalties, but your publishing and writing royalties. But it's just a new day, and I'm going with it. On my web site I'm sharing how I learned the guitar, how I play it . . . I want to be part of this new scene, and not avoid it and resent it.

You've obviously done a ton of recording, but two names jumped out at me from all that you've done that I wanted to ask you about, one of which is Michael Jackson. What did you do with Michael Jackson?

Quincy [Jones] called and said, "Larry, I have a special song, and it's got to be you." Because I wasn't doing a lot of dates, I'd already discontinued doing a lot of dates back then. So I went in and recorded what became a single, "She's Out of My Life."

In fact I'm looking at a three-foot plaque in my office right now that says, "Michael Jackson Off The Wall, over five million albums sold. We got all the marbles on this one, thanks for your help, Quincy." And there's four marbles in the bottom of it. It has a picture of Michael and the album cover. So yeah, I played on one cut on that album as a favor to Quincy.

The other one that popped out at me was Dolly Parton. I didn't know you'd done anything with her.

I don't remember the date, to tell you the truth. Whoever was producing her in LA in probably the early-to-mid seventies called me as the guitar player. So I know that I played on some stuff for Dolly, but I don't know what it was. (Laughs).

When you're doing that many different dates in so many different styles as you used to, is there any rational way to prepare for that, or do you just walk in and do it?

You walk in cold.

Versatility has served me well, and I think one of the reasons that I'm so versatile as a musician is because of the era and time that I was brought up. You figure, I was born in 1948, so by the time 1958 came around I'm ten, and I'm listening to doo-wop music on the radio. And that transitioned into the sixties, and rock and roll became very big.

So I'm part of that whole history, and I was playing the guitar the whole time. Every time something new came out in a style, I was aware of it. It was part of my hunger to learn how they did that. I wanted to learn the solo on an Elvis Presley record, and then The Beatles came along. So I lived through that transition, and the one thing that really made me a little bit different is that I fell in love with jazz when I was 14, but I didn't neglect pop music.

Back then every genre lived side by side, whereas now it's become divided and everything is micro-marketed to a very narrowly defined target demographic. How has that impacted you?

Obviously because I'm an instrumentalist, I was very happy in the mid-eighties when that format came along called the quiet storm, which transitioned into smooth jazz. All of a sudden there was a place on the radio for those of us that don't sing.

But I think it's run its course, I think it's boring now, and most of the stuff on those stations all sounds the same. You can't tell one sax player from another. But it was a neat thing that happened, and it exposed a lot of us to people that otherwise wouldn't have known us.

Are you finding that there's any good that's coming to you from any of the various alternatives, like satellite radio?

Yeah, I think so. You know, my songs are on those stations, and I'm sure there are people at home that keep those on sometimes, and listen to them while they're living their lives in their house or car, so it's just a nice place where someone might discover an artist.

You're offering interactive lessons on your web site. What gave you the idea to do that?

I was doing a guitar seminar in New York, and a producer was there who produces teaching DVDs. He has the largest Internet site, called True Fire. Anyway, he was impressed with my seminar and the way I communicate, so he approached me and said, "I'd like to produce a teaching video with you. It's been twenty years since you've done one." So that's how it started, and it still continues. I'm flying out tomorrow to speak to him about another project. So having a great producer helps me expose what I want to give to the guys out there.

What do you think is the most important thing to know for a kid who wants to play guitar?

I think what you just said: if a kid wants to play. I think motive is really important. What's your motive to play the guitar? Mine was always to make music. I can say this honestly: I never thought about being a star. It never entered my mind. I wanted to play the guitar. My dream as a teen was to be like my jazz heroes and play jazz in smoky clubs my whole life. I didn't know I was gonna become a session guy or any of that stuff.

So it's motive. Are you doing this because you want to be a star, or do you want to be a musician? If you're doing it because you want to be a star, then you'll go that direction, and that's okay. Both avenues are fine, but I think you've got to be honest, because I think truthfulness comes out of you when you're playing your music.

I read this online; is it correct or incorrect that your niece is Vanessa Carlton?

Nope. Incorrect! (Laughs).

I suspected that.

 

Your son Travis is a bass player. Is it something that gives you pause, to see him go into the business? Because you have a decades-long bird's eye view of how difficult it can be.

All I can tell you is that he's gifted with music, and then he worked very, very hard as soon as he got out of high school. He went to GIT, graduated top of the class, Best Performer . . . he's a gifted, gifted musician who's worked very hard, and now he's reaping the rewards of that.

When he was a little boy sitting on my lap, and I'd be mixing a song in my studio, his body was always in time with the song. As a little kid. The stuff you can't teach, Travis got. I'm very proud of him. He plays in my band, he plays in Robben Ford's band, and he plays in Scott Henderson's band. People like grooving to Travis. It's a beautiful thing.

I wanted to ask you about Christianity and the music business. Do you ever find that being a Christian and being in the music business are at fundamentally cross purposes?

Personally, I have never had a struggle. When I became a reborn Christian in 1983, the Holy Spirit never told me, "Change what you're doing, Larry. Don't do that anymore." I mean musically. I was never called to that, "All right, now you only play religious songs." So I'm very comfortable with my relationship with God, and I just make my music, and my testimony is my music, and how I live my life.

I know some other Christian musicians that have been called to do it a different way, a more aggressive way, a more out-front way. I haven't been called to that, so I'm just growing where I was planted.

Is there anything else you want to say about the Schermerhorn show or whatever else is coming up?

I'm just excited to play at the Schermerhorn in my hometown, and I plan on bringing the best show I can.

Prezzo: €129,99
€129,99

CARLTON LARRY GUITAR PLAYER TABLATURE CHITARRA LIBRO SPARTITO Room 335 sleepwalk

CARLTON LARRY, GUITAR PLAYER. 

SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA FUSION,

SPARTITO PER CHITARRA CON

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

Anche per due chitarre. Room 335 -nite crawler -point it up -Rio samba -(it was) only yesterday -strikes twice -midnight parade -song for Katie -sleepwalk -blues bird -south town -blues for T.J. -crusin'. 

Prezzo: €98,00
€98,00

CLASSIC BLUES JAM SESSION CD GUITAR TABLATURE Riviera Paradise-STEVIE RAY VAUGHAN-Hide Away ERIC CLAPTON

CLASSIC BLUES JAM SESSION FOR GUITAR. CD TABLATURE

LIBRO PER CHITARRA CON CD DI BASI, E TABLATURE

INTRODUCTION
Each title in the Total Accuracy Jam Session series is a powerful learning
tool, that will not only help you to extend your stockpile of licks and fills, but
has been carefully designed to help develop the improvisational skills of the
individual. A combination of the professional quality backing tracks on the
CD,and the accurate printed transcriptions in the book, will provide a basis
for exciting play along.
Each track represents an important classic in this history of blues guitar.
Use the transcriptions in the book to play along with the band on the CD. For
songs containing multiple guitar parts, we have added rhythm guitar to
allow one guitarist to accurately recreate the track.
The backing tracks can also provide a basis for your own improvisation. Try
to change or adapt any of the licks or solos in some way to give them your
own musical identity. Extend these ideas by playing them in different keys
and positions; what you like you can keep, what you don't you can discard.
Use the Jam Sessions as a form of study, but most importantly have fun and
experiment with your own ideas.

TOTAL ACCURACY
Professional Guitar Workshops
PLAY-ALONG TRACKS 

YOUR TURN TO BURN with the hottest BAND IN TOWN!

Crank up your amp and go for it! Play lead guitar 'live' with our pro-session band! These book/CD packs include:
• 90 licks you can immediately plug in and play • Tips on solo construction, phrasing, scales, string bending, and vibrato
• CD includes over 60 minutes with full band backing tracks • Standard notation and tablature

TOTAL BLUES FOR GUITAR JAM SESSION
Features tracks in the style of Stevie Ray Vaughan,
Eric Clapton, Robben Ford, JiIni Hendrix, B.B. King
and more. 
00695151 Book/CD Pack 

ULTIMATE BLUES JAM SESSION FOR GUITAR
Features tracks in the style of Stevie Ray Vaughan,
Eric Clapton, Robben Ford, Jimi Hendrix, B.B. King
and more.
00695152 Book/CD Pack 

CLASSIC ROCK JAM SESSION FOR GUITAR
This book/CD pack includes full backing tracks with
stereo options for 11 complete songs, including:
Paranoid (Black Sabbath) • Sweet Home Alabama
(Lynyrd Skynyrd) • More Than a FeeliIlg (Boston) •
Black Magic Woman (Santana) • and more!
00695110 Book/CD Pack 

JAM WITH RITCHIE BLACKMORE
Includes superb quality, live recorded backing tracks
plus transcriptions to: Smoke on the Water • Black
Night • Highway Star • and more.
00695299 Book/CD Pack 

ACOUSTIC ROCK GUITAR JAM SESSION
Authentic transcriptions and jam tracks for 10 complete
songs, including: The Best of My Love (Eagles) •
Fire and Rain Oames Taylor) • Tears in Heaven (Eric
Clapton) • Yesterday (The Beatles) • and more.
00695112 Book/CD Pack 

CLASSIC BLUES JAM SESSION
Authentic transcriptions and jam tracks for 9 complete
songs: Riviera Paradise (Stevie Ray Vaughan) •
Rock Me Baby (B.B. King) • Still Got the Blues (Gary
Moore) • Hideaway (Eric Clapton) • and more.
00695111 Book/CD Pack 

JAM WITH GARY MOORE
Jam \vith a super band with these transcriptions and
excellent backing tracks to: Still Got the Blues •
Walking by Myself • The Loner • Oh Pretty Woman •
and more.
00695300 Book/CD Pack 

Prices, contents, and availability subject to change without notice.
Basi senza preascolto:
Series: Guitar Jams Series
Medium: Softcover with CD
Artist: Various
Play along with 9 of the greatest Blues guitar songs ever!!! This book and CD pack contains authentic transcriptions and jam tracks for nine complete songs. Each piece chosen to represent an important classic in blues history. 72 pages
Songs incl:

Confidence Man, JEFF HEALEY
Cross Road Blues (Crossroads), CREAM
Hide Away, ERIC CLAPTON
I'm Your Hoochie Coochie Man, ERIC CLAPTON
Life Without You, STEVIE RAY VAUGHAN
Riviera Paradise, STEVIE RAY VAUGHAN
Rock Me Baby, B.B. KING
Still Got The Blues, GARY MOORE
The Healer, JOHN LEE HOOKER

Prezzo: €19,99
€19,99

GUITAR JAMMIN' HARD ROCK BOOK CD TABLATURE LIBRO BASI CHITARRA Iron man-sweet child o' mine

GUITAR JAMMIN'. HARD ROCK SONGS. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE.

LIBRO DI MUSICA METAL CON CD. 

CD DI BASI PER VOCE E CHITARRA.  

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

Tracks senza preascolto, per voce e chitarra. Potrete ricreare la song originale o inventarvi un vostro fraseggio. Contiene:

- crazy train (Ozzy Osbourne)

- Detroit rock city (Kiss)

- iron man (Black Sabbath)

- sweet child o' mine (Guns n' Roses)

- you really got me (Van Halen)

- the unforgiven (Metallica)

- living after midnight (Judas Priest).

CD TAB.

 

 

Prezzo: €29,99
€29,99

GUITAR JAMMIN' '50s & 60s ROCK LIBRO CD BASI TABLATURE day tripper-Beatles-hey Joe-Jimi Hendrix

GUITAR JAMMIN', '50s & 60s ROCK SONGS. CD TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON CD DI BASI E TABLATURE. 

Basi complete senza preascolto, per chitarra e canto, ricreate fedelmente da strumentisti; non con sequencer.

Contiene:

- the sunshine of your love (Cream)

- day tripper (The Beatles)

- suzie Q (Dale Hawkins with James Burton)

- I can see the miles (the WHO)

- boppin' the blues (Carl Perkins)

- hey Joe (Jimi Hendrix)

- get back (the Beatles)

Prezzo: €21,00
€21,00

LA SOLEÁ I GUITARRA FLAMENCA PASO A PASO IV DVD LIBRO SPARTITI TABLATURE LIBRO CHITARRA

LA SOLEÁ I: GUITARRA FLAMENCA PASO A PASO IV. DVD LIBRO TABLATURE

LIBRO DI MUSICA CON DVD, SPARTITI PER CHITARRA. PENTAGRAMMA E TABLATURE. 

Contiene video de 60 min. más un libro de partituras A4 de 22 páginas en música y cifra.Oscar Herrero, depsués de la interpretación de la soleá "Majestad", explica el ritmo de la soleá , y se hacen varios ejercicios con palmas. Posteriormente se estudia la estructura de los toques y parte de los elementos que componen la soleá como : el cierre, los compases rasgueados y las melodías 7-8-9. Multisistema - Español, Inglés, Francés y Japonés.

Oscar Herrero after playing the "soleá" "Majestad" explains the "soleá" rhythm, and some clapping exercises are made. Then explains the structure of basic rhythms and part of elements which the "soleá" is made up as: "el cierre", strummed measures and 7-8-9 melodies. 60-minute.

The accompanying 28-page book contains clapping exercises, the structure of the styles, a guide to notation, rasgueados, melodies, and a glossary. It also includes a guide to a piece which is made up of elements studied in this book and in the next volume, La Soleá (II). The music is in notation and tablature. The text is in English, Spanish, and French.

Product Description:
Oscar Herrero after playing the soleá Majestad explains the soleá rhythm, and some clapping exercises are made. Then he explains the structure of basic rhythms and part of elements which the soleá is made up as: el cierre, strummed measures and 7-8-9 melodies. 60-minute.

The accompanying 28-page book contains clapping exercises, the structure of the styles, a guide to notation, rasgueados, melodies, and a glossary. It also includes a guide to a piece which is made up of elements studied in this book and in the next volume, La Soleá (II). The music is in notation and tablature. The text is in English, Spanish, and French.

Format: Book+DVD
Notation signs
Falsetas
Remates / The finishing off
Llamadas
Introducciones / Introductions
Secuencia Am-C-F-E / Sequence
Secuencia G-C-F-E / Sequence
Secuencia Am-G-F-E / Sequence
Posición fija de "F" / Fixed position
Final / End
Atril flamenco (soleá)
Sendero (soleá)
Glosario Flamenco / Flamenco Glossary

Prezzo: €53,99
€53,99

LA SOLEÁ II GUITARRA FLAMENCA PASO A PASO V LIBRO DVD SPARTITI CHITARRA TABLATURE

LA SOLEÁ II: GUITARRA FLAMENCA PASO A PASO V. DVD TABLATURE

LIBRO DI MUSICA CON DVD, SPARTITI PER CHITARRA. PENTAGRAMMA E TABLATURE. 

DESCRIPCIÓN: Contiene video de 65 min. más un libro de partituras de 40 páginas en música y cifra. Oscar Herrero continúa con el estudio de los elementos que componen la estructura de la soleá, como: la falseta, el remate, la llamada y el final. Se explican en detalle falsetas "tipo" como introducciones, secuencias harmónicas y posiciones fijas. Para acabar interpreta dos soleares "Sendero" y "Atril flamenco". Los toques que en ambos temas han sido utilizados como base en los ejercicios y la explicación a lo largo de los dos videos "la soleá 1" y "la soleá 2". Multisistema - Español, Inglés, Francés y Japonés.

Oscar Herrero continues with rest of elements which the "soleá" is made up as: "la falseta", finishing of "el remate", and the call "la llamada". Typical traditional kinds of "falsetas" and introductions are explained in detail. At the end of this episode, he plays two "soleares" the "Sendero" and the "Atril flamenco". Both pieces were made up with elements studied into the two episodes "La Soleá 1" and "La Soleá 2". 60-minute.
The accompanying 44-page book contains patterns and exercises, including falsetas, remates, llamadas, introductions, sequences, fixed positions, and endings. The music is in notation and tablature. The text is in English, Spanish, and French.

Product Description:
Oscar Herrero continues with the rest of the elements which the "soleá" is made up: "la falseta", finishing of "el remate", and the call "la llamada". Typical, traditional kinds of "falsetas" and introductions are explained in detail. At the end of this episode, he plays two "soleares" the "Sendero" and the "Atril flamenco". Both pieces were made up with elements studied into the two episodes "La Soleá 1" and "La Soleá 2". 60-minute.

The accompanying 44-page book contains patterns and exercises, including falsetas, remates, llamadas, introductions, sequences, fixed positions, and endings. The music is in notation and tablature. The text is in English, Spanish, and French.

Format: Book+DVD
Date Published: 3/12/2004

Notation signs
Falsetas
Remates / The finishing off
Llamadas
Introducciones / Introductions
Secuencia Am-C-F-E / Sequence
Secuencia G-C-F-E / Sequence
Secuencia Am-G-F-E / Sequence
Posición fija de "F" / Fixed position
Final / End
Atril flamenco (soleá)
Sendero (soleá)
Glosario Flamenco / Flamenco Glossary

Prezzo: €55,99
€55,99

GUITARRA FLAMENCA PASO A PASO DE COLORES-Oscar Herrero LIBRO TABLATURE SPARTITI CHITARRA

GUITARRA FLAMENCA PASO A PASO, DE COLORES, ECLIPSE, EL RASTILLO. OSCAR HERRERO. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA FLAMENCA,

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA E TABLATURE. 


Libro de partituras de los temas de introducción de la serie de vídeos Guitarra Flamenca Paso a Paso, FLAMENCO GUITAR. STEP BY STEP. Herrero. Tema de entrada del vídeo 1: "De Colores" (Bulerías) -Tema de entrada del vídeo 2: "Eclipse" (Taranta.Bulería) -Tema de entrada del vídeo 3: "El rastrillo" (Sevillanas).

Product Description:
This book offers notation and tablature transcriptions of the themes used to introduce and illustrate Oscar Herrero's three-volume video series "Flamenco Guitar Step by Step." Appropriate for the intermediate to advanced flamenco guitarist, the music in this book is distinct from that which comes with the videos. The music transcribed in this book is played behind the opening and/or closing credits of the videos. Text is in English, French, and Spanish.
Format: Book

Introduction
Right-hand techniques and notation
Left-hand techniques and notation
De Colores (Bulerias)
Eclipse (Taranta-Buleria)
El Rastrillo (Sevillanas)

Prezzo: €29,99
€29,99
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