CHITARRA - GUITAR

10 MINUTE GUITAR WORKOUT. D. Mead. CD TABLATURE

LIBRO DI MUSICA CON CD, SPARTITI PER CHITARRA. ACCORDI, PENTAGRAMMA E TABLATURE.

Description
This method formulates a condensed practice schedule for students to learn in the shortest possible time and still see a satisfying result from their labour. This method includes 3 major parts:
Frequently Asked Questions
The guitar Gym
Further Study
About Chords
About Scales
Includes a CD

ROCK GUITAR STYLES. BERKLEE, Mike Ihde.

LIBRO METODO PER CHITARRA SOLISTA E RITMICA, DI MUSICA HARD ROCK, METAL, FUNK, BLUES, ECC.  CON CD.

SPARTITI PER CHITARRA CON ACCORDI E PENTAGRAMMA.

Mike Ihde, Guitar
Peter Olson, Bass
Bob Harsen, Drums

FOREWORD
This book is written for all guitarists, professional or not, who realize the importance of being versatile on their instrument. If you plan to make a living as a working guitarist, sooner or later whether you like it or not, you'll be called upon to play some kind of Rock and Roll. This is why I've tried to cover what I think are the most valuable and enduring styles of rock. There may be only an example or two for each topic, but if you can play it exactly as written, with the right sound or gadget, I know you'll sound authentic. Hopefully, you'll find this book to be a short cut in learning rock lead or rhythm. You will need a certain amount of reading skills to handle it all, but I'm sure the results of your practice will be worth the struggle. Not all of the examples are recorded, but each one I chose demonstrates a particular technique that you must be able to imitate. All examples that have been recorded are indicated by a large star"* . I've been teaching the styles shown in this book in my Rock Guitar Styles Workshop at Berklee over the past few years with excellent results. Start anywhere in the book you want, but learn each style completely before going on. Most of all, try to learn why each style is different from the other, this way you'll be able to create your own licks instead of copying someone elses. The recordings are included because no matter how well you read, you won't be able to achieve the right feel unless you hear it

H. RIGHT HAND HAMMERING
Here's a new twist on bending that will add a great deal to the licks you already know. You know how to playa hammer when using your left hand. Well, this technique is the same except for the fact that the hammer is done with your right hand .. Use your right hand's middle finger and sharply nail it down anywhere on a string. You should hear a note just as you would have had you done it with your left hand.
It will definitely take a while to build up the strength and accuracy necessary for this technique but it'll be worth it. Now, try a bend with your left hand. Let's say G to A on the second string. While the note is bent up to A, hammer on your right hand's middle finger on the 13th fret. This will produce the note D. Now, keep your right hand's D helci.down while you release the bend in your left hand. You should hear that D go down to C. All right hand hammers are indicated with a star*.

Standard Notation
The string bending notation is my own, but the following notations are standard in all forms of music. THE SLUR: A curved line connecting two notes of different pitch, tells you not to attack the second note. For a horn player this would mean not to tongue the second note. For the guitar player it means not to pick the second note. The only way this can be done is by hammering on or pulling off . Beat one of measure one uses a hammer on. Pick only the first note(E~) and drop your third finger sharply on the string to produce the F. Between the "and" of three and beat four, pick only the F and ...

Early Rock
Ballads and Up Tempo Styles When rhythm and blues was discovered by white artists like Elvis, and mixed with the country music of the day, the result was Rock and Roll. In July of 1955 when "Rock around the clock" hit the number one spot on Billboards top 40 charts, a new era of music began. In 1956, Dean Martin and Nelson Riddle were riding high on the charts when Elvis released "Heartbreak Hotel". In the same year he had four more No.1 hits with "Hound Dog", "Don't be Cruel", "Love Me Tender" and "Any Way You Want Me". From then on, rock and roll was in full swing. Because of the roots rock had in country and blues, the chord progressions were always simple. The old "three chord special" was the rule in almost all the hits. This simplicity was probably the main·reason that thousands of kids decided to take up guitar and bass. Almost anybody could figure out a C, F and G chord on the guitar. Soon, every town had at least five or ten bands trying to get gigs at the high school dances. (Ah yes, I remember it well!) Most tunes were either slow ballads or fast rock and roll. For slow tunes, a typical rhythm would look like this:

Table of Contents
Foreword
Notation for string bending
Standard notation
Notation for rhythm guitar

CHAPTER ONE ROCK RHYTHM GUITAR
Early rock, ballads and up tempo styles
Cha Cha
Soft rock
Folk rock
Acid rock
Hard rock
Pop rock, fast and slow
Heavy metal!
NewWave
Blues
Soul & Funk
Funk
Jazz Rock

CHAPTER TWO ROCK LEAD GUITAR
Early rock and roll, ballads and up tempo styles
Soft rock
Folk rock
Acid rock
Hard rock
Pop rock, fast and slow
Heavy metal!
New Wave
Blues
Soul & Funk
Jazz Rock

CHAPTER THREE ELECTRONIC DEVICES FOR THE ROCK GUITARIST
Distortion & Fuzz
Phase Shifter & Hanger
WaWa & Envelope Follower
Octave Divider
Echo
Compressor & Limiter
Chorus & Double Tracking
Volume Pedal
Guitar Synthesizer
The Harmonizer

CHAPTER FOUR ARRANGEMENTS FOR LEAD GUITAR, RHYTHM GUITAR, BASS and DRUMS
Notation for rhythm guitar, bass and drums
Basic technique for arranging the rhythm section
Full length examples
1. "St;::eplechase", rock style
2. "Bent Over Backwards", country rock style
3. "Slightly Out", jazz rock style
4. "Funky Chicken Pickin"', funky country style
5. "After two very dry Martinos", fusion style 

REGGAE GUITAR, HOW TO PLAY. Manuale per imparare a suonare all'ombra di una palma di Kingstone, nutrendosi di cocco. Una chitarra sempre al sole, in stile Bob Marley. Semplici esercizi sugli accordi, le pennate in alto e in basso, i ritmi, gli accordi staccati e muti, lo stile percussivo. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE .

Series: Fretted
Medium: Softcover with CD
Artist: Ray Hitchins

Learn to play authentic reggae guitar. Here's a complete guide to this unique style of music, including an explanation of the rhythms used, construction of guitar parts, exercises, examples, amplifier settings, and much more. The recording contains all the examples in the book, so you can learn to hear and play correctly from the very beginning. 56 pages

BY RAY HITCHINS

CONTENTS
Acknowledgements .
About The Author .
Introduction .
Introduction To The Recording .
THE FUNDAMENTALS
YourEquipment .
Rudiments .
Practice Schedule .
DOWN- & UPSTROKES (Theory and Practice)
Lesson 1 Downstroke Theory .
Lesson 2 Upstroke Theory .
Lesson 3 Downstroke Practice .
Lesson 4 Upstroke Practice .
Lesson 5 Stroke Changing .
BASIC TECHNIQUES
Lesson 6 String Grouping .
Lesson 7 Damping .
Lesson 8 Tenuto Downstrokes.Right-Hand Damping .
Lesson 9 Tenuto Upstrokes. Right-Hand Damping .
Lesson 10 Tenuto Down-and Upstrokes. Right-Hand Damping .
Lesson 11 Staccato Downstrokes,Right-Hand Damping .
Lesson 12 Staccato Upstrokes. Right-Hand Damping .
Lesson 13 Staccato Down-and Upstrokes. Right-Hand Damping .
Right-Hand Damping Summary Points .
Lesson 14 Left-Hand Damping .
NEW RHYTHMS
Lesson 15 Reggae Beats .
Lesson 16 Rhythm Fills .
Lesson 17 Rhythmic Patterns .
Lesson 18 Before Reggae .
FINAL STEPS
Lesson 19 Chords .
Lesson 20 Bass Lines & Riffs .
Lesson 21 Percussive Playing .
Lesson 22 Dummy Strokes .
Lesson 23 Sound Evaluation.
Conclusion

ROCK CHOPS FOR GUITAR, A Technique-Building Approach for the Dedicated Guitarist, Tobias Hurwitz. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA ROCK CON MP3 CD.  

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

TECNICA, 

The Serious Guitarist: Rock Chops
A Technique-Building Approach for the Dedicated Guitarist
By Tobias Hurwitz

Series: The Serious Guitarist
Category: Guitar Method or Supplement
Format: Book & MP3 CD
Instrument: Guitar

Great musical ideas need a solid foundation of strong chops to back them up. Fill the gaps in your technique with this unique approach to rock guitar. Build your finger strength, flexibility, and independence with exercises and examples written especially for rock players. This book explores all the important soloing techniques such as speed picking, sweeping, tapping, harmonics, scale sequencing, and more. Develop your chops while practicing exercises in the style of the music you enjoy. The Serious Guitarist: Rock Chops provides the tools you need to become a better guitar player, but more importantly, it will help you become a better musician. The included companion MP3 CD features demonstrations of the examples in the book.

CONTENUTO: 
stretching the fingers
alternate picking
economy picking
sweep picking
mixing sweep picking and alternate picking
tremolo picking
pentatonic riffs and concepts
scale sequencing
single-string concepts
double stops
harmonized leads
finger tapping
whammy bar techniques
legato
long scales
exotic scales
harmonics, pinch harmonics
string skipping
arpeggio etudes
the flight of the bumble bee ( il volo del calabrone di Rimsky-Korsakov )
scale forms

https://content.alfred.com/catpages/00-40266.pdf

METAL RHYTHM GUITAR VOLUME 1. Troy Stetina. CD TABLATURE

LIBRO METODO DI MUSICA METAL CON CD .

SPARTITI PER CHITARRA, TABLATURE. 

Series: Stylistic Method
Medium: Softcover with CD
Author: Troy Stetina

WELCOME TO THE "TROY STETINA SERIES" 

The TROY STETINA SERIES is a complete system for mastering metal and building solid musicianship. Taken together, the methods of the series cover the full spectrum of playing from the beginning all the way up to the most advanced rhythm and lead concepts, fretboard pyrotechniques, theory, melodic principles, songwriting, and how to develop your own personal lead style. In short, the series will take you to a professional level of playing. It is written by someone who specializes in metal so each method gives you what you need to get playing quickly and correctly. Brief descriptions of the books and videos of this series appear at the end of this book. You can use this to help you navigate through the series, selecting what is best for you. It is generally a good idea to use two or even three complementary books at a time, in order to have plenty of variety in your practice. Each book comes with accompanying audio so they can be used individually as well as with the guidance of a teacher.

FOREWORD

The Metal Rhythm Guitar method is designed to get you-the beginning guitarist-playing serious metal guitar as quickly as possible. It jumps right into the real thing, and before you know it, you'll be jamming on metal tunes with a full backing band! You'll be learning the chording, riffs, rhythms and progressions used by leading bands-from Guns 'N' Roses, Aerosmith, Van Halen, Metallica, Ozzy Osbourne, Alice in Chains, Soundgarden, Stone Temple Pilots, Nirvana, and Pearl Jam, to other classic bands such as Black Sabbath, AC/DC, Motley Crue, and the Scorpions. As you probably know, metal in the '90s isn't just one style, but has progressed into a broad range of "substyles" which we could call pop metal, thrash metal, grunge metal, alternative metal, punk metal, progressive metal, rap metal, and so on. (The lines between them are often fuzzy.) Each embodies different attitudes and uses different stylistic elements, yet they also share quite a lot in common-they all use different applications of metal guitar. In this method, we'll shed some light on each of these categories, while we build the solid underlying musical foundation you need to play guitar well. To teach all of this, Metal Rhythm Guitar employs a series of exciting "mini-songs," or jams with bass and drums, which progress from simple to advanced. And in case you are wondering, you don't have to wait to get to the good stuff. The first song appears right at the end of the first chapter. Volume 2 continues with the same format and concludes with the full instrumental tune "Babylon," which applies nearly all the concepts and techniques learned throughout Metal Rhythm Guitar. (The complete lead guitar track of "Babylon" likewise appears at the end of the companion lead guitar method.) You may also find it helpful to supplement this book with others to keep more variety in your practicing. Check out Metal Lead Guitar Primer and/or the beginning rock videos mentioned at the end of this book. Good luck with your playing, and enjoy the method! 

Because rhythm and timing lie at the foundation of everything you play, its importance can't be underestimated. This series will give you that solid foundation you need. Starts with simple upbeat rhythms for the beginner and moves step by step into advanced syncopations - all demonstrated with seriously heavy metal examples that have practical applications to today's styles. Tablature. Music and examples demonstrated on CD.
64 pages

Metal Rhythm Guitar - Volume 1

about the author

Welcome To The Troy Stetina Series 0:06

foreword

the electric guitar

positioning

Tuning 1:07

Getting the Sound 2:31

reading music in this book

CHAPTER 1

Power Chords On The Sixth String 0:27

Whole Notes, Half Notes, - Quarter Notes 1:29

Power Chords On The Fith String 1:46

'Switching' Between Strings 1:08

Eighth Notes 0:28

Sound Of Silence 0:23

The Slide 0:46

'Whips And Chains.' (Song -1) 2:28

'Whips And Chains.' (Song -1) - Backing Track 2:33

CHAPTER 2

Expanded Power Chords 0:51

Economy Fingering 1:02

Sharps And Flats 0:23

Muting Mayhem 1:02

Pedaling The Root 1:15

'Tales From The Crypt.' (Song -2) 2:28

'Tales From The Crypt.' (Song -2) - Backing Track 2:56

CHAPTER 3

Left Hand Muting 0:22

More Open Power 1:10

Upbeat Accents 2:10

Rhythm Variations 1:35

Vibrato Articulation 0:45

'The Tao Of Metal.' (Song -3) 2:37

'The Tao Of Metal.' (Song -3) - Backing Track 2:37

CHAPTER 4

Fourth Diads 0:28

Upbeats With Ties (Syncopation) 2:46

Rock And Roll Comping 0:55

12-Bar Changes 2:55

'Rock 'n' Roller.' (Song -4) 2:16

'Rock 'n' Roller.' (Song -4) - Backing Track 2:21

CHAPTER 5

Hammer-On And Pull-Off Articulations 0:50

String Bending 0:21

Double Upbeat Accents 1:13

Open Major And Minor Chords 2:30

Arpeggiation 0:47

'On The Prowl.' (Song -5) 3:31

'On The Prowl.' (Song -5) - Backing Track 3:46

CHAPTER 6

The Blues Scale 0:30

Riffs In The Blues Scale 1:04

Multiple Upbeats 1:28

Rhythmic Patterns 1:20

'As Darkness Gathers.' (Song -6) 3:13

'As Darkness Gathers.' (Song -6) - Backing Track 3:23

Keeping Tabs on your killer riffs

Notation Guide

Glossary Terms

The troy stetina series