HAL LEONARD

DIXON WILLIE THE MASTER BLUES COMPOSER Guitar Recorded Version TABLATURE DOORS back door man

DIXON WILLIE, THE MASTER BLUES COMPOSER. Settimo di quattordici figli, Willie Dixon era nato nel Mississippi a Vicksburg il 1° Luglio del 1915 ed è morto il 27 Gennaio 1992. Le sue canzoni sono state interpretate dai Doors, come la magnetica "back door man" presente anche nel loro celebre "absolutely live"; dal bassista dei Cream con la "sofferta", "blues you can't lose", cantata da Willie Dixon stesso nel suo album registrato poco prima della morte; e poi da Eric Clapton, dai Rolling Stones, Muddy Waters, Jeff Beck, Bo Diddley, Led Zeppelin, Stevie Ray Vaughan, e molti altri. Segnaliamo la ruvida voce di Howlin' Wolf (Chester Burnett nato in Mississippi nel 1910, e soprannominato Holfin' Wolf, "lupo Ululante") nelle sue rabbiose registrazioni, ed Elvis Presley nella trascinante incisione live di "My babe". Contiene 46 titoli: -back door man (Howlin' Wolf) -back door man (The Doors) -blues you can't lose (Jack Bruce) -built for comfort (Howlin' Wolf) -evil (is going on) Wolf -evil (is going on) (Eric Clapton) -good advice (Willie Dixon) -good understanding (Willie Dixon) -hidden charms (Howlin' Wolf) -I ain't superstitious (Howlin' Wolf) -I ain't superstitious (Jeff Beck) -I can't quit you baby (Otis Rush) -I can't quit you baby (Led Zeppelin) -I just want to make love to you (Muddy Waters) -I just want to make love to you (Foghat) -I love the life I live -I'm ready (Muddy Waters) -I'm ready (Humble Pie) -I'm wanted -I'm your hoochie coochie man (Muddy Waters) -I'm your hoochie coochie man (Jimi Hendrix) -it don't make sense (you can't make peace) (Willie Dixon) -let me love you baby (Stevie Ray Vaughan) -little red roster (Howlin' Wolf) -little red roster (Rolling Stones) -mellow down easy (Little Walker) -mellow down easy (ZZ Top) -my babe (Little Walker) -My babe (Elvis Presley) -the same thing (Muddy Waters) -the seventh son (Willie Mabon) -the seventh son (Johnny Rivers) -spoonful (Howlin' Wolf) -spoonful (Eric Clapton) -study war no more (Willie Dixon) -too many cooks (Robert Cray) -wang dang doodle (Koko Taylor) -you can't judge a book by the cover (Bo Diddley) -you can't judge a book by the cover (Hank Wiliams, Jr.) -you need love (Muddy Waters) -you need meat (don't go no further), (The Doors) -you shook me (Muddy Waters) -you shook me (Led Zeppelin) -you'll be mine (Stevie Ray Vaughan). TAB.

285 PAGES
285 PAGINE

Price: €99,99
€99,99

DUPREE CORNELL RHYTHM & BLUES GUITAR CD TABLATURE SPARTITI LIBRO CHITARRA

DUPREE CORNELL, RHYTHM & BLUES GUITAR. CD TAB.

Series: Guitar Educational
Softcover with CD - TAB
Artist: Cornell Dupree
Author: Cornell Dupree
Renowned R&B, blues and funk ace Cornell Dupree is a guitarist of legendary proportion, with more than 2,500 albums as a sideman to his credit! In this authoritative book/CD pack, he reveals his playing secrets, covering: R&B, blues and funk styles; double-stops, vamps, scales and playing tips; common progressions and riffs; his equipment set-up; and much more. The CD features 10 songs written and performed by Cornell with full-band backing. The book also includes a foreword by blues expert Dave Rubin, a biography, Cornell's reminiscences, great photos, and standard notation and tablature. 72 pages

Price: €29,99
€29,99

ELECTRIC BLUES GUITAR by DEREK CORNETT CD LIBRO SPARTITI CHITARRA MANUALE METODO

ELECTRIC BLUES GUITAR, Derek Cornett. 10 Jam complete di vari blues. Tecnica del bending, vibrato, scale pentatoniche, e naturalmente blues scale. CD TAB.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover with CD
Author: Derek Cornett

An introduction to the most commonly used scales and techniques for the modern blues player, complete with demonstration CD for several of the examples. 48 pages

Price: €25,99
€25,99

GREAT BLUES RIFFS VOLUME 2, BOOK & CD TABLATURE

GREAT BLUES RIFFS VOLUME 2. CD TAB.

Price: €24,99
€24,99

GUY BUDDY, GUITAR SIGNATURE LICKS. 2nd Edition CD TABLATURE

The Best of Buddy Guy - 2nd Edition

A Step-by-Step Breakdown of His Guitar Styles and Techniques
Series: Signature Licks Guitar
Format: Softcover with CD - TAB
Artist: Buddy Guy
Arranger: Dave Rubin

This updated book/CD pack will teach you to play the trademark riffs and solos from 16 songs by the legendary Buddy Guy: Buddy's Blues (Buddy's Boogie) • Damn Right, I've Got the Blues • Dedication to the Late T-Bone Walker • Five Long Years • I Smell a Rat • Just Teasin' • Mary Had a Little Lamb • Midnight Train • My Time After Awhile • Stick Around • You've Been Gone Too Long • and more. Includes CD demo tracks.

Width: 9.0"
Length: 12.0"
96 pages

Buddy's Blues (Buddy's Boogie)

Damn Right, I've Got The Blues
Dedication To The Late T-Bone Walker
First Time I Met The Blues
Five Long Years
I Smell A Rat
Just Teasin'
Man Of Many Words
Mary Had A Little Lamb
Midnight Train
My Time After Awhile
Rememberin' Stevie
She Suits Me To A Tee
She's A Superstar
She's Out There Somewhere
Stick Around
You've Been Gone Too Long

Price: €23,99
€23,99

JAMES SKIP BLUES COLLECTION Hal Leonard Guitar Recorded Versions TABLATURE Crow Jane-I'm So Glad

JAMES SKIP, BLUES COLLECTION. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

Not Available. 

This item is currently unavailable for purchase.

The Skip James Blues Collection by Skip James. For guitar and voice. Hal Leonard Guitar Recorded Versions. Delta Blues. Difficulty: medium. Guitar tablature songbook. Guitar tablature, vocal melody, lyrics, chord names and guitar tab glossary. 62 pages. Published by Hal Leonard (HL.690167).
ISBN 0793570433. With guitar tablature, vocal melody, lyrics, chord names and guitar tab glossary. Delta Blues. 9x12 inches.

Thirteen great tunes from the highly influential Delta bluesman Skip James. Includes: Be Ready When He Comes - Cherry Ball Blues - Crow Jane - Devil Got My Woman - Hard Luck Child - Hardtime Killing Floor Blues - I'm So Glad - Illinois Blues - more.

Devil Got My Woman
I'm So Glad
Hard Luck Child
Drunken Spree
Be Ready When He Comes
Cherry Ball Blues
Hard Time Killing Floor Blues
Four O'Clock Blues
I'm Gonna Yola My Blues Away
Special Rider Blues
Illinois Blues
Cypress Grove Blues
Crow Jane

Price: €149,99
€149,99

INTROS, ENDINGS & TURNAROUNDS FOR GUITAR. Essential phrases for all styles. BY DALE TURNER. CD

INTROS, ENDINGS & TURNAROUNDS FOR GUITAR. Essential phrases for all styles. Dale Turner. Le cadenze, gli intro, frasi conclusive e tournaroud nel Blues, Country, Jazz. 99 Esempi. CD TABLATURE

Series: Guitar Educational
Softcover with CD - TAB
Author: Dale Turner

In this book/CD pack, Dale Turner, the West Coast Editor of GuitarOne magazine, teaches invaluable intros, endings and turnarounds that all the pros know and use, in jazz, blues, rock and country styles. The book includes examples in standard notation and tab, and the CD features 99 demonstration tracks.
48 pages.

Introduction 
Have you ever been on the bandstand when somebody called out a blues, country, or jazz standard,
and you weren't armed with a pre-established way to introduce the tune? The resulting
"dead air" in front of an eager audience (while your band members argued over what to play)
may have been enough to put you into cardiac arrest!
Do you have a sufficient vocabulary of tasty licks to "fill in the holes" left behind a vocalist's phrases at
the end of a basic blues-the last four bars of the 12-bar form, referred to as a "turnaround?" If not, your
days as a guitarist may be numbered. Can you navigate your way through the last string of changes in a
32-bar jazz standard?
Finally, do you have the material to effectively bring a blues, country, or jazz tune to a close? Even if you
just played the best solo of your life, if the tune ends up fizzling to a stop (because nobody took the initiative
and coughed up a "proper" ending), you may end up leaving the stage frustrated, your tip jar a little
less than full.
The purpose of this book is to provide you-the multi-faceted guitarist-with a flexible collection of intros,
turnarounds, and endings for each of these genres. Though many of the following figures speak for
themselves, all are fully annotated and contain everything from chord progression analysis and technique
advice, to tips for the application of each passage (including song-specific scenarios, in the case of jazz)
and ways to maximize their usage. Some readers may even bypass the written text altogether and just listen
to the accompanying audio tracks, then flip to the appropriate page to pick off the transcription. The
choice is yours. The bottom line: If you're in need of a solid collection of riffs and licks that'll make you
sound like an established authority in virtually any section of your average blues, country, or jazz tune,
you've come to the right place. - Dale Turner

About the Author DaleTurner
has authored numerous guitar instructional
books for Hal Leonard Corporation and Cherry Lane
Music, and transcribed dozens of note-for-note album
folios for most of the nation's major publishers. He is currently
the West Coast Editor of GuitarOne magazine, where he contributes
everything from interview features and instructional
pieces to performance notes and song transcriptions. Dale's written
work has also appeared in Guitar World, Guitar (For the
Practicing Musician), Guitar School, Maximum Guitar, Guitar
Techniques (a UK publication), and Guitar Player magazines.
A member of David Pritchard's Acoustic Guitar Quartet (and featured
on Pritchard's CD on Zebra Acoustic, Unassigned Territory),
Dale has also performed with an array of renowned playersincluding
Billy Cobham (Mahavishnu Orchestra/Miles Davis),
Larry Klein (Joni MitchelVShawn Colvin), Eric "Bobo" Correa
(Cypress Hill), and Josh Levy (Big Bad Voodoo Daddy), among
others. He uses D' Addario strings and picks exclusively, and has
featured the Line 6 POD Pro on numerous recordings.
In 1991, Mr. Turner received his Bachelor's degree in Studio Guitar Performance from the University of
Southern California where he later went on to teach as a part-time pop/rock guitar instructor/lecturer
(1993-95). Currently, he is a part-time instructor at Musicians Institute.
For more information ask. 
 

Contents
About the Author .
Introduction .
Creating "V-I" Cadences .
Tuning .

Chapter One: Essential Introductions .
  Blues .
  Country .
  Jazz .

Chapter Two: Essential Endings .
  Blues .
  Country .
  Jazz .

Chapter Three: Essential Turnarounds .
  Blues .
  Jazz .
Guitar Notation Legend .
 

Price: €14,99
€14,99

KING B.B. ISONG CD-ROM GUITAR TABLATURE-The Thrill Is Gone-SPARTITI CHITARRA LEZIONE

KING B.B. . Bad Luck Soul -Five Long Years -Please Love Me -Sweet Little Angel -The Thrill Is Gone -Three O'Clock Blues. Includes original recording! CD-ROM TAB.

ISONG CD-ROM
iSong (9 x 12 Pack)
Series: CDROM Product
CD-ROM - TAB
Artist: B.B. King

iSong is the only teaching tool that actually syncs to the original recordings of legendary musicians and today's top stars! Each iSong pack includes arrrangements ranging from very simple to note-accurate transcriptions, a performance video, and a virtual fretboard or keyboard, all in one wholly interactive environment. No matter what your skill level, or whether or not you read music, iSong is a great way for you to learn songs you've always wanted to play!

Each iSong CD-ROM features six innovative teaching tools in a state-of-the-art interactive environment: Animated score and TAB, Synced instructor video, iLevel arrangements widely ranging in difficulty, Virtual live fretboard or keyboard, Tempo control, Looping with exact cueing. This package includes:

Bad Luck Soul
Five Long Years
Please Love Me
Sweet Little Angel
Three O'Clock Blues
The Thrill Is Gone

Price: €36,99
€36,99

KING B.B.,THE DEFINITIVE COLLECTION, GUITAR SIGNATURE LICKS. CD TABLATURE

 

KING B.B.,THE DEFINITIVE COLLECTION. CD TABLATURE

B.B. King - The Definitive Collection
Series: Signature Licks Guitar
Format: Softcover with CD - TAB
Artist: B.B. King
Author: Wolf Marshall

Learn the trademark styles and techniques of the most celebrated guitarist in blues! This book/CD pack by Wolf Marshall is a breakdown of B.B. King's guitar style, sound and techniques, with a brief history and lessons for each piece. Covers 16 signature blues tunes, including: Beautician blues -cryin' won't help you -don't answer the door -five long years -just like a woman -paying the cost to be the boss -please love me -riding with the king -rock me baby -sweet little angel -sweet sixteen -three o'clock blues -the thrill is gone -why I sing the blues -you done lost your good thing now -you upset me baby. 

Inventory #HL 00695635

ISBN: 9780634030574
UPC: 073999209907
Width: 9.0"
Length: 12.0"
64 pages

INTRODUCTION
The credentials that establish B.B. King as the King of the Blues are voluminous and indisputable. He is the music's elder statesman, its most visible global ambassador, and an all-important hero and role model to generations of musicians everywhere. Riley B. "B.B." King came on the scene at a time when electric guitar playing was in its infancy. He picked up the gauntlet thrown down by T-Bone Walker in the late 1940s and went on to redefine blues guitar for all time. He built a highly distinctive single-note style which codified the techniques of string bending and finger vibrato. Furthermore, he was among the first to effectively harness the power and tone of a distorted amplifier for its sustain and vocal quality. These factors epitomize the electric guitar in the modern era and remain part and parcel of virtually every contemporary guitar style. Today B.B.'s music is essential listening in all sectors of modern guitar. Countless aspiring players from Buddy Guy, Otis Rush, and Mike Bloomfield to Eric Clapton, Jimi Hendrix, Carlos Santana, Mark Knopfler, and Stevie Ray Vaughan have transplanted King's licks into their repertory or been influenced by his slinky phrasing, as will tomorrow' s guitar stars. In my teenage years I followed my heroes' leads and spent hundreds of hours listening to and assimilating B.B.'s sounds with rewarding results. It is an illuminating and invaluable experience for all guitarists. To this end the following volume is offered. This definitive B.B. King collection is the first guitar signature licks book/CD to fully explore his music and playing style. It is offered as an introduction, a detailed hands-on study, and a tribute to the great blues master. Enjoy.

DISCOGRAPHY
The titles in this volume came from the following recordings:

KING OF THE BLUES. (Box set: MCA) 'Three 0' Clock Blues," "Rock Me Baby," "Don't Answer the Door," "Paying the Cost To Be the Boss," "Why I Sing the Blues," "The Thrill Is Gone"

SINGIN' THE BLUESfTHE BLUES (FlairNirgin Records) "Please Love Me," "Sweet Little Angel," "Cryin' Won't Help You"

THE BEST OF B.B. KING, Volume 1. (FlairNirgin Records) "Beautician Blues," "Five Long Years"
MY KINO OF BLUES. (EM I-Capitol Special Markets) "You Done Lost Your Good Thing Now"
WHY I SING THE BLUES. (MCA) "Sweet Sixteen"
RIDING WITH THE KING, B.B. King and Eric Clapton. (Reprise) "Riding With the King"


B.B. KING
(All instruments from the collection of the author) A Gibson devotee from the beginning, B.B. King first played hollow-body archtop electric guitars. Various photos from the 1950s have pictured him with an ES-5 with P-90s, a Byrdland with Alnico Vs, and an ES-175D with humbuckers. B.B. acquired his first semi-hollow, an ES-335, in 1958 and was seen with a dot-neck 335 at his momentous 1962 ABC-Bluesway recording debut. By the mid 1960s King was playing the luxurious ES-355. This model became his favorite guitar for two decades. The Gibson B.B. King "Lucille" was introduced in 1980 as the B.B. King Custom. Based on the 355, "Lucille" officially joined the fold in 1988 as the flagship of Gibson's semi-hollow line. It features an ebony fingerboard with block inlay markers, fancy multiple binding around the body and headstock, gold-plated hardware, stereo circuitry with two output jacks, and a six-position Varitone switch. B.B.'s personal refinements on the signature instrument include a fine-tuner TP-6 tailpiece, a semi-hollow body without soundholes in an ebony finish, and the name "Lucille" inlayed on the head. "Lucille" delivers the definitive B.B. King tone, allowing the player to fully mix neck and bridge pickups in the center position, an option not available on most Gibson twin-pickup guitars. Listen for yourself. My "Lucille" is heard on most tracks of the accompanying audio. Pictured in the backline is one of the favorite Fender tube amps used by B.B. during the 1960s: a 2x12 Twin-Reverb. B.B. switched to Gibson Lab Series L5 2x12 solid-state amps sometime in the 1970s. He continues to use these and reissue Fender '65 Twin-Reverbs to the present. B.B. strings Lucille with a Gibson B.B. King heavy bottom- light top 10-54 string set and prefers a medium-stiff Gibson pick.

THE RECORDING
Guitar: Wolf Marshall
Drums: Mike Sandberg
Bass: Michael Della Gala
Keyboards: Ted Vaughn. John Nau plays keyboards on "Just Like A Woman"
Sax and Brass: The Roland Coltrane Orchestra

Produced by Wolf Marshall at Marshall Arts Music
Special thanks to Alex Perez, Del Breckenfeld, and Bill Cummiskey, Fender Musical Instruments.
Extra special thanks to Matt Ferguson, Paul Moses, and David Rohrer, Gibson USA.


THREE O' CLOCK BLUES
Words and Music by 8.8. King and Jules 8ihari
Figure 1-lntro and Verse 1
"Three 0' Clock Blues" was Riley B. King's breakthrough hit and is a cornerstone of his legacy. This auspicious track has humble origins. A reworked Lowell Fulson tune, it was recorded in 1951 using portable tape equipment and the local Memphis YMCA as a makeshift studio. The resulting performance was released as an RPM single, reaching #1 on the R&B charts in 1952. "Three 0' Clock Blues" captures B.B. as an emerging blues artist in transition. It was during this period that he first named his guitar "Lucille" and was still very much under the spell of T-Bone Walker guitaristically. The phrasing, tone, and several key mannerisms clearly reflect Walker's approach. Nonetheless, this is a landmark B.B. moment marking an important evolutionary point in blues guitar history and presaging future classics like "Sweet Little Angel" and "Five Long Years." "Three 0' Clock Blues" is a smoldering slow blues in Bb.It begins with a four-measure intro entering on the V chord, a device commonly found in blues arrangements. In the verse Lucille adopts the dialoguing role, playing off vocal phrases with terse answering guitar fills typical of B.B.'s question-and-answer style. Throughout the intro and verse fills, most of B.B.'s lines are based on a mixture of the B~ Mixolydian mode (B~-C-D- E~-F-G~-Ab) and Bbminor pentatonic scale (B~-Db-E~-F-A~) resulting in a familiar juxtaposition of dominant seventh and minor sounds. The microtona! quarter-step bend, an important chromaticism of blues, is used freely in B.B.'s guitar lines, generally to color the third and seventh degrees of the scale. The prominent E note in measure 2 indicates use of the Bb Blues scale. Measures 3 and 4 contain swing lines reminiscent of Charlie Christian. In many characteristic phrases, as in measures 3, 12, and 16, the Db note acts as a C# leading tone into the 0 note, the major third of a Bb arpeggio figure. Here it is heard in two specific forms: an ascending arpeggio in measure 12 and a descending arpeggio in measure 16. The latter is a frequently-used cadence lick. Both forms remain B.B. King trademarks to the present. The slur in measure 7 is attributable to T-Bone and provides an early clue as to the genesis of a classic B.B. King lick. In the coming years B.B. often incorporated the practice of sliding into a unison tonic note on adjacent strings as a phrasing mannerism and a position-shifting tactic. It will henceforth be named The BB. Shift Lick in this volume to avoid redundancy. The tone is typical of B.B.'s sound in the early 1950s and emanates from an archtop electric guitar (probably his Gibson ES-5) with heavier strings mated to a slightly overdriven tube amp. 

Beautician Blues - Words and Music: B.B. King, Jules Bihari - 1964
Cryin' Won't Help You - Words and Music: B.B. King, Jules Bihari - 1955
Don't Answer The Door - Words and Music: B.B. King - 1995
Five Long Years - Words and Music: B.B. King - 1966
Just Like A Woman - Words and Music: B.B. King - 1966
Paying The Cost To Be The Boss - Words and Music: B.B. King - 1968
Please Love Me - Words and Music: B.B. King, Jules Bihari - 1952
Riding With The King - Words and Music: John Hiatt - 1983
Rock Me Baby - Words and Music: B.B. King, Jules Bihari - 1964
Sweet Little Angel - Words and Music: B.B. King, Jules Bihari - 1956
Sweet Sixteen - Words and Music: B.B. King, Jules Bihari - 1967
Three O'Clock Blues - Words and Music: B.B. King, Jules Bihari - 1952
The Thrill Is Gone - Words and Music: Roy Hawkins, Rick Darnell - 1951
Why I Sing The Blues - Words and Music: B.B. King - 1969
You Done Lost Your Good Thing Now - Words and Music: B.B. King, Jules Bihari - 1960
You Upset Me Baby - Words and Music: B.B. King, Jules Bihari - 1954

Price: €23,99
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