HAL LEONARD

WHITE PAGES GUITAR TAB OF VOLUME 3. TAB.

series: Guitar Recorded Version TAB
Artist: Various
By popular demand, here's Volume 3 of our best-selling guitar tab songbook featuring 150 MORE, great note-for-note PAGES: 1152
transcriptions, including:

Contents:
Dreams performed by Fleetwood Mac
Heartbreaker performed by Pat Benetar
Catfish Blues performed by Jimi Hendrix
Cold Sweat, Pt. 1 performed by James Brown
Zombie performed by The Cranberries
Creep performed by Radiohead
Ain't Talkin' 'Bout Love performed by Van Halen
This Love performed by Maroon5
Rock'n Me performed by Steve Miller Band
Time performed by Hootie & The Blowfish
Buddy Holly performed by Weezer
Whip It performed by Devo
Burning For You performed by Blue Oyster Cult
Jane Says performed by Jane's Addiction
Hand In My Pocket performed by Alanis Morissette
Alive performed by Pearl Jam
No Rain performed by Blind Melon
Dream Police performed by Cheap Trick
All Along The Watchtower performed by Jimi Hendrix
Heaven performed by Los Lonely Boys
Lightning Crashes performed by Live
Wish You Were Here performed by Incubus
Stupid Girl performed by Garbage
Highway Star performed by Deep Purple
That Thing You Do! performed by The Wonders
Gone Away performed by The Offspring
Santeria performed by Sublime
Just A Girl performed by No Doubt
All For You performed by Sister Hazel
Shimmer performed by Fuel
Breakdown performed by Tom Petty & The Heartbreakers
Carry On performed by Crosby, Stills, & Nash
Heaven Tonight performed by Yngwie Malmsteen's Rising Force
Turn The Page performed by Metallica
Keep Away performed by Godsmack
What's My Age Again? performed by blink-182
American Pie performed by Don McLean
Lay It On The Line performed by Triumph
If You're Gone performed by Matchbox Twenty
Grace performed by Jeff Buckley
Fat Lip performed by Sum 41
Cuts Like A Knife performed by Bryan Adams
Aqualung performed by Jethro Tull
Photograph performed by Def Leppard
Oh Well Part 1 performed by Fleetwood Mac
Like The Way I Do performed by Melissa Etheridge
The Warrior performed by Scandal
Sharp Dressed Man performed by ZZ Top
Blue Sky performed by The Allman Brothers Band
Cherry Pie performed by Warrant
I Get Around performed by The Beach Boys
Babe, I'm Gonna Leave You performed by Led Zeppelin
I Am The Highway performed by Audioslave
Kryptonite performed by 3 Doors Down
Bang A Gong (Get It On) performed by T. Rex
Bark At The Moon performed by Ozzy Osbourne
Here I Go Again performed by Whitesnake
Are You Gonna Be My Girl performed by Jet
The House Of The Rising Sun performed by The Animals
Somebody Told Me performed by The Killers
Black Velvet performed by Alannah Myles
Blaze Of Glory performed by Jon Bon Jovi
Blue Collar Man (Long Nights) performed by Styx
Born To Be Wild performed by Steppenwolf
Brown Eyed Girl performed by Van Morrison
Carry On Wayward Son performed by Kansas
Cold Shot performed by Stevie Ray Vaughan
Damn Right, I've Got The Blues performed by Buddy Guy
Dear Mr. Fantasy performed by Traffic
Deuce performed by Kiss
Don't Stand So Close To Me performed by ThePolice
Don't Tell Me You Love Me performed by Night Ranger
Empire performed by Queensryche
Evil Woman performed by Electric Light Orchestra
Fight For Your Right (To Party) performed by Beastie Boys
Funk #49 performed by The James Gang
Gypsy Road performed by Cinderella
A Hard Day's Night performed by The Beatles
Hollywood Nights performed by Bob Seger & The Silver Bullet band
Hurts So Good performed by John "Cougar" Mellancamp
I Can't Explain performed by The Who
I Want To Hold Your Hand performed by The Beatles
Jessie's Girl performed by Rick Springfield
Killer Queen performed by Queen
Land Of Confusion performed by Genesis
Last Child performed by Aerosmith
Le Freak performed by Chic
Lithium performed by Nirvana
Long Cool Woman (In A Black Dress) performed by The Hollies
Magic Man performed by Heart
My Sharona performed by The Knack
Once Bitten Twice Shy performed by Great White
Peg performed by Steely Dan
Practice What You Preach performed by Testament
Pretending performed by Eric Clapton
Rock This Town performed by Stray Cats
Rocky Mountain Way performed by Joe Walsh
Saturday Night's Alright (For Fighting) performed by Elton John
Secret Agent Man performed by Johnny Rivers
Should I Stay Or Should I Go performed by The Clash
Sweet Home Alabama performed by Lynyrd Skynrd
Texas Flood performed by Stevie Ray Vaughan
(So) Tired Of Waiting For You performed by The Kinks
Turn Me Loose performed by Lover Boy
25 Or 6 To 4 performed by Chicago
Up All Night performed by Slaughter
Wanted Dead Or Alive performed by Bon Jovi
We Built This City performed by Starship
White Rabbit performed by Jefferson Airplane
Hard To Handle performed by The Black Crowes
Evil Ways performed by Santana
One Way Or Another performed by Blondie
We're Ready performed by Boston
I'd Love To Change The World performed by Ten Years After
Too Rolling Stoned performed by Robin Trower
Hold On Loosely performed by 38 Special
Yankee Rose performed by Dovid Lee Roth
Seven Bridges Road performed by Eagles
Ziggy Stardust performed by David Bowie
Panama performed by Van Halen
Big City Nights performed by Scorpions
Pornograffitti performed by Extreme
White Wedding performed by Billy Idol
Free performed by Phish
Fall To Pieces performed by Velvet Revolver
One Step Closer performed by Linkin Park
Get Ready performed by Rare Earth
Ain't Too Proud To Beg performed by The Temptations
I Wish performed by Stevie Wonder
Hot Legs performed by Rod Stewart
I Can't Help Myself (Sugar Pie, Honey Bunch) performed by The Four Tops
I Heard It Through The Grapevine performed by Marvin Gaye
It's Your Thing performed by The Isley Brothers
Cherub Rock performed by Smashing Pumpkins
No More Mr. Nice Guy performed by Alice Cooper
Fly performed by Sugar Ray
Space Lord performed by Monster Magnet
Midnight Train performed by Buddy Guy (with Johnny Lang)
Mas Tequila performed by Sammy Hagar
Everyday performed by Dave Matthews Band
Lovesong performed by The Cure
Nookie performed by Limp Bizkit
Lights Out performed by Michael Schenker
Jeremy performed by Pearl Jam
Talk Dirty To Me performed by Poison
The Trooper performed by Iron Maiden
Lost In Germany performed by King's X
Back In Black performed by AC/DC
The Boys Are Back In Town performed by Thin Lizzy

INTRODUCTION TO JAZZ GUITAR SOLOING, A Comprehensive Improvisation Method. Musicians Institute Press. CD TABLATURE

Introduction to Jazz Guitar Soloing
A Comprehensive Improvisation Method

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Author: Joe Elliott

Perfect for seasoned rockers seeking new challenges and jazz newcomers looking for a good start, this book/CD pack covers scales, chords, licks, techniques and other vital jazz improv concepts step by step. The accompanying CD features 65 full-band demo and play-along tracks.

Inventory #HL 00695406
ISBN: 9780634009709
UPC: 073999998580
Width: 9.0"
Length: 12.0"
104 pages
 

A COMPREHENSIVE IMPROVISATION METHOD
• Key Center Soloing
• Chord Tone Soloing
• The Connecting Game
• Situation Playing
• Acquiring Vocabulary and Repertoire
• Scales
• Arpeggios
• Color Notes
• Chromatics
• Harmonization
• Solo Shaping
• Writing and Using Licks
• How to Practice
• Much More!

Whether you're a seasoned rocker seeking a new challenge or a jazz newcomer looking for a good start, this book and CD pack will provide the vital concepts you need to begin your journey into jazz improvisation. Includes loads of step-by-step information, scales, licks, and techniques, plus the accompanying audio CD features 65 full-band demo and play-along tracks!

Introduction
If you're like me, your first experience playing a guitar solo was in your friend's basement or garage. You probably learned the A minor pentatonic scale in fifth position, learned a few repetitive "didlee-diddies," a couple of bends, and had a great time jammin'. When I figured out what key a song was in, I would move my minor pentatonic shape, didlee-diddles, and bends to the place on the neck that seemed to fit and-jam. The soloist in me didn't really seem to care that I didn't know too much. Well, this was how I played for quite some time. I gradually expanded my knowledge by learning more patterns of minor and major pentatonic scales. I played with this amount of scale knowledge until I got into college and was introduced to some jazz guys. Playing tunes with them, I continued this basic approach but had to adapt to the songs changing keys more often. My solo approach, however, was still basically the same: figure out the key and wander around the pattern hoping I'd get lucky and play something good. This is called key center soloing, and there is nothing wrong with it. It's a wonderful way for us to break into the world of soloing early on in our musical development. It's great that we guitarists can learn to make good music with a small amount of information. But I knew there had to be more. Most guitarists live in this stage of development for a long time with a growing sense that they are missing some important element that would make them sound better. They're right. What's missing is the knowledge of how to make your solo fit the chords the band is playing. How do the great players pick those great notes in their solos? Some people might refer to these notes as "sweet notes," but they are really just chord tones. Chord tones are simply the notes of the chord that the band is playing. This very simple concept, which is called chord tone soloing, is the basis for the technical side of playing jazz. The vehicle for playing chord tones is the arpeggio. Understanding the concept is simple; implementing it requires some special and organized efforts. This book is designed to do just that: organize and gradually build your fretboard knowledge to a level where chord tone playing becomes as natural as wandering around the minor pentatonic scale. This book is based on the jazz improvisation method I've taught at G.I.T. since 1988. It works for the seasoned rocker who is ready for a new challenge or the jazz newcomer looking for a good start. The essence of the book can be summarized by the following statement.
As a developing player, you have two simple goals:
• To acquire a vocabulary (licks you know)
• To acquire a repertoire (songs you know)
(For a song to be "in your repertoire" you must be able to play the melody, improvise a solo, and comp for another soloist-all from memory.)
This book will cover the following general topics to help you develop vocabulary:
• key center soloing
• chord tone playing
• arpeggios
• organizing arpeggios
• situation playing-the concept of extracting common chord progression fragments from tunes and learning vocabulary to play over them
• colorful note options
• writing licks (developing vocabulary)
• inserting the licks into songs
• acquiring and developing repertoire
• other melodic devices
• solo shaping

A Comprehensive Improvisation Method by Joe Elliott

Contents
Introduction

Chapter 1: Getting Started
Chapter 2: Organizing Arpeggios in Major Scale Patterns
Chapter 3: Organizing Arpeggios in Minor Scale Patterns
Chapter 4: Situation Playing
Chapter 5: The Connecting Game
Chapter 6: The Connecting Game in More Patterns
Chapter 7: Expanding Note Options with Added Color Tones
Chapter 8: Introducing the Melodic Minor Scale
Chapter 9: Adding Altered Tones
Chapter 10: Referencing and Worksheets
Chapter 11: The Connecting Game with the Altered Scale
Chapter 12: The Locrian #2 Scale
Chapter 13: Writing Licks
Chapter 14: Inserting Licks
Chapter 15: Disguising Licks
Chapter 16: Harmonizing the Melodic Minor Scale for Altered Dominants
Chapter 17: Harmonizing the Melodic Minor Scale for Minor 7 (b5)Chords
Chapter 18: Turnaround Licks in Major (1I1-VI-II-V-I)
Chapter 19: Turnaround Licks in Minor (I-VI-II-V-I)
Chapter 20: The Lydian b7 Scale
Chapter 21: Harmonizing the Melodic Minor Scale for Non-Functioning Dominants
Chapter 22: Non-Resolving II-V Progressions
Chapter 23: The Bebop Bridge
Chapter 24: Chromatic Connections
Chapter 25: Other Melodic Devices
Chapter 26: Putting It Together
Chapter 27: Solo Shaping
Chapter 28: How to Budget Practice Time
Conclusion

ISBN 978-0-634-00970-9

HAL-LEONARD CORPORATION
 

KING B.B., ANTHOLOGY. TAB.

Series: Guitar Recorded Version
Artist: B.B. King
The All Music Guide praises B.B. King in no uncertain terms as the single most important electric guitarist of the last half century. This outstanding new book in our Guitar Recorded Versions series provides note-for-note transcriptions with tablature for 35 hits from this living legend from 1950 to 2000, 216 PAGES, including:

Ask Me No Questions
B.B. Blues
Bad Luck Soul
B.B.'s Boogie
Beautician Blues
Chains And Things
Cryin' Won't Help You
Don't Answer The Door
Everything I Do Is Wrong
Five Long Years
Fools Get Wise
Get Off My Back Woman
I Want You So Bad
It's My Own Fault Darlin'
Just Like A Woman
King Of Guitar
King's Special
Lucille
Miss Martha King
A New Way Of Driving
Paying The Cost To Be The Boss
Please Accept My Love
Recession Blues
Riding With The King
Rock Me Baby
She's Dynamite
So Excited
Sweet Little Angel
Sweet Sixteen
Three O'Clock Blues
The Thrill Is Gone
Watch Yourself
When Your Baby Packs Up And Goes
You Done Lost Your Good Thing Now
You Upset Me Baby

FUNK BASS BIBLE. TAB.

Series: Bass Recorded Versions TAB

BRICK HOUSE
CAN YOU HANDLE IT
CAR WASH
CISSY STRUT
COLD SWEAT, PT. 1
DAZZ
DO IT ('TIL YOU'RE SATISFIED)
DR. FUNKENSTEIN
FANTASTIC VOYAGE
FIGHT THE POWER 'PART 1'
FIRE
FUNK #49
GET OFF
GIVE IT AWAY
HIGHER GROUND
I WISH
LE FREAK
LET'S GROOVE
LOPSY LU
LOVE GAMES
LOVE ROLLERCOASTER
LOW RIDER
MR. BIG STUFF
PICK UP THE PIECES
POWER
RUN FOR COVER
SEX IN A PAN
STAY
STAY WITH ME TONIGHT
SUMTHIN', SUMTHIN'
SUPER FREAK
WORD UP

Artist: Various Artists
32 funk classics transcribed note-for-note with tablature for bass, 264 pages

COUNTRY GUITAR PLAY-ALONG Vol. 17. CD TAB.

Series: Guitar Play-Along
Softcover with CD - TAB
Artist: Various
The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch! 8 songs:

AMIE
BOOT SCOOTIN' BOOGIE
CHATTAHOOCHEE
FOLSOM PRISON BLUES
FOREVER AND EVER, AMEN
FRIENDS IN LOW PLACES
T-R-O-U-B-L-E
WORKIN' MAN BLUES