LIBRO CON CD

LATIN AMERICAN JAZZ FOR FINGERSTYLE GUITAR John Zaradin LIBRO CD TABLATURE BOSSA SAMBA RUMBA

LATIN AMERICAN JAZZ FOR FINGERSTYLE GUITAR. Zaradin. CD TABLATURE.

Inglese John Zaradin è un chitarrista talentuoso che si esibisce in jazz e in chitarra classica. Lui è particolarmente  esperto del vasto e variegato mondo del solo e stili ritmici della chitarra Latino Americana. Questo libro contiene 6 solo basati sul  Ritmo della Rumba (Mosaico de Rumbas) e sei solo eseguite in modalità Bossa-Samba (Ambientes Brasileiras). Ogni solo ha notazioni e tablature e rifletta la vitalità, il ritmo e l'improvisazione di questa idioma.

England's John Zaradin is a gifted performer both in jazz and in the field of classic guitar. He is especially knowledgeable in the wide and diverse world of Latin American guitar solo and rhythm styles. This book contains six solos based on the Rumba Rhythm (Mosaico de Rumbas) and six solos in the Bossa-Samba mode (Ambientes Brasileiras). Each solo is scored in both notation and tablature and reflects the vitality, rhythm, and improvisatory nature of this idiom.

Formato: Libro/CD 


Contenuto del CD:

Piedra de Toques

Conchicha de Mar

Preciso de Voçe

Arremolinando

Quintumba

Carumba! Como no?

Samba Risoleta

Que Distança

Esperança

Teardrops

Primavera

Solidão

Price: €26,99
€26,99

MOREL JORGE-LATIN AMERICAN RHYTHMS FOR GUITAR-CD TABLATURE SPARTITI CHITARRA SALSA

MOREL JORGE, LATIN AMERICAN RHYTHMS FOR GUITAR. Tango, Samba, Malambo, aire de gato, ecc. CD TAB.

For FINGERSTYLE GUITAR.


Product Description:
Renowned Argentine virtuoso Jorge Morel offers insight in the playing of complex Latin dance rhythms: the milongo, tango, samba, malambo, and choro - plus a salsa tune! In standard notation and tablature.

Format: Book/CD Set

Contents:

Samba -- Arr. By Jorge Morel
Danza Paraguaya -- Arr. By Jorge Morel
Brasilian Dance (Choro) -- Arr. By Jorge Morel
Salsa -- Arr. By Jorge Morel
Tango -- Arr. By Jorge Morel
Malambo -- Arr. By Jorge Morel
Milonga Urbana -- Arr. By Jorge Morel
Argentinian Dance (Aire De Gato) -- Arr. By Jorge Morel
Milonga Campera -- Arr. By Jorge Morel

Price: €23,99
€23,99

MUSIC OF LATIN AMERICA FOR ACOUSTIC GUITAR Barreiro libro CD tablature TICO TICO CUBA MESSICO PERU

MUSIC OF LATIN AMERICA FOR ACOUSTIC GUITAR. Barreiro. Tico tico e altri 15 titoli. CD TAB.

Music from: Cuba, Mexico, Brazil, Ecuador, Venezuela, Peru, Puerto Rico.

Price: €29,99
€29,99

MEXICO MUSIC FOR ACOUSTIC GUITAR VOL.1 BOOK & CD TABLATURE MARIA ELENA SPARTITI CHITARRA

MEXICO MUSIC FOR ACOUSTIC GUITAR VOL.1. Contiene 12 conosciute canzoni, tra esse "cielito lindo". CD TAB.

Product Description:
Books "Acoustic Guitar" category are written to be played fingerstyle on either nylon or steel string guitars. The titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature.

Product Description:
Books in Mel Bay's "Acoustic Guitar" category are written to be played fingerstyle on either nylon or steel string guitars. The titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature.
Format: Book/CD Set
Series: Acoustic Guitar Series

Song Title: Composer/Source:
Ay, Ajlisco No Te Rajes! (2:04) Arranged By Ruben Delgado
Cielito Lindo (2:04) Arranged By Ruben Delgado
Donde Estas Corazon? (2:47) Luis Martinez Serrano Arranged By Ruben Delgado
Jesusita En Chihuahua (2:03) Quirino Mendoza And Cortez; Arranged By Ruben Delg
La Adelita (2:13) Arranged By Ruben Delgado
La Golondrina (2:33) Arranged By Ruben Delgado
La Leyenda De La Llorona (6:06) Ruben Delgado
La Llorona (3:18) Arranged By Ruben Delgado
Maria Elena (2:30) Lorenzo Barcelata Arranged By Ruben Delgado
Noche De Rhonda (2:21) Maria Teresa Lara Arranged By Ruben Delgado
Solamente Una Vez (2:14) Augustin Lara Arranged By Ruben Delgado

Price: €32,99
€32,99

THE BRAZILIAN GUITAR BOOK Samba Bossa nova Brazilian Styles NELSON FARIA CD CHITARRA

THE BRAZILIAN GUITAR BOOK, Nelson Faria. Contiene 84 esempi di Samba, Choro, Bossa, frevo, Baião. Con fotografie, discografie, ritmi, ecc. ecc. . Con notazione tradizionale e accordi. CD

This is the only book on the market designed to show guitarists how to play authentic accompaniments in all the main Brazilian styles. On the accompanying CD, Nelson plays each exercise so the student can clearly hear and see what his role in this beautiful music is. There are also fingerboard diagrams for people who are not great readers. Nelson has been singer/songwriter Joao Bosco's accompanist for many years, one of the most prestigious gigs in Brazil. Endorsed by Tonino Horta and Joe Diorio, among others. 139 Pages.

By one of Brazil's best new guitarists. A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles (Samba, Bossa Nova, Frevo, etc. ) Comes with a CD of Nelson demonstrating each exercise, plus a tune in each style. Many variations of basic comping patterns written out, each with complete chord voicings. Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto, etc. Leny Andrade - "When I think about Brasil, I think about "Violao" (that's what we call the nylon string guitar in our country). The art of playing "Violao" looks simple, but it isn't and this book shows how to assimilate and how to understand this art. This makes me feel happy. With talent and clear information, Nelson will help guitar players all around the world to enjoy all the pleasures of this wonderful instrument. Make good use of this excellent musical book!" Toninho Horta - "Nelson Faria was the right person to write this book, which contains examples and transcriptions of Brazil's greatest guitarists. This talented musician and dedicated music professor has a deep knowledge of Brazilian music and its rhythmic, melodic and harmonic subtleties." Joe Diorio - "Nelson Faria's book is a welcome addition to the guitar literature. I'm sure those who work with this volume will benefit greatly."

Contents:
So te esperando (Song & accompaniment example) 17 samba variations.
Tristez (chord melody example) 17 samba variations.
Antes Tarde (song & accompaniment example) 6 bossa nova variations.
Triste (chord melody example) 6 bossa nova variations.
Influenciado (song & accompaniment example) 5 Choro variations.
Marceneiro Paulo (chord melody example) 5 Choro variations.
Ioio (song & accompaniment example) 5 Frevo variations.
Baiao por acaso (song & accompaniment example) 7 Baiao.

 

Guitarist, arranger and composer, Nelson Faria was born in Belo Horizonte, MG (1963), and when he was a child he moved to Brasilia, OF, where he began his guitar lessons. In 1983, he moved to L.A. to attend G.I.T (Guitar Institute of Technology), where he studied with Joe Diorio, Joe Pass, Ron Eschete, Howard Roberts, Scott Henderson, Frank Gambale, and many others. While in L.A., he also attended private lessons with the chord melody master Ted Greene. Back in Brazil, Nelson Faria became one of the most important names on call lists for guitar workshops, clinics and seminars all over the country. He released a book on improvisation -"A arte da improvisacao" (Lumiar Editora), an instructional guitar video "Toques de Mestre" (Giannini S/A), and a solo CD - "Ioio" (Perfil musical). He also performed on the instructional video "Secrets of Brazilian Music" and on the book "Brazilian Music Workshop" by Antonio Adolfo. Presently Nelson teaches guitar and improvisation at the ESTACIO DE SA UNIVERSITY, in Rio de Janeiro, Brazil, and has been performing and recording with many fine Brazilian artists, such as: - Milton Nascimento, Edu Lobo, Toninho Horta, Antonio Adolfo, Joao Bosco, Wagner Tiso, Nivaldo Ornelas, Nico Assumpcao, Baby Consuela, Cassia Eller, Luiz Melodia, Carlos Lyra, Emilio Santiago, Tim Maia, among others. Nelson Faria also leads his own group. Nelson's CD "Ioio" (containing complete versions of his original compositions found in this book) is available from Sher Music Co., P.O. Box 445, Petaluma, CA 94953.

TABLE OF CONTENTS:
About the author .
My special thanks to .
Note from the author .
List of recorded examples .
Understanding the chord symbol system .
Reading the examples .
Table of contents .
Credits .
PART I Samba
General outline .
Subdivisions .
Musical characteristics .
Basic pattern and variations for rhythm guitar .
Basic Pattern .
Musical example .
Variations .
Variation #1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Variation #4 .
Musical example 1 .
Musical example 2 .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Variation #7 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Musical example 4 .
Variation #8 .
Musical example 1 .
Musical example 2 .
Variation #9 .
Musical example .
Variation #10 .
Musical example .
Variation # 11 .
Musical example .
Variation #12 .
Musical example .
Variation #13 .
Musical example .
Variation #14 .
Musical example .
Variation #15 .
Musical example .
Variation # 16 .
Musical example .
Variation #17 .
Musical example .
Song example "So te esperanda" .
Accompaniment example "So te esperanda" .
Chord melody example "Tristeza" .

PART II Bossa Nova
General outline .
Musical characteristics .
Bossa Nova clave .
Basic pattern and variations for rhythm guitar .
Basic pattern - .
Musical example .
Variations .
Variation #1 .
Musical example .
Variation #2 .
Musical example 1 .
Musical example 2 .
Variation #3 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Variation #4 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Musical example 4 .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Song example "Antes Tarde" .
Accompaniment example "Antes Tarde" .
Chord melody example "Triste"

PART III - Choro
Musical characteristics ,
Musical examples .
Basic pattern and variations for rhythm guitar ,
Basic pattern ,
Musical example .
Variations .
Variation # 1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example .
Variation #4
Musical example .
Variation #5
Musical example .
Song example "1nfluenciado" .
Accompaniment example "1nfluenciado" .
Chord melody example "Marceneiro Paulo" ,

PART IV - Frevo
General outline .
Subdivisions .
Musical characteristics .
Musical examples .
Basic pattern and variations for rhythm guitar .
Basic pattern , .
Musical example .

Variations .
Variation # 1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example .
Variation #4 .
Musical example 1 .
Musical example 2 .
Variation #5 .
Musical example .
Song example "loio" .
Accompaniment example "loio" .

PART V Baiao
General outline .
Musical characteristics .
Musical examples .
Basic pattern and variations for rhythm guitar .
Basic pattern .
Musical example .
Variations .
Variation # 1 .
Musical example 1 .
Musical example 2 .
Variation:2 .
Musical example .
Variation #3 .
Musical example .
Variation #4 .
Musical example .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Variation #7 .
Musical example : .
Song example "Baiao por acaso" .
Accompaniment example "Baiao por acaso" .
Selected discography
Bibliography
Glossary

LIST OF RECORDED EXAMPLES
[track 01] Tuning notes (E, B, G, D, A, E) page
[track 02] Samba basic pattern musical example
[track 03] Samba variation #1 musical example
[track 04] Samba variation #2 musical example
[track 05] Samba variation #3 musical example 1
[track 06] Samba variation #3 musical example 2
[track 07] Samba variation #3 musical example 3 - partial transcription of
the guitar part played by Toninho Horta on the song
"Aquelas Coisas Todas" by Toninho Horta
[track 08] Samba variation #4 musical example 1 - partial transcription of
the guitar part played by Ivan Lins on the song
"Desesperar Jamais" by Ivan Lins / Victor Martins 31
[track 09] Samba variation #4 musical example 2
[track 10] Samba variation #5 musical example
[track 11] Samba variation #6 musical example
[track 12] Samba variation #7 musical example 1
[track 13] Samba variation #7 musical example 2
[track 14] Samba variation #7 musical example 3 - partial transcription of
the guitar part played by Joao Bosco on the song
"Incompatibilidade de Genius" by Joao Bosco / Aldir Blanc
[track 15] Samba variation #7 musical example 4 - partial transcription of the
guitar part played by Joao Bosco on the song "Coisa Feita"
by Joao Bosco / Aldir Blanc / Paulo Emilio
[track 16] Samba variation #8 musical example 1 - partial transcription of the
guitar part played by Joyce on the song "Feminina" by Joyce
[track 17] Samba variation #8 musical example 2
[track 18] Samba variation #9 musical example - partial transcription of the
guitar part played by Luiz Bonfa on the song "Batukada" by Luiz Bonfa
[track 19] Samba variation #10 musical example
[track 20] Samba variation #11 musical example 4
[track 21] Samba variation #12 musical example - partial transcription
of the guitar part played by Milton Nascimento on the
song "Cravo e Canela" by Milton Nascimento 4
[track 22] Samba variation #13 musical example 4
[track 23] Samba variation #14 musical example 4-
[track 24] Samba variation #15 musical example 4
[track 25] Samba variation #16 musical example - partial transcription of the
guitar part played by Toninho Horta on the song "From the Lonely
Afternoon" by Milton Nascimento / Fernando Brant
[track 26] Samba variation #17 musical example
[track 27] Song example: "S6 te esperando" by Nelson Faria
[track 28] Accompaniment example: "So te esperando" by Nelson Faria
[track 29] Chord melody example: "Tristeza" by Haroldo Lobo
[track 30] Bossa Nova basic pattern musical example - partial transcription
of the guitar part played by Joao Gilberto on the song
"Insensatez" by Tom Jobim
[track 31] Bossa Nova variation #1 musical example
[track 32] Bossa Nova variation #2 musical example 1
[track 33] Bossa Nova variation #2 musical example 2
[track 34] Bossa Nova variation #3 musical example 1
[track 35] Bossa Nova variation #3 musical example 2
[track 36] Bossa Nova variation #3 musical example 3 - partial transcription
of the guitar part played by Oscar Castro Neves on the
song "Brigas nunca mais" by Tom Jobim
[track 37] Bossa Nova variation #4 musical example 1
[track 38] Bossa Nova variation #4 musical example 2
[track 39] Bossa Nova variation #4 musical example 3
[track 40] Bossa Nova variation #4 musical example 4 - partial transcription
of the guitar part played by Joao Gilberto on the song
"Esse seu olhar" by Tom Jobim
[track 41] Bossa Nova variation #5 musical example - partial transcription of
the guitar part played by Helio Delmiro on the song
"é com esse que eu vou" by Pedro Caetano
[track 42] Bossa Nova variation #6 musical example - partial transcription
of the guitar part played by Roberto Menescal on the song
"Aquarela do Brasil" by Ary Barroso
[track 43] Song example: "Antes Tarde" by Nelson Faria
[track 44] Accompaniment example: "Antes Tarde" by Nelson Faria
[track 45] Chord melody example: "Triste" by Tom Jobim
[track 46] Choro basic pattern musical example
[track 47] Chorovariation#l musicalexampl.
[track 48] Choro variation #2 musical example - Choros n 1
by Heitor Villa Lobos
[track 49] Choro variation #3 musical example
[track 50] Choro variation #4 musical example
[track 51] Choro variation #5 musical example
[track 52] Song example: "Influenciado" by Nelson Faria
(Lyrics by Zelia Christina)
[track 53] Accompaniment example: "Influenciado" by Nelson Faria
[track 54] Chord melody example: "Marceneiro Paulo" by Helio Delmiro
[track 55] Frevo basic pattern musical example
[track 56] Frevo variation #1 musical example
[track 57] Frevo variation #2 musical example
[track 58] Frevo variation #3 musical example
[track 59] Frevo variation #4 musical example 1
[track 60] Frevo variation #4 musical example 2
[track 61] Frevo variation #5 musical example
[track 62] Song example: "loio" by Nelson Faria .
[track 63] Accompaniment example: "loio" by Nelson Faria .
[track 64] Baiao basic pattern musical example .
[track 65] Baiao variation #1 musical example 1 .
[track 66] Baiao variation # 1 musical example 2
"Vera Cruz" by Milton Nascimento .
[track 67] Baiao variation #2 musical example .
[track 68] Baiao variation #3 musical example .
[track 69] Baiao variation #4 musical example .
[track 70] Baiao variation #5 musical example .
[track 71] Baiao variation #6 musical example .
[track 72] Baiao variation #7 musical example .
[track 73] Song example: "Baiao par acaso"
by N. Faria / H. Stamato / R. Cardoso .
[track 74] Accompaniment example: "Baiao par acaso"
by N. Faria / H. Stamato / R. Cardoso .
[track 75] Tamborim playing a samba pattern
[track 76] Pandeiro playing a samba pattern
[track 77] Ganza playing a bossa nova pattern
[track 78] Clave playing a bossa nova pattern
[track 79] Pandeiro playing a choro pattern
[track 80] Pandeiro playing a frevo pattern
[track8!] Surdo playing a frevo pattern
[track 82] Triangle playing a baiao pattern
[track 83] Cowbell playing a baiao pattern
[track 84] Zabumba playing a baiao pattern 

Price: €27,49
€27,49

SALSA HOMAGE TO LATIN MUSIC Jorge Morel CD TABLATURE CHITARRA SPARTITI LIBRO SHEET MUSIC

SALSA HOMAGE TO LATIN MUSIC. In viaggio da Cuba a Puerto Rico sulla zattera di Jorge Morel, cibandosi di senape. CD TAB.

Product Description:
Argentine master Jorge Morel combines his years of experience of life in Cuba and Puerto Rico and acquaintances with great Latin musicians with his talent for guitar performance in composing this delightful extended dance for solo classic guitar. Written in separate standard notation and tablature editions within the same folio (13 pages each), Morel's Homage makes extensive use of the syncopated clave rhythm pattern and the anticipated attack of bass notes so typical of salsa music. The standard notation edition is carefully fingered for the left hand to facilitate performance, with only minimal suggestions for the right hand.

Price: €23,99
€23,99

EAR TRAINING FOR THE CONTEMPORARY GUITARIST JODY FISHER CD LIBRO CHITARRA TABLATURE

EAR TRAINING FOR THE CONTEMPORARY GUITARIST, J. Fisher. This companion to the popular book "Theory for the Contemporary Guitarist" starts with the basics of pitch discrimination and leads you to making fine distinctions between interval types, chord types, scales and chord progressions. Everything is organized in a handy workbook format with correct answers provided for all exercises. Examples are shown in standard music notation and TAB. A CD demonstrating all the examples played on guitar is included. CD TAB.

Price: €29,99
€29,99

MASTERING CONTEMPORARY ROCK BOOK & CD Chris Amelar LIBRO TABLATURE SPARTITI METODO

MASTERING CONTEMPORARY ROCK, Chris Amelar. CD TAB.

Mastering Contemporary Rock
Music by Chris Amelar
CATEGORY: Guitar Method or Supplement
FORMAT: Book CD

The Rock Guitar Method uses a comprehensive instruction course for the serious rock guitarist. This book is loaded with large, easy to read scale and chord diagrams, examples in standard music notation and tab, plenty of fun exercises to practice and techniques and theory for lead and rhythm guitar playing.

Price: €99,99
€99,99

METAL RHYTHM GUITAR VOLUME 1 Troy Stetina CHITARRA CD TABLATURE LIBRO METODO

METAL RHYTHM GUITAR VOLUME 1. Stetina. CD TABLATURE

Series: Stylistic Method
Medium: Softcover with CD
Author: Troy Stetina

Troy Stetina is internationally recognized as a leading author, teacher, musician, and critically-acclaimed guitar virtuoso. His books, methods and videos from the TROY STETINA SERIES have been applauded by the guitar magazines and used by teachers and players the world over. Troy has also been a contributing editor for Guitar World, Guitar School, and Guitar One magazines, and he has created rock and metal programs for workshops as well as a universitylevel program at the Wisconsin Conservatory of Music. The youngest in a family of Olympic cyclists from Indianapolis, Troy grew up on the competitive U.S. Cycling circuit and captured several National medals. But racing was more a family imperative than a personal choice, and music was his passion. At the age of 12, Troy had begun playing guitar in his spare time. Primarily self-taught, he was first inspired by the hard rock rhythms of Kiss and then the lead guitar legends Eddie Van Halen and Randy Rhoads, on which he spent countless hours going over each and every note by ear. Later, he honed his technique on the classical music of Bach, Beethoven, Vivaldi, and the legendary violinist Nicolo Paganini. By the age of 18 Troy had his own ideas, and much to his parent's dismay he left athletics behind, chucked a full college scholarship and set out for a life of fame in rock and roll ... Troy moved to the revered and legendary city of beer-Milwaukee-in order to take a position on the faculty of the Wisconsin Conservatory of Music and form the rock and metal guitar program. There, as Director of Rock Guitar Studies, he carved out a niche as a top-level music educator with flawless technique, writing a number of best-selling metal guitar methods for Hal Leonard Corporation and performing solo "shred" guitar versions of the 24 Caprices, Perpetual Motion, and other technically demanding pieces at various Conservatory events. (Interestingly enough, the Conservatory happened to be less than a mile from the spot where he won the National Cycling Championships some years earlier, on the Milwaukee lakefront.) Eventually his focus began to shift from guitar technique toward songwriting, which was reflected in his 1993 recording Set the World on Fire (Screarnin' Cat Records) with co-writer/vocalist Shauna Joyce. An accompaniment to the book Secrets to Writing Killer Metal Songs, this release received rave reviews from critics around the world with its well-crafted songs and striking guitar work. Also that same year, Troy finally decided to leave the Conservatory in order to work with musicians in both New York City and Los Angeles. Now, from his 1700's style home high in the countryside, he continues working with various musicians around the world, writing guitar methods and magazine columns, composing solo projects, as well as performing and teaching at guitar workshops and master classes. For a list of books, methods, and videos in the TROY STETINA SERIES, see the last pages at the end of this book.

Because rhythm and timing lie at the foundation of everything you play, its importance can't be underestimated. This series will give you that solid foundation you need. Starts with simple upbeat rhythms for the beginner and moves step by step into advanced syncopations - all demonstrated with seriously heavy metal examples that have practical applications to today's styles. Tablature. Music and examples demonstrated on CD.

64 pages

 

 

METAL RHYTHM GUITAR VOLUME 1. Troy Stetina. CD TABLATURE

Series: Stylistic Method
Medium: Softcover with CD
Author: Troy Stetina

 

WELCOME TO THE "TROY STETINA SERIES" 

The TROY STETINA SERIES is a complete system for mastering metal and building solid musicianship. Taken together, the methods of the series cover the full spectrum of playing from the beginning all the way up to the most advanced rhythm and lead concepts, fretboard pyrotechniques, theory, melodic principles, songwriting, and how to develop your own personal lead style. In short, the series will take you to a professional level of playing. It is written by someone who specializes in metal so each method gives you what you need to get playing quickly and correctly. Brief descriptions of the books and videos of this series appear at the end of this book. You can use this to help you navigate through the series, selecting what is best for you. It is generally a good idea to use two or even three complementary books at a time, in order to have plenty of variety in your practice. Each book comes with accompanying audio so they can be used individually as well as with the guidance of a teacher.

FOREWORD

The Metal Rhythm Guitar method is designed to get you-the beginning guitarist-playing serious metal guitar as quickly as possible. It jumps right into the real thing, and before you know it, you'll be jamming on metal tunes with a full backing band! You'll be learning the chording, riffs, rhythms and progressions used by leading bands-from Guns 'N' Roses, Aerosmith, Van Halen, Metallica, Ozzy Osbourne, Alice in Chains, Soundgarden, Stone Temple Pilots, Nirvana, and Pearl Jam, to other classic bands such as Black Sabbath, AC/DC, Motley Crue, and the Scorpions. As you probably know, metal in the '90s isn't just one style, but has progressed into a broad range of "substyles" which we could call pop metal, thrash metal, grunge metal, alternative metal, punk metal, progressive metal, rap metal, and so on. (The lines between them are often fuzzy.) Each embodies different attitudes and uses different stylistic elements, yet they also share quite a lot in common-they all use different applications of metal guitar. In this method, we'll shed some light on each of these categories, while we build the solid underlying musical foundation you need to play guitar well. To teach all of this, Metal Rhythm Guitaremploys a series of exciting "mini-songs," or jams with bass and drums, which progress from simple to advanced. And in case you are wondering, you don't have to wait to get to the good stuff. The first song appears right at the end of the first chapter. Volume 2 continues with the same format and concludes with the full instrumental tune "Babylon," which applies nearly all the concepts and techniques learned throughout Metal Rhythm Guitar. (The complete lead guitar track of "Babylon"likewise appears at the end of the companion lead guitar method.) You may also find it helpful to supplement this book with others to keep more variety in your practicing. Check out Metal Lead Guitar Primer and/or the beginning rock videos mentioned at the end of this book. Good luck with your playing, and enjoy the method! 

Because rhythm and timing lie at the foundation of everything you play, its importance can't be underestimated. This series will give you that solid foundation you need. Starts with simple upbeat rhythms for the beginner and moves step by step into advanced syncopations - all demonstrated with seriously heavy metal examples that have practical applications to today's styles. Tablature. Music and examples demonstrated on CD.
64 pages

 

Metal Rhythm Guitar - Volume 1

about the author

Welcome To The Troy Stetina Series 0:06

foreword

the electric guitar

positioning

Tuning 1:07

Getting the Sound 2:31

reading music in this book

 

CHAPTER 1

Power Chords On The Sixth String 0:27

Whole Notes, Half Notes, - Quarter Notes 1:29

Power Chords On The Fith String 1:46

'Switching' Between Strings 1:08

Eighth Notes 0:28

Sound Of Silence 0:23

The Slide 0:46

'Whips And Chains.' (Song -1) 2:28

'Whips And Chains.' (Song -1) - Backing Track 2:33

 

CHAPTER 2

Expanded Power Chords 0:51

Economy Fingering 1:02

Sharps And Flats 0:23

Muting Mayhem 1:02

Pedaling The Root 1:15

'Tales From The Crypt.' (Song -2) 2:28

'Tales From The Crypt.' (Song -2) - Backing Track 2:56

 

CHAPTER 3

Left Hand Muting 0:22

More Open Power 1:10

Upbeat Accents 2:10

Rhythm Variations 1:35

Vibrato Articulation 0:45

'The Tao Of Metal.' (Song -3) 2:37

'The Tao Of Metal.' (Song -3) - Backing Track 2:37

 

CHAPTER 4

Fourth Diads 0:28

Upbeats With Ties (Syncopation) 2:46

Rock And Roll Comping 0:55

12-Bar Changes 2:55

'Rock 'n' Roller.' (Song -4) 2:16

'Rock 'n' Roller.' (Song -4) - Backing Track 2:21

 

CHAPTER 5

Hammer-On And Pull-Off Articulations 0:50

String Bending 0:21

Double Upbeat Accents 1:13

Open Major And Minor Chords 2:30

Arpeggiation 0:47

'On The Prowl.' (Song -5) 3:31

'On The Prowl.' (Song -5) - Backing Track 3:46

 

CHAPTER 6

The Blues Scale 0:30

Riffs In The Blues Scale 1:04

Multiple Upbeats 1:28

Rhythmic Patterns 1:20

'As Darkness Gathers.' (Song -6) 3:13

'As Darkness Gathers.' (Song -6) - Backing Track 3:23

 

Keeping Tabs on your killer riffs

Notation Guide

Glossary Terms

The troy stetina series

Price: €25,99
€25,99

METAL LEAD GUITAR VOLUME 1 TROY STETINA LIBRO CD TABLATURE VIBRATO-BENDING-TAPPING-FRASEGGI

METAL LEAD GUITAR VOLUME 1. Stetina. CD TAB.

Series: Stylistic Method
Medium: Softcover with CD
Author: Troy Stetina

This intense metal method teaches you the elements of lead guitar technique with an easy to understand, player-oriented approach. The metal concepts, theory, and musical principles are all applied to real metal licks, runs and full compositions. Learn at your own pace through 12 fully transcribed heavy metal solos from simple to truly terrifying! "One of the most thorough" and "one of the best rock series currently available" - Guitar Player magazine. Music and examples demonstrated on CD. 64 pages

Price: €24,99
€24,99
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