LIBRO CON CD

REH, JAZZ SOLOS FOR GUITAR. Les Wise. CD TABLATURE

REH Pro Licks Book/CD Pack
Series: REH Publications
Softcover with CD - TAB
Artist: Barney Kessel
Artist: Joe Pass
Artist: Johnny Smith
Author: Les Wise
Artist: Tal Farlow
Artist: Wes Montgomery

Examine the solo concepts of top jazz guitarists in this info-packed book/CD pack. The CD includes full demonstration and rhythm-only tracks to assist with learning the styles of Kenny Burrell, Jim Hall, Barney Kessel, Pat Martino, Wes Montgomery, Joe Pass, Johnny Smith and many others. The book includes phrase-by-phrase performance notes; tips on arpeggio substitution, scale substitution, tension and resolution, jazz-blues, chord soloing and more; and standard notation and TABLATURE.

Table of Contents:

Introduction .
How to Use This Book .
Before You Begin .
Get in Tune .
Arpeggio Substitutions
(In the style of Wes Montgomery, Johnny Smith, and Jimmy Raney) .

Scale Substitutions
(In the style of Tal Farlow, Joe Pass, Herb Ellis, and Jim Hall) .

Tension and Resolution
(In the style of Pat Martino, George Benson, and Wes Montgomery)

Jazz Blues
(In the style of George Benson, Wes Montgomery, Tal Farlow, and Joe Pass)

Chord Soloing
(In the style of Barney Kessel, Kenny Burrell, Wes Montgomery, and Ed Bickert)

Virtuoso Guitar
(In the style of Joe Pass, Barney Kessel, and Johnny Smith)

Guitar Notation Legend

Introduction
Hello, and welcome to ProLicks Jazz Solos for Guitar. In this book, I'm going to walk you through six original guitar solos. Each one is based on classic lead (and rhythm) patterns used in jazz and is full of licks and ideas that you'll be able to use in your own playing. We'll cover a variety of styles and techniques-including arpeggios, scales, tension and resolution, blues forms, chord soloing, virtuoso-style fills, and more-giving you a solid foundation in playing and improvising jazz guitar. Many of the styles and techniques in this book are based on the masterful soloing of players like Wes Montgomery, Joe Pass, Herb Ellis, Tal Farlow, George Benson, and more. You'll be able to listen to me solo using many of their favorite techniques on the accompanying CD, then I'll dissect each and every solo, note for note, so that you can master these styles as well.

How to Use This Book
As you work your way through the solos in this book, you'll discover that there are a lot of short phrases that you can learn, lift out. and use in your own style of playing. In other words, you don't have to learn each solo exactly the way it was played on the CD. You can listen through the entire CD, hear everything that I'm going to play for you, then go back and pick out the phrases you like best. Then you can learn those phrases and incorporate them into your own style of playing. It's good practice to take all of these ideas and then mix them in with what you already know how to play. Of course, there are things to be learned by playing an entire solo: how the solo builds, how to make a transition from one chorus to the next, how to begin and end the whole thing. Those are elements of style that make the phrases fit together so that they actually sound good. But the individual phrases themselves can be picked out and used in practically any jazz solo. With a little tweaking, these phrases can also be used in songs with different tempos and in different keys. In addition to performing the six complete solos on the CD, I'm going to explain each one in depth, phrase by phrase. Each phrase will include Practice Points-detailed directions that will help you understand my note choices and give you ideas for coming up with your own solo phrases over the given chord progressions, using various tricks and techniques. Once you've listened to a solo on the CD, start learning it phrase by phrase using the Practice Points to help you. When you get through, you'll know all the phrases and be able play them along with the solo track or with the rhythm-only track at the end of the chapter-a full-band, minus-guitar track that's also included on the ProLicks CD. Playing along with the rhythm-only tracks will give you an opportunity to get a feel for how your phrasing sounds against a rhythm section and whether or not you're playing correctly. Plus, you can use these tracks to improvise your own jazz solos. Some of the phrases are easier than others. Some are slower; some are faster. Take your time. Practice each phrase as many times as you need to get it right. And most of all, have fun! Tuning notes for reference can be found on track 16 of the CD.

Before You Begin
The guitar sound in jazz is typically clean and warm, with a full-bodied tone and perhaps a touch of reverb. Set your amp clean, roll off the highs, and aim for a smooth, rich tone. The major jazz players almost all use hollowbody electric guitars, such as a Gibson ES-175, Guild Manhattan, or Gretsch White Falcon. But don't worry: If you don't have a hollowbody, you can still play jazz. Many modern jazz guitarists use solidbody guitars and sound just fine.
Also, traditional jazz players don't rely on bends as much as blues, country, or rock players, so they often use heavier gauge strings, which provide a meatier tone. Wound third strings are not uncommon in the jazz world, and while these strings are definitely bend-resistant, they help define the classic jazz guitar tone. Get in Tune First things first: Play Track 16 and tune your guitar to mine. That way, you can play along with the CD and sound great.

Recording Credits
John Shank, engineer
Les Wise, guitar
Craig Fisher, piano
Luther Yuze, bass
Joe Brencatto, drums

Examine the solo concepts of the Masters in this unique Book / CD package !

CD Includes full-demostration and Rhythm-only tracks

Styles of Kenny Burrell, Jim Hall, Barney Kessel, Pat Martino, Wes Montgomery, Joe Pass, Johnny Smith and many others.

phrase-by-phrase performance notes;

tips on arpeggio substitution, scale substitution, tension and resolution, jazz-blues, chord soloing and more;

standard notation and tablature. 

REH, JAZZ IMPROVISATION FOR GUITAR, Les Wise. CD TAB.

Series: REH Publications
Softcover with CD - TAB
Author: Les Wise

This terrific book/CD by Les Wise will allow you to make the transition from playing disjointed scales and arpeggios to playing melodic jazz solos that maintain continuity and interest for the listener. Topics covered include: tension and resolution - major scale, melodic minor scale, and harmonic minor scale patterns - common licks and substitution techniques - creating altered tension, and more! Features standard notation and tab, and a CD with 35 demo tracks. 32 pages.

REH, JAZZ-ROCK SOLOS FOR GUITAR. CD TAB.

Lead Guitar in the Styles of Carlton, Ford, Metheny, Scofield, Stern and more!
Series: REH Publications
Softcover with CD - TAB

Author: Doug Perkins
Artist: John Scofield
Artist: Larry Carlton
Artist: Mike Stern
Author: Norman Brown
Artist: Pat Metheny
Artist: Robben Ford
Author: Steve Freeman

Examine the solo concepts of the jazz-rock masters in this comprehensive book/CD package! You'll get phrase-by-phrase performance notes, plus tips on: improvising with triads; blues fusion; lines for static chords and vamps; atmospheric jazz; double stop improvising; and much more. The book includes standard notation and tab, and the CD features both full-demonstration and rhythm-only tracks.

THE COMPLETE JAZZ GUITAR METHOD. INTERMEDIATE JAZZ GUITAR. CD TABLATURE

This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

Complete Jazz Guitar Method: Intermediate Jazz Guitar
By Jody Fisher
Item: 00-14123
UPC: 038081128290
ISBN 10: 0739021559
ISBN 13: 9780739021552

Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

INTERMEDIATE JAZZ GUITAR

The National Guitar Workshop's Jazz Guitar Method
FINALLY FOUR COMPREHENSIVE INSTRUCTION BOOKS DEDICATED TO REVEALING THE SECRETS OF JAZZ GUITAR FROM ONE OF AMERICA'S LEADING GUITAR SCHOOLS!
All four books are loaded with:
• Examples in standard music notation and TABLATURE
• Full-length songs to practice
• Easy-to-read chord and scale diagrams
Teachers and students alike will love the clearly organized lesson format By Jody Fisher, best-selling author

A CD DEMONSTRATING EXAMPLES IS AVAILABLE FOR EACH BOOK

38081 12829 0
ISBN 0-7390-2155-9
14123 Book and CD

Alfred PublishingCo., Inc.

BEGINNING JAZZ GUITAR
Anyone with a knowledge of basic chords and guitar scale fingerings can dig right in and start
learning to play jazz right away. Spanning from the major scale and basic triad theory all the way
up to extended chords and the modes, this book features a full-length etude or song to go with
every new concept introduced in the book. Beginning jazz Guitar breaks the age-old tradition of
dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable
method for learning to play in this style. Clearly organized into easily mastered segments, each
chapter is divided into separate lessons on harmony or improvisation.

INTERMEDIATE JAZZ GUITAR
This book is great for guitarists who have learned the basics of jazz harmony and improvisation.
Topics include the ii-V-I progression, creating solo lines, altered chord formulas and "com ping" in
different jazz feels such as Latin, swing, ballad and even funk. Continuing the format of Beginning
jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every
chapter is clearly divided into harmony and improvisation lessons. Packed with literally
hundreds of chord voicings and improv ideas, this book is a must for any serious student of
jazz guitar.

MASTERING JAZZ GUITAR CHORD/MELODY
Learn to play the harmony, melody, rhythm and bass parts of any song simultaneously! Your
guitar will become the ultimate jazz solo instrument when you master the techniques and
concepts in this book. This book picks up where the harmony lessons in Intermediate jazz Guitar
leave off. Topics include integrating melody and harmony, developing bass lines, chord
enhancement, quartal harmonies and arranging a guitar solo. Concepts are illustrated with
lots of examples to practice, including arrangements of some traditional melodies.

MASTERING JAZZ GUITAR IMPROVISATION
Expand the boundaries of your knowledge and improvisation skills with this exciting book,
which picks up where the improv lessons in Intermediate jazz Guitar leave off. Topics include
improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting
the altered chords, revamping licks, modes of the minor scales and more! Loaded with
easy-to-read scale diagrams and example phrases, this book is packed with essential information
for the improvising jazz guitarist.
 

INTRODUCTlON
Welcome to the second book of a four book series about to playing jazz guitar. The format of this book is the same as Beginning jazz Guitar: each chapter is divided into lessons and each lesson is comprised of two sections. The "A" section of every lesson deals with chord work and harmonic concepts, while the"B" section contains information about single-line improvisation. The CODA section at the end of the book discusses technique and a variety of other areas of interest to jazz guitar students.
To get the most out of this book you should already be familiar with major and minor pentatonic scales, triads and chords with extensions (such as 9ths, I Iths and 13ths), transposition, basic diatonic harmony, the modes of the major scale and melodic patterns. You don't need to be an expert in all of these areas, but a firm grasp of the concepts will certainly help you get through this volume more easily.
This series, Beginning jazz Guitar, Intermediate jazz Guitar, Mastering jazz Guitar: Chord/Melody and Mastering jazz Guitar: Improvisation, covers an enormous amount of material. Be sure to supplement this information with lessons, practice, and other instructional books and video tapes. Also, playing with others is very important for your development.
While the four books in this series progress from elementary ideas to very complex concepts, the more advanced player would benefit by checking out all of them. Even the Beginning book contains some very challenging material. The series is designed so that it can be used as a reference-sort of a catalogue of concepts for jazz guitarists-or as a well organized method to be used with an instructor or on one's own.
I wish you lots of joy as you absorb this information. I hope this book will help you find the self-expression you are looking for through music and the guitar.

A compact disc is available for each book in this series. These discs can make learning with these books easier and more enjoyable. This symbol will appear next to every example that is played on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The Track numbers and Index numbers below the symbols correspond directly to the example you want to hear. Track I will help you tune to the CD.

 TABLE Of CONTENTS

About the Author
Introduction
The "A" Lessons
Chords and Harmony

Chapter I
Lesson IA: The ii-V7-I Progression
Lesson 2A/2B:Diatonic Arpeggios

The "B" Lessons
Improvisation
Lesson IB: Improvising Over
  Diatonic ii-V7 -IProgressions .
Lesson 2A12B: Diatonic Arpeggios .

Chapter 2

Lesson IA: Altered Chords
  Dominant 7th b5 Chords :
  The Closer You Are
Lesson 2A: More Altered Chords
  Dominant 7th #5 Chords
  Funny
Lesson 3A: Altered Chords, Continued
  Dominant 7b9 Chords
  Friendly
Lesson 4A: More Altered Chords
  Dominant 7#9 Chords
  By the Light ofthe Moon
Lesson 5A: Chords with Combined Alterations
Lesson 6A: More Chords with Combined Alterations
Lesson 7A: Other Important Chords and ii-V7-I Fingerings
  Slash Chords
  ii-V7 -I Fingerings

Lesson IB: Practicing Arpeggios .
Lesson 2B: Progressions for Practicing Arpeggios .
Lesson 3B: Creating Lines #1 .
  Spelling Out the Changes .
  Swing Feel .
Lesson 4B: Creating Lines #2 .
  Neighbor Tones Approaching the Root .
Lesson 5B: Creating Lines #3 .
  Neighbor Tones Approaching the 3rd .
Lesson 6B: Creating Lines #4 .
  Neighbor Tones Approaching the 5th .
Lesson 7B: Creating Lines #5 .
  Neighbor Tones Approaching the 7th .

Chapter 3
Lesson IA: Comping Swing Feels
Lesson 2A: Com ping Latin Feels
Lesson 3A: Com ping Funk Feels
Lesson 4A: Comping Ballads
Lesson IB: Major 7th Extensions .
Lesson 2B: Diminished Extensions .
Lesson 3B: Ascending Lines from Chord Tones .
Lesson 4B: Descending Lines from Chord Tones .

Table of Contents

The "A" Lessons
Chords and Harmony

Chapter 4
Lesson IA: Chord Connections
Lesson 2A: Chord Connections #2
  String Set 6-5-4-3
  String Set 5-4-3-2
  String Set 4-3-2-1
Lesson 3A: Chord Connections #3
  Moving Across the String Sets
Lesson 4A: Chord Connections #4
  String Set 6-5-4-3
  String Set 5-4-3-2
  String Set 4-3-2-1

The "B" Lessons
Improvisation

Lesson I B: Learning Licks # I .
  Major Chord Licks .
Lesson 2B: Learning Licks #2 .
  Minor Licks .
Lesson 3B: Learning Licks #3 .
  Dominant Licks .
Lesson 4B: Learning Licks #4 .
  minor 7b5 Licks

Chapter 5
Lesson IA: The Blues Progression
Lesson I B: Soloing Over Blues Progressions .
  C Minor Pentatonic Fingerings .
  C Blues Scale Fingerings .
  C Mixolydian Fingerings .
  Sample Blues Solos .
  Blues Solo #I .
  Blues Solo #2 .
  Blues Solo #3 .

Chapter 6
Lesson IA: Rhythm Changes
  Rhythm
Lesson I B: Soloing Over Rhythm Changes .
  Rhythm Solo.

Chapter 7
Lesson I A: Turnarounds
Lesson I B: Soloing Over Turnarounds.

Chapter 8
Lesson IA: Chord Solo
  Foggy 88
Lesson I B: Single-Note Solo .
  Single Notes in the Mist .

Coda-A Medley of Suggestions and Musical Concepts
  Playing With Good Tone .
  More About Practi cing .
  The Value of Practicing Along a Single String .
  Singing Along With Improvised Lines .
  Listen ing to the Greats .

BRAZILIAN JAZZ GUITAR STYLES, C. B. LIMA. CD TAB.

Product Description:
Brazilian classical/jazz guitar virtuoso Carlos Barbosa-Lima and John Griggs have collaborated in writing these five extended, original solo compositions. These pieces explore a wide variety of Brazilian jazz rhythms, harmonies, and tone colors. The enclosed compact disc features Barbosa-Lima's performance of each solo. Thoughtfully written in separate standard notation and tablature editions, these pieces would best be played on a nylon-string guitar by the intermediate to advanced guitarist.

Amethyst John Griggs. Carlos Barbosa-Lima
Emerald John Griggs. Carlos Barbosa-Lima
Jacinth John Griggs. Carlos Barbosa-Lima
Sardius John Griggs. Carlos Barbosa-Lima
Topaz John Griggs. Carlos Barbosa-Lima