LIBRO CON CD

REH-BEBOP LICKS FOR GUITAR-LES WISE CD LIBRO MUSICA SPARTITI CHITARRA METODO SOSTITUZIONI

REH, BEBOP LICKS FOR GUITAR, Les Wise. CD TAB.

A Dictionary of Melodic Ideas for Improvisation
Series: REH Publications
Softcover with CD - TAB
Author: Les Wise

Written for the musician who is interested in acquiring a firm foundation for playing jazz, this unique book/CD pack examines the phrases of the masters! Over 800 licks are provided in the styles of Tal Farlow, Pat Martino, Wes Montgomery, Joe Pass, Johnny Smith, and other jazz guitar greats! The book includes standard notation and tablature, and the CD contains note-for-note demonstrations of every lick. 104 pages.

Price: €26,99
€26,99

REH-JAZZ IMPROVISATION FOR GUITAR-Creative Substitution Melodic Soloing Les Wise-CD TABLATURE

REH, JAZZ IMPROVISATION FOR GUITAR, Les Wise. CD TAB.

Series: REH Publications
Softcover with CD - TAB
Author: Les Wise

This terrific book/CD by Les Wise will allow you to make the transition from playing disjointed scales and arpeggios to playing melodic jazz solos that maintain continuity and interest for the listener. Topics covered include: tension and resolution - major scale, melodic minor scale, and harmonic minor scale patterns - common licks and substitution techniques - creating altered tension, and more! Features standard notation and tab, and a CD with 35 demo tracks. 32 pages.

Price: €23,99
€23,99

REH JAZZ CHORD CONNECTION BOOK & CD GUITAR TABLATURE LIBRO SPARTITI CHITARRA METODO

REH, JAZZ CHORD CONNECTION. CD

A Systematic Approach to Understanding Guitar Fingerboard Harmony
Series: REH Publications
Softcover with CD - TAB
Author: Dave Eastlee

This terrific book/CD pack by Dave Eastlee will give you the jazz guitar voicings you need to know, plus the theory behind how they are used in common chord progressions. The CD includes 56 demo tracks of the exercises, which cover: common fingerings and voice leading; common jazz chord progressions; tritone substitution, turnarounds, diminished principles and other important jazz comping tips. In standard notation and TAB. 40 pages

Price: €23,99
€23,99

REH JAZZ-ROCK SOLOS FOR GUITAR LIBRO CD TABLATURE Carlton-Ford-Metheny-Scofield-Stern

REH, JAZZ-ROCK SOLOS FOR GUITAR. CD TAB.

Lead Guitar in the Styles of Carlton, Ford, Metheny, Scofield, Stern and more!
Series: REH Publications
Softcover with CD - TAB

Author: Doug Perkins
Artist: John Scofield
Artist: Larry Carlton
Artist: Mike Stern
Author: Norman Brown
Artist: Pat Metheny
Artist: Robben Ford
Author: Steve Freeman

Examine the solo concepts of the jazz-rock masters in this comprehensive book/CD package! You'll get phrase-by-phrase performance notes, plus tips on: improvising with triads; blues fusion; lines for static chords and vamps; atmospheric jazz; double stop improvising; and much more. The book includes standard notation and tab, and the CD features both full-demonstration and rhythm-only tracks.

Price: €24,99
€24,99

THE COMPLETE JAZZ GUITAR METHOD. MASTERING JAZZ GUITAR CHORD/MELODY. CD TABLATURE Jody Fisher

THE COMPLETE JAZZ GUITAR METHOD. MASTERING JAZZ GUITAR CHORD/MELODY. CD TABLATURE

Your guitar becomes the ultimate jazz solo instrument when you master the techniques and concepts in this book. Picking up where the harmony lessons in Intermediate Jazz Guitar leave off, topics include melody and harmony integration, bass line development, chord enhancement, quartal harmonies, and how to arrange a guitar solo. Learn to simultaneously play the harmony, melody, rhythm, and bass parts of any song! Concepts are illustrated with lots of examples to practice, including arrangements of some traditional melodies. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.

 


Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody
By Jody Fisher
Item: 00-14126
UPC: 038081128320
ISBN 10: 0739009575
ISBN 13: 9780739009574
Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar

Your guitar becomes the ultimate jazz solo instrument when you master the techniques and concepts in this book. Picking up where the harmony lessons in Intermediate Jazz Guitar leave off, topics include melody and harmony integration, bass line development, chord enhancement, quartal harmonies, and how to arrange a guitar solo. Learn to simultaneously play the harmony, melody, rhythm, and bass parts of any song! Concepts are illustrated with lots of examples to practice, including arrangements of some traditional melodies. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.


The Complete Jazz Guitar Method
Beginning • Intermediate • Mastering Chord/Melody • Mastering Improvisation
JODY FISHER

Alfred, the leader in educational publishing, and the National Guitar Workshop, one of America's finest guitar schools, have joined forces to bring you the best, most progressive educational tools possible. We hope you will enjoy this book and encourage you to look for other fine products from Alfred and the National Guitar Workshop.
Alfred Publishing Co., Inc.


INTRODUCTION
This book is about learning to play in a style we call Chord/Melody. In this style songs are
arranged so the harmony, melody, rhythm and sometimes the bass parts are played simultaneously.
These arrangements can be played alone or, if desired, make it possible for the
guitarist to lead his or her own group. Players who study this style know that it can be one
of the deepest forms of musical self-expression. Also, there are enough concepts to learn
and apply to keep one intrigued for a lifetime.
It has always amazed me that many guitarists just stand there not knowing what to do
when asked to playa song alone. The whole idea behind playing a musical instrument is to
play music -play songs. It seems that most guitarists know the parts of songs they would
play in a band, but if they had to play something as a solo, well, most players would be
stuck.
This book is not for complete beginners. Th: material found here is for the student who
has been studying the information in the first two books of this series, Beginningjazz Guitar
and Intermediate jazz Guitar, or the equivalent. To get the most out of this book you should
be familiar with major scales, chord construction, major chord scales and altered chords.
In the first two books each lesson has two separate sections. The "A" section deals with
chords and harmony while the "B" section covers the topic of single-line improvisation.
This book focuses completely on chord/melody and harmonic concepts. It starts right
where the "A" sections of the Intermediate book left off. (Mastering jazz Guitar Improvisation
starts where the "B" sections in the intermediate book left off.)
While I personally prefer reading musical notation, it is not necessary in order to obtain
maximum results from this book. Examples are written in both standard notation and
tablature. While TAB is effective, it is not nearly as expressive as musical notation. Nonreaders
are missing out on an overwhelming amount of musical and instructional material.
You don't have to be a super sight reader, but the ability to decipher musical notation is
very important. Of course, the better you read music, the better your comprehension
and musicality will be. This will increase your enjoyment.
You may be surprised by the added benefits of becoming proficient in chord/melody playing.
Some of these are: a much greater awareness of harmony, better visualization of
arpeggio shapes, a more sophisticated sense of melody while improvising, and a dramatic
improvement in technique and strength. Also, keep in mind that you may be able to find
employment as a solo guitarist if band gigs aren't available.
After completing this book, you will be able to arrange your own chord/melody tunes and
you will have a deep understanding of chord progressions and harmony. This will allow you
to communicate with other musicians more effectively.
Take your time, practice slowly and have fun!

 


TABLE Of CONTENTS
ABOUT THE AUTHOR .
INTRODUCTION.

Chapter I

Right-Hand Options .
Pick Style .
Fingerstyle Chords .
Pick and Fingers Technique .

Chapter 2
Lesson I: Recognizing Chord Tones .
Combining Melody and Harmony .
Lesson 2: Guidelines for Arranging .
Lesson 3: Chord Enhancement .
Home on the Range .

Chapter 3
Lesson I: Diads .
Non-Chord Tones .
Blue Bell of Scotland .
Lesson 2: Adding the Non-Chord Tone .
Beautiful Dreamer .
Lesson 3: Voice Leading .
Lesson 4: Passing Chords .
Virginny .
Blues in G ,
Diminished Chords .
Min7b5 (Half-Diminished) Chords .
Blues in F .
Lesson 5: Quartal Harmony .
Single Notes .
Octaves .

Chapter 4
Lesson I: Passing-Chord Approaches .
Enhancing Chord Progressions .
Lesson 2: The 1V-1Approach .
Lesson 3: The V7-1Approach .
Lesson 4: The ii- V7-1 Approach .
Rum and Coke .
Lesson 5: BackcyclingApproaches .
The Alternate Cycle .
Lesson 6: Tritone Substitution Approach .
Lesson 7: The bV7-I Approach .
Lesson 8: The ii-V7 -I and Alternate Cycles .
Lesson 9: Surprise Chords .

Table of Contents

Chapter 5
Lesson I: The Basic Voicings
Simultaneous Chords and Walking Bass Lines
Lesson 2: Bass Lines-ScalewiseApproach
Lesson 3: Bass Lines-Half-StepApproaches
Lesson 4: Bass Lines-Rhyth m
Lesson 5: Bass Lines-ii- V7 -I Patterns
Everything You're Not
Lesson 6: Bass lines-Com biningTech niques
Accompaniment for Everything You're Not.

Chapter 6
Lesson I:
Lesson 2:
Moving Voices
Search ing Out New Yoicings
Symmetrical Chord Movement

Coda
Creating Arrangements
Listen ing to the Greats
Reality Check
ByesvilIe

Track
A compact disc is available for each book in this series. These discs can make learning with these books easier and more enjoyable. This symbol will appear next to every example that is played on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The Track numbers and Index numbers below the symbols correspond directly to the example you want to hear. Track I will help you tune to the CD. Have fun!

Price: €20,99
€20,99

THE COMPLETE JAZZ GUITAR METHOD INTERMEDIATE CD TABLATURE Jody Fisher chitarra metodo spartiti libro

THE COMPLETE JAZZ GUITAR METHOD. INTERMEDIATE JAZZ GUITAR. CD TABLATURE

This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

Complete Jazz Guitar Method: Intermediate Jazz Guitar
By Jody Fisher
Item: 00-14123
UPC: 038081128290
ISBN 10: 0739021559
ISBN 13: 9780739021552

Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

INTERMEDIATE JAZZ GUITAR

The National Guitar Workshop's Jazz Guitar Method
FINALLY FOUR COMPREHENSIVE INSTRUCTION BOOKS DEDICATED TO REVEALING THE SECRETS OF JAZZ GUITAR FROM ONE OF AMERICA'S LEADING GUITAR SCHOOLS!
All four books are loaded with:
• Examples in standard music notation and TABLATURE
• Full-length songs to practice
• Easy-to-read chord and scale diagrams
Teachers and students alike will love the clearly organized lesson format By Jody Fisher, best-selling author

A CD DEMONSTRATING EXAMPLES IS AVAILABLE FOR EACH BOOK

38081 12829 0
ISBN 0-7390-2155-9
14123 Book and CD

Alfred PublishingCo., Inc.

BEGINNING JAZZ GUITAR
Anyone with a knowledge of basic chords and guitar scale fingerings can dig right in and start
learning to play jazz right away. Spanning from the major scale and basic triad theory all the way
up to extended chords and the modes, this book features a full-length etude or song to go with
every new concept introduced in the book. Beginning jazz Guitar breaks the age-old tradition of
dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable
method for learning to play in this style. Clearly organized into easily mastered segments, each
chapter is divided into separate lessons on harmony or improvisation.

INTERMEDIATE JAZZ GUITAR
This book is great for guitarists who have learned the basics of jazz harmony and improvisation.
Topics include the ii-V-I progression, creating solo lines, altered chord formulas and "com ping" in
different jazz feels such as Latin, swing, ballad and even funk. Continuing the format of Beginning
jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every
chapter is clearly divided into harmony and improvisation lessons. Packed with literally
hundreds of chord voicings and improv ideas, this book is a must for any serious student of
jazz guitar.

MASTERING JAZZ GUITAR CHORD/MELODY
Learn to play the harmony, melody, rhythm and bass parts of any song simultaneously! Your
guitar will become the ultimate jazz solo instrument when you master the techniques and
concepts in this book. This book picks up where the harmony lessons in Intermediate jazz Guitar
leave off. Topics include integrating melody and harmony, developing bass lines, chord
enhancement, quartal harmonies and arranging a guitar solo. Concepts are illustrated with
lots of examples to practice, including arrangements of some traditional melodies.

MASTERING JAZZ GUITAR IMPROVISATION
Expand the boundaries of your knowledge and improvisation skills with this exciting book,
which picks up where the improv lessons in Intermediate jazz Guitar leave off. Topics include
improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting
the altered chords, revamping licks, modes of the minor scales and more! Loaded with
easy-to-read scale diagrams and example phrases, this book is packed with essential information
for the improvising jazz guitarist.
 

INTRODUCTlON
Welcome to the second book of a four book series about to playing jazz guitar. The format of this book is the same as Beginning jazz Guitar: each chapter is divided into lessons and each lesson is comprised of two sections. The "A" section of every lesson deals with chord work and harmonic concepts, while the"B" section contains information about single-line improvisation. The CODA section at the end of the book discusses technique and a variety of other areas of interest to jazz guitar students.
To get the most out of this book you should already be familiar with major and minor pentatonic scales, triads and chords with extensions (such as 9ths, I Iths and 13ths), transposition, basic diatonic harmony, the modes of the major scale and melodic patterns. You don't need to be an expert in all of these areas, but a firm grasp of the concepts will certainly help you get through this volume more easily.
This series, Beginning jazz Guitar, Intermediate jazz Guitar, Mastering jazz Guitar: Chord/Melody and Mastering jazz Guitar: Improvisation, covers an enormous amount of material. Be sure to supplement this information with lessons, practice, and other instructional books and video tapes. Also, playing with others is very important for your development.
While the four books in this series progress from elementary ideas to very complex concepts, the more advanced player would benefit by checking out all of them. Even the Beginning book contains some very challenging material. The series is designed so that it can be used as a reference-sort of a catalogue of concepts for jazz guitarists-or as a well organized method to be used with an instructor or on one's own.
I wish you lots of joy as you absorb this information. I hope this book will help you find the self-expression you are looking for through music and the guitar.

A compact disc is available for each book in this series. These discs can make learning with these books easier and more enjoyable. This symbol will appear next to every example that is played on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The Track numbers and Index numbers below the symbols correspond directly to the example you want to hear. Track I will help you tune to the CD.

 

 TABLE Of CONTENTS

About the Author
Introduction
The "A" Lessons
Chords and Harmony

Chapter I
Lesson IA: The ii-V7-I Progression
Lesson 2A/2B:Diatonic Arpeggios

The "B" Lessons
Improvisation
Lesson IB: Improvising Over
  Diatonic ii-V7 -IProgressions .
Lesson 2A12B: Diatonic Arpeggios .


Chapter 2

Lesson IA: Altered Chords
  Dominant 7th b5 Chords :
  The Closer You Are
Lesson 2A: More Altered Chords
  Dominant 7th #5 Chords
  Funny
Lesson 3A: Altered Chords, Continued
  Dominant 7b9 Chords
  Friendly
Lesson 4A: More Altered Chords
  Dominant 7#9 Chords
  By the Light ofthe Moon
Lesson 5A: Chords with Combined Alterations
Lesson 6A: More Chords with Combined Alterations
Lesson 7A: Other Important Chords and ii-V7-I Fingerings
  Slash Chords
  ii-V7 -I Fingerings

Lesson IB: Practicing Arpeggios .
Lesson 2B: Progressions for Practicing Arpeggios .
Lesson 3B: Creating Lines #1 .
  Spelling Out the Changes .
  Swing Feel .
Lesson 4B: Creating Lines #2 .
  Neighbor Tones Approaching the Root .
Lesson 5B: Creating Lines #3 .
  Neighbor Tones Approaching the 3rd .
Lesson 6B: Creating Lines #4 .
  Neighbor Tones Approaching the 5th .
Lesson 7B: Creating Lines #5 .
  Neighbor Tones Approaching the 7th .

Chapter 3
Lesson IA: Comping Swing Feels
Lesson 2A: Com ping Latin Feels
Lesson 3A: Com ping Funk Feels
Lesson 4A: Comping Ballads
Lesson IB: Major 7th Extensions .
Lesson 2B: Diminished Extensions .
Lesson 3B: Ascending Lines from Chord Tones .
Lesson 4B: Descending Lines from Chord Tones .


Table of Contents

The "A" Lessons
Chords and Harmony

Chapter 4
Lesson IA: Chord Connections
Lesson 2A: Chord Connections #2
  String Set 6-5-4-3
  String Set 5-4-3-2
  String Set 4-3-2-1
Lesson 3A: Chord Connections #3
  Moving Across the String Sets
Lesson 4A: Chord Connections #4
  String Set 6-5-4-3
  String Set 5-4-3-2
  String Set 4-3-2-1

The "B" Lessons
Improvisation

Lesson I B: Learning Licks # I .
  Major Chord Licks .
Lesson 2B: Learning Licks #2 .
  Minor Licks .
Lesson 3B: Learning Licks #3 .
  Dominant Licks .
Lesson 4B: Learning Licks #4 .
  minor 7b5 Licks

Chapter 5
Lesson IA: The Blues Progression
Lesson I B: Soloing Over Blues Progressions .
  C Minor Pentatonic Fingerings .
  C Blues Scale Fingerings .
  C Mixolydian Fingerings .
  Sample Blues Solos .
  Blues Solo #I .
  Blues Solo #2 .
  Blues Solo #3 .

Chapter 6
Lesson IA: Rhythm Changes
  Rhythm
Lesson I B: Soloing Over Rhythm Changes .
  Rhythm Solo.

Chapter 7
Lesson I A: Turnarounds
Lesson I B: Soloing Over Turnarounds.

Chapter 8
Lesson IA: Chord Solo
  Foggy 88
Lesson I B: Single-Note Solo .
  Single Notes in the Mist .

Coda-A Medley of Suggestions and Musical Concepts
  Playing With Good Tone .
  More About Practi cing .
  The Value of Practicing Along a Single String .
  Singing Along With Improvised Lines .
  Listen ing to the Greats .

Price: €24,99
€24,99

THE COMPLETE JAZZ GUITAR METHOD. MASTERING JAZZ GUITAR IMPROVISATION. CD TABLATURE

THE COMPLETE JAZZ GUITAR METHOD. MASTERING JAZZ GUITAR IMPROVISATION. CD TABLATURE

Expand the boundaries of your knowledge and improvisation skills with this exciting book, which picks up where the improv lessons in Intermediate Jazz Guitar leave off. Topics include improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales and more! Loaded with easy-to-read scale diagrams and example phrases, this book is packed with essential information for the improvising jazz guitarist. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.

 

Complete Jazz Guitar Method: Mastering Jazz Guitar, Improvisation
By Jody Fisher
Item: 00-14129
UPC: 038081128351
ISBN 10: 0739025910
ISBN 13: 9780739025918

Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
Expand the boundaries of your knowledge and improvisation skills with this exciting book, which picks up where the improv lessons in Intermediate Jazz Guitar leave off. Topics include improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales and more! Loaded with easy-to-read scale diagrams and example phrases, this book is packed with essential information for the improvising jazz guitarist. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.


INTRODUCTION
Guitar students typically spend a lot of time looking around for information that will take
them to a higher level. When I was growing up, it was very difficult to learn how to play
jazz. There were no instructional videos, and the books that were available were just not
very helpful. There were no guitar schools. Most students were self-taught and some
took lessons, but really good teachers were very hard to find. I was lucky-I've had some
great teachers.
Today, there are videos, books, guitar schools, tapes, CDs and very talented teachers all
over the place. But there is still something missing: books that give a complete overview
of what you need to know to become a proficient jazz guitarist. Hopefully, this series fills
that gap.
Any student who starts with Beginning jazz Guitar and proceeds through the entire series
will be exposed to most of what they nee-d to know to play jazz guitar. You will
find some complex subjects in this book, as well as some very simple ideas that you can
start to use immediately. Chapter I begins with a discussion of improvising over altered
dominant chords.
This book is not for beginners. It is for guitarists that have worked through Beginning jazz
Guitar and Intermediate jazz Guitar, or have received the same sort of information elsewhere.
To get the most out of this book you should be proficient with the pentatonic
scales, blues scales, the major scale, diatonic harmony and chord scales, transposition,
diatonic arpeggios, neighbor tones, triads, licks and formulas for extended and altered
chords.
Each lesson in the first two books had two seperate sections. The "A" sections dealt with
harmonic principles and chord work while the"B" sections handled the topic of single-line
improvisation. This entire book concerns itself with single-line improvisation. It starts
right where the "B" sections in the intermediate book left off. Mastering jazz Guitar:
Chord/Melody starts where the "A" sections of the intermediate book left off. You may
want to go through the book in order, or you may want to use it as a sourcebook of
concepts and techniques to investigate in your own way.
The concepts and exercises in this book are intended to inspire you for a lifetime of study
and enjoyment. Since jazz improvisation is an ever expanding field of information, one
never really finishes doing this work. Enjoy the journey.


ABOUT THE AUTHOR
Jody Fisher has worked professionally in virtually all styles of music during his career,
from straight-ahead and contemporary jazz, to rock 'n' roll, country, pop and show tunes.
He taught Guitar and Jazz Studies at the University of Redlands in Southern California and
at the Idyllwild School of Music and the Arts (ISOMATA). An active performer in the
Southern California area, he still maintains a private teaching practice, serves on the faculty
of the University of La Verne, and as an associate director of the National Guitar
Summer Workshop's California and Nashville campuses. Jody Fisher is also the author of
the Guitar Mode Encyclopedia, also published by the National GuitarWorkshop and Alfred.

TABLE Of CONTENTS
ABOUT THE AUTHOR .
INTRDUCTION .

Chapter I-Improvising Over Altered Dominant Chords
Lesson I: The Diminished Scale .
Train
Lesson 2: The Whole Tone Scale .
Once
Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale) .
Moon .
Lesson 4: Using the Altered Scale Over a ii-V7-1 Progression .
Lesson 5: Targeting the Altered Chords-The Altered Clusters .
Lesson 6: Revamping Licks .

Chapter 2- The Minor Scales and Their Modes
Lesson I: The Melodic Minor Scale .
Lesson 2: The Modes of the Melodic Minor Scale .
Lesson 3: Arpeggios in the Melodic Minor Scale .
Lesson 4: The Harmonic Minor Scale .
Lesson 5: The Modes of the Harmonic Minor Scale .
Lesson 6: Arpeggios in the Harmonic Minor Scale .
Lesson 7: The ii min7b5-V7b9-i min7 Progression .

Chapter 3-Using Arpeggios
Lesson I: Chord Superimposition .
Lesson 2: Melodic Patterns Based Around Arpeggios .
Lesson 3: Melodic Patterns Based Around Chord Shapes .

Chapter 4 -Eight-Tone Scales
The Eight-Tone ii-V7 Scale .
The Eight-Tone IScale .

Chapter 5 ConnectingYour Ideas .
Lesson I:The Chromatic Connection
Lesson 2: Accentuating the Difference Between Keys
Lesson 3: Repeating an Idea in Different Octaves
Lesson 4: Rhythmic Motives
Lesson 5: Melodic Connection
Lesson 6: Diatonic Connection

CODA-A Medley of Suggestions and Musical Concepts
Playing on the Extensions Using Advanced Pentatonics
Playing on the Extensions Using Tones From 13 Chords
PlayingWith Wider Intervals
Octave Disp lacement
Symmetrical Motives

Track. A compact disc is available for each book in this series. These discs can make learning with these books easier and more enjoyable. This symbol will appear next to every example that is on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The Track numbers below the symbols correspond directly to the example you want to hear. Track I will help you tune to the CD. Have fun! 

Price: €20,99
€20,99

BRAZILIAN JAZZ GUITAR STYLES CARLOS BARBOSA-LIMA LIBRO CD TABLATURE SPARTITI CHITARRA

BRAZILIAN JAZZ GUITAR STYLES, C. B. LIMA. CD TAB.

Product Description:
Brazilian classical/jazz guitar virtuoso Carlos Barbosa-Lima and John Griggs have collaborated in writing these five extended, original solo compositions. These pieces explore a wide variety of Brazilian jazz rhythms, harmonies, and tone colors. The enclosed compact disc features Barbosa-Lima's performance of each solo. Thoughtfully written in separate standard notation and tablature editions, these pieces would best be played on a nylon-string guitar by the intermediate to advanced guitarist.

Amethyst John Griggs. Carlos Barbosa-Lima
Emerald John Griggs. Carlos Barbosa-Lima
Jacinth John Griggs. Carlos Barbosa-Lima
Sardius John Griggs. Carlos Barbosa-Lima
Topaz John Griggs. Carlos Barbosa-Lima

Price: €26,99
€26,99

BRAZILIAN JAZZ GUITAR-John Zaradin-Mike Christiansen-Felicidade-Desafinado CD TAB TABLATURE

BRAZILIAN JAZZ GUITAR. Zaradin. CD TAB.

Ogni titolo è scritto e registato in due versioni, la trascrizione completa dell'accompagnamento ritmico e in fingerstyle, nel libro anche la parte della voce. CD TAB.

Product Description:
Contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature. Tunes arranged by John Zaradin and Mike Christiansen. All tunes included on companion CD in solo and rhythm styles.

Thirteen classic Brazilian songs arranged for guitar solo. A comping etude is included for each song. A Felicidade -Chega De Saudade -Quiet Nights of Quiet Stars -Day in the Life of a Fool -Desafinado -Gentle Rain -Girl From Ipanema -How Insensitive -The Island -Meditation -One Note Samba -Sabia -So Nice (Summer Samba).

Song Title: Composer/Source:
01) Introduction
02) A Day in the Life of a Fool (lead sheet)
03) A Day in the Life of a Fool (solo) arr. Mike Christiansen
04) A Day in the Life of a Fool (rhythm) arr. Mike Christiansen
05) Chega de Saudade (lead sheet)
06) Chega de Saudade (solo) arr. Mike Christiansen
07) Chega de Saudade (rhythm) arr. Mike Christiansen
08) Desafinado (lead sheet)
09) Desafinado (solo) arr. John Zaradin
10) Desafinado (rhythm) arr. John Zaradin
11) A Felicidade (lead sheet)
12) A Felicidade (solo) arr. John Zaradin
13) A Felicidade (rhythm) arr. John Zaradin
14) Gentle Rain (lead sheet)
15) Gentle Rain (solo) arr. John Zaradin
16) Gentle Rain (rhythm) arr. John Zaradin
17) The Girl From Ipanema (lead sheet)
18) The Girl From Ipanema (solo) arr. Mike Christiansen
19) The Girl From Ipanema (rhythm) arr. Mike Christiansen
20) How Insensitive (lead sheet)
21) How Insensitive (solo) arr. Mike Christiansen
22) How Insensitive (rhythm) arr. Mike Christiansen
23) Meditation (lead sheet)
24) Meditation (solo) arr. Mike Christiansen
25) Meditation (rhythm) arr. Mike Christiansen
26) One Note Samba (lead sheet)
27) One Note Samba (solo) arr. Mike Christiansen
28) One Note Samba (rhythm) arr. Mike Christiansen
29) Quiet Nights of Quiet Stars (lead sheet)
30) Quiet Nights of Quiet Stars (solo) arr. Mike Christiansen
31) Quiet Nights of Quiet Stars (rhythm) arr. Mike Christiansen
32) Sabia (lead sheet)
33) Sabia (solo) arr. John Zaradin
34) Sabia (rhythm) arr. John Zaradin
35) So Nice (lead sheet)
36) So Nice (solo) arr. John Zaradin
37) So Nice (rhythm) arr. John Zaradin
38) The Island (lead sheet)
39) The Island (solo) arr. John Zaradin
40) The Island (rhythm) arr. John Zaradin
41) About the Authors

Price: €29,99
€29,99

CONTEMPORARY TROPICAL CLASSIC GUITAR COMPOSITIONS. José Febles. MEL BAY CD TABLATURE

CONTEMPORARY TROPICAL CLASSIC GUITAR COMPOSITIONS, José F CD TABLATURE

PREFACIO

Es una gran responsabilidad ademas de una satisfaccion personal escribir una o varias
composiciones para este hermoso instrumento, la guitarra, especialmente si pensamos en esos
grandes compositores como Agustfn Barrios Mangoré, Heitor Villalobos, Joaquin Rodrigo,
Antonio Lauro, Jorge Morel y otros. Humildemente y con gran respeto a estos grandes
compositores, he sentido la necesidad y el deseo de contribuir, mantener viva y en expectativa
la composicion para guitarra, pensando en aquellos aficionados que se deleitan en escuchar y
ejecutar la musica para este instrumento.
Este libro ofrece una excelente oportunidad a guitarristas y estudiantes a poder
interpretar musica contemporanea y fresca sin perder la esencia y la belleza que merece la
composicion de este bello instrumento. He aquf mi humilde aportacion a la musica para
guitarra clasica contemporanea.
José Febles

PREFACE
It is a great responsibility and also personally satisfying to write one or several compositions
for this beautiful instrument, the guitar. This is true especially when we think about the
great composers like Agustin Barrios Mangoré, Heitor Villalobos, Joaquin Rodrigo, Antonio
Lauro, Jorge Morel and others. Humbly and with great respect for these great composers and
thinking of those enthusiasts who enjoy listening and making music for this instrument, I have
feH the need and desire to contribute to the composition for guitar keeping it alive and full of
expectation.
This book offers an excellent opportunity for guitarists and students alike to play fresh,
contemporary music without losing the essence and beauty that a composition for this beautiful
instrument deserves. This is my humble gift to the music for contemporary classic guitar.
José Febles

 

EL AUTOR

José Febles nacio el18 de julio de 1949 en la ciudad de Ponce, Puerto Rico. Su
inclinacion musical desde una edad tiernafue evidente. Su padre J. Angel Febles (Gelo)
acordeonista, y su madre Nereida Toro, cantante aficionada, le dejaron como herencia el arte
musical. Comenzo sus estudios de musica a la edad de 9 anos en la escuela Libre de Musica
Juan Morel Campos donde estudio teoria, apreciacion musical, solfeo e instrumento siendo
este la trompeta.
Su aficion por la guitarra comenzo a los 13 anos cuando consiguio una guitarra y
comenzo a estudiar por su propia cuenta con diferentes métodos. Sus primeras lecciones
formales de guitarra fueron con los senores Rafael Martell y Francisco Laboy. A los 14 anos
escribio su primer arreglo musical el cual marco su futuro como uno de los mas destacados
arreglistas de el ambiente latino hoy dia.
En el ano 1969 se mudo a Nueva York donde ha cosechado tremendo éxito como
arreglista y compositor durante décadas. José ha sido arreglista de casi todos los artistas de
renombre en el mundo latino al igual que compositor, no solo en Nueva York sino también ha
realizado trabajos para artistas de otros paises como Japon, Holanda, Alemania, Francia,
Espana, paises de Sur América, Puerto Rico y de otros ciudades de los Estados Unidos. No fue
hasta la década de/80 cuando José comenzo a estudiar con el profesor de guitarra Jorge Morei,
quien en realidad desperto e/ interés en José por la composicion de guitarra.

THE AUTHOR
José Febles was born on July 18th, 1949 in the city of Ponce, Puerto Rico. His musical
inclination was evident from an early age. His father J. Angel Febles (Gelo), accordionist, and
his mother Nereida Toro, amateur singer, left him a legacy of musical artistry. He started his
musical studies at the age of 9 at the Escuela Libre de Musica Juan Morel Campos where he
studied theory, musical appreciation, solfeggio and instrument, the trumpet being the instrument
of study.
His love for the guitar started at the age of 13 when he found a guitar and started to study
by himself with different methods. His first formaI guitar lessons were with Rafael Martell and
Francisco Laboy. At 14 years of age he wrote his first musical arrangement which marked his
future as one of the most outstanding arrangers in the Latin field today.
In 1969 he moved to New York where he has had great success as an arranger and composer
for decades. José has been an arranger for almost alI the famous artists in the Latin world
not only in New York, but he has also produced arrangements for artists from other countries
like Japan, Holland, Germany, France, Spain, countries of South America, Puerto Rico and from
other cities in the United States. It was not until the ' 80s when José started to study under guitar
professor Jorge Morel, who in fact sparked José's interest in guitar composition.

8 Pieces:

l - Preludio d'Aida (Prelude d'Aida)
2 - Coral
3 - Ternura (Tenderness)
4 - Madrigal
5 - Black and White
6 - El Arpa del Rey David (King David's Harp)
7 - Oasis
8 - Cascada (Cascade).

CD Contents

Recording by Ben Bolt: Guitar 

 

Price: €22,99
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