CHITARRA - GUITAR

HUNTER STEVE, HYMNS FOR GUITAR Original Recordings. Lou Reed, Alice Cooper, Peter Gabriel, ecc. SHEET MUSIC BOOK WITH CD AND GUITAR TABLATURE . 

ARTIST APPROVED ! 

LIBRO DI MUSICA PER CHITARRA ACUSTICA, CON CD . 

SPARTITI PER CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURA.  

Includes CD of Steve Hunter's Original Recordings
Series: Guitar
Publisher: Cherry Lane Music
Softcover with CD - TAB
Artist: Steve Hunter

ARTIST APPROVED

Steve Hunter ha suonato in 4 album di Alice Cooper, nel primo album da solo di Peter Gabriel (dove c'è la canzone: Solsbury Hill), nel disco Berlin di Lou Reed, gli Aerosmith. Ha fatto concerti con Julian Lennon, Bette Midler, co-autore con David Lee Roth. Nel 2008 registra HYMNS FOR GUITAR, il suo primo album da solo, una raccolta tutta acustica di Ballate e vecchie calme melodie d'America. Assolutamente niente di elettrico o che ha a che vedere con l'alienazione di New York come cantata Lou Reed.

Discography:

Steve Hunter Solo Recordings:
"Hymns for Guitar"
"Swept Away"
"The Deacon"

Alice Cooper

"Billion Dollar Babies"
"Welcome to My Nightmare"
"Alice Goes to Hell"
"Lace and Whiskey"
"The Alice Cooper Show"

Peter Gabriel
Peter Gabriel's 1st solo album featuring "Solsbury Hill"

Aerosmith 
"Get Your Wings"

Julian Lennon
"Help Yourself "

Dr. John
"Hollywood Be Thy Name"

David Lee Roth
"Your Filthy Little Mouth"
(Co-wrote "A Little Luck")
"A L'il Ain't Enough"

Lou Reed
"Rock and Roll Animal"
"Lou Reed Live LP"
Composed intro to "Sweet Jane"
"Berlin"

Bette Midler
"The Rose" Soundtrack

Detroit featuring Mitch Ryder
"Detroit"

Stevie Ray Vaughan
Tribute Compilation album

Tracy Chapman
"Telling Stories"

Legendary guitarist Steve "The Deacon" Hunter is known for his collaborations with Lou Reed, Alice Cooper, Peter Gabriel and others, as well as his extraordinary solo projects, such as this 2008 CD. Here are all 11 tunes in note-for-note transcriptions with tab approved by Hunter himself! Includes a bio and his extensive intro, plus a CD of his original recordings! Songs:

On the making of the CD...
I have always been fascinated by the recording process and have always tried to have something around to record and experiment with. Everything from just a two-track recorder to an eight-track, even an eight-track cassette recorder. So I was thrilled when programs like Pro Tools came along. There are now many terrific digital computer-based recording software applications out there. Pro Tools just happened to be my choice. I needed a sort of "trial" song to use as a learning tool for Pro Tools, so I worked up the arrangement for "Softly and Tenderly." That was not the first thing I recorded on Pro Tools, but it was the first actual project. It was a blast. I decided early on that I wanted to treat Pro Tools as if it were a tape recorder, even though it does some amazingly sophisticated things (which I do use from time to time). But what I mean by that is that I try to do "takes," as if recording to tape. In other words, I try to record through the entire song if possible, depending on the arrangement. Or, at the very least, I try to record, say, a verse completely through. With Pro Tools it's so tempting to just record a good verse and a good chorus and then copy and paste. But for me, many things are lost when you do that-one being spontaneity, of course, but dynamics as well, among other things. That's how all the pieces were done on the CD. Any solo guitar piece was recorded from start to finish-no fixes. The more complex arrangements were recorded just as I would have done in a studio with tape, which would have been sections at a time. For me that kept the creative flow going throughout the entire song instead of just in bits. Even though the verses of anyone song might have the same chord patterns, there are subtle differences that, I think, please the ear. At least, they do forme. At the time I recorded this CD, I was living in a very noisy apartment in Hollywood. As you can imagine, that made recording on mic virtually impossible. As luck would have it, I had been sent a prototype acoustic guitar preamp by a company called PreS onus. It would later become their AcoustiQ acoustic guitar preamp. It was a tube preamp and sounded fabulous, though sometimes a little noisy. (I'm not sure the production version of that preamp sounded as good as the prototype. Sadly, the one I had finally died.) That preamp was the primary piece of gear used to record almost all of the acoustic guitars on Hymns for Guitar. And the primary guitar was my older (1993) Taylor 420. I fell in love with the sound of the guitar from the very beginning. I still have it and have had some work done on it, which has made it sound and play even more heavenly. I also used a Baby Taylor, which has been strung in Nashville tuning, which, by way of explanation, is basically the higher octave strings of a 12-string set for the bottom four strings and normal strings for the top two. The Baby Taylor sounds so sweet tuned that way that I leave it like that now. I also used a very special guitar to me. It's a 1964 Oscar Teller nylon-string. The age isn't necessarily what makes this guitar so special. Peter Gabriel and Bob Ezrin gave it to me at the end of the sessions for Peter's first solo Lp, which included "Solsbury Hill." Robert Fripp played that guitar on the song "Humdrum" on that record. And I subsequently played it on two of Alice Cooper's biggest hit records, "I Never Cry" and "You and Me." I've owned that guitar since about 1977 and it's now like an old friend. All those years of the wood drying has caused some problems, but it has also made it sound rich and sweet. I think I do things a little differently when it comes to arranging and creating parts for overdub. There are two basic things I do; one involves actually working out a particular part and the other is basically improvising part. I have developed those two methods over the years through the sessions and live work I've done with other artists. Both methods work for me and I use both all the time. When it comes to improvising a part, I may just change tunings and play along with the track to see what develops. If something starts to happen, I'll simply hit record. Other times I like to work out specific parts need to happen a certain way to emphasize a rhythm or lay a nice foundation. "Shall We Gather at the River" is a good example of a constructed part. The arpeggio that form the basic foundation for the song were worked out specifically to do what they do. As far as song selection, I wanted to do some of my favorites as well as any that might inspire an arrangement. I was looking for beautiful melodies and I prefer the older hymns-the older the better. And very obscure composers, which, again, I preferred, wrote many of them. "The Old Rugged Cross" was my father's favorite hymn. Bob Ezrin suggested "Angel Band" and "Will My Mother Know Me There," both of which I hadn't heard before but loved the moment I heard them ...

Table of contents:

Angel Band
In The Garden
Jesus Loves Me
Just A Closer Walk With Thee
Precious Memories
Shall We Gather At The River?
Softly And Tenderly
Sweet Hour Of Prayer
The Old Rugged Cross
What A Friend We Have In Jesus
Will My Mother Know Me There

80 pages

ACOUSTIC ROCK, Guitar Chord Songbook. 80 acoustic favorites, incluse: Mrs. Robinson -Knockin' On Heaven's Door -About a Girl -Across the Universe -Angie -Blackbird -Blowin' in the Wind -Bridge over Troubled Water -Drive -Dust in the Wind -Fast Car -Here Comes the Sun -If You Could Only See -Layla -Maggie May -Me and Julio down by the School Yard -Not Fade Away -Pink Houses -The Sound of Silence -Tangled up in Blue -Torn -Wonderwall -Yesterday e altre, 246 pagine. Parole e Accordi.

Guitar Chord Songbook (6 inch. x 9 inch.)
Series: Guitar Chord Songbook
Artist: Various

A handy collection of 80 acoustic favorites, including:

'39
About A Girl
Across The Universe
Angie
Back To You
Band On The Run
Behind Blue Eyes
Best Of My Love
Blackbird
Blowin' In The Wind
Blue Suede Shoes
Bridge Over Troubled Water
Catch The Wind
Change The World
Come To My Window
Could You Be Loved
Crazy Little Thing Called Love
Daydream
Don't Stop
Drive
Dust In The Wind
Fast Car
Fields Of Gold
Give A Little Bit
Have You Ever Really Loved A Woman?
Here Comes The Sun
Here, There And Everywhere
I'll Have To Say I Love You In A Song
If You Could Only See
Iris
Jumper
Knockin' On Heaven's Door
Layla
Learning To Fly
Like A Rolling Stone
Lover, You Should've Come Over
Maggie May
The Magic Bus
The Man Who Sold The World
Me and Julio Down By The Schoolyard
More Than Words
Mother Nature's Son
Mrs. Robinson
My Sweet Lord
Night Moves
No Rain
Norwegian Wood (This Bird Has Flown)
Not Fade Away
Only Wanna Be With You
Pinball Wizard
Pink Houses
Quicksand
Road Trippin'
Run Around
Seven Bridges Road
Show Me The Way
Silent Lucidity
Somebody To Love
Someday I'll Be Saturday Night
The Sound Of Silence
Space Oddity
Strong Enough
Suite: Judy Blue Eyes
Sweet Jane (Intro)
Sweet Talkin' Woman
Tangled Up In Blue
Tears In Heaven
3 AM
Time For Me To Fly
Time In A Bottle
Torn
Tropicalia
Two Out Of Three Ain't Bad
Wake Up Little Susie
When The Children Cry
Wherever You Will Go
Wonderwall
Yellow
Yesterday
You've Got A Friend

246 pages

BLACK SABBATH, THE BEST OF, GUITAR LICKS. Troy Stetina. DVD LESSON

DVD METODO LEZIONE DI MUSICA METAL,

LEZIONE DI CHITARRA, PER IMPARARE A SUONARE LA MUSICA DEI BLACK SABBATH.

TECNICA, RIFF, ASSOLI, DVD DIDATTICO,  

Accordi di ferro e trilli diabolici. Prima pesanti e lenti blocchi di accordi irremovibili, poi rapidi vibranti tremolo con terzine, e cambi di tempo, Anthony usa in modo inconfondibile, trilli e mordenti, creando una suspence e una tensione particolare alla musica. Il trillo è una rapida sequenza ritmicamente uniforme e prolungata di hammer-on e pull-off tra due note; i mordeneti e i gruppetti sono figure ornamentali sempre legate, tra note adiacenti e di breve durata. Power chords slides, e trilli sono in Black sabbath, N.I.B., wicked World e altre. Enormi e minacciose sfere di piombo scivolano verso noi, ci inseguono! Da piccole fessure fuoriescono improvvisamente protendendosi pericolose sottili lame sflessibili, che tremolanti come serpenti cercano di colpirci, ritornado poi a ritroso all'interno. Anche il jazzista Wes Montgomery che è tra i chitarristi preferiti di Iommi suonava, ma in maniera diversa, con questi abbellimenti. DVD

Guitar Signature Licks DVD
Series: DVD
Publisher: Hal Leonard Corporation
Medium: DVD
Artist: Black Sabbath
Composer: Troy Stetina

On this info-packed DVD that makes learning licks easy, acclaimed guitarist and educator Troy Stetina teaches Tony Iommi's trademark guitar riffs and solos on eight classics from one of hard rock's greatest bands. Features detailed analysis of: Black Sabbath
Children Of The Grave
Iron Man
N.I.B.
Paranoid
Sabbath, Bloody Sabbath
Sweet Leaf
War Pigs (Interpolating Luke's Wall)
Approximately 60 minutes.

FLAMENCO GUITAR IN 48 LESSONS, BY JOSE MANUEL MONTOYA. 4 DVD TABLATURE

DVD LEZIONE DI MUSICA FLAMENCO, PER CHITARRA.

Corso progressivo di chitarra Flamenca in 48 lezioni per tutti i livelli, adatto anche a persone che non hanno nessuna nozione di chitarra o di linguaggio musicale. La metodologia didattica usata cerca di riprodurre una lezione vera e propria con un professore. Si studieranno le principali tecniche applicate a quattro degli stili (palos) più interessanti del flamenco: Tangos, Solea, Buleria, e Fandango de Huelva. Alla fine del corso si includono 4 pezzi interi negli stili studiati con la possibilità di esercitarsi con le percussioni.

Product Description:
The Four DVD set of progressive Flamenco Guitar in 48 Lessons for all levels including those who have no notion of the guitar or musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya (teacher) in his private classes. The basic techniques that are being studied are applied from the beginning to the most attractive flamenco forms palos; Tangos, Solea, Bulerias and Fandango de Huelva, making the study more enjoyable.

The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the beginning of the course and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years and it is GUARANTEED that by the end of this course, students will reach the level of Flamenco guitar as shown in the following audios, plus a full mastery of the technique. This DVD Set offers tracks in four languages: Spanish, English, Italian, and Japanese.

durata: 480 MINUTI

SOTTOTITOLI IN ITALIANO

DVD 1 of the progressive Flamenco Guitar in 48 lessons for all levels including those who have no notion of the guitar or musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya (teacher) in his private classes. The basic techniques that are being studied are applied from the beginning to the most attractive flamenco forms palos; Tangos, Solea, Bulerias and Fandango de Huelva, making the study more enjoyable.
The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the beginning of the course and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years and it is GUARANTEED that by the end of this course, students will reach the level of Flamenco guitar as shown in the following audios, plus a full mastery of the technique.
Lessons 1-12. Guitar parts, tuning string change and body positioning. Explanations as well as exercises for thumb, thumb and index, alzapua and left hand techniques/ rasgueados and tangos rhythm (palmas). Melodic patterns for Tangos that include thumb and index, alzapua and rasgueados. This DVD offers tracks in four languages: Spanish, English, Italian, and Japanese.
Instructional booklet included.
PAL/NTSC Region 0
120 minutes

DVD 2 of the progressive Flamenco Guitar in 48 lessons for all levels including those who have no notion of the guitar or musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya (teacher) in his private classes. The basic techniques that are being studied are applied from the beginning to the most attractive flamenco forms palos; Tangos, Solea, Bulerias and Fandango de Huelva, making the study more enjoyable.
The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the beginning of the course and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years and it is GUARANTEED that by the end of this course, students will reach the level of Flamenco guitar as shown in the following audios, plus a full mastery of the technique.
Lessons 13-25. Explanation of picao technique/ explanations and palmas exercises for the Solea, F, de Huelva, Buleria. Rasgueados for Solea, Bulerias, F, de Huelva/melodic patterns of Tangos, Solea y F, de Huelva (thumb). This DVD offers tracks in four languages: Spanish, English, Italian, and Japanese.
Instructional booklet included.
PAL/NTSC Region 0
120 minutes

DVD 3 of the progressive Flamenco Guitar in 48 lessons for all levels including those who have no notion of the guitar or musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya (teacher) in his private classes. The basic techniques that are being studied are applied from the beginning to the most attractive flamenco forms palos; Tangos, Solea, Bulerias and Fandango de Huelva, making the study more enjoyable.
The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the beginning of the course and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years and it is GUARANTEED that by the end of this course, students will reach the level of Flamenco guitar as shown in the following audios, plus a full mastery of the technique. Lessons 26-37. Explanations and exercises for arpeggio technique/major scales (picao). Melodic patterns for buleria (thumb). Bulerias (alzapua). Tangos (picao and left hand stretches). Solea (picado) and F. de Huelva (picado). This DVD offers tracks in four languages: Spanish, English, Italian, and Japanese.
Instructional booklet included.
PAL/NTSC Region 0
120 minutes

DVD 4 of the progressive Flamenco Guitar in 48 Lessons for all levels including those who have no notion of the guitar or musical theory yet. The methodology that is being used is the same as used by Jose Manuel Montoya (teacher) in his private classes. The basic techniques that are being studied are applied from the beginning to the most attractive flamenco forms palos; Tangos, Solea, Bulerias and Fandango de Huelva, making the study more enjoyable. 
The learning methodology is designed to study one lesson per week, and practicing half an hour daily at the beginning of the course and from the third month, one hour a day. Jose Manuel Montoya, leads to apply this same course for years and it is GUARANTEED that by the end of this course, students will reach the level of Flamenco guitar as shown in the following audios, plus a full mastery of the technique. This DVD offers tracks in four languages: Spanish, English, Italian, and Japanese.
This DVD Set offers tracks in four languages: Spanish, English, Italian, and Japanese.
Instructional booklet included.
PAL/NTSC Region 0
120 minutes

ASAP, As Soon As Possible, con il significato di: Imparare "il più presto possibile". TABLATURE

VIDEO DVD DIDATTICO, DI MUSICA ROCK.

TECNICA, METODO, CHITARRA. 

Con la celebre Toccata dalla Toccata e Fuga in Re minore di Bach.

ASAP Two-Hand Tapping
Learn How to Tap the Celentano Way
intermediate to advanced

Series: Guitar
Publisher: Centerstream Publications
Format: DVD - TAB
Author: Dave Celentano

Dave Celentano teaches many new and innovative ways to use tapping with pentatonic and diatonic scales, sequences, and arpeggios. Features great tips and pointers, lessons on soloing over chord changes, and an intense two-hand tapping arrangement of the “toccata” section from J.S. Bach's famous “Toccata and Fugue” in D minor. All examples are in standard notation and tablature on a printable PDF file on the DVD. 85 min.

Inventory #HL 00001292
ISBN: 9781574241822
UPC: 884088407926
Width: 5.25"
Length: 7.5"
Run Time: 1:25:00

Impress your guitar players friends !

Learn multi-finger two hand tapping with guitar instructor Dave Celentano as he shows many new and innovative ways to use tapping with pentatonic and diatonic scales, sequences, and arpeggios. Also included are several tips and pointers, how to solo over chord changes, and an intense two hand tapping arrangement of the 'Toccata' section from J.S. Bach's famous 'Toccata and Fugue' in D minor.