COMPLETE DOBRO PLAYER Stacy Phillips LIBRO 2CD TABLATURE LIBRO METODO SPARTITI CHITARRA

COMPLETE DOBRO PLAYER, Phillips. 245 Pagine. 2CD TABLATURE

LIBRO METODO DI MUSICA PER DOBRO CON 2 CD.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

TECNICA, 

Product Description:
Stacy Phillips is an internationally acclaimed soloist and author on Resonator Guitar. This comprehensive book took years to produce and is the culmination of Stacy's many years of playing the instrument, studying new Resonator techniques and interviewing other Resonator greats. This book achieves the following objectives: 1. To present an in-depth survey of the styles in which well-rounded lap guitarist should be competent. 2. To examine the playing styles and techniques of some of the world's greatest Resonator guitarists. 3. To catalog many of the licks that are lingua franca in the world of Resonator guitarists. 4. To indicate some of the underlying relationships between notes, keys, and chords by introducing some basic music theory as it relates specifically to the six-string guitar in G tuning. 5. To gain insights into the world of Resophonic guitar stylings and performance through interviews with some of the top players. 6. To demonstrate unconventional concepts in order to stimulate fresh approaches to playing the instrument. Tablature included.

The double-CD set presents more than 90 minutes of stereo recording featuring Stacy Phillips on Dobro and Paul Howard on guitar. Play-along tracks are included for several of the tunes.

Format: Book/2-CD Set

Acknowledgments
Introduction
Reading the Tablature
A Survey of Techniques for Resonator Guitarists (String Damping; Hammering On; Pulling Off; Forward Slants; Reverse Slants; Harmonics; Pulling the Strings; Some Bar Control Exercises; Vibrato; Fingering)

Elements of Variation and Improvisation for Resonator Guitarists (Position Playing; Playing in First Position; Nuances of Sliding and Approaching a Note; Thinking Chordally; A Sampling of 3 Note Chords; The Problem of Major Second Intervals and Chromatic Licks in G Tuning; Rhythmic Phrasing; Some General Thoughts about Improvising)

The Sweet and the Simple/Scalar Manipulation and the Melodic Line( Go Tell Aunt Rhodie; I Never Will Marry; Tennessee Waltz; Mike Auldridge Style House of the Rising Sun)

Blues, Boogie and Acoustic Rock (Frankie and Johnnie; Blues Pentatonic Solos; Albert King Style Solos; Bottleneck Guitar Style Solo; Backing Up a Vocalist; Rhythm Grooves; Eric Clapton Style Blues Solo)


Bluegrass and Open String Licks (Aunt Rhodie Bluegrass Style; Bluegrass Breakdown Licks; Roll in My Sweet Baby's Arms; Dark Hollow; Over the Waterfall; Buck Graves Style Solos; Don't Let Your Deal Go Down)

A Resonator Guitar Approaches Jazz (Aunt Rhodie Swing Style; Corrine, Corrina Swing Blues; Bring It on Down to My House; II-V-I Jazz Licks; Modern Jazz Blues; Leon McAuliffe Style Swing Blues; Bob Dunn Style Solos; Shine on Harvest Moon; Deep Elm Swing; Comping)

Hawaiian Roots, Retunings and the Pedal Prodigal Grandchild( A Primer of Hawaiian Style Licks; B Minor Tuning; Modal Tuning; G add 2 or G9 Tuning; G6 Tuning; Mike Auldridge's Eight String Swing; Pedal Steel Licks Transferred to Resonator Guitar.

Playing in Minor Keys (The Dorian, Aeolian and Harmonic Minor Scales; Saint James Infirmary; G Minor Tuning; David Grisman's Opus 57 in G Minor and G Modal Tunings)

A Garland of Tunes and Resonator Guitarists (Shot Jackson Style Fort Worth Drag; Gene Wooten Style Rainbow; Rob Ickes' Style Deep Elm Blues; Stacy Phillips' Style Leather Britches; Stacy Phillips' Style Panhandle Rag; Jerry Douglas' Style Panhandle Rag; Jerry Douglas' Style John Henry; Jerry Douglas' Style Sally Ann; Jerry Douglas' Style Saint Anne's Reel; Jerry Douglas' Style Swing Blues; Genial Hawaiians' Style Saint Louis Blues)

The Interviews (Mike Auldridge; Bob Brozman; Cindy Cashdollar; Gene Wooten; Buck Graves; Archduke of the DOBRO®; Jim Bennett; Jerry Douglas)

Resonator Guitar Shopping Mall

Discography and Bibliography

Basic Music Theory for Resonator Guitarists

Fade Out

Acknowledgments

Sean Coane, Jeff DeMayo and Peter Menta for access to their record collections
Chris Davis for his fanatic proofreading
Paul Howard and Dave Hamburger for ideas for rock riffs
Some examples of rock riffs were loosely adapted from Andy Aldort's columns in Guitar Magazine
Dick Blattenberger for helping to track down photos
Mike Auldridge for tabbing his solo on "Eight String Swing"
Rob Ickes for help with tabbing Jerry Douglas' and his own solos
Jeff DeMayo for help with interpreting pedal steel licks
Johnny" Angry Red" Weltz for invaluable assistance with the Archduke of the Dobro interview
Jerry Douglas, Mike Auldridge, Jim Bennett, and Rob Ickes for allowing short excerpts of their
playing on the accompanying recording
Paul Howard for his guitar and vocal work on the accompanying recording
Georgia Sheron for the cover photo
All the musicians who took the time to be interviewed and the resonator-guitar fans
who contributed photos

Introduction
It's 12:00 midnight as Saturday shades into Sunday in an apartment in the South Bronx in New York City, across the street from Yankee Stadium. If I sit in a particular position on the floor and hold my pocket transistor radio just so,
I can hear the final strains of the WWV A; Wheeling, West Virginia "World's Original" Jamboree. Then it's on to "Live from Campbell's General Store in Oxford, Pennsylvania!" for an hour of musical heaven with Alex, ala Belle and the New River Gang. Amid pitches for ten-pound sacks of pinto beans, navy beans, snap beans, kidney beans, and other of life's necessities there is raw, unadulterated, old-time bluegrass featuring Sonny Miller on fiddle, Ted Lundy on banjo and occasional wailing solos and backup by Deacon Brumfield on resonator guitar. Whenever Deacon steps up to the microphone ala Belle Reed lets go with a whoop of glee. Outside the Flatt and Scruggs Foggy Mountain jamboree album that has a few cuts with Buck Graves, this is my resonator guitar input. I still have no idea of what it looks like or how it is played but the instrument has captured my imagination.
A few years later I am playing resonator guitar at a workshop at the Smithsonian Folk Festival in Washington, D.C. In the middle of "Wabash Cannonball" there is a pounding on the side of the wooden stage, followed in close order by a familiar wail. On the way from her own performance, ala Belle hears my imitation of the Deacon and cannot resist.
Such is the stuff of musical fantasy realized.
In the mid-1970s I wrote The Dobro® Book, that has become the standard teaching text for
resonator slide guitar. Complete Dobro® Player is designed to be a continuation of and supplement to that
effort. Acoustic steel guitar is currently experiencing something of a popularity boom, so it seems an
opportune moment to share some of the things I have learned about this instrument over the past 20
years. This book is aimed at six-string steel guitarists, and both acoustic and electric players should be
able to learn a great deal. However, it is slanted towards acoustic resonator guitars as exemplified by
DOBRO® brand resonator guitars. DOBRO® is a registered trademark owned by the Original Musical
Instrument Co. division of Gibson Guitar Corp. Because of their obsessive proprietary interest in this
copyright, I will be substituting various euphemisms which, for our purposes, can be thought of as
synonymous. They include resonator guitars, resophonic guitars, ampliphonic guitars, steel guitars, lap steels
(though the latter usually implies electric, non-pedal steels), and Hawaiian guitars. When I do use
DOBRO®, I am specifically referring to an instrument manufactured by the O.M.l. Company.
This book endeavors to achieve several objectives:
1. To present an in-depth survey of the styles in which well-rounded lap guitarists should be
competent. Ways of creating and varying authentic-sounding solos in country-folk, blues, bluegrass,
jazz, and Hawaiian Islands styles are illustrated and analyzed. There are also surveys on playing in minor
keys, the use of retunings and the application of pedal-steel licks to non-pedal guitars.
2. To examine the playing of some of the top lap steelers. Tablatures of solos by Jerry Douglas,
Buck Graves, Mike Auldridge, Bob Dunn, Leon McAuliffe, Bob Kaii, David Lindley, Shot Jackson, Gene
Wooten and others are featured.

 


Contents
Acknowledgments .
Introduction .
Reading the Tablature .
A Survey of Techniques for Resonator Guitarists.
String Damping Hammering On Pulling Off Forward Slants Reverse Slants .
Harmonics Pulling the Strings Some Bar Control Exercises Vibrato Fingering
Elements of Variation and Improvisation for Resonator Guitarists.
Position Playing Playing in First Position Nuances of Sliding and Approaching a Note .
Thinking Chordally "Moonglow" A Sampling of Three-Note Chords The Problem of Major
Second Intervals and Chromatic Licks in G Tuning Rhythmic Phrasing Some General Thoughts
about Improvising
The Sweet and the Simple (Scalar Manipulation and the Melodic Line)
"Go Tell Aunt Rhodie" "I Never Will Marry" "Tennessee Waltz" .
Mike Auldridge-Style "House of the Rising Sun"
Blues, Boogie and Acoustic Rock .
"Frankie and Johnnie" Blues Pentatonic Solos Albert King-Style Solos Bottleneck Guitar
Style Solo Backing Up a Vocalist Rhythm Grooves Eric Clapton-Style Blues Solo
Bluegrass and Open String Licks 10:
"Go Tell Aunt Rhodie" (Bluegrass Style) Bluegrass Breakdown Licks "Roll in My Sweet Baby's
Arms" "Dark Hollow" "Over the Waterfall" Buck Graves-Style Solos .
"Don't Let Your Deal Go Down"
A Resonator Guitar Approaches Jazz (Gingerly)
"Go Tell Aunt Rhodie" (Swing Style) "Corrine, Corrina" Swing Blues "Bring It on Down to My
House" II-V-I Jazz Licks Modem Jazz Blues...... Leon McAuliffe-Style Swing Blues .
Bob Dunn-Style Solos "Shine on Harvest Moon" "Deep Elm Swing" Comping
Hawaiian Roots, Retunings and the Pedal Prodigal Grandchild.
A Primer of Hawaiian-Style Licks B Minor Tuning Modal Tuning G add 2 (G9) tuning .
G6 Tuning Mike Auldridge's "Eight String Swing" Pedal-Steel Licks Transferred to Resonator Guitar
Playing in Minor Keys.
The Dorian, Aeolian and Harmonic Minor Scales "Saint James Infirmary" G Minor Tuning .
David Grisman's "Opus 57" in G Minor and G Modal Tunings
A Garland of Tunes and Resonator Guitarists 17,
Shot Jackson-Style "Fort Worth Drag" Gene Wooten-Style "Rainbow" Rob Ickes-Style "Deep
Elm Blues" Stacy Phillips-Style "Leather Britches" Stacy Phillips-Style "Panhandle Rag" .
Jerry Douglas-Style "Panhandle Rag" Jerry Douglas-Style "John Henry" Jerry Douglas-Style
"Sally Ann" Jerry Douglas-Style "Saint Anne's Reel" Jerry Douglas-Style Swing Blues .
Genial Hawaiians-Style "Saint Louis Blues"
The Interviews .
Mike Auldridge Bob Brozman Cindy Cashdollar Gene Wooten. ..... Buck Graves .
Archduke of the Dobro Jim Bennett Jerry Douglas
The Resonator Guitar Shopping Mall .
Discography and Bibliography .
Basic Music Theory for Resonator Guitarists.
Fade Out .  

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€41,99
Articolo: 4967
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245