ACCORDI - PENTAGRAMMA - TABLATURE / CHORDS - STANDARD NOTATION - TABLATURE

JAMES ELMORE, MASTER OF THE ELECTRIC SLIDE GUITAR. BOOK WITH TABLATURE

LIBRO DI MUSICA BLUES.

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Dust My Broom -Elmore's Contribution To Jazz -Everyday I Have The Blues -I See My Baby -I Was A Fool -It Hurts Me Too -Madison Blues -One Way Out -So Mean To Me -The Sun Is Shining -Tool Bag Boogie. 

Series: Guitar Recorded Version TAB
Artist: Elmore James
72 pages
Full transcriptions and lessons to 11 classic tunes:

Dust My Broom
Elmore's Contribution To Jazz
Everyday I Have The Blues
I See My Baby
I Was A Fool
It Hurts Me Too
Madison Blues
One Way Out
So Mean To Me
The Sun Is Shining
Tool Bag Boogie

GUY BUDDY, The Best of A Step-by-Step Breakdown of His Guitar Style and Technique by Dave Rubin. Guitar Licks.

The Best of Buddy Guy - 2nd Edition
A Step-by-Step Breakdown of His Guitar Styles and Techniques
Series: Signature Licks Guitar
Format: Softcover with CD - TABLATURE
Artist: Buddy Guy
Arranger: Dave Rubin

This updated book/CD pack will teach you to play the trademark riffs and solos from 16 songs by the legendary Buddy Guy: Buddy's Blues (Buddy's Boogie) • Damn Right, I've Got the Blues • Dedication to the Late T-Bone Walker • Five Long Years • I Smell a Rat • Just Teasin' • Mary Had a Little Lamb • Midnight Train • My Time After Awhile • Stick Around • You've Been Gone Too Long • and more. Includes CD demo tracks.

Width: 9.0"
Length: 12.0"
96 pages

16 titoli:

Series: Signature Licks Guitar
Softcover with CD - TAB
Artist: Buddy Guy
Arranger: Dave Rubin

BUDDY GUY: BLUES GUITAR HERO By Dave Rubin

Ever since the first bona fide blues guitar hero, Lonnie Johnson, recorded a series of amazing duets with Eddie Lang in 1927, the gauntlet has always been thrown down to the tune of, "Okay, let's see you do this!" From T-Bone Walker to Albert and Freddie King, Eric Clapton to Stevie Ray Vaughan, there has been an unmistakable element of machismo. Like the metaphor of the "catfish" that appears in so many classic blues, maybe it has to do with being tough and surviving. George "Buddy" Guy has not only survived longer than many of his main inspirations (like Muddy Waters) and his proteges (like Jimi Hendrix and SRV), but he remains the baddest blues guitarist standing. And as opposed to many of his peers and followers, his brutally-aggressive style is tempered and intensified by dynamic, delicate passages. Now in his seventh decade, Buddy Guy is showing no signs of slowing down. A new fifteen-track album that he co-produced was released in the spring of 2008 and features an all-star cast, including Clapton, Derek Trucks, and Robert Randolph. Also slated to appear is singer Steven Tyler from Aerosmith who "freaked out" when he heard "Show Me the Money," which Guy wrote expressly for him. In January 2008, Martin Scorsese's Rolling Stones documentary, Shine a Light, opened at the 58th Annual Berlin Film Festival, featuring Guy in a sensational guest appearance singing Muddy Waters' "Champagne and Reefer" with Mick Jagger. On top of that, Guy made his dramatic cinematic debut in the flick, In the Electric Mist, starring blues fan Tommy Lee Jones and released in the summer of 2008.

When you moved to Chicago in 1957 to meet Muddy Waters, did you ever imagine that someday you would be the idol of countless others?

No, not at all, because when I came here I didn't even think about being a professional musician. There were so many great ones out there in their prime like Muddy, who had so many great guitar players around him; and Howlin' Wolf, who had Hubert Sumlin, Bobby Bland with Wayne Bennett, and Memphis Slim with Matt Murphy and Earl Hooker was here, too. After I heard them, I said to myself, "What in the hell am I trying to do? There's no way I can play like that." But I was so in love with the guitar that I didn't have sense enough to not keep plucking away at it, and whatever I played, I knew it would be me.

You first made your mark in Chicago at a weekly jam or "cutting session" where the winner would get a bottle of whiskey.

Yes, I think I helped create those when I came here. You know, I was talking to Syl Johnson the other night about that, and he told me, "I was playing jazz then, but someone told me I better check out this little guy from Louisiana, because he's running around stomping the guitar with his feet." And Syl has been playing blues ever since.

What compelled you do those things?

I got that from the late Guitar Slim in Louisiana. I saw him play in Baton Rouge a couple of times before I left, and he was wild! I wanted to be able to shake my wrist like B.B. King and get wild like Guitar Slim, and I was just trying to suck them all in. I was selftaught and I didn't learn from books. So I would say 97-98 percent of the stuff I learned I found it myself by listening...

Learn the trademark riffs and solos behind one of blues guitar's greatest players through the study of 15 of his songs, including:

Buddy's Blues (Buddy's Boogie) - The dollar done fell - BUDDY GUY - 1996
Damn Right, I've Got The Blues - Damn right, i've got the blues - BUDDY GUY - 1991
Dedication To The Late T-Bone Walker - D.J. Play my blues - Buddy Guy - 1996 
First Time I Met The Blues - Damn right, i've got the blues - EDDIE BOYD - 1952
Five Long Years - D.J. Play my blues - BUDDY GUY - 1996
I Smell A Rat - Stone Crazy! - BUDDY GUY - 1993
Just Teasin' - D.J. Play my blues - BUDDY GUY - 1996
Man Of Many Words - Slippin' in - BUDDY GUY - 1972
Mary Had A Little Lamb - A man and the blues - BUDDY GUY - 1988
Midnight Train - Heavy Love - Jon Tiven, Roger Reale - 1998
My Time After Awhile - Hold that plane - Robert L. Geddins, Ronald D. Badger - 1969
Rememberin' Stevie - Damn right, i've got the blues - BUDDY GUY - 1991
She Suits Me To A Tee - D.J. Play my blues - BUDDY GUY - 1969
She's A Superstar - Feels like rain - BUDDY GUY - 1993
She's Out There Somewhere - Stone Crazy! - BUDDY GUY - 1979
Stick Around - Chess Masters - BUDDY GUY - 1996
You've Been Gone Too Long - Stone Crazy! - BUDDY GUY - 1980

GIANTS OF BLUES, FROM ROBERT JOHNSON TO ERIC CLAPTON. NEVILLE MARTEN. SHEET MUSIC BOOK WITH CD & TABLATURE.

LIBRO METODO DI MUSICA BLUES, CON CD. 

SPARTITI PER CHITARRA CON : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

By Neville Marten. For Guitar Tab. Giants Of. Blues. Level: Intermediate. Sheet Music and Audio CD. 120 pages.
Tracing the history of blues guitar from Robert Johnson through Eric Clapton, John Lee Hooker, Stevie Ray Vaughan, Jimi Hendrix, Peter Green and many more, Neville Marten explains each player's definitive playing techniques, showing how to emulate their solos and develop their tricks to expand your own musical vocaulary. Playing styles, personal trademarks and characteristics are explained and illustrated clearly in notation and tab, as well as played in full on the CD.

The CD includes two licks from each player, a solo using those licks and finally a jam track which you can play along with, eventually creating your own solo.

A short biography of each player assesses their historical position in the genre's development, while the musical traditions from generation are examined.

120 pages

DUPREE CORNELL, RHYTHM & BLUES GUITAR. SHEET MUSIC BOOK with CD & GUITAR TABLATURE .

LIBRO DI MUSICA R&B, BLUES, FUNK, CON CD.

SPARTITI PER CHITARRA :

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Educational
Softcover with CD - TABLATURE
Artist: Cornell Dupree
Author: Cornell Dupree

Foreword: Dave rubin

Dupree ha suonato con un'infinità di musicisti: Aretha Franklin, Joe Cocker, Ringo Starr, Mariah Carey, Lightnin' Hopkins, John Mayall, Paul Simon, Harry Belafonte, Duane Allman, Freddie King, Steve Cropper, Sam Cooke, Jimi Hendrix, King Curtis e moltissimi altri.

10 pezzi completi con base suonati direttamente da Cornell Dupree e Davu Rubin al Basso

Style R&B, Blues, Funk 

Double stops, vamps scales, playing tips

Progressioni e riff

Renowned R&B, blues and funk ace Cornell Dupree is a guitarist of legendary proportion, with more than 2,500 albums as a sideman to his credit! In this authoritative book/CD pack, he reveals his playing secrets, covering: R&B, blues and funk styles; double-stops, vamps, scales and playing tips; common progressions and riffs; his equipment set-up; and much more. The CD features 10 songs written and performed by Cornell with full-band backing. The book also includes a foreword by blues expert Dave Rubin, a biography, Cornell's reminiscences, great photos, and standard notation and tablature. 72 pages 

Early Days in Texas, Not all the great blues and rhythm & blues guitarists are from Texas, but Cornell Luther Dupree is certainly one who holds that distinction. Born in Fort Worth on December 19, 1942 to Bernice and Cornell, Sr., he was raised an only child by his mother following the untimely passing of his father in 1944. He understands that his father had been an amateur guitarist who clowned around at parties. His grandfather, however, played country & western music on the fiddle at "hoe-downs" and at home. Cornell remembers picking up the fiddle and "sawing on it" when he was four or five years old, and he recalls his mother practicing gospel music on the piano to play in the church. The Dupree household also had an old Victrola, upon which popular music of the day would be occasionally played. Cornell mainly heard C&W music around his neighborhood at this time, and the only place to hear blues and R&B was on radio station KNOK in Ft. Worth between the hours of twelve and five in the afternoon. Artists like T-Bone Walker, Lowell Fulsom, Charles Brown, and Louis Jordan were popular in the black community then, but the great Texas guitarists like Walker and Fulsom did not yet appeal to young Cornell. Instead, he was attracted to the alto saxophone when he was eleven after seeing a local TV show that featured a catchy jazz tune played by the house band. Previously to this, he had figured out some boogie-woogie patterns and little tunes like "Boiling Cabbage" on his mother's piano. His mother bought him a saxophone and Cornell began private lessons with a junior high school music teacher in his home. The lessons lasted for a few years until he went to junior high and joined the school band to learn marching band music. Getting a Guitar At this same time, he had a friend who worked the concession stand at the local venues where R&B entertainers such as Little Richard, Ray Charles, and B.B. King would perform. Cornell would often accompany him to these engagements, and on one particular occasion got to see Johnny "Guitar" Watson at a Masonic Hall. Watson had a hit on the radio with "Those Lonely Lonely Nights," and Cornell was so taken with his playing and performance that he became tremendously attracted to the instrument and begged his mother to get him one. He also had two friends who played guitar, Frank Lott and Calvin Love, and was able to convince his mother of his seriousness. A used, sunburst acoustic Stella was procured at a pawn shop. Cornell began to learn to play it at the age of 14, even as he continued to play alto sax in the school band. His mother, who was always supportive of his musical interests, would occasionally take him to the clubs in the area to see local musicians. Edward Franklin, Huary P. Wilson, and a fellow known as "Catman" were some of the guitarists that Cornell came to know who would show him licks. Eventually, they began stopping by the house, calling him "little brother" and taking more time to instruct him. By this time, Cornell had to have an electric guitar, and his mother bought him a Harmony hollow body with a DeArmond pickup and a Silvertone amp for Christmas of 1956. Cornell had become aware of the music of Jimmy Reed, Muddy Waters, Lightnin' Hopkins, and Little Son Jackson. He then started playing rhythm and boogie-bass figures with his guitar buddies, and the three of them, plus drummer Murphy Crockett, would play talent shows after school. In addition, some of the nicer neighborhood clubs allowed youngsters to come in and play on Sunday afternoons. Cornell and his fledgling group also received exposure and experience (and very little money!) in this manner as well. With Cornell on his Harmony, Frank on his Les Paul, and Calvin with his arch top Gibson, they played mainly blues and R&B instrumentals, including some originals.

Title

Foreword

About the Recording

Biography

Playing the Blues

Blues Scales

"J.R. Shuffle"

"Plain Ole' Blues"

"Swing Shuffle"

"Minor Blues"

Rhythm & Blues Guitar

I-IV R&B Vamps

"Soul Dance"

R&B Double Stops 

"Soul Lullaby" 

I-VI-II-V Changes 

"Ice Cream"

"Funk #1"

"Funk #2"

"Funk #3"

Tuning Notes .

Cornell Remembers... 

Cornell's Equipment Set-up

  guitars,  Strings, Amps

Selected Discography

Guitar Notation Legend

Editorial assistance by Dave Rubin

FAST FORWARD, BLUES GUITAR IMPROVISATION. CD TABLATURE

Libro di musica per chitarra con CD e TABLATURE.

Description :
With this 87-track CD and Book pack you can learn to play and improvise like a real pro. You start at the beginning, going through the blues scale and the traditional blues chord sequence, then you move on to some essential techniques: fretboard chord shapes, arpeggios, slides, double-stops, string bends, hammer-ons, pull-offs and more.
All exercises are demonstrated on the CD at both full speed and a slower practice speed, so in no time at all you will be creating your own solos in the style of such great blues legends as Eric Clapton and Stevie Ray Vaughan.
Five complete solos are included in the easy-to-follow tablature.

Fast Forward - Blues Guitar Improvisation. (Riffs, Chords & Tricks You Can Learn Today!). For Guitar. Music Sales America. Blues. Softcover with CD. Guitar tablature. 48 pages. Music Sales #AM953260. Published by Music Sales (HL.14011082).
ISBN 0711974772. With guitar tablature. Blues. 9x12 inches.
This exciting series of instrumental instruction books includes complete music plus easy-to-follow instructions, tips and advice. The accompanying CDs allow you to listen and play along to the matching audio tracks. These user-friendly book/CD packs provide riffs, licks, chords & tricks you can learn now, and easily incorporate into your own playing style!

With this 87-track CD and book, you can learn to play and improvise like a real pro. You start at the beginning, going through the blues scale and the traditional blues chord sequence, then you move on to some essential techniques: fretboard chord shapes, arpeggios, slides, double-stops, string bends, hammer-ons, pull-offs and more. All exercises are demonstrated on the CD at both full speed and a slower practice speed, so in no time at all you will be creating your own solos in the style of such great blues legends as Eric Clapton and Stevie Ray Vaughan. Five complete solos are included in easy-to-follow tab: Eric's Dominoes - One for Stevie Ray - Robben's Bag - The Ali Shuffle - The Iceman Cometh.

Published on: 19/08/1999
Format: Instrumental Tutor
Length: 48 pages
Language: English
Catalogue #: AM953260
ISBN: 9780711974777

Introduction
Hello, and welcome to FastForward
Congratulations on purchasing a product that
will improve your playing and provide you with
hours of pleasure. All the music in this book has
been specially created by professional musicians
to give you maximum value and enjoyment.
If you already know how to 'drive' your
instrument, but you'd like to do a little
customising, you've pulled in at the right place.
We'll put you on the fast track to playing the
kinds of riffs and patterns that today's
professionals rely on.
We'll provide you with a vocabulary of riffs that
you can apply in a wide variety of musical
situations, with a special emphasis on giving you
the techniques that will help you in a band
situation.
This book will teach you how to create your own
classic blues solos, from just a couple of classic
blues scales. In fact, the blues scale forms the
basis for every solo in the book, which are all
based on the traditional blues chord sequence.
Each section will introduce you to a different
style of blues playing - all of which use the same
basic techniques.
All the music examples in this book come with
full-band audio tracks so that you get your
chance to join in - all exercises are demonstrated
at full speed and at a slower practice speed.
Practise and learn the examples and then take off
on your own over the backing tracks!
All players and bands get their sounds and styles
by drawing on the same basic building blocks.
With FastForward you'll quickly learn
these, and then be ready to use them to create
your own style.
TRACK I Tuning Notes

Guitar Tablature Explained
Introduction

Eric's Dominoes
Blues Scale Shapes
Chord Tones
Pentatonic Scale Patterns
Pentatonic Blues Phrases
Eric's Dominoes (solo)

The Iceman Cometh
The Dominant 7 Blues Scale
Chord Tones
Rhythm Patterns
The Iceman Cometh (solo)

One For Stevie Ray
12/8: The Slow Blues
Using The Blues Scale
One For Stevie Ray (solo)

Robben's Bag
Rhumba Blues Scale Shapes
Chord Tones
Using 7th Arpeggios
Slurs - Hammer-ons, Pull-ofts and Slides
Robben's Sag (solo)

The Ali Shuffle
String Bending
Grace-note Pre-bends
Double-stops With Bends
The Ali Shuffle (solo)