ACCORDI - PENTAGRAMMA - TABLATURE / CHORDS - STANDARD NOTATION - TABLATURE

AEROSMITH, 1979-1998. SIGNATURE LICKS GUITAR. CD TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON CD E TABLATURE. 

Aerosmith 1979-1998

Series: Signature Licks Guitar
Format: Softcover with CD
Artist: Aerosmith

Inventory #HL 00695219
ISBN: 9780793583324
UPC: 073999952193
Width: 9.0"
Length: 12.0"
80 pages

Explore the music of one of rock's greatest bands with this step-by-step breakdown of the guitar styles and techniques of Joe Perry and Brad Whitford. Teaches licks from:

Crazy
Cryin'
Dude (Looks Like A Lady)
Eat The Rich
Falling In Love (Is Hard On The Knees)
The Hop
Janie's Got A Gun
Livin' On The Edge
Love In An Elevator
Nine Lives
Rag Doll
Taste Of India
What It Takes

ADAMS BRYAN, PLAY GUITAR WITH... . Basi per voce e per chitarra.

SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO DI MUSICA ROCK CON CD. 

CD BACKING TRACKS,  BASI PER VOCE E, VOCE E CHITARRA. 

SPARTITI PER VOCE E CHITARRA CON : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

SONGS TITLE : 

- Could number nine

-have you ever really loved a woman?

-18 til I die

-the only thing that looks good on me is you

-when you're gone

-(I wanna be) your underwaer.

LIBRO CON CD E GUITAR TABLATURE.

AC/DC, DIRTY DEEDS DONE DIRT CHEAP. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA HARD ROCK.
SPARTITI PER CHITARRA E VOCE .
ACCORDI, PENTAGRAMMA E TABLATURE. 

GUITAR TABLATURE EDITION

TITOLI:

Dirty Deeds Done Dirt Cheap
Love at First Feel
Big Balls
Rocker
Problem Child
There's Gonna Be Some Rockin'
Ain't No Fun (Waiting Round to Be a Millionaire)
Ride On
Squealer

SLIDE GUITAR TRADITIONAL, COUNTRY, AND ELECTRIC. A. ROTH. Esercizi, riff, e 16 canzoni di: Ry Cooder, Allman, Robert Johnson. CD TABLATURE

Foreword
Over the past few years, the bottleneck guitar has become an increasingly popular
means of expression among guitarists everywhere. In the rock and pop music fields
some of the bottleneck's exponents have included Johnny Winter, Mick Taylor, Keith
Richard, Duane Allman, George Harrison, Ry Cooder and many others. These people
have all broadened the scope of the bottleneck guitar, but they owe a great deal to
the true pioneers of this style of playing-Robert Johnson, Son House, Bukka White,
Tampa Red, Fred McDowell, J. B. Hutto, and Elmore James, to name a few.
Son House, Robert Johnson, and Bukka White, were all of the traditional Southern
folk-blues school of the slide guitar. This era reached its height during the 1920's
and the depression years. Later on, in the 40's and 50's, country people from the
rural south began to move to the northern cities. Guitarists with their roots in the
country blues soon discovered the electric guitar, and began to play with musical
back-up musicians like bass and drums for a bigger, more "urbanized" sound.
In this book, we will cover all aspects of the bottleneck guitar, past and present,
from the low-down bottleneck styles of the Mississippi Delta, to the present day lead
guitar sounds.
To enable you to better understand these sounds, I have included an instructional
compact disc. All the material on the recording is transcribed in the book to make it
easier for you to follow along with what is being played.
Though the bulk of the material in this book will make use of open tunings, we'll
get into some licks for playing slide in standard guitar tuning as well. There are
plenty of blues licks, country licks and songs to work with, and feel free to improvise
upon any of the musical ideas. After all, that's what this book, and music in general,
is about.
By the time you've covered all the material, and feel really comfortable playing
bottleneck, you should be well on your way towards developing your own approach
towards the art of slide guitar. I certainly hope that you get a lot of mileage out of
this book, but most of all, I hope you enjoy it, because it certainly was a pleasure for
me to write. Arlen Roth

Contents
Photo Credits,
Foreword,
Reading Tablature and Symbols,
Fundamentals of Slide Guitar Playing,
Open Tunings,
Traditional Slide Guitar,
Playing in Open E Tuning,
Licks and Exercises in Open E Tuning,
Playing in Open G Tuning,
Licks and Exercises in Open G Tuning,
Traditional Bottleneck Tunes In Open E Tuning,
Good Morning Blues,
Ramblin . On My Mind,
If I Had Possession Over Judgement Day,
Preachin' Blues,
Come On In My Kitchen,
Denver Blues,
Bumblebee Blues,
Country Slide Guitar,
Playing In Open E Tuning,
Licks and Exercises in Open E Tuning,
Country Bottleneck Tunes in Open E Tuning,
John Henry,
Bury Me Beneath The Willow,
Farther Along,
Will The Circle Be Unbroken?,
Playing in Open A (G) Tuning,
Licks and Exercises in Open A(G) Tuning,
Country Bottleneck Tunes in Open A(G) Tuning,
Brown's Ferry Blues,
Danville Gal,
How Can You Keep On Movin',
Lead Electric Slide Guitar,
Dust My Broom,
Licks and Exercises in Open E Tuning,
Love In Vain,
Slide Guitar In Standard Tuning,
Licks and Exercises in Standard Tuning,
In Conclusion,
Discography,

Arlen Roth was born in New York City In 1952. He started
to play guitar seriously at the age of eleven, beginning
with classical guitar and moving on to blues and rock
styles. His love for country and blues guitar and his
innovative experimentation within these styles led to the
writing of Slide Guitar.
Arlen has performed and recorded with many well-known
artists such as Simon and Garfunkel, Paul Simon (solo),
Art Garfunkel (solo), Phoebe Snow, Bob Dylan, Louden
Wainwright III, Janis lan, and Dan Hill, to name a few.
He has recorded four highly acclaimed solo albums,
Guitarist, Hot Pickups, Paint Job, and Lonely Street, and
writes a monthly column for Guitar Player magazine. He
is the founder and producer of the well-known Hot Licks
Video and Audio Instruction Tapes, and his other books
include Nashville Guitar, How To Play Blues Guitar,
Arlen Roth's Complete Electric Guitar, and Arlen Roth's
Complete Acoustic Guitar, Arlen played all the guitar
and was special coach and consultant to actor Ralph
Macchio in the film Crossroads. Arlen lives in upstate
New York with his wife Deborah, and their little girl, Gillian. 

ELECTRIC SLIDE GUITAR. Hamburger.

LIBRO DI MUSICA PER CHITARRA SLIDE CON CD E TABLATURE

This book/audio method explores the basic fundamentals of slide guitar: from selecting a slide and proper setup of the guitar, to open and standard tuning. Plenty of music examples are presented showing sample licks as well as backup/rhythm slide work. Each section also examines techniques and solos in the style of the best slide guitarists, including Duane Allman, Dave Hole, Ry Cooder, Bonnie Raitt, Muddy Waters, Johnny Winter and Elmore James. CD TABLATURE

Series: Guitar Educational
Softcover with CD - TAB
Author: David Hamburger

This book/audio method explores the basic fundamentals of slide guitar: from selecting a slide and proper setup of the guitar, to open and standard tuning. Plenty of music examples are presented showing sample licks as well as backup/rhythm slide work. Each section also examines techniques and solos in the style of the best slide guitarists, including Duane Allman, Dave Hole, Ry Cooder, Bonnie Raitt, Muddy Waters, Johnny Winter and Elmore James. 80 pages

INTRODUCTION
The aim of this book is to present you with the essential techniques required to play electric
slide guitar, while providing a hands-on understanding of the variety of slide styles that exist within
the blues idiom. The book begins with the open G tuning, proceeds to open E tuning, and concludes
with playing in standard tuning. While there is material at a variety of levels throughout the book,
important matters of technique are introduced chapter by chapter. E tuning is not "harder" than G tuning,
or vice versa, but as the chapters on open E tuning come later in the book, that is the point at
which more advanced techniques are discussed, whereas basics of right and left hand technique are
covered in the earlier chapters on G tuning.
A Note About the Tunings
There are four tunings that are considered standard for the electric slide guitar: open G, open
D, open A, and open E. Open G and open A offer essentially the same sound as one another, a whole
step apart (open G= D, G, D, G, B, D; open A= E, A, E, A, C#, E, low to high). Open D and open E
likewise offer essentially the same sound as one another, a whole step apart (open D= D, A, D, F#, A,
D, open E= E, B, E, G#, B, E, low to high). For this book, I have chosen to present all of the examples
(except for those in standard tuning) in either open G or open E tuning, rather than distinguish
between various artists' use of G or A tuning, and D or E tuning. I have done this for two reasons. The
first is to enable you to compare examples from different styles of playing within a given chapter
quickly and easily, without having to retune or capo by a whole step, or transpose in your head. The
second reason is that G and E tunings share some familiar fret positions and bar chord locations with
standard tuning. This makes orientation to each of these open tunings a little easier. More importantly,
it makes it much easier to translate what you have learned in open tunings back into standard tuning,
should you wish to play without t::hanging to an open tuning-for instance, if you use a slide for just
part of a song.
Electric slide guitar is at the heart of electric blues, from the pioneering postwar recordings of
Muddy Waters and Elmore James to the blues-rock of Duane Allman, Johnny Winter and Lowell
George, from timeless, genre-busting originals like Earl Hooker and Ry Cooder to contemporary
artists like Bonnie Raitt, Roy Rodgers and Dave Hole. The diversity among slide players is remarkable.
Far from being limited to the generic sound stereotyped in every bar band's version of "Dust My
Broom," the world of electric slide guitar is as broad, deep, and eclectic as the blues itself.

CONTENTS
Introduction

Chapter 1 Slide Essentials
Choosing a Slide .
Guitar Set-Up .
Left Hand Damping .
Left Hand Exercises .
Right Hand Muting .
Fingerstyle .
Right Hand Exercises .
More Right Hand Practice .
Playing with a Pick .
Vibrato .

Chapter 2 Open G TIming
Tuning Up .
The Fretboard in Open G Tuning .
Scales .
Damping/Muting Exercises on One String .
Major and Minor Pentatonic Licks .
Call and Response .
Combining Major and Minor Pentatonic Scales .
The Blues Form .

Chapter 3 Improvising in Closed Position
Closed Position Scales in G .
Precision Exercises .
Blues Vocabulary .
Transposing: Blues in G .
Combining Open and Closed Positions, ala Muddy Waters .
The Upper Extension: Adding Notes above the 12th Fret .
Transposing the Upper Extension: Blues in C .
The Dorian Mode

Chapter 4 Backup in Open G
The Style of Muddy Waters .
Changing Keys-Using a Capo .
The Style of Bonnie Raitt .
The Style of Ry Cooder .
The Style of Johnny Winter .
The Style of Dave Hole .

Chapter 5 Open E TIming
Tuning Up .
The Fretboard in Open E Tuning .
Scales .
Exercises .
The Style of Ry Cooder .
The Style of Johnny Winter .

Chapter 6 Broom Dusters, House Rockers, and the Closed Position
Scales .
The Style of Elmore James .
The Style of Hound Dog Taylor .
The Style of Duane Allman .
Pulldowns, Escape Notes, and Gradual Slides .
Duane's World .
High Energy Blues/Rock: the Styles of Johnny Winter and Dave Hole

Chapter 7 Backup in Open E
The Style of Elmore James-Elmore's Shuffle .
The Style of Hound Dog Taylor .
The Style of Ry Cooder .
Beyond the Key of E .
Stop Time Boogie .
Double Stops .

Chapter 8 Standard TIming
Translating Open G Tuning to Standard Tuning .
Translating Open E Tuning to Standard Tuning .
Standard Tuning .
Adapting Classic Open Tuning Licks to Standard Tuning .
Combining the Open and Closed Positions in Standard Tuning .
The Style of Robert Nighthawk .
The Style of Earl Hooker .
Standard Tuning Licks .

Chapter 9 What to Do Next .
A Selected Discography
About the Author .
Notation Legend .