LIBRO - BOOK

TOWNER RALPH, SOLOS GUITAR WORKS VOLUME 1. SHEET MUSIC BOOK FOR GUITARIST. 

LIBRO DI MUSICA JAZZ FUSION / CLASSICA.

SPARTITI PER CHITARRA CON: PENTAGRAMMA. 

56 PAGINE. 

TITOLI: 

-Green and Golden

-Anthem

-The Reluctant Bride

-Etude (Oleander Etude)

-Haunted

-Joyful Departure

-The Silence of a Candle

-The Sigh

-Tramonto

-Waltz for Debby.

no tab.

SCOFIELD JOHN, TIME ON MY HANDS. BOOK WITH GUITAR TABLATURE .

LIBRO DI MUSICA JAZZ FUSION. 

SPARTITI PER CHITARRA CON : 

ACCORDI, NOTE, PENTAGRAMMA, TABLATURE. 

16 songs from this jazz/fusion guitarist featuring full transcriptions and performance notes.

John Scofield worked with the transcriber to guarantee exceptional quality and accuracy. Includes important bass lines and sax parts as played by Charlie Haden and Joe Lovano. Lovano also supplied important phrasing and breath marks for his sax parts. Includes eleven pages of performance notes and lead sheets for each song.

TITOLI:

BE HERE NOW

FARMACOLOGY

FAT LIP

FLOWER POWER

LET'S SAY WE DID

NOCTURNAL MISSION

SINCE YOU ASKED

SO SUE ME

STRANGER TO THE LIGHT

TIME AND TIDE

WABASH III

REINHARDT DJANGO, THE MUSIC OF. The Music of Django Reinhardt. Forty-Four Classic Solos by the Legendary Guitarist with a Complete Analysis by Stan Ayeroff. 272 Pages.

Product Description:
The solos of Django Reinhardt are an endless source of inspiration and amazement for any musician. In this exciting book, the author has compiled precise solo transcriptions (in notation only), as well as a thorough analysis of each. There is also a complete "how to" section that is like a book in itself. This book contains some of Django's best work. It covers a period of 17 years, from Django's first trio and quintet recordings to one of his last bop-influenced sessions, "Live at the Club St. Germain." Multiple versions of many solos are included to show Djangos' musical development over his long career. Studying the music of the master of Gypsy Jazz can help lay a solid foundation for your own sound and style.

Format: Book

Contents:

A Note About Django Reinhardt
Preparation for The Complete Analysis of Django's solos
Symbols and Abbreviations
Scales
Arpeggios
Ornamentation
Chord Substitutions
Chord Progressions
Putting it All Together
Melodic Ideas and Devices
Exercises
Introduction to the Analysis Section

A Complete Analysis of the Solos
Tiger Rag I
After You've Gone I
Tiger Rag II
Avalon I
Swannee River I
Swannee River II
The Sheik of Araby I
Avalon II
Some of These Days
St. Louis Blues I
Limehouse Blues I
After You've Gone II
Limehouse Blues II
Shine
Charleston
Chicago
Hot Lips
Rose Room
Runnin' Wild
The Sheik of Araby II
Limehouse Blues III
Japanese Sandman I
St. Louis Blues II
Baby Won't You Please Come Home I
Baby Won't You Please Come Home II
Farewell Blues
My Melancholy Baby I
Limehouse Blues IV
Japanese Sandman II
My Melancholy Baby II
Tiger Rag III
My Melancholy Baby III
Japanese Sandman III
Limehouse Blues V
A Pretty Girl Is Like a Melody
Margie I
Tiger Rag IV
Dark Eyes I
Improvisation on Tiger Rag V
The World is Waiting for the Sunrise
After You've Gone III
Dark Eyes II
St. Louis Blues III
Darktown Strutter's Ball
Margie II

The Solos
Tiger Rag I
After You've Gone I
Tiger Rag II
Avalon I
Swannee River I
Swannee River II
The Sheik of Araby I
Avalon II
Some of These Days
St. Louis Blues I
Limehouse Blues I
After You've Gone II
Limehouse Blues II
Shine
Charleston
Chicago
Hot Lips
Rose Room
Runnin' Wild
The Sheik of Araby II
Limehouse Blues III
Japanese Sandman I
St. Louis Blues II
Baby Won't You Please Come Home I
Baby Won't You Please Come Home II
Farewell Blues
My Melancholy Baby I
Limehouse Blues IV
Japanese Sandman II
My Melancholy Baby II
Tiger Rag III
My Melancholy Baby III
Japanese Sandman III
Limehouse Blues V
A Pretty Girl is Like a Melody
Margie I
Tiger Rag IV
Dark Eyes I
Improvisation on Tiger Rag V
The World is Waiting for the Sunrise
After You've Gone III
Dark Eyes II
St. Louis Blues III
Darktown Strutter's Ball
Margie II

Discography
Links
Composer Credits
Stan Ayeroff Biography

MONTGOMERY WES, FOR GUITAR TAB. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA JAZZ.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Eleven great songs in easy-to-read guitar tablature and standard notation. 96 pages.

Airegin
Besame Mucho
Blue'n'boogie
Dearly Beloved
Ecaroh
Golden Earrings
In Your Own Sweet Way
Satin Doll
The Way You Look Tonight
Whisper Not
Yesterdays

introduction
by andy jones
John L. 'Wes' Montgomery was born in Indianapolis, Indiana, on 6 March 1923. He started playing the guitar at the age of 19, moving quickly from a four-string guitar to the six-string model. His first influence was the great Charlie Christian.
Wes immediately set about transcribing Christian's recorded solos. One of his first gigs had him reproducing Christian's solos note for note. He wouldn't play anything else!
Wes lapped up information from colleagues and was soon working in his own right. By 1948 he was playing with Lionel Hampton's big band, but, ever the family man, he still operated around Indianapolis.
In 1959 the great alto saxophonist Julian 'Cannonball' Adderley heard Wes one night and immediately decided to introduce him to a wider public.
On Cannonball's recommendation Wes secured a deal with Riverside, beginning an extremely fruitful collaboration which was to revolutionise jazz guitar. Later on he also recorded some fantastic music for the jazz label Verve. Wes was to encounter some criticism over some later recordings with orchestra which focused on lighter pop tunes, but even on these dates there's always something worth checking out. Wes died on 15 June 1968 after a heart attack.
Wes played with his right-hand thumb. He had amazing facility and could play things that few guitarists could come close to even with a plectrum. Wes plays fast eighth-note passages so strongly that he must have used both up and down strokes with his thumb. He also popularised the use of octaves in melodic playing - with fantastic command, as ever. One of the marks of a great player is that he can make very difficult passages sound effortless. Wes always had a strong sound on the instrument where many players lose a considerable amount of tone at fast tempos.
In rhythmic innovation Wes was right up to the minute. He was probably the first guitar player to really absorb the intricacies of rhythm cooked up by the more adventurous modern jazz drummers. He has the ability to really nail a heavy jazz eighth-note feel but he also plays rhythms which use odd groupings of beats, and he could even play all over the underlying pulse. Few guitar players have ever had this hip kind of feel. It's no surprise that John Coltrane asked Wes to be in his great band with Elvin Jones (Wes said no, thinking he wasn't up to the job).
Wes was a true improviser. You can hear this quite clearly by listening to out-takes from his records
(many of the CD reissues of his albums come with out-takes as bonus tracks). His lines encompass
bebop, blues and a free-wheeling approach to melodic improvising. He also had an extremely advanced sense of chord movement, often introducing sly chord substitutions into his treatments of standard tunes. His own tunes are full of hip jazz harmony. Check out 'Twisted Blues' from 'So Much Guitar'.
Regarded as one of the finest jazz musicians on any instrument, Wes is still studied by all serious
aspiring jazz guitarists.
 

MASTERS OF THE PLECTRUM GUITAR. 280 pagine, con Tony Mottola, Joe Venuti, Bucky Pizzarelli, Al Valenti, e altri, anche stranieri. 180 pagine in TABLATURE

Product Description:
This landmark book of music for the plectrum style jazz guitar took years to compile, write and edit. It contains some of the greatest solos and duets ever written and performed on the plectrum or flatpicked guitar, including works by Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson, and Cal Collins. All solos are in notation and tablature while the duets are shown in standard notation only.

Product Number: 95293
Format: Book
ISBN: 0786602678
UPC: 796279021722
ISBN13: 9780786602674
Series: Non-Series
Publisher: Mel Bay Publications, Inc.
Date Published: 3/6/1995
280 PAGES

Contents:

Song Title: Composer/Source:
A Handful Of Riffs Eddie Lang
After Thoughts Part I Carl Kress
After Thoughts Part Ii Carl Kress
After Thoughts Part Iii Carl Kress
Andante Cantabile Harry Volpe
April Kisses Eddie Lang
Bang! Bang! George M. Smith
Chicken A La Swing Dick Mcdonough And Carl Kress
Danzon Dick Mcdonough And Carl Kress
Dark Eyes Medley George M. Smith
Easy Listenin' Blues Nadine Robinson
Eighth-Note Triplet Boogie George Barnes
Estrelita, Little Star Arr George M. Smith
Etude I Frank Victor
Etude I Harry Volpe
Feelin' My Way Eddie Lang
For Two In Love Tony Mottola
Gee Baby, Ain't I Good To You Words And Music By Don Redman, Andy Razaf
Helena Carl Kress
I Had Picked You Bucky Pizzarelli
I Think You Always Knew Music By Mundell Lowe
Lament In E Carmen Mastren, Albert Harris
Love Song Carl Kress
Love You Madly Al Hendrickson
Maple Leaf Rag Joplin-Mel Bay
Midnight Clear Harry Volpe
Mighty Lak'a Rose Nevin-Mel Bay
Modern Etude Harry Volpe
My Cherished Prelude Harry Volpe
My Gal Sal Cal Collins
Narcissus Nevin-Mel Bay
None But The Lonely Heart Peter Ilyich Tchaikovsky Arr. By Al Valenti
Over And Over Blues Bucky Pizzarelli
Peg-Leg Shuffle Carl Kress
Pick It And Play It Frank Victor
Pickin' My Way Eddie Lang
Poor Butterfly Cal Collins
Rainbow's End Eddie Lang
Rhythm A La Carte Harry Volpe
Romantic Harry Volpe
Satin Doll Duke Ellington, Johnny Mercer, Billy Strayhorn Arr
Serenade Riccardo Drigo, Arr. By Al Valenti
Slow Burning George M. Smith
Smoke Eyes Bucky Pizzarelli
Snowfall In April Harry Volpe, Jack Donahue
Squattin' At The Grotto John Van Eps And George Van Eps
St. Louis Blues Arr George Barnes
Stage Fright Dick Mcdonough And Carl Kress
Stringin' Along With Annabelle Frank Victor
Stringin' The Blues Joe Venuti, Eddie Lang
Strolling Thru Manhattan George M. Smith
Sunshine Joe Venuti, Eddie Lang
Sutton Mutton (Taking It On The Lamb) Carl Kress
Sweet Lorraine Clif Burwell, Mitchell Parish Arr Mel Bay
Sweet Strings Frank Victor, Harry Volpe
Swingin' The Scale Harry Volpe, Frank Victor
Tango George Van Eps
Test Pilot George M. Smith
To A Wild Rose Edward Macdowell, Arr Mel Bay
Tony's Tune Tony Mottola
Tranquilo Al Hendrickson
Traumerei Schumann-Mel Bay
Two Guitars Harry Volpe
Warm Feelings Tony Mottola
You Tell Me Your Dream Arr Mel Bay

Danzon
Performed by Dick Mcdonough And Carl Kress
Rhythm A La Carte
Performed by Harry Volpe
Snowfall In April
Performed by Harry Volpe, Jack Donahue
You Tell Me Your Dream
Performed by Arr Mel Bay
After Thoughts Part I
Performed by Carl Kress
April Kisses
Performed by Eddie Lang
Estrelita, Little Star
Performed by Arr George M. Smith
Etude I
Performed by Harry Volpe
Serenade
Performed by Riccardo Drigo, Arr. By Al Valenti
Eighth-Note Triplet Boogie
Performed by George Barnes
Modern Etude
Performed by Harry Volpe
Stringin' Along With Annabelle
Performed by Frank Victor
Tranquilo
Performed by Al Hendrickson
Traumerei
Performed by Schumann-Mel Bay
Two Guitars
Performed by Harry Volpe
For Two In Love
Performed by Tony Mottola
Maple Leaf Rag
Performed by Joplin-Mel Bay
TO a Wild Rose
Performed by Edward Macdowell, Arr Mel Bay
Andante cantabile
Performed by Harry Volpe
Over And Over Blues
Performed by Bucky Pizzarelli
Peg-Leg Shuffle
Performed by Carl Kress
Sweet Strings
Performed by Frank Victor, Harry Volpe
Easy Listenin' Blues
Performed by Nadine Robinson
Lament In E
Performed by Carmen Mastren, Albert Harris
Mighty Lak'a Rose
Performed by Nevin-Mel Bay
Test Pilot
Performed by George M. Smith
Warm Feelings
Performed by Tony Mottola
Bang! Bang!
Performed by George M. Smith
Helena
Performed by Carl Kress
Pick It And Play It
Performed by Frank Victor
St. Louis Blues
Performed by Arr George Barnes
Strolling Thru Manhattan
Performed by George M. Smith
Sunshine
Performed by Joe Venuti, Eddie Lang
Sutton Mutton (Taking It On The Lamb)
Performed by Carl Kress
Chicken A La Swing
Performed by Dick Mcdonough And Carl Kress
Love Song
Performed by Carl Kress
My Cherished Prelude
Performed by Harry Volpe
A Handful Of Riffs
Performed by Eddie Lang
After Thoughts Part Iii
Performed by Carl Kress
I Had Picked You
Performed by Bucky Pizzarelli

Midnight Clear
Performed by Harry Volpe
Romantic
Performed by Harry Volpe
Sweet Lorraine
Performed by Clif Burwell, Mitchell Parish Arr Mel Bay
Stage Fright
Performed by Dick Mcdonough And Carl Kress
Gee Baby, Ain't I Good To You
Performed by Words And Music By Don Redman, Andy Razaf
None But the Lonely Heart
Performed by Peter Ilyich Tchaikovsky Arr. By Al Valenti
Tango
Performed by George Van Eps
After Thoughts Part Ii
Performed by Carl Kress
I Think You Always Knew
Performed by Music By Mundell Lowe
Love You Madly
Performed by Al Hendrickson
Slow Burning
Performed by George M. Smith
Narcissus
Performed by Nevin-Mel Bay
Rainbow's End
Performed by Eddie Lang
Smoke Eyes
Performed by Bucky Pizzarelli
Squattin' At The Grotto
Performed by John Van Eps And George Van Eps
Dark Eyes Medley
Performed by George M. Smith
Feelin' My Way
Performed by Eddie Lang
Pickin' My Way
Performed by Eddie Lang
Poor Butterfly
Performed by Cal Collins
Satin Doll
Performed by Duke Ellington, Johnny Mercer, Billy Strayhorn Arr
Stringin' The Blues
Performed by Joe Venuti, Eddie Lang
Tony's Tune
Performed by Tony Mottola
My Gal Sal
Performed by Cal Collins
Swingin' The Scale
Performed by Harry Volpe, Frank Victor