ACCORDI - PENTAGRAMMA - TABLATURE / CHORDS - STANDARD NOTATION - TABLATURE

101 MISSISSIPPI DELTA BLUES FINGERPICKING LICKS, Larry McCabe. LIBRO CON CD E GUITAR TABLATURE

LIBRO METODO DI MUSICA BLUES CON CD.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA E TABLATURE.

OUT OF PRINT. 

Introduction
Why folks have the blues
How to use this book
The notation of fingerstyle guitar music

Detailed Description

101 Mississippi Delta Blues Fingerpicking Licks. For guitar. Licks and phrases. McCabe's 101 Series. Delta Blues and Instructional. Beginning-Intermediate. Instructional book and examples CD. Introductory text, instructional text, standard guitar notation, guitar tablature, fingerings, guitar notation legend, black & white photos and discography. 46 pages. Published by Mel Bay Publications, Inc (MB.96241BCD).

ISBN 0786624000. With introductory text, instructional text, standard guitar notation, guitar tablature, fingerings, guitar notation legend, black & white photos and discography. Delta Blues and Instructional. 8.75x11.75 inches.

This book/CD set examines four- and eight-beat blues licks which may be played within typical chord patterns in the most commonly used blues keys. Written for fingerstyle guitar, complete with pima fingering for the classically trained guitarist, the licks vary in difficulty but all lie within the capability of the beginning to intermediate player. The coarse primitive quality of fingerpicking blues is captured in these 101 licks, harkening back to the roots of blues- the work songs, field hollers, and spirituals of the rural South. Although rooted in the acoustic tradition of the Delta area of northwestern Mississippi, these licks can be played on any six- string guitar in standard tuning. Veteran Mel Bay author Larry McCabe also provides an introduction to the blues, an extensive guide to symbols used in guitar music in standard notation and tab, ten licks that may be used as introductions or turnarounds and a recommended discography for further listening. The accompanying CD includes 99 musical examples to help capture the authentic feel of the music.

Four-Beat Fingerpicking Blues Licks
Patterns for C
Patterns for G
Patterns for D
Patterns for A
Patterns for E
Patterns for B
Patterns for F

Eight-Beat Fingerpicking Blues Licks
Patterns for C
Patterns for G
Patterns for D
Patterns for A
Patterns for E
Patterns for B
Patterns for F

Introductions and Turnarounds
Key of C
Key of G
Key of D
Key of A
Key of E

REH, BLUES SOLOS FOR GUITAR, Keith Wyatt. CD TABLATURE

Series: REH Publications
Softcover with CD - TAB
Author: Keith Wyatt

Learn lead guitar in the styles of Albert Collins, Eric Clapton, Albert King, B.B. King, Freddie King, Stevie Ray Vaughan and T-Bone Walker! This unique book/CD pack examines the solo concepts of each of these masters. The CD features full demos and rhythm-only tracks, and the book includes phrase-by-phrase performance notes and tips on bending strings, vibrato, tone, note selection and much more. Includes notes and tablature. A must for any blues guitarist! 96 pages.

welcome to Blues Solo for Guitar. I'm going to walk you through the 12-bar blues-a 12-bar slow blues in G, to be exact-that you'll find as track 1 on the accompanying CD. It's titled "Blues Number One," and it's a great place to begin your exploration of the blues. Later in the book, we'll explore varying styles of blues playing that will give you a solid foundation in lead and rhythm blues guitar. I'll explain the key rhythms and solo phrases in styles based on Memphis funk blues, the boogie shuffle patterns made famous by Stevie Ray Vaughan, the vaunted styling of Freddie King, Texas swing blues, and even rockabilly. You'll be able to listen to me solo in all those styles on the accompanying CD, then I'll dissect each and every note so that you can master these styles as well. How 10 Use This Book Inlaying out solos in each of these six blues styles, it turns out that there are a lot of short phrases that you can learn, lift out, and use in your own style of playing. In other words, you don't have to learn each solo exactly the way it was played on the CD. You can listen through the entire CD, hear everything that I'm going to play for you, then go back and pick out the phrases that you like best. Then you can learn those phrases and incorporate them into your own style of playing. It's good practice to take all of these ideas and then mix them in with what you already know how to play. Of course there are things to be learned by playing an entire solo: how the solo builds, how to make a transition from one chorus to the next, how to begin and end the whole thing. Those are elements of style that make the phrases fit together so that they actually sound good. But the individual phrases themselves can be picked out and used in practically any blues solo. These phrases can also be used in blues songs with different tempos and in different keys. In addition to performing the six complete solos on the CD, I'm going to explain each phrase one at a time using "Practice Points" and detailed directions that will help you duplicate my solo phrases. Through these Practice Points, I'll tell you all about the left hand, the right hand, different little tricks, techniques, and where to place your hand on the neck. As you listen to the CD, read the musical notation and tablature for each phrase, t hen refer to the Practice Points that explain the details of each phrase. Then practice along with my examples on the CD. When we get through, you'll know all the phrases and you can play them along with the rhythm-only tracks-the full band, minus-guitar tracks we've included on the ProLicks CD. Playing along with the rhythm-only tracks will give you an opportunity to get a feel for how your phrasing sounds against a rhythm section and whether or not you're playing correctly. Some of the phrases are easier than others. Some are slower; some are faster. Take your time. Practice each phrase as many times as you need to get it right. And most of all, have fun! Remember, take these phrases one at a time. Some of these licks work only over one of the chords in the progression, or in a certain situation. Some of them can be laid over any of the chords. You have to experiment a little bit to see what you can do with them once you get them down. But these are all real solid, traditional, classic licks, and I think once you integrate them into your style you'll have a lot of fun developing them.  

Table of Contents

Introduction

How To Use This Book

Before You Begin

Get In Tune

"Blues Number One"

(In the style of Albert King, Albert Collins, B.B.King, Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan) 

"Memphis Funk"

(In the style of Albert Collins, Steve Cropper, Freddie King, Lonnie Mack, and Stevie Ray Vaughan) 

"Boogie Shuffle"

(In the style of Stevie Ray Vaughan and Albert Collins)

"King Thing"

(In the style of Freddie King) 

"Texas Swing Blues"

(In the style of T-Bone Walker, Gotemouth Brown, Albert Collins, Wayne Bennett, and Pee Wee Crayton) 

"Rockabilly"

(In the style of Chuck Berry, Scotty Moore, Carl Perkins, and Brion Setzer) .

Guitar Notation Legend 

T-BONE WALKER, COLLECTION. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA BLUES,

SPARTITI PER VOCE E CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE.

The T-Bone Walker Collection
Series: Guitar Recorded Version TAB
Artist: T-Bone Walker

This terrific collection features 20 tunes from wildly influential (B.B. King, Chuck Berry, Stevie Ray Vaughan, and Jimi Hendrix, to name but a few) blues legend T-Bone Walker, to whom electric blues and rock music owe their existence. Songs include: Call It Stormy Monday • Don't Leave Me Baby • I Got a Break Baby • It's a Low Down Dirty Deal • Mean Old World • So Blue Blues • T-Bone Boogie • The Time Seems So Long • Vida Lee • and more. Includes an introduction by Dave Rubin and a selected discography.

Inventory #HL 00690132
ISBN: 9780793565344
UPC: 073999901320
Width: 9.0"
Length: 12.0"
96 pages

INTRODUCTION
T-Bone (Aaron Walker, Sr.) was born in Dallas, Texas on May 28, 1910, and died in Los
Angeles, California on March 16, 1975. In his life span, he saw blues develop from the quaint,
parlor blues of the early twenties to the roaring rock of the fifties and sixties. In between he
witnessed first-hand raw country blues that fought its way out of Texas and the Delta, a highly
emotional and driving music that would later become electrified in the hands of Muddy Waters.
Most significantly, along with Charlie Christian and Eddie Durham, he was one of the first to
acquire Gibson's new electric Spanish guitar shortly after it was introduced in 1936. With
amplification, the guitar could now compete on an equal footing as a chordal instrument with the
volume pumped out by pounding pianos and blaring horn sections. Even more importantly, T-
Bone grasped the soloing potential of the electric guitar as he learned to spin out jazzy, lyrical
single-note lines on a par with horn players. Musical history turned on its heels. Electric blues
and, by extension, rock music, owe their very existence to the power and finesse of Mr.T-Bone.
Music was everywhere in the world ofT-Bone's youth. His mother sang blues at home and
gospel in the church. His father was a share-cropper, but his mother remarried to a man who
was fluent on several instruments, who passed his knowledge on to his stepson, encouraging him
to perform professionally. As a lad, T-Bone was one of the chosen few who had the honor of
leading Blind Lemon Jefferson around the dry, dusty streets as he played for tips. Indeed, both the
legendary Jefferson and the great Leadbelly were often guests in his mother's home.
By 1934 T-Bone was an experienced musician, married and out on the road with his own
group. He was singing and playing and, when he could not be heard in those pre-amplification
days, he would dance. Showmanship and entertainment would always be part and parcel of his
gig, as he was a graceful and agile performer.
Eventually the rough life and violence of the juke joints, lumber camps and barrel houses
became wearisome. T-Bone headed west in 1934 to urban Los Angeles and the unpaved streets
of Watts. It was there that he came under the influence of the still-developing jazz and blues of
southern California, what would later be referred to as "club blues." Pianist and silken vocalist,
Charles Brown, was one of the pioneers of this upscale music, and the ambitious T-Bone joined
right in. Still unamped, he became a singer and dancer with Jim Wynn's band.
By 1940 he was with Les Hite's big band, singing jazz and blues and starting to create sparks
with his electric guitar in his off hours away from the bandstand. When Hite's touring band
stopped in New York in June of that year, "T-Bone Blues," with Walker on vocals only, was
recorded and released to minor acclaim. Apart from "Wichita Falls Blues," a Bessie Smith-like
acoustic blues cut in 1929 under the sobriquet "Oak CliffT-Bone," this was his official debut on
record. Though he had been woodshedding on his new axe for several years, it was not until July
1942 that the electric T-Bone was finally recorded on "I Got A Break Baby" and "Mean Old
 

Bye Bye Baby
Don't Leave Me Baby
Evenin'
Go Back To The One You Love
Hard Pain Blues
I Got A Break Baby
I Know Your Wig Is Gone
It's A Low Down Dirty Deal
Low Down Dirty Shame Blues
Mean Old World
No Worry Blues
She Had To Let Me Down
She's My Old Time Used To Be
So Blue Blues
(They Call It) Stormy Monday (Stormy Monday Blues)
T-Bone Blues
T-Bone Boogie
T-Bone Jumps Again
The Time Seems So Long
Vida Lee

TEXAS BLUES, THE ART OF. Toby Wine. CD TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON CD E TABLATURE. 

Series: Guitar Method
Publisher: Cherry Lane Music
Softcover with CD - TAB
Composer: Toby Wine

Learn to play the blues Texas-style! This book/CD pack contains a complete history of the Texas blues style, common blues techniques and ideas for both lead and rhythm guitar, solos by the masters, recorded demos of every example, a suggested reading and listening list, and more! Also includes 10 songs that personify this unique genre:

Be Careful With A Fool
Change It
Dirty Pool
Hide Away
Long Way From Home
(They Call It) Stormy Monday (Stormy Monday Blues)
T-Bone Shuffle
Telephone Song
Tightrope
Wall Of Denial

64 pages

REAL BLUES GUITAR. Iniziando dagli esempi più primitivi e semplici di Shuffle, l'autore ci suggerisce via via numerose varianti spingendoci ad inventarne delle nostre. Sono esaminate tutte le caratteristiche essenziali del Blues, il modo mixolydian, i ritmi le melodie, la parte solista, le scale minori pentatoniche e le scale maggiori pentatoniche fino ad arrivare alla fusione con queste ultime, con esempi presi da, Eric Clapton, Buddy Guy, B.B King, Albert King, Johnny Winter, T-Bone Walker e di Stevie Ray Vaughan. Interessante la parte dei "turnarounds" (parte finale, iniziale o momento di transizione) ove sono a confronto diretto 14 esempi di diversi Bluesmen nei quali risalta come, anche pur suonando praticamente le stesse note, ognuno esprime il suo carattere. CD di oltre 48 minuti. LIBRO CON CD E TABLATURE

LIBRO METODO DI MUSICA BLUES, CON CD.

SPARTITI PER CHITARRA.

ACCORDI, PENTAGRAMMA E TABLATURE. 

By Kenn Chipkin
SERIES: Contemporary Guitar Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

The only blues guitar method that captures the authentic feel of the blues. Beginning with basic rhythm and lead guitar techniques, the book systematically guides you through the styles of blues guitar masters such as Albert King, B.B. King, Stevie Ray Vaughan, T-Bone Walker, Johnny Winter, and more. With tablature.