CHITARRA - GUITAR

MARIACHI METHOD FOR GUITAR BOOK 2 CD TABLATURE LIBRI CHITARRA METODO LA BAMBA-CIELITO LINDO

MARIACHI METHOD FOR GUITAR. CD TAB.

Beginning Level · English Edition
Series: Guitar Educational
Publisher: Mixta Music Publishing
Medium: BOOK W/CD
Author: Michael Archuleta

The Mariachi Method Book transforms the traditional verbal teaching of this time-honored genre into a written text. This book is especially designed to teach the beginning player the fundamentals of Mariachi guitar. It contains lessons that introduce the primary chords, followed by easy exercises, new rhythm patterns and great songs to put your new Mariachi knowledge to use. The two accompanying CDs provide a teaching soundtrack to guide you through the exercises, rhythms and songs. 80 pages

Price: €34,99
€34,99

MARTIN BOOK THE A COMPLETE HISTORY OF MARTIN GUITARS Walter Carter LIBRO CHITARRA

 

 

THE MARTIN BOOK. 160 pagine. Walter Carter

 

A COMPLETE HISTORY OF MARTIN GUITARS,

UPDATED EDITION WITH NEW PICTURES AND REVISED TEXT

MARTIN & CO. ET 1833

 

Series: Book

Publisher: Backbeat Books

Medium: Softcover

Author: Walter Carter

The Martin Book

 

For over 170 years the C.F. Martin company has produced some of the finest flat-top acoustic guitars in the world. Martin's designs for the shape and construction of these instruments have influenced virtually every other manufacturer, and the flat-top guitar as we know it today is essentially the same as that established by Martin in the 1850s. At one time or another Martin's guitars have driven the sound of every kind of popular music, from country to pop, from bluegrass to rock 'n' roll, and with the current resurgence of acoustic music, Martin's premier guitars are once more finding a new generation of enthusiastic musicians. The Martin Book is a fresh view of this extraordinary guitar maker, pulling together many strands of musical and manufacturing lore into a fascinating whole that illuminates Martin's long and varied history. Dozens of specially commissioned full-color photographs show every kind of Martin model, some of which come from Martin's own unique collection. Meticulous listings for collectors and enthusiasts simplify the identification of Martin instruments and detail virtually every guitar that the company has produced since the early 1830s.

 

Inventory #HL 00331417

ISBN: 9780879308872

UPC: 884088064082

Publisher Code: 0879308877

Width: 8.5"

Length: 11.0"

160 pages

 

For over 170 years the C.F. Martin company has produced some of the finest flat-top acoustic guitars in the world. Martin's designs for the shape and construction of these instruments have influenced virtually every other manufacturer, and the flat-top guitar as we know it today is essentially the same as that established by Martin in the 1850s. At one time or another Martin's guitars have driven the sound of every kind of popular music, from country to pop, from bluegrass to rock 'n' roll, and with the current resurgence of acoustic music, Martin's premier guitars are once more finding a new generation of enthusiastic musicians. The Martin Book is a fresh view of this extraordinary guitar maker, pulling together many strands of musical and manufacturing lore into a fascinating whole that illuminates Martin's long and varied history. Dozens of specially commissioned full-color photographs show every kind of Martin model, some of which come from Martin's own unique collection. Meticulous listings for collectors and enthusiasts simplify the identification of Martin instruments and detail virtually every guitar that the company has produced since the early 1830s. 160 pages

 

Martin is the oldest and most respected name among American instrument makers - not just guitar makers but makers of all instruments. The guitar world, Martin had been established for over 50 years when Orville Gibson started carving the tops and backs of mandolins in the 1890s, over 100 years when Leo Fender started putting pickups on solid guitar bodies in the 1940s. Martin carried on steadily as such important names as Washburn, Epiphone, Gretsch, National, Vega, Kay, and Harmony arose, flourished, and perished. Unlike most of the great names in the guitar world, Martin never became a big company. From a one-man shop, it grew into a small-town factory; even at its all-time height of production in the 1960s, Martin turned out less than 20 percent of the guitars that Gibson was producing at the time. Martin's quality fell off with the increased production of the late 1960s and 1970s, but the company learned its lesson well in the lean years of the late 1970s and early 1980s. In the 1990s, with respect and demand for Martins once again exceeding production capabilities, the company planned only a small, cautious expansion, refusing to sacrifice quality for quantity. At the summer 1993 National Association of Music Merchants (NAMM) trade show, dealers were told that Martin was back-ordered for one year. They still ordered Martins - a testament to the quality signified by the Martin name. Martin's longevity is not hard to explain. CF. Martin, who founded the company in 1833, transformed the European guitar into a new, uniquely American instrument. The flat-top guitar we know today is larger, and it has steel rather than gut strings, but otherwise it is not much different from the instruments Martin was making by 1850. All the company had to do was to keep on making guitars the same way that CF. did. Martin was enticed at times into unfamiliar markets by the surging popularity of mandolins, banjos, and electric guitars - but flat-top guitars remain the backbone of the company's fortunes. Unlike Gibson's mandolins and acoustic archtop guitars, unlike Fender's electric solidbody guitars, Martin's guitars did not effect any revolutionary changes in popular music. CF. Martin's X-braced flat-tops of 1850 were well accepted but they did not start everyone playing guitar (everyone was playing banjo at that time). Martin instruments played an important role in the guitar'S rise to prominence in the 1930s, but the innovations that sparked the movement should for the most part be credited to other makers. Martin guitars certainly epitomized the folk boom of the 1960s, but the guitars themselves had been developed decades earl ier. Rather than leading any musical movements, Martin guitars have provided a foundation for popular music - a consistent, solid base that has always been there, regardless of what style of music was the current rage. Consistency goes a long way in explaining Martin's success, but there is more. You don't have to walk into the factory to see that Martin is a different kind of company. From the outside it looks more like an elementary school from the 1960s than an industrial facility - an image underscored by its location in a residential area. Perhaps the key is a sense of humanness that comes from family. In 1833 the company was founded by a man named CF. Martin; in the twenty-first century the chairman is still a man named CF. Martin. In the context of family ownership, there is today no company quite like Martin. Neither Orville Gibson nor Leo ...

 

Price: €29,99
€29,99

MATTHEWS DAVE BAND Guitar Legendary Licks 1994-2001 CD TABLATURE Ants Marching-The Best of What's Around-Crash into Me-Crush-Don't Drink the Water-I Did It-Satellite-So Much to Say-Stay (Wasting Time)-Too Much - What Would You Say.

 

MATTHEWS DAVE BAND Guitar Legendary Licks 1994-2001. CD TABLATURE

Dave Matthews Band Guitar Legendary Licks 1994-2001
Series: Guitar Educational
Publisher: Cherry Lane Music
Format: Softcover with CD - TAB
Artist: Dave Matthews Band
Author: Lois Dilivio

The Legendary Licks series presents the music of a band or artist in a comprehensive play-along package. Each book contains note-for-note transcriptions and detailed performance notes on how to play with a multitude of classic licks, fills, riffs, and solos – complete with recorded demonstrations on CD. Slowed-down versions are also onthe CD for the fast and tricky passages. This pack teaches 12 of DMB's best: Ants Marching - The Best of What's Around - Crash into Me - Crush - Don't Drink the Water - I Did It - Satellite - So Much to Say - Stay (Wasting Time) - Too Much - What Would You Say.

Inventory #HL 02500374
ISBN: 9781575604497
UPC: 073999185140
Width: 9.0"
Length: 12.0"
64 pages

gear setup

Ants Marching
The Best Of What's Around
Crash Into Me
Crush
Don't Drink The Water
I Did It
Satellite
So Much To Say
The Space Between
Stay (Wasting Time)
Too Much
What Would You Say

Introduction

The 12 singles represented here reveal the depth and breadth of the Dave Matthews Band's ideas and sounds from Under the Table and Dreaming to Everyday. From the philosophical "The Best of What' Around," to the pop perfection of "Too Much," to the soulful "Stay (Wasting Time)," straight on into the plugged-in and stripped-down "I Did It," the Dave Matthews Band has proved time and again the true nature and level of their artistty, as well as their personal drive to express themselves via whatever means necessary.
Dave Matthews Band has collectively walked a career path very different from many of its contemporaries.
Dave himself was born in South Africa in 1967 and grew up in not just that part of the world, but in England and Westchester, New York, as well. While the family was residing in Westchester, Dave's father John, a physicist, died; his mother Val moved the family back to South Africa not long after. Dave continued to reside there until he was called to serve in the army of the Apartheid government. Rather than join this army, he returned to the States, passing through New York before finally joining his family in Virginia.
After spending some time in a community college, Dave found himself working as a bartender at Miller's, a bar in Charlottesville. He had played some piano as a child, and had begun to play the guitar at about age nine. He was inspired by the musicians he heard and met in the community-Peter Griesar, Carter Beauford, Stefan Lessard, LeRoi Moore, and Boyd Tinsley. He also met guitar whiz Tim Reynolds, who would become a virtual "sixth" band member, contributing heavily to the first four albums as well as eventually touring with Dave as a duo. Dave wrote several songs, and with the encouragement and guidance of friends, he cut a demo with five of the local musical heavyweights. These musicians "clicked" from day one.
It soon became clear that the combination of Dave on vocals and guitar, Carter Beauford on drums, Stefan Lessard on bass, LeRoi Moore on sax, and Boyd Tinsley on violin was formidable-the Dave Matthews Band juggernaut had started to roll. The band made it dear that they allowed and even welcomed the bootlegging of their shows. In return, their fans rewarded them with devotion. At the time they were about to release their independently produced Remember Two Things in ovember of 1993, the band's reputation had grown so great that they essentially had their pick of major label deals. They signed with RCA.
The 1994 release Under the Table and Dreaming entered the Billboard charts at #34, went to #11 on the Billboard 200, and received a Grammy nomination for "What Would You Say." Two years later, Crash debuted atfr'2 and received Grammy nominations for the album itself and for the songs "So Much to ay."
"Crash into Me," and 'Too Much." Steve Lillywhite was the producer of these two releases plus the next- Before These Crowded Streets-which shipped at #1 on the Billboard charts.
In January of 2000, the band assembled to record. In June, three months behind schedule, the band and the record company listened to the material and agreed that they needed to rework their efforts. To paraphrase Dave, they were songs about dying, not songs about living. regardless of the fact that we're all going to die. Dave was subsequently introduced to Glen Ballard who had interned with Quincy Jone and produced for Alanis Morrissette, No Doubt, and Aerosmith, among many others. Dave and Glen holed themselves up for ten days and wrote the 12 new songs that became Everyday. It debuted at #1 on the Billboard charts, selling more than 700,000 copies in its first week of release.
Jot content to confine their activities to the musical area, the Dave Matthews Band established the Barna Works Foundation, an institution through which the band contributes to charities such as the American Diabetes Association, the Boys and Girls Clubs of America, the Southern Environmental Law Center. And various Charlottesville-area clinics and community centers.


Dave Matthews Band 1994-2001

The Legendary Licks series presents the music of a band or artist in a comprehensive play-along package. Each book contains note-for-note transcriptions and detailed performance notes on how- to playa multitude of classic licks. fills. riffs. And solos-complete with recorded demonstrations. Slowed-down versions are also on the CD for the fast and tricky passages.

- NOTE-FOR-NoTE TRANSCRIPTIONS
- CD WITH RECORDEDDEMONSTRATIONS
- PERFORMANCE NOTES
- GEAR SETUPS

CHERRY LANE MUSIC COMPANY
 

Price: €20,99
€20,99

101 TIPS & TRICKS FOR BLUES GUITAR. Chris Hunt CD TABLATURE

101 TIPS & TRICKS FOR BLUES GUITAR. CD TAB.

Series: Guitar Educational
Publisher: Cherry Lane Music
Softcover with CD - TAB
Author: Chris Hunt

From tips on performing with a band to improving your tone to copping the essential techniques of the blues greats and beyond, this book is chock full of pointers to help everyone from the beginning student to the seasoned pro. Here, you'll learn how to: play with the band - become a strong rhythm player - use the full range of the guitar's natural tone - find the right kind of pickup - and much more. You'll also learn a multitude of techniques, licks and riffs. The CD includes demonstration tracks. 44 pages

Price: €13,50
€13,50

MORSE STEVE BEST OF BAND AND DIXIE DREGS Cherry Lane Music Play It Like It Is TABLATURE GUITAR

MORSE STEVE, BEST OF BAND AND DIXIE DREGS. TABLATURE

Series: Play It Like It Is
Publisher: Cherry Lane Music TAB
Artist: Dixie Dregs
Artist: Steve Morse Band

 

I always consider the beginning of a new year a good time to think about what has worked well and what could stand some improvement. Since I've spent most of the last year seeing the world with Deep Purple, my perspective is definitely different now. Let me tell you some of the things that stick out as great foundations for new motivation. I'll put them in two categories. Things To Improve. Practicing habits. While I generally can find enough time in noisy environments to do some technical warmup and things that don't require too much concentration, I have found that my only truly quiet time is late after the gig in my hotel room. I should find a way to set aside more quiet time during the day to be with my guitar. My theory is that two small but effective sessions a day can be more productive than one longer single session. Sometimes when I'm having a problem getting ready to start a run of dates, I find that practicing twice a day provides more benefit than the total number of minutes spent might suggest. A more balanced diet. I definitely ate too much pizza in too many countries. But, on the other hand, it was the only thing I could recognize in many places. I should be more amazed at life itself instead of having to experience a nearly perfect gig to feel uplifted on the road. Many people within the group had friends or family fall ill or even die during the course of the last year. Since it eventually happens to everyone, I guess all of us get somewhat dulled to the fact that just being alive is miraculous. And often, the more you see someone and the more time you spend with them, the more you take them for granted. Sleep. I really must figure out how to get sleep like a normal person. Changing time zones as often as tempos from song to song just flips out my internal clock. On the other hand, I should look at the positive side of being a very light sleeper-I could be a great guard dog. I must remember what a reasonably priced nation the U.S. is. Everywhere else I go constantly reminds me of that fact. I will try hard to remember that this year, as I quickly adjust back to normal outrage at the prices of things today. Amazingly, the things that are available in the U.S. that come from abroad are almost always less expensive here. Our social interaction. Many other countries seem to have safe streets, where residents enjoy community events with no fear of walking or riding bikes in any part of their cities. It's up to us to say enough is enough. Writing a sentence about it won't change much, but what if everyone just suddenly knew that it didn't have to keep on getting worse? Someone once told me that we get what we settle for. Hmmrn .... Things That Were Cool. Getting to talk to my five-year-old son every day. He is at an age where he can entertain me on the phone with his unique views on the way things are. My favorite time was when he asked me to hold on while he got something to eat. I thought he was just going to grab something and come right back to the phone. But since I was paying the Moscow rate of eight dollars a minute from the hotel because of some problem with my carrier, of course he just forgot to return to the phone. After holding for ten minutes then trying back until they hung up the phone, he then requested that I make up another story to tell him. Well, I never will get tired of doing that. I have been surrounded by great, supportive people in the group. I will never again underestimate the importance of good chemistry between people. Two nights ago I had a terribly frustrating technical problem all through the show and I was not handling it very well, especially at first. Everyone was surprisingly helpful in getting me past the point of ruining the show for myself. Instead of getting upset at me for showing some frustration, vocalist Ian Gillan came over and said that he's really glad that I have that much passion for what I am doing. That made all the difference in the world. One minute life sucks, the next I'm feeling thankful. Everyone knew exactly what I was going through and naturally chose to help up one of their wounded. That's good chemistry, and I still don't know if it's luck or destiny or effort that makes it happen, but I'm glad it does. There's also plenty of stories like that from every group I've worked with. When I was a kid wanting to start a band, that was the main reason I was drawn to it. You know, the total really is greater than the sum of its parts. Foreign exchange. If you ever went to a club gig of the Dregs or my band, you could almost always talk to me afterwards. It's kind of normal to be somewhat accessible when you're playing clubs, especially if you're in a band that's doing multiple sets. I got into the habit of greeting those who stuck around after the show because of a guitarist who spent some time talking to me when I was a kid at one of my first shows. In the process of this last year, I've met and learned about a lot of people from many places, backgrounds, and professions. It has been some of the most valuable education in my whole life. Good will. I've met busloads of Croatians traveling a long way to see the show, and other hard-working people in nearly every country who travel great distances to be a part of it. People everywhere have brought gifts, good wishes, enthusiasm, and energy to those large places that our fearless crew has seen every day at setup time. I've seen opening bands bust their butts to get on and off stage on time after driving all night. I've seen people plan their vacations around the tour because they love the energy of live music. Yeah, again and again, I always have to agree that music can strike pretty deep.

13 rockin' guitar transcriptions of Steve's playing in Dixie Dregs and the Steve Morse Band. Plus a bio and notes from Steve Morse. 112 pages

Country Colors
Cruise Control
Flat Baroque
General Lee
Highland Wedding
Ice Cakes
Point Counterpoint
Punk Sandwich
Refried Funky Chicken
Road Expense
Southern Steel
Take It Off The Top
Twiggs Approved

Price: €29,99
€29,99

SANTANA LATIN ROCK KEY OF Gm Guitar Quick Licks Stuart Bull DVD LEZIONE CHITARRA MUSICA

SANTANA, LATIN ROCK KEY OF GM, Guitar Quick Licks, Bull. DVD

Product Description:
Learn Latin rock licks in the style of Carlos Santana, whose blend of salsa, rock, blues and jazz fusion, made him one of the most acclaimed guitarists of our time! Also includes guitar jam track. Lessons by Stuart Bull.

Each Quick Licks DVD includes an arsenal of licks in the style of your chosen artists to add to your repertoire, plus backing tracks to practice your new licks and techniques. 62 minutes.

Price: €32,99
€32,99

60 PROGRESSIVE SOLOS FOR CLASSICAL GUITAR Bach Handel Mozart Beethoven Brahms CD TABLATURE

 

60 PROGRESSIVE SOLOS FOR CLASSICAL GUITAR, Featuring the Music of the World's Greatest Composers: Bach, Handel, Mozart, Beethoven & Brahms. CD TABLATURE

Series: Guitar
Publisher: Cherry Lane Music TAB
Arranger: Mark Phillips

Most classical guitar folios feature compositions by the lesser-known “guitar” composers. This collection, however, exclusively features music by the world's most renowned composers. The works of Johann Sebastian Bach and George Frederick Handel represent the culmination of the Baroque era. Wolfgang Amadeus Mozart stands at the summit of the Classical era. Ludwig van Beethoven straddles the Classical and Romantic eras, and Johannes Brahms is the giant of the Romantic era. For educational purposes, the pieces have been organized in order of difficulty within each composer's section. In addition, complete performances of all pieces can be heard on the accompanying CD. Enjoy! Includes: Jesu, Joy of Man's Desiring • The Harmonious Blacksmith • Ode to Joy • Lullaby • and more.
Inventory #HL 02500584
ISBN: 9781575606286
UPC: 073999887044
Width: 9.0"
Length: 12.0"
120 pages
 

Air - Composed by Johann Sebastian Bach

Bourree - Composed by Johann Sebastian Bach

March from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Minuet 1 - Composed by Johann Sebastian Bach

Minuet 2 - Composed by Johann Sebastian Bach

Minuet 3 from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Minuet 4 - Composed by Johann Sebastian Bach

Minuet 5 from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Minuet 6 from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Air (Originally Untitled) from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

A Child Is Born in Bethehem - from Cantata n.65 - Composed by Johann Sebastian Bach

Chorale from the notebook for Anna Magdelena - Composed by Johann Sebastian Bach

Jesu, Joy Of Man's Desiring - Composed by Johann Sebastian Bach

Jesu, Meine Freude (Chorale) - Composed by Johann Sebastian Bach

The Harmonious Blacksmith - Composed by George Frideric Handel

Gavotte - Composed by George Frideric Handel

Sarabande - Composed by George Frideric Handel

Minuet - Composed by George Frideric Handel

Adagio 1 - Composed by George Frideric Handel

Adagio 2 - Composed by George Frideric Handel

Adagio 3 - Composed by George Frideric Handel

Bourree 1 - Composed by George Frideric Handel

Bourree 2 - Composed by George Frideric Handel

Bourree 3 - Composed by George Frideric Handel

Allegro 1 - Composed by George Frideric Handel

Allegro 2 - Composed by George Frideric Handel

Andante - Composed by George Frideric Handel

Theme - Composed by Wolfgang Amadeus Mozart

Minuet 7 - Composed by Wolfgang Amadeus Mozart

Trio 1 - Composed by Wolfgang Amadeus Mozart

Trio 2 - Composed by Wolfgang Amadeus Mozart

Andante 1 - Composed by Wolfgang Amadeus Mozart

Andante 2 (2nd Movement) From Piano Concerto n.20 - Composed by Wolfgang Amadeus Mozart

Andante 3 (2nd Movement) From Piano Concerto n.15 - Composed by Wolfgang Amadeus Mozart

Allegro (1st movement theme) from Piano Concerto n.13 - Composed by Wolfgang Amadeus Mozart

Russian Folk Tune - Composed by Ludwig van Beethoven

Pretty Minka - Composed by Ludwig van Beethoven

German Dance 1 - Composed by Ludwig van Beethoven

German Dance 2 - Composed by Ludwig van Beethoven

Ecossaise - Composed by Ludwig van Beethoven

Country Dance - Composed by Ludwig van Beethoven

Landler (Tyrolean Air) - Composed by Ludwig van Beethoven

Ode to Joy - Composed by Ludwig van Beethoven

Dance - Composed by Ludwig van Beethoven

Bagatelle 1 - Composed by Ludwig van Beethoven

Bagatelle 2 - Composed by Ludwig van Beethoven

Lullaby - Composed by Johannes Brahms

Symphony No. 3 (3rd Movement) - Composed by Johannes Brahms

Waltz 1 (Op. 39, No. 02) - Composed by Johannes Brahms

Waltz 2 (Op. 39, No. 15) - Composed by Johannes Brahms

Like a Melody - Composed by Johannes Brahms

These pieces are organized in order of difficulty within each composer's section.

Price: €27,99
€27,99

STERN MIKE THE BEST OF Guitar Recorded Version TABLATURE LIBRO SPARTITI CHITARRA ACCORDI

STERN MIKE, THE BEST OF. 184 Pagine. TABLATURE

The Best of Mike Stern
Series: Guitar Recorded Version TAB
Artist: Mike Stern

17 guitar transcriptions with tab from this jazz guitarist who got his start playing with Miles Davis in the '80s. Includes: Chromozone • Little Shoes • Mood Swings • Nardis • Sunnyside • There Is No Greater Love • Wing and a Prayer • and more.

Music Transcriptions by Pete Billmann, Jeff Jacobson, Paul Pappas
Cover Photo by George Lange

Inventory #HL 00690655
ISBN: 9780634068003
UPC: 073999888966
Width: 9.0"
Length: 12.0"
184 pages

One of the premier guitarists of his generation, the three-time Grammy nominee was born
on January 10, 1953 in Boston. After growing up in Washington D.C., he returned to Boston
to study at the Berklee College of Music and got his start as a guitar player with Blood,
Sweat & Tears at the age of 22. Following a stint with Billy Cobham's powerhouse fusion
band from 1979-1980, Mike moved to New York City and was recruited by Miles Davis and
played a key role in his celebrated comeback band of 1981 (which also included bassist
Marcus Miller, drummer AI Foster, percussionist Mino Cinelu and saxophonist Bill Evans).
During his three-year period with Miles, Mike appeared on three recordings with the jazz
maestro - Man with the Horn, Star People and the live We Want Miles. From 1983 to 1984,
he toured with Jaco Pastorius' Word of Mouth band and in 1985 returned to Miles' lineup
for a second tour of duty that lasted close to a year.
In the summer of 1986, Stern went out on the road with David Sanborn and later joined an
electrified edition of Steps Ahead which featured Mike Mainieri on midi vibes, Michael
Brecker on the Electronic Wind Instrument (EWI), Darryl Jones on electric bass and Steve
Smith on drums. Stern made his first recording as a leader for the Japanese Trio label
(1985's Neesh) before making his debut on Atlantic Records in 1986 with Upside Downside,
featuring such celebrated colleagues as Sanborn, Pastorius, saxophonist Bob Berg,
bassists Mark Egan and Jeff Andrews, keyboardist Mitch Forman and drummers Dave
Weckl and Steve Jordan. From 1986 through 1988, Mike was a member of Michael
Brecker's potent quintet, appearing on Don't Try This at Home. Stern's second Atlantic
album, 1988's Time in Place, continued the promise of his debut. He followed that in succession
with 1989's Jigsawand 1991's Odds or Evens, both of which ably showcased his
legendary guitar prowess and musicality. During this period he also formed a touring group
with saxophonist Berg that included drummer Dennis Chambers and bassist Lincoln
Goines. They remained a working unit from 1989 to 1992, at which point Stern joined a
reunited Brecker Brothers Band, appearing on 1992's Return of the Brecker Brothers. (Other
notable sideman credits include work with the late, great tenor saxophonist Joe Henderson
and the recent live recording 4 Generations of Miles, in which the guitarist joins with other
Miles Davis alumni George Coleman on tenor sax, Jimmy Cobb on drums and Ron Carter
on bass).
Mike's acclaimed 1993 Atlantic Jazz release, Standards (And Other Songs), led to him being
named Best Jazz Guitarist of the Year by the readers and critics of Guitar Player magazine.
He followed that up with two hard-hitting offerings in 1994's Is What It Is and 1996's
Between the Lines, both of which received Grammy nominations. In 1997, Stern recorded
Give and Take with bassist John Patitucci, drummer Jack DeJohnette, percussionist Don
Alias and special guests Michael Brecker and David Sanborn. Their freewheeling covers of
Sonny Rollins' "Oleo," John Coltrane's "Giant Steps:' Cole Porter's "I Love You" and Jimi
Hendrix's "Who Knows" helped Mike earn the Orville W. Gibson Award for Best Jazz
Guitarist that year. Stern's ninth release for Atlantic was a six-string summit meeting with
colleagues Bill Frisell and John Scofield that was appropriately titled Play. 2001's Voices,
his first foray into vocal music, earned Mike his third Grammy nomination. And now he ups
the ante with These Times. Stern's 12th release as a leader and debut on BHM Productions
stands as one of the best.


Chromozone
Jigsaw
Like Someone In Love
Little Shoes
Mood Swings
Nardis
Odds Or Evens
Play
Sunnyside
Swunk
That's What You Think
There Is No Greater Love
Time In Place
Tipatina's
Upside Downside
What I Meant To Say
Wing And A Prayer

Price: €26,99
€26,99

YOU CAN PLAY JAZZ GUITAR, Mike DeMicco 3 DVD Mike Stern, Tal Farlow, John Coltrane

 

YOU CAN PLAY JAZZ GUITAR, Mike DeMicco. 3 DVD

You Can Play Jazz Guitar
3-DVD Set
Series: Instructional/Guitar/DVD
Publisher: Homespun Video
Format: DVD
Author: Mike DeMicco

This comprehensive method is clear, accessible and highly informative. Mike DeMicco has devised the essential series that's perfect for anyone eager to play jazz guitar. This complete method contains an enormous amount of information, from improvising on II-V-I chords to arranging a complex jazz standard. Mike teaches scales, modes, voicings and other important basics, then shows how to put them to use. Mike then presents dozens of examples to show how to create dazzling solos over chord changes. He uses styles developed by Mike Stern, Tal Farlow, John Coltrane and others to explain how to use solo lines, passing tones and other devices to create personalized improvisations. Starting with his bebop-oriented tune “Boptology,” Mike shows how to build creative solos, challenging players to find their own voice. The melody of this tune is a complete study tool as it illustrates a compelling synthesis of several jazz styles. Mike then takes apart the classic Victor Young standard “Love Letters” to fully discuss chord melodies and new ideas for soloing. Over 3 hours.

Inventory #HL 00641959
ISBN: 9781597731409
UPC: 884088061715
Publisher Code: DVDDEMGT29
Width: 5.25"
Length: 7.5"

Price: €79,99
€79,99

FLUID SOLOING BOOK 1 ARPEGGIOS FOR LEAD ROCK GUITAR Tim Quinn CD TABLATURE CHITARRA

FLUID SOLOING BOOK 1, ARPEGGIOS FOR LEAD ROCK GUITAR. Tim Quinn. CD TAB.

Product Description:
A modern arpeggio handbook and comprehensive training manual for developing fast, flowing arpeggio runs that connect the entire fretboard. Emphasis is on developing fluid, non-shifting arpeggio patterns (across the neck) using hammer-ons and pull-offs for speed and fluidity; and also on developing smooth position-shifting arpeggios (along the length of the neck) using slides. These two types of motion are then connected and combined in an extensive collection of soloing etudes for full assimilation. The result is a complete system of arpeggio pathways that connects every part of the fretboard and facilitates maximum speed, fluidity, and range. Complete whole-neck connections are presented for major 7th, dominant 7th, minor 7th, minor 6th, half-diminished, diminished 7th, major triadic and minor triadic arpeggios.

This book is for all guitarists who are serious about improving their ability to solo over chord progressions using arpeggios, in any style of music; including rock, jazz, fusion, blues, country or pop. Having the ability to instantly outline any chord in a song with a fluid arpeggio run (no matter where your hand is on the neck) is immensely valuable for every guitarist. This book methodically teaches you the skills that make this possible. Loaded with melodic arpeggio passages that can be applied to your music immediately, this is perhaps the most practical and powerful arpeggio book ever written. CD included. Standard notation and Tablature.

Format: Book/CD Set

introduction
section one: RAPID FIRE ARPEGGIOS
NON-SHIFTING - Fast & fluid arpeggio patterns for Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(b5), Minor 6, Major Triadic, Minor Triadic chords. Arpeggios are presented in seven different sets. Each set is identified by a number that indicates the string with the lowest root and the finger that plays it in that set (for example, Set 5-1 arpeggios have the root on the 5th string fretted with the 1st finger).Set 5-1 Arpeggios
Set 6-1 Arpeggios
Set 5-4 Arpeggios
Set 6-4 Arpeggios
Set 4-1 Arpeggios
Set 6-2 Arpeggios
Set 5-2 Arpeggios

Practice Suggestions
Soloing Etudes
section two: EXTENDED ARPEGGIO RUNS
POSITION-SHIFTING - Fluid, melodic exercises for whole-neck motion.

Arpeggio Runs with a 16th Note Feel
(3 runs each for: Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(f5), Minor 6, Major Triadic, Minor Triadic)
Arpeggio Runs with a Triplet Feel
(3 runs each for: Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(f5), Minor 6, Major Triad, Minor Triad)

Practice Suggestions
Soloing Etudes

Appendix: "Guide For Using This Book"
Tablature Symbols Key
106 PAGES

Price: €29,99
€29,99
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