CHITARRA - GUITAR

DE LUCIA PACO LA FABULOSA GUITARRA DE-TABLATURE LIBRO SPARTITI CHITARRA FLAMENCO

DE LUCIA PACO, LA FABULOSA GUITARRA DE. TAB.

Paco de Lucía applied modern harmony to the flamenco guitar, exerting a huge influence on the flamenco world. He also advanced guitar technique and established the cajon, a boxlike Peruvian percussion instrument, as a mainstay in flamenco ensembles, further elaborating and solidifying the rhythmic foundation and influencing all facets of the flamenco art form, be it dance (baile), song (cante) or guitar performance (toque). This volume marks the first in a series of collections of chronologically transcribed recordings by this consummate guitarist; It presents works from his first recording, La fabulosa guitarra de Paco de Lucía including: Barrio la viña -De madruga -Farruca de Lucía -Ímpetu -Jerezana -Llanto a Cádiz -Punta del Faro -Punta Umbría. Every effort was made to accurately render this music in standard notation and tablature ultimately approved by the artist himself. A foreword, explanation of notation symbols, and generous performance notes are included in Spanish, English and French.

Price: €59,99
€59,99

DE LUCIA PACO, FANTASIA FLAMENCA. TABLATURE

DE LUCIA PACO, FANTASIA FLAMENCA. Aires de Linares -Mi inspiración -Guajiras de Lucía -Mantilla de Feria -El tempul -Panaderos flamencos, Generalife bajo la luna -Fiesta en Moguer -Lamento Minero -Celosa. Testo en Español, inglés e francés. TABLATURE

Tested and certificated by Paco de Lucía, in persona.

Product Description:

Second in a series of “official” chronological transcriptions of the recordings of renowned flamenco guitarist Paco de Lucía, this book presents ten pieces from his second album, Fantasía flamenca de Paco de Lucía. Meticulously transcribed in standard notation and tablature, selections include: Aires de Linares, Mi inspiración, Guajiras de Lucía, Mantilla de feria, El Tempul, Panaderos flamencos, Generalife bajo la Luna, Fiesta en Moguer, Lamento minero, and Celosa. A foreword, explanation of notation symbols, helpful tips and generous performance notes are provided in English, Spanish and French.

Product Number: 901310315
Format: Book
ISBN: 9790901310315
UPC: 
ISBN13: 9790901310315
Series: RGB ARTE VISUAL
Publisher: RGB ARTE VISUAL
Date Published: 5/27/2004

 

FOREWORD
These last twelve months have been extraordinary. My work as a guitarist have been very intense. I went to the Persian Gulf representing Spain in a crowded festival as a member of a Flamenco Group from Cadiz. This activity lasted forty days with a temperature of 40 degrees Celsius (122° F) !1. After that, I have been playing along Malaga province and Costa del Sol.... Fortunately, this great invention called "laptop" has permitted me to pass a lot of hours working on these astonishing TEN PIECES from the "Genius of Algeciras", that DE LUCIA GESTION is pleased to present to all of you.
 
"Aires de Linares" (Linares (1) tunes), is a "taranta", a free-rhythm style that belongs to the group of styles born in Levante.(2) This piece is played in the traditonal mode phrygian F sharp. It is very important to study carefully the left hand slurs, (mixing hammer on .lnd pull off techniques), to get a good performance.
 
"Mi Inspiracion" (My Inspiration) is an "alegria". (a joyful style born in Cadiz, (3) played in a twelve beat rhythm, as the
 
"solea" and "bulerias" ,but with a faster rhythm than the "solea" and slower than the "Bulerias". "Alegrias" are mostly composed in major tonalities, although it's frecuent to include in this style some slower parts played in minor mode, and then tum back to a faster rhythm in major mode again. Notice this piece needs to tune the 6th string in D.
 
"Guajiras de Lucia" It is a "guajira"( 4). This style is performed alternating 6/8 and 3/4 rhythm, in the same way
"siguiriya" does, but the mode is major here, mostly A, with a brighter "tempo". This piece is really an inmortal masterpiece, a true flamenco "standard", I, personally, have listened it to several classical guitarists in their concerts.
 
"Mantilla de Feria"(5): This beautiful flamenco piece was composed by Esteban de Sanlucar, a flamenco guitarist of the old times.. It is a true concert work We must tune 6th string in D and 5th string in G to perform it.
 
"El Tempul" is a "buleria" with and ending part in minor tonality where Paco shows his unrivaled virtuosity and his extraordinary rhytmic mastery. Notice the special type of "rasgueo" (strum) used from bar 37, performed with right hand ring and index fingers.
 
"Panaderos flamencos" (Flamenco bakers) is another classical piece by Esteban de Sanlucar played in A major, with a 3/4 rhythm, and a similar "tempo" to "Bulerias" style. The speed in the scales combined with the rasgueo rhythmics are a challenge to test the skills of any guitarist hands
 
"Generalife bajo la luna" (The Generalife (6) under the moon). It is a "granaina", a free rhythm style, whose origin is Granada. (Granaina means -from Granada-). This peace is composed in flamenco phrygian B. I recommend to mind the performance of the long arpeggios which include open and pressed strings in the high parts of the fretboard, producing wonderful chords. The same thing can be said about the scale in bar 57, where you have notes with open and pressed strings in frets VII, VIII, or IX, getting a sonority. (let me say it!!) so "crazy"!!
"Fiesta en Moguer"(7) is a "fandango"; this type is called "free fandango, played in phrygian A. Although all fandango types obey to a ternary rhythm, in this case the "compas" (rhythm) is not as rigurous as in the "fandangos de Huelva", so the player has more freedom to perform it.
 
"Lamento Minero" (Mining Sorrow) is a "minera", another style from the Levante region, composed in phrygian G sharp, where Paco includes new harmonizations with a lot of inverted chords whose different soundings seem Flamenco is being "reinvented.". Both in this piece and in "Aires de Linares", a special flamenco technique is used. It is an up & down complete arpeggio. The way to perform it is as follows: It begins with a thumb stroke on 6th string, another on 5th , another on 4th followed by an indexstroke in 3rd, middle stroke in 2nd ,and then the ring finger strikes on the 1st string going up through the strings playing them in the opposite order: 2nd , 3nd 4th, 5th and 6th . To do it properly, please notice the thumb must rest on 5th and 4th strings but not on 3rd. Both index and middle finger don't rest either on the strings (It is an arpeggio movement) but ring finger rest on the 2nd stringafter playing the first and goes up playing and resting on all the strings until 6th . This same technique is often performed begining with a thumb stroke in 4th string, continuing in the same way.
 
"Celosa" (Jealous woman) is a "solea por medio"(8), that is to say it is performed in phrygian A. This piece style is called "solea por bulerias" (solea performed in bulerias style). In next volumes we will see the differences between the "pure solea" and the "solea por bulerias". This one has a brighter rhythm and a "tempo" similar to "alegrias". In several pieces of thi book, we can recognize "falsetas"(9) used by Paco in recording °th The Genius of San Fernando" the genial ...
Price: €55,99
€55,99

HAYNES WARREN GUIDE TO SLIDE GUITAR BOOK CD TABLATURE LIBRO SPARTITI CHITARRA MUSICA

HAYNES WARREN, GUIDE TO SLIDE GUITAR. CD TABLATURE

Learn the slide guitar stylings of Warren Haynes from the man himself! The legendary guitarist of Gov't Mule, Phil Lesh and Friends, the Grateful Dead, and the Allman Brothers Band offers instructions on choosing a slide, perfecting left- and right-hand techniques, playing rhythm, and blues soloing-on electric and acoustic. The Warren Haynes Guide to Slide Guitar will give you the most in-depth and personal lessons ever on how to play slide guitar in the style of Warren Haynes. Also includes a split-channel CD of the exercises, played by Warren himself with a full band. Listen to the master or solo along to the backing tracks!

Description

A unique book and CD from the hands of a true slide guitar legend - Warren Haynes. As guitarist with The Allman Brothers Band and The Grateful Dead, Haynes has forged himself a reputation as one of the greatest slide players in rock history, and you can now get a candid guide to his style from the man himself!

Haynes covers every part of your development as a slide guitarist, from choosing the best slide for you and perfecting the basic techniques to playing rhythm parts and blues soloing. A CD is included that features split-channel recordings of Warren performing all examples with a full band... either listen to the master at work, or solo along to the backing track and get your slide licks really cookin'. 48 pages

Acoustic Slide
Advanced Soloing
Approaching The Neck
Beyond The I-IV-V
Getting Started
Playing The Blues

 

 

... them, all of which paved the way for the new in-concert set. "I think we've always wanted to do a live album since we got together," says Haynes. "We're just happier in a concert situation, though it wasn't intentional that we'd do two studio discs first, just like the original ABBdid before Fillmore East. But just like then, our songs sound better in concert and, in fact, the Allman Brothers are and will always be a live band. We even cut our studio albums live, with everybody set up in the room and playing all at once. Most of the guitar solos that Dickey and I cut in the studio are live on the tape as they went down, which is very unusual. Of course, we go for that same spontaneity live and instead of just trading straight solos, sometimes we just bob and weave, leaving spaces for the other to fill in with harmonies, unison bits or counterpoint - it's all unplanned and experimental, like Miles Davis and John Coltrane improvising together or 'Trane and Cannonball Adderly. And we leave the mistakes and mishaps in while recording live, too. Like when I'm soloing in the first half of 'Blue Sky,' I start playing straight lead and then you can hear where I switch to slide and finish the lead playing bottleneck. The funny thing is that there's about a five or six beat pause in between them because the slide got kinda stuck in my vest pocket and it took a while to get the darn thing on my finger!" Given his broad listening tastes and keen melodic intuition, it shouldn't be surprising that Haynes also has a wealth of good advice to impart to younger players. As proof, just sample this tidbit of universal guitar wisdom, one which cuts to the heart of the matter just as fast as one of his always inventive solos: "Awhile back, I used to play country music for a living with David Allan Coe and, while I don't think I'd be happy playing country every day, I learned a lot from the experience because whenever you step outside your genre, you're bound to expand your horizons. When I used to read interviews with some of the truly great players, there was always one influence they'd mention that was a complete surprise, like B.B. King saying he dug jazzers like Django Reinhardt and Charlie Christian, which in turn gave him his own special voice as a blues player. In my mind, whether you're into blues or heavy metal, listening to and also playing other styles of music can only make you a better guitar player." 

Price: €27,99
€27,99

MANCINI HENRY-ACOUSTIC MASTERCLASS SERIES-PINK GUITAR-CD TABLATURE LIBRO SPARTITI

 

MANCINI HENRY, ACOUSTIC MASTERCLASS SERIES PINK GUITAR. CD TABLATURE

Pink Panther Theme - Laurence Juber
Moon River - Ed Gerhard (from the movie "Breakfast at Tiffany's")
Days of Wine and Roses - David Cullen
It's Easy to Say - Doug Smith (from the movie "10")
Peter Gunn - Pat Donohue
The Thornbirds Theme - Al Petteway
The Sweetheart Tree - Mark Hanson (from the movie "The Great Race")
What's Happening - Mike Dowling
Charade - Aaron Stang
Dear Heart - Wayne Johnson
Baby Elephant Walk - William Coulter (from the movie "Hatari")
Two for the Road - Amrit Sond


Twelve classic Henry Mancini tracks arranged for solo guitar by 12 master guitarists. This album-matching folio comes with a "masterclass" CD on which the artists describe the critical elements of their arrangements. Titles and arrangers include: Baby Elephant Walk/William Coulter; Charade/Aaron Stang; The Days of Wine and Roses/David Cullen; Dear Heart/Wayne Johnson; It's Easy to Say/ Doug Smith; Moon River/Ed Gerhard; Peter Gunn/Pat Donohue; The Pink Panther/Laurence Juber; Session at Pete's Pad/Mike Dowling; The Sweetheart Tree/Mark Hanson; Theme from the Thorn Birds/Al Petteway; Two for the Road/Amrit Sond. CD TABLATURE

About the Arrangements

The Pink Panther
"The Pink Panther" starts in E minor, which, in theory, should make it an easy fit on guitar. However, the characteristic chromatic walkup from C# to E would put the arrangement an octave too high in standard tuning. CGDGAD allows me to not only capture that signature run, but it also provides the open C and the open G bass notes, which are essential for the harmonic structure of the composition. I have attempted to remain true to the elements of the original arrangement, maintaining the essence of the bass part and of Plas Johnson's improvised tenor sax solo. My guide for this work is an image of a group of LA's finest studio musicians performing in tight ensemble under Mr. Mancini's baton; this must have been one breathtaking session! -Laurence Juber

Moon River
Although "Moon River" is in 3/4, I don't emphasize the waltz feel in my arrangement. In myopinion, de.-emphasizing the waltz feel contributes to the dreamlike quality of the tune. Let the melody notes ring out as long as possible (a little bit of subtle vibrato will help the melody stand out). This arrangement should be very easy to play, so savor every note. Good luck. -Ed Gerhard

The Days of Wine and Roses
I enjoyed putting together this solo guitar arrangement of "The Days of Wine and Roses:' It includes the same modulation that is popular among jazz pianists. The great Bill Evans does this same modulation in his rendition. I hope you enjoy the bossa nova rhythmic feel in the introduction. I think it sets the mood for the tune. Thank you, Mr. Mancini, for all the memorable melodies. -David Cullen

PeterGunn
Arranging the "Peter Gunn" theme came down to a matter of synchronizing the famous bass line and melody by way of dozens of one-beat finger mechanisms that occur frequently. Until the very end, the only chord in the "Peter Gunn" theme is E7. The challenge was to take it through a few times in different ways. In the A section, I play one time through with a single-note melody and then one time through with a harmonized melody, all against the recurring bass line. Letter B is a bridge of sorts. The C section is the harmonized melody again. The D section is another bridge I composed myself using a combination of diminished and major chord triad shapes. In the E section, there is a technique that simultaneously uses tremolo and bass line in the right hand: the right-hand fingers move up and down rapidly against the first three strings while the right-hand thumb pounds out that familiar bass melody. This arrangement has been extremely exciting and challenging. Don't call me at home with questions! I can't help you. I'll be in therapy. -Pat Donohue

Two for the Road
Technically, this is a pretty simple and straightforward piece to play. Care and attention should be devoted to the right-hand fretting-sustain each melody and chord voicing for as long as possible to allow for smooth transitions throughout. Also, dynamics will really help to bring out the emotional aspect, so experiment with softer and louder right-hand picking-bearing in mind that the melody needs to be up front at all times, and in certain instances I have even chosen to drag the time for effect. The bass counterpart is critical in its role as harmony, so ensure that you pay as much attention to keeping it nice and smooth against the melody. The run that occurs at bar 47 is played with just downstrokes (with the right-hand thumb), slightly speeding up toward the end and then returning to the slower tempo. All harmonics are natural, played at the 12th fret. -Amrit Sond

About Pink Guitar. As owner of Solid Air Records, I would love to take credit for this collection of arrangements, but like most owners, I am luckier than I am smart. Aaron Stang, our partner in print publishing at Warner Bros. Publications, came up with the concept; I can take credit only for agreeing that it could be fun. Of course, asking a dozen artists to find time to pick out a favorite Mancini tune, work up a creative arrangement, record it, transcribe it, and then record a lesson-all in just a few weeks' time-is asking a lot! Fortunately for me, the artists on our label are all up for such challenges and delivered the goods-as they say in the entertainment biz. At this 10th anniversary of the passing of the legendary composer Henry Mancini and the 40th anniversary of the Pink Panther, there are many products in stores honoring his memory: everything from repackages of older recordings to new and exciting versions of his tunes from jazz ensembles to pop stars. Our collection marks the first time a group of guitarists has tackled his compositions; it's a tribute to the strength of his melodies that even played as solos they retain all of their power, beauty, and playfulness. I won't go into detail about each tune since the artists themselves have done a better job than I could, but I would like to say that 2004 marks our own lOth anniversary. We could think of no better way to start this collection than with Laurence Juber, the artist with whom we launched our label. It was obvious to us that the challenging job of turning "The Pink Panther" theme into a solo guitar arrangement had to go to this Grammy-winning musician-and the results speak for themselves. Finally, my sincere thanks to you for purchasing this collection of arrangements. I hope you'll check out the other CDs, books, and DVDs by these wonderful musicians. They're all extremely talented composers in their own rights. Until we meet again and the case is solved. -James Jensen

 

WAYNE ]OHNSON
After joining the Manhattan Transfer in 1977, Wayne has taken plenty of time off from the gig to keep his solo interests alive. With eight solo CDs to his credit (both trio and solo), Wayne has also recorded and performed with an eclectic variety of other artists in addition to the Manhattan Transfer including Rickie Lee Jones, John Tesh, Akiko Yano, and Lee Oskar ofWar. At home, Wayne does studio work, produces, and is a guest instructor at the Musicians Institute and Los Angeles Music Academy. Look for his new solo acoustic release on Solid Air Records entitled One Guitar.

LAURENCE JUBER
Laurence Juber grew up in North London, where he was inspired by the explosive British pop scene of the early' 60's. Laurence became a highly in-demand studio player, contributing to many recordings ranging from the Alan Parsons Project and Rosemary Clooney to playing lead guitar on the Academy Award-nominated soundtrack to The Spy who Loved Me. In 1978 Paul McCartney asked Laurence to become the lead guitarist for his band Wings. After McCartney folded Wings in 1981, Laurence moved to the U.S., where he concentrated on raising a family while resuming his studio career. He played on such classic '80s TV shows as "Happy Days" and "Family Ties." In 1990 Laurence released his first solo album, Solo Flight, which first showcased his fingerstyle guitar work. His next CD, Naked Guitar, solidified his reputation among guitar fans, and he began touring internationally as a solo concert performer. His solo fingerstyle CDs include Winter Guitar, Mosaic, Altered Reality, Different Times, Guitarist, and the best-selling LJ Plays the Beatles.

AL PETTEWAY
AI Petteway has had an illustrious career as a guitarist, composer, and producer. He has been featured on more than 60 nationally released recordings, including 14 ofhis own. His original compositions have been used in movie sound-tracks and for programs on NPR and PBS, including Ken Burns' film Mark Twain. His trademark musical style, mixing Celtic and American themes, has won him more than 50 Music Association awards, including the Indie award for Gratitude, a duo guitar project with his wife and musical partner, Amy White. Al is the coordinator for the World-renowned Swannanoa Gathering's Guitar Week and is Artist-in-Residence at Warren Wilson College near Asheville, North Carolina. When they aren't touring as a duo, he and An1y work together, recording music and photographing nature at their home high in the mountains of western North Carolina.

DOUGSMITH
Doug Smith's originai instrumental compositions combine folk, classical, jazz, and contemporary forms with virtuoso guitar technique to create a unique, flowing, and highly melodie fingerpicking style. His music has been heard on radio and TV stations throughout the world, including CNN, ESPN, E!, The Discovery Channel, and Encore; his playing has been heard on the soundtracks to movies such as Twister and Moll Flanders; and he has performed on the nationally syndicated radio programs "Echoes," "West Coast Live:' and "River City Folk" as well as local radio and TV shows around the country.

AMRITSOND
Arnrit's unique contemporary instrumental music draws on elements of jazz, classical, folk, world music, and newacoustic techniques, which are ali honed into a highly refined and melodically driven compositional approach. Amrit has graced the same billing as the world's most renowned guitarists, including Dominic Miller (Sting , Hugh Burns (George Michael), Ronnie Johnson (Van Morrison), Doyle Dykes, Jaques Stotzem, and Preston Reed. Affili records for Solid Air Records.

AARON STANG
Aaron Stang is the author of Warner Bros. Publications' 21st Century Guitar Method. One of the most popular guitar methods published, the 21st Century Guitar Method has become the standard text used by many guitar teachers throughout the country and has been translated into Spanish, French, German, and Japanese. Aaron is managing editor of fretted instruments at Warner Bros. Publications, where he has overseen the publication of hundreds of guitar books and videos. Aaron performs solo and with his group, Relative Viewpoint, in concerts and folk festivals throughout south Florida. Currently, Aaron is the lead author of Guitar Expressions, the first comprehensive guitar curriculum designed for middle and high school students.


Acoustic Masterclass Series: Henry Mancini, Pink Guitar
the music of Henry Mancini

SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD
--------------------------------------------------------------------------------
Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement.

Twelve classic Henry Mancini tracks arranged for solo guitar by twelve master guitarists. This album-matching folio comes with a "masterclass" CD on which the artists walk through the key aspects and techniques for each arrangement. Titles and arrangers are: Baby Elephant Walk (William Coulter) * Charade (Aaron Stang) * The Days of Wine and Roses (David Cullen) * Dear Heart (Wayne Johnson) * It's Easy to Say (Doug Smith) * Moon River (Ed Gerhard) * Peter Gunn (Pat Donohue) * The Pink Panther (Laurence Juber) * What's Happening (Mike Dowling) * The Sweetheart Tree (Mark Hanson) * Theme from "The Thorn Birds" (Al Petteway) * Two for the Road (Amrit Sond).
--------------------------------------------------------------------------------
Includes the Following Selection:
Title Composer

BABY ELEPHANT WALK FAMOUS MUSIC
HENRY MANCINI

CHARADE (FROM "CHARADE")
MANCINI HENRY/L: MERCER, JOHNNY

DEAR HEART (FROM "DEAR HEART")
MANCINI, HENRY/EVANS, RAY/L: LIVINGSTON, JAY

IT'S EASY TO SAY
HENRY MANCINI, ROBERT WELLS

MOON RIVER (INSTRUMENTAL)
MANCINI, HENRY

PETER GUNN (FROM "PETER GUNN")
MANCINI HENRY

THE DAYS OF WINE AND ROSES
L: MERCER, JOHNNY/MANCINI, HENRY

THE PINK PANTHER (FROM "THE PINK PANTHER")
MANCINI, HENRY

THE SWEETHEART TREE (FROM "THE GREAT RACE")
L: MERCER, JOHNNY/MANCINI, HENRY

THE THORN BIRDS (MAIN THEME)
MANCINI, HENRY

TWO FOR THE ROAD (FROM "TWO FOR THE ROAD")
L: BRICUSSE, LESLIE/MANCINI, HENRY

WHAT'S HAPPENING!!
HENRY MANCINI

Price: €31,99
€31,99

SATRIANI JOE IS THERE LOVE IN SPACE? Play It Like It Is-Cherry Lane Music GUITAR TABLATURE SPARTITI

Since his guitar skills often sound like they come from another planet, ifs no wonder that Joe Satriani seems the ideai person to ponder Is There Lave in Space? Joining such Satriani classics as Nat af This Earth and Surfing with the Alien, his latest Epic Records endeavor further explores his extra-terrestrial mastery of the instrument-albeit

while working in a more comfortably grounded environment. -People have heard my bluesy side, my metal side, and my techno side: he says. "I guess this is my rockin' side."
The 11 diverse cuts on Is There Lave in Space? range from the
pulsating, brash opener, "Gnaahh," to the seven-string menace of
-Hands in the Air," to the poignant ballad "Just Look Up." Yet ali the
tracks are unified by Satriani's love of old-school hard rock.
-l've ta"-en a lot of my cues recently from live performance more than
anything else," he says of solo tours and those shared with fellow
virtuosos in the evolving project G3. "Standing on stage has made me
feel freer to explore some places l've been before and to look for
some avenues I haven't."
Dne of those avenues that is rather novel to Satriani is vocal
duties. Is There Lave in Space? includes two
compositions that feature the instrumentalist taking
command of the mie. "I usually try to find a character to
sing through as a method of creating a vibe on the
song," he explains.
Overthe hammering riff of "Lifestyle," Satriani
summons the same style he adopted when covering
Neil Young during the G3tour, while on the swamprocker"
1 Like the Rain," he dons a ZZ Top hat "Iike a
junior Billy Gibbons."
-My fans know l'm just using the vocals as an effe et to
create an interesting song," he says. "Just like if l'm
playing slide guitar, they know l'm not a dedicated
slide player. l'm not going to make it part of
my signature. What we arrive at is
somewhat cathartic for someone
who doesn't sing."
-I L.i"-e the Rain" also
reatures the album's most
eccenrnc moment, when
!he engine rewing of a
Harley Davidson
becomes an integrai part
af!he song. rtt's a little
synchronicity combined
wiìh serendipity," Satriani
says afIDe circumstances
mat spawned the
recording.) Apparent!y,
while waiting for a guitar
tech lo retum to the studio
wiih a piece or gear, the
band could hear his
momrcycle's rumble
signaling the arrivaI. The crew ran some cables out the control room
doors and into the street to pop the sound onto tape. "It was perfect
because it went with the attitude of the vocals," Satriani says.
Another notable guest appearance involves the musician's young son,
who turns up on the moody-and downright spacey-closer,
"Bamboo." "I coaxed him into Iying on the floor with an electric bass
and playing a couple notes with his violin bow," he remembers. "It
turned out to be great. It was the first thing that we had really done
together that I knew would wind up on a record, so it was exciting for
me. Obviously, he couldn't care less."
Is There Lave in Space? is produced by Satriani, recorded by longtime
collaborator John Cuniberti, and mixed by Mike Fraser. The album
features the performer's core trio of Matt Bissonette on bass and Jeff
Campitelli behind the drums.
With this release, the New York native now boasts 11 solo albums to
his credit-and a staggering 13 Grammy nominations to go along with
them. His records have sold over 10 million cop;es worldwide. In fact,
his sophomore effort, Surfing With the Alien, became the first
instrumental guitar album to crack the Top 40. His Uve in San
Francisca DVD hit the gold rnark, and the first G3 Uve in
Cancert DVD went platinum.
. In addition to his own material, Satriani has recorded
and toured with such artists as Mick Jagger, Deep
Purple, Alice Cooper, and even Spinal Tap. Even
before his 1986 debut Nat of This Earth, Satriani had
become sornething of a cult legend as the guitar
teacher to such future stars as Steve Vai,
Metallica's Kirk Harnmett, Counting Crows' David
Bryson, and jazz artist Charlie Hunter.
Satriani has also becorne a hornetown hero in the
Bay Area, where he resides. He has been recruited
to render the national anthem before San
Francisco 4gers and Giants
games, a;; well as far acrossthe-
bridge neighbors, the
Oakland A's.
It's no wonder he is listed
at NO.8 in Guitar Plaver
rnagazine's "Top 50
Greatest Guitarists PolI."
"My ultimate goal is to
continue playing forever,"
Satriani says. "I hope to
never be tired of it and to
always be searching to
express the life I lead by
taking those experiences
and turning them into
music. Hopefully, the guitar
will be my ongoing
instrument of expression."

 

 


Matching Folio with Note for Note Transcriptions and Tablature for Joe Satriani's Is There Love in Space. Includes the songs: Gnaahh -Up in Flames -Hands in the Air -Lifestyle -Is There Love in Space? -If I Could Fly -The Souls of Distortion -Just Look Up -I Like the Rain -Searching -Bamboo. TAB.

Series: Play It Like It Is
Publisher: Cherry Lane Music TAB
Artist: Joe Satriani
PHOTOGRAPHY by Greg Watermann

The All Music Guide says that Satriani has "explored many directions, mashing together rock, blues, jazz, and pure technical proficiency in a dizzying blend that bears his unique signature." This matching folio to his 9th album, released in 2004, includes 11 tracks, 112 pages.

Price: €99,99
€99,99

RAGTIME GUITAR 14 Songs Arranged for Solo-Entertainer CD LIBRO TABLATURE SPARTITI CHITARRA

RAGTIME GUITAR, 14 Songs Arranged for Solo Guitar. Allan Jaffe. Al's Slow Rag [Jaffe, Allan] -American Beauty Rag [Lamb, Joseph] -Barber Pole Rag [Johnson, Charles] -Delta Rag [Jaffe, Allan] -Dill Pickles [Johnson, Charles] -Frog Legs Rag [Scott, James] -Grace And Beauty [Scott, James] -Heliotrope Bouquet [Joplin, Scott] [Chauvin, Louis] -Joplin Rag [Jaffe, Allan] -Maple Leaf Rag [Joplin, Scott] -Ragtime Nightingale [Lamb, Joseph] -Sunburst Rag [Scott, James] -The Entertainer [Joplin, Scott] -Top Liner Rag [Lamb, Joseph]. CD TAB.

14 Songs Arranged for Solo Guitar
Series: Guitar Solo
Softcover with CD - TAB
Arranger: Allan Jaffe

14 of Jaffe's fingerstyle arrangements of ragtime favorites and originals in standard notation and tablature with accompanying CD, 80 pages

Al's Slow Rag
American Beauty
Barber Pole Rag
Delta Rag
Dill Pickles
Frog Legs Rag
Grace And Beauty
Heliotrope Bouquet
Joplin Rag
Maple Leaf Rag
Ragtime Nightingale
Sunburst Rag
The Entertainer
Top Liner Rag

Price: €24,99
€24,99

ELLINGTON DUKE GREAT JAZZ STANDARDS LIBRO CD TABLATURE CHITARRA CARAVAN-SATIN DOLL-SOLITUDE

ELLINGTON DUKE, GREAT JAZZ STANDARDS. Caravan -do nothin' till you hear from me -don't get around much anymore -I got it bad (and that ain't good) -In a sentimental mood -it don't mean a thing (if it ain't got that swing) -moon indigo -prelude to a kiss -satin doll -solitude -sophisticated lady. CD TAB.

Great Jazz Standards of Duke Ellington
Duke Ellington / arr. Fred Sokolow

SERIES: Jazz Masters Series
CATEGORY: Guitar Personality
FORMAT: Book & CD

Solid, clear, and accessible solo arrangements for eleven memorable jazz standards. Every song is presented with the guitar part, written in standard notation and tablature, combined with the lead sheet for analysis. All arrangements are demonstrated on the included CD. Titles are:

Includes the Following Selections:
Title Composer
CARAVAN
IRVING MILLS, DUKE ELLINGTON, JUAN TIZOL
DO NOTHIN' TILL YOU HEAR FROM ME (C)
DUKE ELLINGTON; BOB RUSSELL
DON'T GET AROUND MUCH ANYMORE
ELLINGTON DUKE/L: RUSSELL, BOB
I GOT IT BAD {PRINT (C)}
DUKE ELLINGTON; PAUL WEBSTER
IN A SENTIMENTAL MOOD (PRINT ONLY)
DUKE ELLINGTON , I. MILLS & M. KURTZ
IT DON'T MEAN A THING (IF IT AIN'T GOT THAT SWING)
ELLINGTON DUKE/L: MILLS, IRVING
MOOD INDIGO
ELLINGTON DUKE/MILLS, IRVING/BIGARD, ALBANY
PRELUDE TO A KISS (PRINT (C)}
DUKE ELLINGTON, I MILLS, I GORDON
SATIN DOLL (INSTRUMENTAL)
STRAYHORN, BILLY/ELLINGTON, DUKE
SOLITUDE
ELLINGTON DUKE/L: DELANGE, EDDIE/L: MILLS, IRVING
SOPHISTICATED LADY {PRINT (C)}
DUKE ELLINGTON, I. MILLS, M. PARISH

SERIES: Jazz Masters Series
CATEGORY: Guitar Personality
FORMAT: Book & CD

Solid, clear, and accessible solo arrangements for eleven memorable jazz standards. Every song is presented with the guitar part, written in standard notation and tablature, combined with the lead sheet for analysis. All arrangements are demonstrated on the included CD.

Price: €29,99
€29,99

LEARN TO PLAY FLAMENCO GUITAR AARON GILMARTIN 2DVD TABLATURE Tangos-Alegrias-Soleares-Bulerias

LEARN TO PLAY FLAMENCO GUITAR, TAUGHT BY AARON GILMARTIN. 2DVD TAB. Combined time: Three hours, thirty minutes DVD 1: Tangos and Alegrias. DVD 2: Soleares and Bulerias Level 3

Two-DVD Set
Series: Homespun Tapes
Publisher: Homespun
Medium: DVD
Author: Aaron Gilmartin

Aaron Gilmartin's intro to flamenco will get anyone started playing this passionate music. Along with flamenco history and terminology, Aaron teaches four of the most important forms: Tangos and Alegrias (on DVD 1) and Bulerias and Soleares (on DVD 2) -along with the strumming and picking techniques that make flamenco so exciting to players and listeners alike. 3-1/2 HOURS TOTAL INCLUDES MUSIC + TAB

Price: €59,99
€59,99

DOWLING MIKE UPTOWN BLUES American Roots Guitar CD TABLATURE SPARTITI CHITARRA LIBRO

DOWLING MIKE, UPTOWN BLUES (American Roots Guitar). 16 titoli. CD TAB.

Amazing Grace
Jan's Song
Swamp Dog Blues
Minor Thing
Nitpickin'
Bottleneck March
Johnson City Rag
Rosalie Rocky Road
Backslidin'
Bottomlands
Siboney
String Crazy
Fishin' in the Wind
Wild 'Bout It
Shufflin

SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD
--------------------------------------------------------------------------------
Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement.

Roots expert Mike Dowling performs a unique blend of blues, ragtime, swing, and roots music.
--------------------------------------------------------------------------------
Includes the Following Selection:
Title Composer
AMAZING GRACE , MIKE DOWLING
BACKSLIDIN' , MIKE DOWLING
BOTTLENECK MARCH , MIKE DOWLING
BOTTOMLANDS , MIKE DOWLING
FISHIN' IN THE WIND , MIKE DOWLING
JAN'S SONG , MIKE DOWLING
JOHNSON CITY RAG , JAMES JENSEN
MINOR THING , MIKE DOWLING
NITPICKIN' , MIKE DOWLING
ROCKY ROAD , MIKE DOWLING
ROSALIE , MIKE DOWLING
SHUFFLIN , MIKE DOWLING
SIBONEY PRINT (C) , ERNESTO LECUONA, DOLLY MORSE
STRING CRAZY , MIKE DOWLING
SWAMP DOG BLUES , MIKE DOWLING
WILD ABOUT , MIKE DOWLING

Price: €99,99
€99,99

SULTAN KENNY-GUITAR BLUES CD TABLATURE LIBRO SPARTITI CHITARRA ACUSTICA-Honky Tonk-METODO

SULTAN KENNY, GUITAR BLUES. CD TAB.

Cascade Rag
Funky Butt
Honky Tonk
If the Shoe Fits
Lightnin' Strikes Read 'Em and Weep
The Sick Boogie
Slippin' and Drippin'
Suspcious Strut
West Coast Blues

Acoustic Masterclass Series: Kenny Sultan, Guitar Blues
By Kenny Sultan

SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. This book is an encyclopedia of vital blues licks and patterns.

This book is an encyclopedia of vital blues licks and patterns. Includes: Cascade Rag * Funky Butt * Honky Tonk * If the Shoe Fits * Lightenin' Strikes * Read 'Em and Weep * The Sick Boogie * Slippin' and Drippin' * West Coast Blues * Suspicious Strut.

Price: €29,99
€29,99
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