FINGERSTYLE

NEIL YOUNG, FINGERPICKING GREATEST HITS. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA ROCK.

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

ARRANGED FOR FINGERSTYLE GUITAR, 

Fingerpicking Neil Young – Greatest Hits
Fingerpicking Guitar Series
Series: Guitar Solo
Format: Softcover - TAB
Artist: Neil Young

This fantastic collection offers fingerpicking arrangements in notes & tab for 16 Neil Young classics! Includes: After the Gold Rush • Cinnamon Girl • Harvest Moon • Heart of Gold • Helpless • Hey Hey, My My (Into the Black) • Like a Hurricane • Ohio • Old Man • Rockin' in the Free World • Southern Man • and more, plus a helpful introduction to fingerstyle guitar and loads of photos, design pages, and lyric sheets.

Inventory #HL 00700134
ISBN: 9781423429548
UPC: 884088157913
Width: 9.0"
Length: 12.0"
80 pages

Fingerpicking Neil Young – Greatest Hits
Fingerpicking Guitar Series
Series: Guitar Solo
TAB
HL #00700134

Song List:
After The Gold Rush
Cinnamon Girl
Comes A Time
Cowgirl In The Sand
Down By The River
Harvest Moon
Heart Of Gold
Helpless
Hey Hey, My My (Into The Black)
Like A Hurricane
The Needle And The Damage Done
Ohio
Old Man
Only Love Can Break Your Heart
Rockin' In The Free World
Southern Man
 

After The Gold Rush (12 marzo1970)
Cinnamon Girl (20 marzo1969)

Comes A Time (2 novembre 1977)
Cowgirl In The Sand (18 gennaio1969)
Down By The River ( 17 gennaio 1969)
Harvest Moon (22 settembre 1991)
Heart Of Gold (8 febbraio 1971)
Helpless (7 novembre 1969)
Hey Hey, My My (Into The Black) (22 ottobre 1978)
Like A Hurricane (29 novembre 1975)
The Needle And The Damage Done (30 gennaio 1971)
Ohio (21 maggio 1970)
Old Man (6 febbraio 1971)
Only Love Can Break Your Heart (15 marzo 1970)
Rockin' In The Free World (10 marzo 1989)
Southern Man (19 marzo 1970)
 

BUSTER B. JONES, JUST US: 14 Complete Notation & Tab Transcriptions. SHEET MUSIC BOOK WITH CD & TABLATURE .

LIBRO DI MUSICA ACUSTICA, CON CD.

SPARTITI PER CHITARRA FINGERPICKING CON: 

PENTAGRAMMA E TABLATURE.

Product Description:
Although his scorching fingerpicking was most impressive at first glance, a closer look at "Just Us" reveals that he is equally adept at what many musicians consider as a more difficult task: playing fewer notes... ones that mean more, and say more with less, as he does on album opener "A Simple Gift", title cut "Just Us", and "One Sad Clown".

"Just Us" is an album consisting largely of his own compositions inspired by his two main guitars "Merle" and "Pearl". Along the way we are treated to a barn-storming version of "Alabama Jubilee" (it must be tunes like this that caused Chet Atkins to say of Jones "He plays like he's double-parked"), "Collage-a-Reed" and "Clawin'" (each inspired by mentor Jerry Reed), while "Let the Sun Shine In" sounds like an instant fingerpicking classic that you could swear you have heard before, but haven't. Including detailed notation on 15 of Buster’s songs from "Just Us", this Book/CD lesson will challenge even the best players. Presented in standard notation and tablature.

Biography Buster B. Jones was a master of the guitar styles of Chet Atkins, Merle Travis and Jerry Reed. He explored their music, styles and techniques, but developed his own unique style and depth. Buster was known as a blazing fast and dynamic player, and was given the nickname "The Machine Gun" by admiring fans in France, but his original compositions expose a lyrical and gentler side to his musical personality. Raised in Ames, Iowa, Buster began playing guitar and mandolin at an early age, following in the footsteps of his older brother Ron, who Buster idolized as the "best left-handed guitarist ever." It became apparent however that by Buster's mid-teens he would have a special gift for music, and his musical ability exploded. Buster never took formal lessons, but developed his mastery of the guitar through sheer trial and error, and by diligently trying to learn the complex styles of players like Chet Atkins and Jerry Reed. "I touch on many different styles and approaches to playing lead and rhythm guitar. My goal as a player is to expand these perimeters and express what I feel musically," says Buster, who often played for other guitar players at conventions like the CAAS in Nashville and NAMM. 'Playing to a bunch of guitar players and fans is like watching Dawn of the Dead on video. They just stare 'ou slack-jawed, looking like they want to eat your brain. It's a wonderful feeling!" Buster B. Jones has several early albums, which are out of print and three CDs, Fingers in Flight, Guts and Steel and Just Us. He also has produced 12 teaching videos for Stefan Grossman's Guitar Workshop. Buster B. Jones lived in Eugene Oregon and performed regularly across Canada and the United States. He was the 1990 winner of the National Fingerpicking Championship held yearly in Winfield, Kansas. Buster was not just a great guitar player but a teacher and a friend to many. He spent countless hours sharing his knowledge and skills with young players and I am grateful to have had the opportunity to work closely with Buster on this CD. Tom Redmond

As a child, I grew up listening to such greats as Hank Williams, Jimmy Rodgers, Hank Snow and Merle Travis. My father Buster Jones was a great entertainer; and with my mom and big brother Ron played polkas and square dances. Dad even had a radio show of his own. He would do the weather and time and then play some music. Although my dad's playing ability was somewhat limited, his ability to capture an audience was what intrigued me the most. Dad said "Talk to the folks like they are old friends and they'll become old friends." I live by those words. I've never met a stranger. My dad Buster, mom Allene and Ron were my first influences, although in time I had many others, like Chet Atkins, Jerry Reed, Thorn Bresh and Nokie Edwards. In the game of life, however, I admire none more than my family: Dad and Mom Jones, Ron Jones, Collene McGlenn, Darlene Sanchez, Kay Anderson, and Roger and Gary Jones. This recording is dedicated to them, because I love and miss them.

- Buster B. Jones (2007)

Song Title: Composer/Source:

A Second Glance
A Simple Gift
Alabama Jubilee
Be Like Dad
Collage-A-Reed
Flight Path
Just Us
Last Request
Let the Sun Shine In
One Sad Clown
Pierpaolo
Still Live Five
The Thoughts of One
Thom's Thumb

HUNTER STEVE, HYMNS FOR GUITAR Original Recordings. Lou Reed, Alice Cooper, Peter Gabriel, ecc. SHEET MUSIC BOOK WITH CD AND GUITAR TABLATURE . 

ARTIST APPROVED ! 

LIBRO DI MUSICA PER CHITARRA ACUSTICA, CON CD . 

SPARTITI PER CHITARRA : 

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Includes CD of Steve Hunter's Original Recordings
Series: Guitar
Publisher: Cherry Lane Music
Softcover with CD - TAB
Artist: Steve Hunter

ARTIST APPROVED

Steve Hunter ha suonato in 4 album di Alice Cooper, nel primo album da solo di Peter Gabriel (dove c'è la canzone: Solsbury Hill), nel disco Berlin di Lou Reed, gli Aerosmith. Ha fatto concerti con Julian Lennon, Bette Midler, co-autore con David Lee Roth. Nel 2008 registra HYMNS FOR GUITAR, il suo primo album da solo, una raccolta tutta acustica di Ballate e vecchie calme melodie d'America. Assolutamente niente di elettrico o che ha a che vedere con l'alienazione di New York come cantata Lou Reed.

Discography:

Steve Hunter Solo Recordings:
"Hymns for Guitar"
"Swept Away"
"The Deacon"

Alice Cooper

"Billion Dollar Babies"
"Welcome to My Nightmare"
"Alice Goes to Hell"
"Lace and Whiskey"
"The Alice Cooper Show"

Peter Gabriel
Peter Gabriel's 1st solo album featuring "Solsbury Hill"

Aerosmith 
"Get Your Wings"

Julian Lennon
"Help Yourself "

Dr. John
"Hollywood Be Thy Name"

David Lee Roth
"Your Filthy Little Mouth"
(Co-wrote "A Little Luck")
"A L'il Ain't Enough"

Lou Reed
"Rock and Roll Animal"
"Lou Reed Live LP"
Composed intro to "Sweet Jane"
"Berlin"

Bette Midler
"The Rose" Soundtrack

Detroit featuring Mitch Ryder
"Detroit"

Stevie Ray Vaughan
Tribute Compilation album

Tracy Chapman
"Telling Stories"

Legendary guitarist Steve "The Deacon" Hunter is known for his collaborations with Lou Reed, Alice Cooper, Peter Gabriel and others, as well as his extraordinary solo projects, such as this 2008 CD. Here are all 11 tunes in note-for-note transcriptions with tab approved by Hunter himself! Includes a bio and his extensive intro, plus a CD of his original recordings! Songs:

On the making of the CD...
I have always been fascinated by the recording process and have always tried to have something around to record and experiment with. Everything from just a two-track recorder to an eight-track, even an eight-track cassette recorder. So I was thrilled when programs like Pro Tools came along. There are now many terrific digital computer-based recording software applications out there. Pro Tools just happened to be my choice. I needed a sort of "trial" song to use as a learning tool for Pro Tools, so I worked up the arrangement for "Softly and Tenderly." That was not the first thing I recorded on Pro Tools, but it was the first actual project. It was a blast. I decided early on that I wanted to treat Pro Tools as if it were a tape recorder, even though it does some amazingly sophisticated things (which I do use from time to time). But what I mean by that is that I try to do "takes," as if recording to tape. In other words, I try to record through the entire song if possible, depending on the arrangement. Or, at the very least, I try to record, say, a verse completely through. With Pro Tools it's so tempting to just record a good verse and a good chorus and then copy and paste. But for me, many things are lost when you do that-one being spontaneity, of course, but dynamics as well, among other things. That's how all the pieces were done on the CD. Any solo guitar piece was recorded from start to finish-no fixes. The more complex arrangements were recorded just as I would have done in a studio with tape, which would have been sections at a time. For me that kept the creative flow going throughout the entire song instead of just in bits. Even though the verses of anyone song might have the same chord patterns, there are subtle differences that, I think, please the ear. At least, they do forme. At the time I recorded this CD, I was living in a very noisy apartment in Hollywood. As you can imagine, that made recording on mic virtually impossible. As luck would have it, I had been sent a prototype acoustic guitar preamp by a company called PreS onus. It would later become their AcoustiQ acoustic guitar preamp. It was a tube preamp and sounded fabulous, though sometimes a little noisy. (I'm not sure the production version of that preamp sounded as good as the prototype. Sadly, the one I had finally died.) That preamp was the primary piece of gear used to record almost all of the acoustic guitars on Hymns for Guitar. And the primary guitar was my older (1993) Taylor 420. I fell in love with the sound of the guitar from the very beginning. I still have it and have had some work done on it, which has made it sound and play even more heavenly. I also used a Baby Taylor, which has been strung in Nashville tuning, which, by way of explanation, is basically the higher octave strings of a 12-string set for the bottom four strings and normal strings for the top two. The Baby Taylor sounds so sweet tuned that way that I leave it like that now. I also used a very special guitar to me. It's a 1964 Oscar Teller nylon-string. The age isn't necessarily what makes this guitar so special. Peter Gabriel and Bob Ezrin gave it to me at the end of the sessions for Peter's first solo Lp, which included "Solsbury Hill." Robert Fripp played that guitar on the song "Humdrum" on that record. And I subsequently played it on two of Alice Cooper's biggest hit records, "I Never Cry" and "You and Me." I've owned that guitar since about 1977 and it's now like an old friend. All those years of the wood drying has caused some problems, but it has also made it sound rich and sweet. I think I do things a little differently when it comes to arranging and creating parts for overdub. There are two basic things I do; one involves actually working out a particular part and the other is basically improvising part. I have developed those two methods over the years through the sessions and live work I've done with other artists. Both methods work for me and I use both all the time. When it comes to improvising a part, I may just change tunings and play along with the track to see what develops. If something starts to happen, I'll simply hit record. Other times I like to work out specific parts need to happen a certain way to emphasize a rhythm or lay a nice foundation. "Shall We Gather at the River" is a good example of a constructed part. The arpeggio that form the basic foundation for the song were worked out specifically to do what they do. As far as song selection, I wanted to do some of my favorites as well as any that might inspire an arrangement. I was looking for beautiful melodies and I prefer the older hymns-the older the better. And very obscure composers, which, again, I preferred, wrote many of them. "The Old Rugged Cross" was my father's favorite hymn. Bob Ezrin suggested "Angel Band" and "Will My Mother Know Me There," both of which I hadn't heard before but loved the moment I heard them ...

Table of contents:

Angel Band
In The Garden
Jesus Loves Me
Just A Closer Walk With Thee
Precious Memories
Shall We Gather At The River?
Softly And Tenderly
Sweet Hour Of Prayer
The Old Rugged Cross
What A Friend We Have In Jesus
Will My Mother Know Me There

80 pages

FINGERPICKING DISNEY. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA.
SPARTITI PER VOCE E CHITARRA CON:
ACCORDI, PENTAGRAMMA, TABLATURE.

FINGERSTYLE, 

Fingerpicking Disney
Series: Guitar Solo TAB
Composer: Various

15 Disney hits arranged for solo guitar in standard notation & tablature. The arrangements are carefully written for intermediate level guitarists, and each solo combines melody and harmony in one superb arrangement. Also includes an easy introduction to basic fingerstyle guitar. Songs: The Bare Necessities • Be Our Guest • Beauty and the Beast • Can You Feel the Love Tonight • Candle on the Water • Colors of the Wind • Go the Distance • If I Didn't Have You • Look Through My Eyes • My Funny Friend and Me • Reflection • Under the Sea • A Whole New World • You'll Be in My Heart • You've Got a Friend in Me.

Disney characters and artwork (c) Disney Enterprises, Inc.

Inventory #HL 00699711
ISBN: 9780634098888
UPC: 073999994186
Width: 9.0"
Length: 12.0"
64 pages

INTRODUCTION TO FINGERSTYLE GUITAR

The Bare Necessities - Words and Music: Terry Gilkyson - 1964

from Walt Disney's THE JUNGLE BOOK

Be Our Guest - Lyrics: Howard Ashman - Music: Alan Menken - 1991

from Walt Disney's BEAUTY AND THE BEAST

Beauty and the Beast - Lyrics: Howard Ashman - Music: Alan Menken - 1991

from Walt Disney's BEAUTY AND THE BEAST

Can You Feel the Love Tonight  - Lyrics: Tim Rice - Music: Elton John - 1994

from Walt Disney Pictures' THE LION KING

Candle on the Water  - Words and Music: Al Kasha, Joel Hirschhorn - 1976

from Walt Disney's PETE'S DRAGON

Colors of the Wind - Lyrics: Stephen Schwartz - Music: Alan Menken - 1995

from Walt Disney's POCAHONTAS

Go the Distance - Lyrics: David Zippel - Music: Alan Menken - 1997

from Walt Disney Pictures' HERCULES

If I Didn't Have You - Music and Lyrics: Randy Newman - 2001

Animation Studios Film MONSTERS, INC.

Look Through My Eyes - Words and Music: Phil Collins - 2001

from Walt Disney Pictures' BROTHER BEAR

My Funny Friend and Me - Music: Sting, David Hartley - Lyrics: Sting - 2000

from Walt Disney Pictures' THE EMPEROR'S NEW GROOVE

Reflection - Music: Matthew Wilder - Lyrics: David Zippel - 1998

from Walt Disney Pictures' MULAN

Under the Sea - Lyrics: Howard Ashman - Music: Alan Menken - 1988

from Walt Disney's BEAUTY AND THE BEAST

from Walt Disney's THE LITTLE MERMAID

A Whole New World  - Lyrics: Tim Rice - Music: Alan Menken - 1992

from Walt Disney's ALADDIN

You'll Be in My Heart (Pop Version) - Words and Music: Phil Collins - 1999

from Walt Disney Pictures' TARZAN

You've Got a Friend in Me - Music and Lyrics: Randy Newman - 1995

from Walt Disney's TOY STORY

Walt Disney Pictures Presents A Pixar

ISBN 0-634-09888-8

Disney and Disney/Pixar characters and artwork Disney Enterprises, Inc.

FINGERPICKING POP 15 Songs Arranged for Solo Guitar in standard notation & TABLATURE

LIBRO DI MUSICA,

ADATTAMENTO SOLO PER CHITARRA,

SPARTITI PER CHITARRA E VOCE.

ACCORDI, PENTAGRAMMA, TABALTURE.

Titoli:

1994 - Can You Feel The Love Tonight - Elton John - THE LION KING

2002 - Don't Know Why - Jesse Harris

1981 - Endless Love - Lionel Richie -

1983 - Every Breath You Take - Sting - POLICE

1997 - I'll Be - Edwin McCain -

1971 - Imagine - John Lennon

1981 - Leader Of The Band - Dan Fogelberg - 

1970 - Let It Be - John Lennon & Paul McCartney

1968 - My Cherie Amour - Stevie Wonder, Sylvia Moy, Henry Cosby

1997 - My Heart Will Go On (Love Theme From 'Titanic') - Will Jennings

1973 - Piano Man - Billy Joel

1976 - Sorry Seems To Be The Hardest Word - Elton John, Bernie Taupin

1961 - Stand By Me - Ben E. King, Jerry Leiber, Mike Stoller

1970 - We've Only Just Begun - Roger Nichols, Paul Williams

1977 - Wonderful Tonight - Eric Clapton