ACCORDI - PENTAGRAMMA - TABLATURE / CHORDS - STANDARD NOTATION - TABLATURE

PENTATONIC SCALES FOR BASS, FINGERINGS, EXERCISES FIVE-NOTE SCALES. Ed Friedland. CD TABLATURE

PENTATONIC SCALES FOR BASS, FINGERINGS, EXERCISES AND PROPER USAGE OF THE ESSENTIAL FIVE-NOTE SCALES. Ed Friedland. CD TABLATURE

Ogni scala è mostrata in 3 modi: I posizione, a posizione fissa, in movimento.

Pentatonic Scales for Bass

Fingerings, Exercises and Proper Usage of the Essential Five-Note Scales
Series: Bass Builders
Format: Softcover with CD - TAB
Author: Ed Friedland

The pentatonic is one of the most widely used scales in music. This book teaches fingerings for these essential five-note scales all over the neck, and how to use them to create solid, functional bass lines. The CD contains 56 tracks and features full-band demonstration examples. Covers: major and minor pentatonic scales; one- and two-octave scale patterns; pentatonic modes and their applications; soloing with pentatonic scales; and much more ! 64 pages

By definition, a pentatonic scale is simply a group of five consecutive notes within the
range of an octave. With this loose framework, there can be many variations of five-note

patterns that fit this description. Throughout this book, we will focus on the two most

common variations: the major pentatonic (1-2-3-5-6-S) and minor pentatonic (1-h3-4-

5-~7-S). These pentatonic scales are undoubtedly the most commonly used musical

elements in the world. Cultures as far-flung as Africa, Europe, Asia, the South Pacific,

and the North and South Americas use these five-note patterns as the basis of their

musical traditions, and their influence on contemporary music is just as far-reaching. As

the primary building blocks of the rock and roll musical vocabulary, the pentatonic scale

can be traced directly to West Africa, Ireland, and Scotland. When African captives were

brought to the Western world, they carried with them a deep musical tradition whose

rhythmic basis morphed over time into shuffle and swing feels. Melodically, the minor

pentatonic scale (1-h3-4-5-h7-S) was at the core of their music-eventually evolving into

the blues scale (1-h3-4-#4-5-h7-S), the melodic foundation of the blues. The journey from

the blues to rock and roll has been well-documented.

But the pentatonic scale's influence on popular music can also be traced back to the music of

Ireland and Scotland. As Celtic people settled in the New World, they brought their

songs, reels, jigs, and sea shantys-many of which were based on the pentatonic scale.

This music became the seed of the Appalachian folk tradition, which over the years

evolved into Old Timey, Bluegrass, and Country. Between the late 1940sand 1950s,these

styles crossbred with the emerging "boogie" genre to create rockabilly as well as rock

and roll. When you look at this crosscurrent of influence, the differences between artists

like Muddy Waters and Hank Williams seem less significant.

The pentatonic scale (in its major form) is simply a major scale without scale degrees 4

and 7. The interval created between the 4th and 7th scale degrees is known as the tritone, and it

is the principle source of dissonance in Western music. By removing these two degrees,

we have a scale that is void of any potential dissonance. German composer Carl Orff

(best known as the composer of Carmina Burana) devised a system of music education

for children based on the use of pentatonic scales for this very reason. Since there are no

"bad" notes, children can improvise freely on pentatonic-based instruments to develop

their creativity. It has been said that in medieval times, the use of the tritone in musical composition

was banned due to its disharmonious quality. It is documented that the tritone was once

referred to as Diablo en Musica, or the "Devil in Music," and considering most music of the

time was composed for use in church, it is not hard to see why the pentatonic scale might

have been favored.

 

Introduction

 Using the CD

 Learning the Pentatonic Scale
 Minor Pentatonic

 Major Pentatonic

 Two-Octave Pentatonic Scales

 Technical Exercises

 Pentatonic Modes
  - Using Pentatonic Modes

 Common Out-of-Scale Chords

 Other Chord Movements

 Soloing with Pentatonic Scales
 - Major 7th Chords
 - Minor 7th Chords
 - Dominant 7th Chords

 In Closing

Prezzo: €20,99
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TOTAL SHRED GUITARIST THE Guitar Playing German Schauss CD DVD TABLATURE LIBRO SPARTITI

TOTAL SHRED GUITARIST THE, A Fun and Comprehensive Overview of Shred Guitar Playing. German Schauss. 

SHEET MUSIC BOOK WITH CD & DVD & GUITAR TABLATURE. 

 

LIBRO CON CD, DVD, E TABLATURE

LIBRO METODO DI MUSICA METAL, CON CD E DVD.

SPARTITI PER CHITARRA :

ACCORDI, PENTAGRAMMA E TABLATURE. 

The Total Shred Guitarist
A Fun and Comprehensive Overview of Shred Guitar Playing
By German Schauss

Series: The Total Guitarist
Category: Guitar Method or Supplement
Format: Book, CD & DVD
Instrument: Guitar

The Total Shred Guitarist is an exciting journey through the world of heavy metal guitar playing. Author and master shredder German Schauss provides a step-by-step approach to shred guitar that makes it easy to understand, proving that it's not rocket science. You just need some basic tools, some basic theory, and a lot of practice! Through simple chromatic patterns and warm-up exercises, you'll develop finger independence, conditioning, and speed. Learn patterns and sequences in a variety of scales, while developing technical fluency in alternate picking, tapping, multi-finger tapping, sweep picking, string skipping, and more. This book is for guitarists of all genres who are ready to break through the limitations of their technique and start shredding like they have always imagined. The included CD features backing tracks so you can hone your soloing skills and develop your own unique sound and style. The DVD brings the book alive and features German Schauss demonstrating lessons and techniques. 

 

Contents
About the Author ........................................................ 
Introduction .................................................................. 
Chapter 1: Notation and
Basic Technique Review .......................................... 
Reading Tablature (TAB) .................................... 
Scale Diagrams ...................................................... 
Notation Legend ................................................... 
Chapter 2: Warming Up and Body Awareness .....
Practice Routines and Habits ..............................
Chapter 3: Basic Warm-Up Exercises .....................
Finger Independence and Conditioning ..........
Chapter 4: Diatonic Theory .....................................
The Major Scale ...................................................
Intervals .................................................................
Triads .....................................................................
7th Chords ............................................................
Diatonic Harmony ...............................................
Natural Minor Scale ............................................
More on Intervals ................................................
Interval Inversions ...............................................
Extended Intervals and Chords ........................
Circle of 5ths ........................................................
Chapter 5: Minor Pentatonic Scale .........................
Exercising with Sequences .................................
Up Close ................................................................
Licks and Backing Tracks ...................................
Chapter 6: Patterns for Alternate Picking .............
Fretboard Efficiency and Knowledge ..............
Etudes and Backing Tracks ................................
Chapter 7: Three-Note-Per-String Scales .............
Modes of the Major Scale ..................................
Intervals .................................................................
Hexatonic Scales ..................................................
Music’s Phone Number ......................................
Licks ........................................................................

 

Fretboard Efficiency and Knowledge
The next step, after learning all the short musical phrases
and being able to play them in a relaxed manner, is to move
them across the strings and eventually cover the entire
fretboard. This can be done in two ways: chromatically
or diatonically.
When you play the patterns chromatically, you simply take
the pattern and move it up or down one fret at a time,
maintaining the same shape. In order to practice all possible
shapes chromatically, you should consider practicing the
different variations of interval structure using the same
pattern. This means if you have an ascending three-note
phrase, the intervals could be:
Whole step–whole step
Whole step–half step
Half step–whole step
The example below illustrates the chromatic three-note
ascending pattern played on the G string. Make sure to
move it to the other strings and apply the other interval
patterns mentioned above. 

 

Hexatonic Scales
The hexatonic scale is a great tool for getting around the fretboard. You are probably wondering what hexatonic
scales are and how you can use them. Hexatonics are sixnote scales. The common major scale (a seven-note scale) is called a heptatonic scale. These names are derived from the Greek words for six (hexa) and seven (septa). We have already looked at another Greek-named scale: the pentatonic scale (penta means five). In the next section, we will transform the major scale modes into hexatonics.

Hexatonic Modes
If you use only the first six notes of each of your seven scale positions, or modes, you can easily create a hexatonic mode. Just repeat those six notes one octave higher on the D and G strings, and then one octave higher again on the B and E strings. The result is a hexatonic mode spanning three octaves. These modes are great for playing fast ascending or descending runs. The following diagrams show the seven hexatonic modes of C Major.

Prezzo: €199,99
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PASTORIUS JACO BASS METHOD BOOK CD TABLATURE SPARTITI BASSO LIBRO METODO FUSION

PASTORIUS JACO, BASS METHOD. SHEET MUSIC BOOK WITH CD & TABLATURE. 

LIBRO METODO DI MUSICA FUSION CON CD. 

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ACCORDI, PENTAGRAMMA, TABLATURE. 

Jaco Pastorius Bass Method
Lessons, Tips, and Techniques from His Private Teaching Archives
Series: Bass Instruction
Format: Softcover with CD - TAB
Artist: Jaco Pastorius
Author: Ray Peterson

Hailed as the “greatest bass player who ever lived,” Jaco Pastorius (1951-1987) lives on through his groundbreaking legacy of musical brilliance. And now for the first time, one of Jaco's private students imparts the wisdom gained from one-on-one lessons with the bass genius himself. Complete with songs, solos, techniques, theory, and personal experiences with Jaco, this one-of-a-kind book/CD is finally here to give the world what it craves – bass guitar lessons with Jaco Pastorius. We've even included a few scans of actual pages of Jaco's personal practice book – in his own handwriting – for the ultimate personal Jaco experience. The song list includes: Chromatic Fantasy • Continuum • Donna Lee • Havona • Opus Pocus • Portrait of Tracy • Teen Town • and more. The accompanying CD includes audio tracks of all the examples in the book.

 

Chromatic Fantasy
Come On, Come Over
Continuum
Donna Lee
Havona
I Can Dig It Baby
Kuru
Liberty City
Okonkole Y Trompa
Opus Pocus
Portrait Of Tracy
Teen Town
(Used To Be A) Cha Cha
 

Width: 9.0"
Length: 12.0"
80 pages
 

Prezzo: €26,99
€26,99

BLUES INSTRUMENTALS Guitar Play-Along Volume 91 CD TABLATURE The Stumble SPARTITI CHITARRA

BLUES INSTRUMENTALS, Guitar Play-Along Volume 91. Sheet Music Book with CD & GUITAR TABLATURE. 

LIBRO DI MUSICA BLUES CON CD. 

CD DI BASI .

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Guitar Play-Along Volume 91

Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: Various

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

8 songs: Blue Guitar • Honky Tonk (Parts 1 & 2) • Just like a Woman • Okie Dokie Stomp • Scuttle Buttin' • Steppin' Out • The Stumble • Wham.

Blue Guitar
Honky Tonk (Parts 1 & 2)
Just Like A Woman
Okie Dokie Stomp
Scuttle Buttin'
Steppin' Out
The Stumble
Wham

56 pages

Prezzo: €20,99
€20,99

VENTURES Guitar Play-Along Volume 116 CD TABLATURE SPARTITI CHITARRA LIBRO BASI PIPELINE

VENTURES the, Guitar Play-Along Volume 116. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE

LIBRO DI MUSICA POP, CON CD DI BASI. 

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The Ventures

Guitar Play-Along Volume 116
Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: The Ventures

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player, and also enhanced so PC & Mac users can adjust the recording to any tempo without changing pitch!

8 songs: Diamond Head • Hawaii Five-O Theme • James Bond Theme • Perfidia • Pipeline • Secret Agent Man • Walk Don't Run • Wipe Out.

Diamond Head

Hawaii Five-O Theme

James Bond Theme

Perfidia

Pipeline

Secret Agent Man

Walk Don't Run

Wipe Out

Width: 9.0"
Length: 12.0"
32 pages

Prezzo: €21,99
€21,99

GARRISON FEWELL-JAZZ IMPROVISATION FOR GUITAR A Harmonic Approach CD TABLATURE LIBRO

GARRISON FEWELL, JAZZ IMPROVISATION FOR GUITAR A Harmonic Approach. CD TABLATURE

LIBRO METODO DI MUSICA JAZZ, PER L'IMPROVVISAZIONE.

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Jazz Improvisation for Guitar
A Harmonic Approach
Series: Berklee Guide
Publisher: Berklee Press
Format: Softcover with CD
Author: Garrison Fewell

The purpose of this book is to explore the relationship between jazz harmony and improvisation by studying the vertical structures of chords and their function in a progression, and the horizontal or linear application of harmony to melodic improvisation. Each topic is accompanied by musical examples that are designed to help you hear the connection between harmony and melody and to develop a more melodic and creative way of thinking about improvising over chord progressions.
Width: 9.0"
Length: 12.0"
110 pages

 

 

Use jazz harmony to play more intelligent, imaginative, and creative solos. Recognize appropriate note choices and alternatives, whether improvising over easy or complex harmonic progressions. See analysis and melodies created using each concept, "bringing the blackboard to the fretboard." Traditional notation and tab included.

You will learn to:

  • Improvise using a rich harmonic palette, over many types of chord changes
  • Enrich your harmonic context for improvisation using characteristic diatonic substitutions and upper-structure triads
  • Reharmonize melodies using diatonic, hybrid, and polychord voicings
  • Use other non-diatonic chords, such as altered, bII7, and diminished chords
  • Use parallel modes and dominant substitution as sources for new harmonic colors
  • Explore a variety of scale types, including minor scales, symmetrical-diminished scales, and ways of finding new harmonies, such as four-tonic systems
  • Create expressive solos with all these tools, applying these rich harmonic contexts within a framework of traditional counterpoint and compositional practice

Garrison Fewell has taught thousands of guitarists since the 1970s at Berklee College of Music and around the world. He has played on dozens of recordings, both as a leader and with artists such as Herbie Hancock, Slide Hampton, Tal Farlow, Benny Golson, and many others. This book is a companion to his first book, Jazz Improvisation for Guitar: A Melodic Approach (Berklee Press).

"Garrison Fewell has long been a hero to the jazz guitar community. Read this book and you will find out why."

—Jim Hall, Acclaimed Jazz Guitarist, Composer, Arranger

"This book contains the answers to many of the questions I have been getting from my students throughout my 35 years of private teaching. The chapter on Melodic Counterpoint is wonderful and probably the only guitar book I know of that explains counterpoint so concisely."

—Vic Juris, Author, Composer, Guitarist with Dave Liebman, Lee Konitz, Mel Tormé, Gary Peacock

"Jazz Improvisation for Guitar is a must for any jazz guitarist who wants to know the secrets of advanced improvising. Professor Fewell uses his many years of teaching experience (he taught my son Julian when he was at Berklee) plus his prodigious musical talent, to lay out the exact tools for cracking the advanced harmony in modern jazz. I learned some ideas I hadn't thought of from this book, and anyone who takes Garrison's rich and comprehensive journey into the non-diatonic aspect of playing will be well rewarded."

—Larry Coryell, Pioneer Fusion Guitarist, Recorded with Charles Mingus, Gary Burton, Chick Corea, and John McLaughlin

"Very ambitious endeavor by guitarist/author Garrison Fewell. Many topics are included with much care and organized beautifully. This could almost be a dictionary or a thesaurus of musical study. Lots of great examples, and nicely engraved as well. Should be in every musician's library. I for one will do some study here!"

—Jack Wilkins, Author and Guitarist with Chet Baker, Sarah Vaughan, Bob Brookmeyer, Buddy Rich

"For the musician wanting a better understanding of improvisation, this book is a must have. While the main focus of the book is for guitar, it really works for anyone wanting to know more about improvising. Garrison has put together information explaining the harmonic variables that help create interesting improvised solos. The written examples are easy to understand and even have fingering charts to show the best way to execute them. Improvisation is a never-ending study to develop a musical vocabulary to implement your ideas. With the help of this book, you can begin this journey."

—Steve LaSpina, SteepleChase Recording Artist, Composer, Educator, Recorded with Jim Hall, Pat Martino, Stan Getz, Randy Brecker

"This book is a treasure chest of advanced concepts presented in a very accessible and enjoyable way. The "tip" boxes alone could be a go-to for countless hours of repeat practice sessions for players of any level."

—Liberty Ellman, Guitarist, Composer, Pi Recording Artist, Member of Henry Threadgill's ZOOID

Prezzo: €31,99
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JOHNSON JACK-TO THE SEA-Play It Like It Is-TABLATURE-LIBRO SPARTITI CHITARRA-PENTAGRAMMA NOTE ACCORDI

JOHNSON JACK, TO THE SEA. Play It Like It Is. TABLATURE

LIBRO DI MUSICA POP ROCK.

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ARTIST APPROVED

 

Jack Johnson - To the Sea
Series: Play It Like It Is
Publisher: Cherry Lane Music
Format: Softcover - TAB
Artist: Jack Johnson

Johnson says the title of his fifth studio CD is “a reference to a father leading his son to the sea – with the water representing the subconscious, so it's about trying to go beneath the surface and understand yourself.” The 2010 album dropped in June and debuted at #1. Our folio features notes & tab for all 13 tunes: Anything but the Truth • At or with Me • From the Clouds • My Little Girl • No Good with Faces • Only the Ocean • Pictures of People Taking Pictures • Red Wine, Mistakes, Mythology • To the Sea • Turn Your Love • The Upsetter • When I Look Up • You and Your Heart.

Anything But The Truth
At Or With Me
From The Clouds
My Little Girl
No Good With Faces
Only The Ocean
Pictures Of People Taking Pictures
Red Wine, Mistakes, Mythology
To The Sea
Turn Your Love
The Upsetter
When I Look Up
You And Your Heart

Width: 9.0"
Length: 12.0"
68 pages
 

Prezzo: €29,95
€29,95

AC/DC Guitar Play-Along Volume-You Shook Me All Night Long CD BASI TABLATURE SPARTITI LIBRO

AC/DC Classics, Guitar Play-Along Volume 119. CD TABLATURE

LIBRO DI MUSICA HARD-ROCK CON CD
CD DI BASI PER VOCE, E CHITARRA E VOCE.

LIBRO DI SPARTITI PER CHITARRA E VOCE.

TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE

Che cosa ricordate del vostro primo tour negli States?

La prima volta che facevamo il tour avevamo una macchina tipo station wagon. Ci avevano messi insieme con i “Kiss”. Era il periodo quando loro portavano con se tutta loro stravaganza, make-up, travestimenti, show, mass media, lo stuff. E noi eravamo – 5 immigrati, piccoli micro uomini. Immigrati - lavoratori è così che è più giusto definire noi. “Dov'è la tua Green Cards?” Era difficile con quella station wagon arrivare al concerto. Molte volte è successo che non volevono farci passare al posto dove doveva svolgersi il concerto perchè non vedevano la limousine. “Dov'eeeh la vooostra limooo? Se siete il gruppo rooock, dov'e il voooostro limoooosineeee ?” Siamo arrivati in America nel 1977 e questo è stato nel 1978.

 

Series: Guitar Play-Along

Format: Softcover with CD - TAB

Artist: AC/DC

 

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

 

1980 - Back In Black - Parole e musica: Angus Young, Malcolm Young e Brian Johnson

1979 - Girls Got Rhythm - Parole e musica: Angus Young, Malcolm Young e Bon Scott

1980 - Have A Drink On Me - Parole e musica: Angus Young, Malcolm Young e Brian Johnson

1980 - Hells Bells - Parole e musica: Angus Young, Malcolm Young e Brian Johnson

1979 - Highway To Hell - Parole e musica: Angus Young, Malcolm Young e Bon Scott

1975 - The Jack - Parole e musica: Ronald Scott, Angus Young e Malcolm Young 

1977 - Whole Lotta Rosie - Parole e musica: Angus Young, Malcolm Young e Bon Scott

1980 - You Shook Me All Night Long - Parole e musica: Angus Young, Malcolm Young e Brian Johnson

 

Width: 9.0"

Length: 12.0"

64 pages

Prezzo: €24,99
€24,99

25 GREAT CLASSIC ROCK GUITAR SOLOS-Dave Rubin-Santana-Gilmour-May LIBRO CD TABLATURE

25 GREAT CLASSIC ROCK GUITAR SOLOS. Dave Rubin. BOOK WITH CD & TABLATURE

LIBRO METODO DI MUSICA ROCK, CON CD. 

SPARTITI PER CHITARRA CON: 

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Featuring legends of lead guitar, including Jimmy Page, Eric Clapton, Eddie Van Halen, Jeff Beck, Carlos Santana, Duane Allman, Tony Iommi, David Gilmour, and many mire.

Transcriptions · Lessons · Bios · Photos
Series: Guitar Book
Format: Softcover with CD - TAB
Author : Dave Rubin

From Eric Clapton and George Harrison to Brian May and Eddie Van Halen, take an inside look at the genesis of classic rock guitar. This book/CD pack provides solo transcriptions in standard notation and tab, lessons on how to play them, guitarist bios, equipment, photos, history, and much more. The accompanying CD contains full-band demonstrations of every guitar solo in the book. It's playable on any CD player, and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch! Songs include: Louie, Louie - Mississippi Queen - Money - Paranoid - Radar Love - Reeling in the Years - Smoke on the Water - Sweet Home Alabama - Tush - We Will Rock You - White Room , and more.

Rock guitar solos have evolved significantly over time. In the "stone age" of the fifties, they often served merely as an "instrumental break" from the vocals; by the "stoned age" of the sixties, however, they sometimes seemed the whole point of the exercise. Even back then, however, the difference was always in the songs with the closest lineage to the blues. Beginning with Chuck Berry and the raucous, howling highway sound of his grinding solo on "Maybellene" in 1955, a freedom to improvise and express joy, anger, lust, menace, or just sheer rebellion for the hell of it became the province of those players willing to test their mettle (metal?) and chops. It's a fairly straight shot from Chuck to the Kingsmen in the Northwest in the early sixties and their primal, iconic garage rock version of "Louie Louie" (1963) featuring lead guitarist Mike Mitchell. In England, Jeff Beck was helping to create psychedelic music in the Yardbirds by filtering the blues through Les Paul and rockabilly music, and his wildly creative chops produced the swinging and humorous "Jeff's Boogie" in 1966. His predecessor in the 'birds, Eric Clapton, would advance the cause of heavy blues rock in Cream during the late sixties with dramatic blues rock like the monolithic "White Room" in 1968. A year later in the U.S., a band from northern California led by the exceptionally talented singer/songwriter/guitarist John Fogerty combined country blues with country, folk, and rockabilly music to create a dazzling string of hit singles. "Born on the Bayou," the flips ide of the future wedding band staple "Proud Mary," captured a Southern ambience not present in British blues rock. Also in 1969, Mexico-born Carlos Santana in the San Francisco area found yet another way to combine the blues with a new genre in the celebratory Latin rock of "Soul Sacrifice" that he had performed that summer at the landmark Woodstock festival in upstate New York. John Lennon likely thought himself the "bluesiest" of the Beatles, that most eclectic and imaginative of sixties bands, but George Harrison and Paul McCartney joined him in trading funky blues rock solos during their crunching jam on 'The End" in 1969 that actually marked the "end" for the Beatles with Abbey Road. Led Zeppelin, their polar opposites led by the brilliant tone king Jimmy Page, gave a nod to a passel of blues classics with their original composition "The Lemon Song" on their second release in 1969. That same watershed year, an authentic American blues group from the South, the Allman Brothers Band featuring Duane Allman and Dicky Betts, included the ultimate encore tune of "Whipping Post" on their debut album. The seventies started off showing no let up in creativity regarding blues influenced rock. Mountain, with the physically "mountainous" lead guitarist Leslie West, paid props to the "Mississippi Queen" in 1970. Across the "big pond," heavy metal avatars Black Sabbath with guitarist Tony Iommi were feeling rather "Paranoid" in 1971, while Deep Purple with the "Dark Knight" Richie Blackmore smoldered with "Smoke on the Water" in 1972. At the same time stateside, the jazz-bopping Steely Dan, with a rotating cast of top session guitarists, recorded the fast shuffling "Reeling in the Years" with studio cat Elliot Randall spinning fluid lines. David Gilmour and the second incarnation of Pink Floyd used "Money" in 1973 to make a major musical statement in England, while the pride of Ohio,

Song List:

YEAR - TITOLO - CHITARRISTA - BAND - ALBUM

1977 - Black Betty - Bill Bartlett - RAM JAM - Ram Jam
1969 - Born On The Bayou - John Fogerty - CREEDENCE CLEARWATER REVIVAL - Bayou Country
1969 - The End - Paul McCartney, George Harrison, John Lennon - The BEATLES - Abbey Road
1966 - Jeff's Boogie - Jeff Beck - YARDBIRDS - Over under sideways Down  
1969 - The Lemon Song - Jimmy Page - LED ZEPPELIN II
1977 - Lights Out - Michael Schenker - UFO - lights out 
1976 - Long Time - Tom Scholz - BOSTON - Long time
1963 - Louie, Louie - Mike Mitchell - The KINGSMEN - The Kingsmen in person
1970 - Mississippi Queen - Leslie West - MOUNTAIN - Climbing!
1973 - Money - David Gilmour - PINK FLOYD - dark side of the moon
1971 - Paranoid - Tony Iommi - BLACK SABBATH - Paranoid
1973 - Radar Love - George Kooymans - GOLDEN EARRING - Moontan
1972 - Reeling In The Years - Elliot Randall - STEELY DAN - Can't buy a thrill
1973 - Rock And Roll Hoochie Koo - Rick Derringer - all american boy
1973 - Rocky Mountain Way - Joe Walsh - the smoker you drink, the player you get
1972 - Smoke On The Water - Ritchie Blackmore - DEEP PURPLE - Machine Head 
1980 - Snortin' Whiskey - Pat Travers e Pat Thrall - PAT TRAVERS BAND - crash and burn
1969 - Soul Sacrifice - Carlos Santana - SANTANA 
1974 - Sweet Home Alabama - Ed King - LYNYRD SKYNYRD - Second helping
1974 - Train Kept A-Rollin' - Steve "the deacon" Hunter - AEROSMITH - Get your wings
1975 - Tush - Billy Gibbons - ZZ TOP - Fandango
1977 - We Will Rock You - QUEEN - news of the world
1969 - Whipping Post - Duane Allman - The ALLMAN BROTHERS BAND 
1968 - White Room - Eric Clapton - CREAM - Wheels of fire
1978 - You Really Got Me - Eddie Van Halen - VAN HALEN - Van Halen

106 pagine

Prezzo: €26,99
€26,99

LOUREIRO KIKO CREATIVE FUSION Beyond Pentatonics & Power Chords GUITAR TABLATURE 2 DVD Angra

LOUREIRO KIKO, CREATIVE FUSION. Beyond Pentatonics & Power Chords. GUITAR TABLATURE 2 DVD

Description

Move beyond power chords and pentatonics and open up your musical universe! Kiko Loureiro’s roots in Brazilian, Latin, Fusion, Jazz, Metal and Classical music influence his masterful compositions and style. In this program, Kiko shows you a method for using arpeggios to craft amazing leads and melodies. He starts with major and minor arpeggios and triad voicings and builds them into progressions. Then expands on this concept with major arpeggio extensions adding the 7th and 9th and shows how to complete the mission by delivering full dominant and diminished arpeggios in single and cross string technique. Kiko explains and demonstrates how these all relate as tools for creating your own unique musical style. Learn modal arpeggios and how to apply them over full band backing tracks so you can start creating your own masterpieces!

Each Rock House product includes free lifetime membership to Rock House's online lesson support system. Enhance your learning experience, links with instructors, download backing tracks, access message boards, and much more. You'll connect with a community of musicians around the world learning to play music using The Rock House Method.

Kiko Loureiro of Angra - Creative Fusion. (Beyond Penatatics & Power Chords). By Angra. Rock House. DVD.

 

FREE !

iPod-ready video

32 pages TAB E-BOOK

Lifetime membership for Online lesson support

 

Included FREE with this program:

Lifetime membership to Rock House Method lesson support system on the web.

Use the member number found inside the DVD case to register.

 

- Use the ear trainer

- Download tabbed sheet music

- Post original compositions

- Ask the teacher questions

- Take quizzes that track progress

- Use the student message boards

- Download backing tracks to play over

- Download FREE "tuner" and "metronome" software

 

And explore tons of other content to help make learning easy, fun and complete!

Prezzo: €199,99
€199,99
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