HAL LEONARD

FLYING V, EXPLORER, FIREBIRD, An Odd-Shaped History of Gibson's Weird Electric Guitars. Tony Bacon

LIBRO ILLUSTRATO DI CHITARRE ELETTRICHE GIBSON. 

Flying V, Explorer, Firebird

An Odd-Shaped History of Gibson's Weird Electric Guitars
Series: Guitar Reference
Publisher: Backbeat Books
Format: Softcover
Author: Tony Bacon
160 pages
 

AC/DC Classics, Guitar Play-Along Volume 119. CD TABLATURE

LIBRO DI MUSICA HARD-ROCK CON CD
CD DI BASI PER VOCE, E CHITARRA E VOCE.

LIBRO DI SPARTITI PER CHITARRA E VOCE.

TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE

Che cosa ricordate del vostro primo tour negli States?

La prima volta che facevamo il tour avevamo una macchina tipo station wagon. Ci avevano messi insieme con i “Kiss”. Era il periodo quando loro portavano con se tutta loro stravaganza, make-up, travestimenti, show, mass media, lo stuff. E noi eravamo – 5 immigrati, piccoli micro uomini. Immigrati - lavoratori è così che è più giusto definire noi. “Dov'è la tua Green Cards?” Era difficile con quella station wagon arrivare al concerto. Molte volte è successo che non volevono farci passare al posto dove doveva svolgersi il concerto perchè non vedevano la limousine. “Dov'eeeh la vooostra limooo? Se siete il gruppo rooock, dov'e il voooostro limoooosineeee ?” Siamo arrivati in America nel 1977 e questo è stato nel 1978.

Series: Guitar Play-Along

Format: Softcover with CD - TAB

Artist: AC/DC

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

1980 - Back In Black - Parole e musica: Angus Young, Malcolm Young e Brian Johnson

1979 - Girls Got Rhythm - Parole e musica: Angus Young, Malcolm Young e Bon Scott

1980 - Have A Drink On Me - Parole e musica: Angus Young, Malcolm Young e Brian Johnson

1980 - Hells Bells - Parole e musica: Angus Young, Malcolm Young e Brian Johnson

1979 - Highway To Hell - Parole e musica: Angus Young, Malcolm Young e Bon Scott

1975 - The Jack - Parole e musica: Ronald Scott, Angus Young e Malcolm Young 

1977 - Whole Lotta Rosie - Parole e musica: Angus Young, Malcolm Young e Bon Scott

1980 - You Shook Me All Night Long - Parole e musica: Angus Young, Malcolm Young e Brian Johnson

Width: 9.0"

Length: 12.0"

64 pages

25 GREAT CLASSIC ROCK GUITAR SOLOS. Dave Rubin. BOOK WITH CD & TABLATURE

LIBRO METODO DI MUSICA ROCK, CON CD. 

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA E TABLATURE. 

Featuring legends of lead guitar, including Jimmy Page, Eric Clapton, Eddie Van Halen, Jeff Beck, Carlos Santana, Duane Allman, Tony Iommi, David Gilmour, and many mire.

Transcriptions · Lessons · Bios · Photos
Series: Guitar Book
Format: Softcover with CD - TAB
Author : Dave Rubin

From Eric Clapton and George Harrison to Brian May and Eddie Van Halen, take an inside look at the genesis of classic rock guitar. This book/CD pack provides solo transcriptions in standard notation and tab, lessons on how to play them, guitarist bios, equipment, photos, history, and much more. The accompanying CD contains full-band demonstrations of every guitar solo in the book. It's playable on any CD player, and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch! Songs include: Louie, Louie - Mississippi Queen - Money - Paranoid - Radar Love - Reeling in the Years - Smoke on the Water - Sweet Home Alabama - Tush - We Will Rock You - White Room , and more.

Rock guitar solos have evolved significantly over time. In the "stone age" of the fifties, they often served merely as an "instrumental break" from the vocals; by the "stoned age" of the sixties, however, they sometimes seemed the whole point of the exercise. Even back then, however, the difference was always in the songs with the closest lineage to the blues. Beginning with Chuck Berry and the raucous, howling highway sound of his grinding solo on "Maybellene" in 1955, a freedom to improvise and express joy, anger, lust, menace, or just sheer rebellion for the hell of it became the province of those players willing to test their mettle (metal?) and chops. It's a fairly straight shot from Chuck to the Kingsmen in the Northwest in the early sixties and their primal, iconic garage rock version of "Louie Louie" (1963) featuring lead guitarist Mike Mitchell. In England, Jeff Beck was helping to create psychedelic music in the Yardbirds by filtering the blues through Les Paul and rockabilly music, and his wildly creative chops produced the swinging and humorous "Jeff's Boogie" in 1966. His predecessor in the 'birds, Eric Clapton, would advance the cause of heavy blues rock in Cream during the late sixties with dramatic blues rock like the monolithic "White Room" in 1968. A year later in the U.S., a band from northern California led by the exceptionally talented singer/songwriter/guitarist John Fogerty combined country blues with country, folk, and rockabilly music to create a dazzling string of hit singles. "Born on the Bayou," the flips ide of the future wedding band staple "Proud Mary," captured a Southern ambience not present in British blues rock. Also in 1969, Mexico-born Carlos Santana in the San Francisco area found yet another way to combine the blues with a new genre in the celebratory Latin rock of "Soul Sacrifice" that he had performed that summer at the landmark Woodstock festival in upstate New York. John Lennon likely thought himself the "bluesiest" of the Beatles, that most eclectic and imaginative of sixties bands, but George Harrison and Paul McCartney joined him in trading funky blues rock solos during their crunching jam on 'The End" in 1969 that actually marked the "end" for the Beatles with Abbey Road. Led Zeppelin, their polar opposites led by the brilliant tone king Jimmy Page, gave a nod to a passel of blues classics with their original composition "The Lemon Song" on their second release in 1969. That same watershed year, an authentic American blues group from the South, the Allman Brothers Band featuring Duane Allman and Dicky Betts, included the ultimate encore tune of "Whipping Post" on their debut album. The seventies started off showing no let up in creativity regarding blues influenced rock. Mountain, with the physically "mountainous" lead guitarist Leslie West, paid props to the "Mississippi Queen" in 1970. Across the "big pond," heavy metal avatars Black Sabbath with guitarist Tony Iommi were feeling rather "Paranoid" in 1971, while Deep Purple with the "Dark Knight" Richie Blackmore smoldered with "Smoke on the Water" in 1972. At the same time stateside, the jazz-bopping Steely Dan, with a rotating cast of top session guitarists, recorded the fast shuffling "Reeling in the Years" with studio cat Elliot Randall spinning fluid lines. David Gilmour and the second incarnation of Pink Floyd used "Money" in 1973 to make a major musical statement in England, while the pride of Ohio,

Song List:

YEAR - TITOLO - CHITARRISTA - BAND - ALBUM

1977 - Black Betty - Bill Bartlett - RAM JAM - Ram Jam
1969 - Born On The Bayou - John Fogerty - CREEDENCE CLEARWATER REVIVAL - Bayou Country
1969 - The End - Paul McCartney, George Harrison, John Lennon - The BEATLES - Abbey Road
1966 - Jeff's Boogie - Jeff Beck - YARDBIRDS - Over under sideways Down  
1969 - The Lemon Song - Jimmy Page - LED ZEPPELIN II
1977 - Lights Out - Michael Schenker - UFO - lights out 
1976 - Long Time - Tom Scholz - BOSTON - Long time
1963 - Louie, Louie - Mike Mitchell - The KINGSMEN - The Kingsmen in person
1970 - Mississippi Queen - Leslie West - MOUNTAIN - Climbing!
1973 - Money - David Gilmour - PINK FLOYD - dark side of the moon
1971 - Paranoid - Tony Iommi - BLACK SABBATH - Paranoid
1973 - Radar Love - George Kooymans - GOLDEN EARRING - Moontan
1972 - Reeling In The Years - Elliot Randall - STEELY DAN - Can't buy a thrill
1973 - Rock And Roll Hoochie Koo - Rick Derringer - all american boy
1973 - Rocky Mountain Way - Joe Walsh - the smoker you drink, the player you get
1972 - Smoke On The Water - Ritchie Blackmore - DEEP PURPLE - Machine Head 
1980 - Snortin' Whiskey - Pat Travers e Pat Thrall - PAT TRAVERS BAND - crash and burn
1969 - Soul Sacrifice - Carlos Santana - SANTANA 
1974 - Sweet Home Alabama - Ed King - LYNYRD SKYNYRD - Second helping
1974 - Train Kept A-Rollin' - Steve "the deacon" Hunter - AEROSMITH - Get your wings
1975 - Tush - Billy Gibbons - ZZ TOP - Fandango
1977 - We Will Rock You - QUEEN - news of the world
1969 - Whipping Post - Duane Allman - The ALLMAN BROTHERS BAND 
1968 - White Room - Eric Clapton - CREAM - Wheels of fire
1978 - You Really Got Me - Eddie Van Halen - VAN HALEN - Van Halen

106 pagine

ZZ TOP, Guitar Play-Along Volume 99. CD TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON CD DI BASI E TABLATURE. 

Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist : ZZ Top

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

8 songs: Cheap Sunglasses - La Grange - Legs - Sharp Dressed Man - Stages - Tube Snake Boogie - Tush - Waitin' for the Bus.

Song List:

1979 - Cheap Sunglasses - Billy F Gibbons, Dusty Hill, Frank Lee Beard
1973 - La Grange - Billy F Gibbons, Dusty Hill, Frank Lee Beard
1983 - Legs - Billy F Gibbons, Dusty Hill, Frank Lee Beard
1983 - Sharp Dressed Man - Billy F Gibbons, Dusty Hill, Frank Lee Beard
1985 - Stages - Billy F Gibbons, Dusty Hill, Frank Lee Beard
1981 - Tube Snake Boogie - Billy F Gibbons, Dusty Hill, Frank Lee Beard
1975 - Tush - Billy F Gibbons, Dusty Hill, Frank Lee Beard
1973 - Waitin' For The Bus - Billy F Gibbons, Dusty Hill

64 pages

JAZZ-ROCK FUSION, Hal Leonard Guitar method, Mark Huls. CD TABLATURE

LIBRO METODO DI MUSICA, CON CD.

SPARTITI PER CHITARRA.

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Method
Format: Softcover with CD - TAB
Author : Mark Huls

Learn to play sophisticated lead lines and intelligent rhythm parts with step-by-step lessons and 21 great jazz fusion songs. Hal Leonard Jazz-Rock Fusion is your complete guide to mastering fusion guitar. You'll learn the many elements of this exciting music through real song examples by masters such as John McLaughlin, Mike Stern, Allan Holdsworth, Scott Henderson, John Scofield, Pat Metheny, and many more. Songs include: Birdland • Blue in Green • Freddie Freeloader • My Favorite Things • Nardis • Oye Como Va • She's a Woman • Spanish Key • and more.

INTRODUCTION: GETTING FUSED

When you listen to the pioneering sounds of Miles Davis's Bitches Brew (1969) and ask yourself, "What is fusion?", only one thing can come to mind: a total exploration of the sonic experience. This is true for most jazz-rock fusion efforts of the late sixties and early seventies, the era in which it emerged as a recognized independent form of music. The era produced many architects of the fusion sound, including Tony Williams, Herbie Hancock, Chick Corea, Joe Zawinul, and guitar greats such as John McLaughlin and Larry Coryell. This period also saw the influence of jazz in rock, with groups such as the Byrds, Hendrix, Cream, the Greatful Dead, Frank Zappa, Blood Sweat and Tears, and Chicago experimenting in free-form improvisations and jazz tonalities. Regarding fusion, rock's contributions can be heard in its straight-eighth or sixteenth-note repetitive patterns and grooves. This is in contrast to traditional jazz-swing rhythms. Rock attributes also include certain tonal characteristics, such as power chords, classic rock/blues/funk phrasing, and a greater use of "guitar" techniques such as bending. The fusion sound was also heavily influenced by the use of electronic instruments and effects in sixties rock, such as distortion, delay, wah, and phasing. With expansive, and at times haunting, plays of harmony borrowed from the wider harmonic field of jazz, the improvisational character of jazz, and the drive and emotion of rock, fusion captured the emotional expression and conscious expansion sought by its early creators. Their music traveled from dreamy soundscapes to bursts of explosive energy with the ability to find a solid foundation in the consistent drive of an underlying rock or funk groove. This formula of early fusion reflected the explorative spirit of the sixties and remains a part of fusion today. However, it has also expanded into many facets, with artists gravitating towards greater or lesser sides of jazz or rock and their counterparts of funk, fusion, blues, and pop. Modern fusion guitarists include such players as Scott Henderson, John Scofield, Pat Metheny, and Allan Holdsworth, all of which lean to the more "hard-core" end of the experimental and exploratory side of fusion. Meanwhile, players such as Larry Carlton, Earl Klugh, and Lee Ritenour have found success in the pop culture of fusion music-what is known as the "smooth-jazz" sound. The influence of jazz-rock fusion does not end solely with those artists considered to be "fusion" artists. Mainstream rock and pop guitarists and musicians of every facet have found inspiration from the jazz and jazz-rock fusion sound. Consider the works of Sting, Carlos Santana, Dave Matthews, Nora Jones, and Joni Mitchell, to name only a few. Many fusion artists, especially those of the early sixties and seventies, drew artistic and personal inspiration from a desire for music to serve as a channel to greater mental and or spiritual consciousness. This concept can also be found in Eastern philosophies in which certain sounds and or rhythms open "spiritual" centers. Such influences are evident in the group names and album titles of the early fusion era as well. These concepts, and the inherent artistic drive of the jazz-rock fusion artist to branch out into a greater musical experience, have also introduced world and ethnic music forms into the fusion sound, including Latin, African, and Eastern music influences. As a melting pot of style and artistic personality, a mere attempt to define jazz-rock fusion might sound like: a spirit of limitless harmonic and melodic potential alive with the heart of groove.  

THE TONE AND SOUND OF FUSION GUITAR

Technique

Voice Leading

scales

Arpeggios

Modes

Patterns

Superimposition

Re-harmonization

Amplification & Effects

Phrasing

Chords

Evolving the Vamp

Improvisation

Harmonization

Expanding the blues

Conclusion

Song List:
All The Things You Are
Birdfingers
Birdland
Blue In Green
Chromozone
500 Miles High
Follow Your Heart
Freddie Freeloader
Freedom Jazz Dance
Freeway Jam
Hymn Of The Seventh Galaxy
Kid Charlemagne
Low-Lee-Tah
My Favorite Things
Nardis
Oleo
Oye Como Va
The Red One
Samba Pa Ti
She's A Woman
Spanish Key

Inventory #HL 00697387
EAN: 9781423431978
UPC: 884088167004
Width: 9.0"
Length: 12.0"
112 pages