HAL LEONARD

GUY BUDDY, ANTHOLOGY. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA BLUES. 

SPARTITI PER VOCE E CHITARRA, CON: 

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE. 

Buddy Guy Anthology

Series: Guitar Recorded Version
Format: Softcover - TAB
Artist: Buddy Guy

Contains 20 of the bluesmaster's classics transcribed note for note with tab: Damn Right, I've Got the Blues • First Time I Met the Blues • Five Long Years • I Smell a Rat • Leave My Girl Alone • Let Me Love You Baby • Midnight Train • My Time After Awhile • She Suits Me to a Tee • Stone Crazy • and more.

Width: 9.0"
Length: 12.0"
208 pages

Are You Losing Your Mind?
Blues At My Baby's House
Buddy's Blues (Buddy's Boogie)
Damn Right, I've Got The Blues
First Time I Met The Blues
Five Long Years
I Smell A Rat
Just Playing My Axe
Leave My Girl Alone
Let Me Love You Baby
A Man And The Blues
Man Of Many Words
Mary Had A Little Lamb
Midnight Train
My Time After Awhile
$100 Bill
Rememberin' Stevie
She Suits Me To A Tee
She's Out There Somewhere
Stone Crazy

DUPREE CORNELL, RHYTHM & BLUES GUITAR. SHEET MUSIC BOOK with CD & GUITAR TABLATURE .

LIBRO DI MUSICA R&B, BLUES, FUNK, CON CD.

SPARTITI PER CHITARRA :

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Educational
Softcover with CD - TABLATURE
Artist: Cornell Dupree
Author: Cornell Dupree

Foreword: Dave rubin

Dupree ha suonato con un'infinità di musicisti: Aretha Franklin, Joe Cocker, Ringo Starr, Mariah Carey, Lightnin' Hopkins, John Mayall, Paul Simon, Harry Belafonte, Duane Allman, Freddie King, Steve Cropper, Sam Cooke, Jimi Hendrix, King Curtis e moltissimi altri.

10 pezzi completi con base suonati direttamente da Cornell Dupree e Davu Rubin al Basso

Style R&B, Blues, Funk 

Double stops, vamps scales, playing tips

Progressioni e riff

Renowned R&B, blues and funk ace Cornell Dupree is a guitarist of legendary proportion, with more than 2,500 albums as a sideman to his credit! In this authoritative book/CD pack, he reveals his playing secrets, covering: R&B, blues and funk styles; double-stops, vamps, scales and playing tips; common progressions and riffs; his equipment set-up; and much more. The CD features 10 songs written and performed by Cornell with full-band backing. The book also includes a foreword by blues expert Dave Rubin, a biography, Cornell's reminiscences, great photos, and standard notation and tablature. 72 pages 

Early Days in Texas, Not all the great blues and rhythm & blues guitarists are from Texas, but Cornell Luther Dupree is certainly one who holds that distinction. Born in Fort Worth on December 19, 1942 to Bernice and Cornell, Sr., he was raised an only child by his mother following the untimely passing of his father in 1944. He understands that his father had been an amateur guitarist who clowned around at parties. His grandfather, however, played country & western music on the fiddle at "hoe-downs" and at home. Cornell remembers picking up the fiddle and "sawing on it" when he was four or five years old, and he recalls his mother practicing gospel music on the piano to play in the church. The Dupree household also had an old Victrola, upon which popular music of the day would be occasionally played. Cornell mainly heard C&W music around his neighborhood at this time, and the only place to hear blues and R&B was on radio station KNOK in Ft. Worth between the hours of twelve and five in the afternoon. Artists like T-Bone Walker, Lowell Fulsom, Charles Brown, and Louis Jordan were popular in the black community then, but the great Texas guitarists like Walker and Fulsom did not yet appeal to young Cornell. Instead, he was attracted to the alto saxophone when he was eleven after seeing a local TV show that featured a catchy jazz tune played by the house band. Previously to this, he had figured out some boogie-woogie patterns and little tunes like "Boiling Cabbage" on his mother's piano. His mother bought him a saxophone and Cornell began private lessons with a junior high school music teacher in his home. The lessons lasted for a few years until he went to junior high and joined the school band to learn marching band music. Getting a Guitar At this same time, he had a friend who worked the concession stand at the local venues where R&B entertainers such as Little Richard, Ray Charles, and B.B. King would perform. Cornell would often accompany him to these engagements, and on one particular occasion got to see Johnny "Guitar" Watson at a Masonic Hall. Watson had a hit on the radio with "Those Lonely Lonely Nights," and Cornell was so taken with his playing and performance that he became tremendously attracted to the instrument and begged his mother to get him one. He also had two friends who played guitar, Frank Lott and Calvin Love, and was able to convince his mother of his seriousness. A used, sunburst acoustic Stella was procured at a pawn shop. Cornell began to learn to play it at the age of 14, even as he continued to play alto sax in the school band. His mother, who was always supportive of his musical interests, would occasionally take him to the clubs in the area to see local musicians. Edward Franklin, Huary P. Wilson, and a fellow known as "Catman" were some of the guitarists that Cornell came to know who would show him licks. Eventually, they began stopping by the house, calling him "little brother" and taking more time to instruct him. By this time, Cornell had to have an electric guitar, and his mother bought him a Harmony hollow body with a DeArmond pickup and a Silvertone amp for Christmas of 1956. Cornell had become aware of the music of Jimmy Reed, Muddy Waters, Lightnin' Hopkins, and Little Son Jackson. He then started playing rhythm and boogie-bass figures with his guitar buddies, and the three of them, plus drummer Murphy Crockett, would play talent shows after school. In addition, some of the nicer neighborhood clubs allowed youngsters to come in and play on Sunday afternoons. Cornell and his fledgling group also received exposure and experience (and very little money!) in this manner as well. With Cornell on his Harmony, Frank on his Les Paul, and Calvin with his arch top Gibson, they played mainly blues and R&B instrumentals, including some originals.

Title

Foreword

About the Recording

Biography

Playing the Blues

Blues Scales

"J.R. Shuffle"

"Plain Ole' Blues"

"Swing Shuffle"

"Minor Blues"

Rhythm & Blues Guitar

I-IV R&B Vamps

"Soul Dance"

R&B Double Stops 

"Soul Lullaby" 

I-VI-II-V Changes 

"Ice Cream"

"Funk #1"

"Funk #2"

"Funk #3"

Tuning Notes .

Cornell Remembers... 

Cornell's Equipment Set-up

  guitars,  Strings, Amps

Selected Discography

Guitar Notation Legend

Editorial assistance by Dave Rubin

DIXON WILLIE, THE MASTER BLUES COMPOSER. Settimo di quattordici figli, Willie Dixon era nato nel Mississippi a Vicksburg il 1° Luglio del 1915 ed è morto il 27 Gennaio 1992. Le sue canzoni sono state interpretate dai Doors, come la magnetica "back door man" presente anche nel loro celebre "absolutely live"; dal bassista dei Cream con la "sofferta", "blues you can't lose", cantata da Willie Dixon stesso nel suo album registrato poco prima della morte; e poi da Eric Clapton, dai Rolling Stones, Muddy Waters, Jeff Beck, Bo Diddley, Led Zeppelin, Stevie Ray Vaughan, e molti altri. Segnaliamo la ruvida voce di Howlin' Wolf (Chester Burnett nato in Mississippi nel 1910, e soprannominato Holfin' Wolf, "lupo Ululante") nelle sue rabbiose registrazioni, ed Elvis Presley nella trascinante incisione live di "My babe". Contiene 46 titoli: -back door man (Howlin' Wolf) -back door man (The Doors) -blues you can't lose (Jack Bruce) -built for comfort (Howlin' Wolf) -evil (is going on) Wolf -evil (is going on) (Eric Clapton) -good advice (Willie Dixon) -good understanding (Willie Dixon) -hidden charms (Howlin' Wolf) -I ain't superstitious (Howlin' Wolf) -I ain't superstitious (Jeff Beck) -I can't quit you baby (Otis Rush) -I can't quit you baby (Led Zeppelin) -I just want to make love to you (Muddy Waters) -I just want to make love to you (Foghat) -I love the life I live -I'm ready (Muddy Waters) -I'm ready (Humble Pie) -I'm wanted -I'm your hoochie coochie man (Muddy Waters) -I'm your hoochie coochie man (Jimi Hendrix) -it don't make sense (you can't make peace) (Willie Dixon) -let me love you baby (Stevie Ray Vaughan) -little red roster (Howlin' Wolf) -little red roster (Rolling Stones) -mellow down easy (Little Walker) -mellow down easy (ZZ Top) -my babe (Little Walker) -My babe (Elvis Presley) -the same thing (Muddy Waters) -the seventh son (Willie Mabon) -the seventh son (Johnny Rivers) -spoonful (Howlin' Wolf) -spoonful (Eric Clapton) -study war no more (Willie Dixon) -too many cooks (Robert Cray) -wang dang doodle (Koko Taylor) -you can't judge a book by the cover (Bo Diddley) -you can't judge a book by the cover (Hank Wiliams, Jr.) -you need love (Muddy Waters) -you need meat (don't go no further), (The Doors) -you shook me (Muddy Waters) -you shook me (Led Zeppelin) -you'll be mine (Stevie Ray Vaughan). TABLATURE

SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA BLUES, 

SPARTITI PER VOCE E CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

285 PAGES
285 PAGINE

BLUES TURNAROUNDS. Inside the blues. A compendium of patterns & phrases for guitar. 76 tracks. Dave Rubin and Rusty Zinn. SHEET MUSIC BOOK WITH CD AND GUITAR TABLATURE .

LIBRO DI MUSICA BLUES CON CD.

SPARTITI PER CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE .  

CD CON 76 DEMOSTRATION TRACKS,

LIBRO METODO.

Series: Guitar Educational
Softcover with CD - TAB
Author: Dave Rubin
Author: Rusty Zinn

Written by blues expert Dave Rubin and Rusty Zinn, one of the finest young guitarists and singers on the contemporary blues scene, this book/CD pack provides the beginning to advanced blues guitarist with all of the essential turnarounds and so much more! The CD includes 76 demonstration tracks. 40 pages.

The art of The Turnarounds

W.e. Handy, known as the "Father of the Blues" due to his early efforts at promoting the form, published "Memphis Blues" in 1912, a song containing the first written solo, or "jass (zz)" break. A series of 12-bar verses with a 16-bar bridge, the last verse contains an end turnaround resolving to the I chord (see Fig. 1). It appears to be the first hard copy of the descending, diminished blues turnaround pattern (I-I7-Io-iv6-I) that, in the hands of Lonnie Johnson in the late twenties, and particularly Robert Johnson a decade later, would become the template for virtually all subsequent blues turnarounds.

The idea of ending a verse of music on the V (dominant) chord and resolving back to the I chord is suggested in twelve-measure, modal folk tunes from the mid-1500s in England. Music from this period did not have tonality (chord changes); however, the direction of the vocal line and musical accompaniment could be seen to imply changes. Roughly 100 years later music starts to appear with I-V-I implied changes in measures 11 and 12. It would take until the time of the Civil War in the 1860s and just after, however, for 12-bar, I-IV-V blues to take shape, and even longer for resolution to the V chord in measure 12 to become the norm.

Both W.e. Handy and Big Bill Broonzy, among others, have frequently cited "Joe Turner Blues" from the 1890s as the first recognized 12-bar blues. Indeed, it fits the format but does not include a verse or end turnaround. In fact, it would take Handy's "St. Louis Blues" (1914) to contain a i-II7-V-V7 turnaround (see Fig. 2) in the minor key "tango section" that begins, "St. Louis woman, with your diamond ring ... "

BASIC BLUES GUITAR, Private Lessons. Steve Trovato. CD TABLATURE

LIBRO DI MUSICA PER CHITARRA IN ITALIANO, CON CD E TABLATURE.

LEZIONI PRIVATE

MUSICIANS INSTITUTE

Esegui parti di chitarra ritmica nello stile di Stevie Ray Vaughan, B. B. King, Chuck Berry, T-Bone Walker, Albert King, Freddie Green e molti altri!

- Il CD allegato comprende 40 tracce d'esempio complete

- Shuffle, swing, straight blues, mambo, blues minore e blues in 8 battute

- La forma blues, le variazioni più comuni, i turnaround

- I principali accordi, pattern e riff

- In notazione standard e tablatura

Basic Blues Guitar - Edizione italiana 
Autore Steve Trovato

Una vera e propria guida all'esecuzione di parti ritmiche di chitarra blues. Nove capitoli, ciascuno dei quali include la ritmica di base e le variazioni relative a un determinato e diffuso genere di blues: Medium Shuffle (alla Stevie Ray Vaughan), Chuck Berry Style (basato su ottavi "diritti", non shuffle), Uptown Swing alla B.B. King,Kansas City Jazz Swing, Blues Lento in 12/8, Mambo Feel, Blues Minore, Blues/Rock (basato su ottavi "diritti", non shuffle), Blues in otto battute. Ogni genere presentato comprende i voicing degli accordi comunemente usati dai musicisti. Il libro include un ampio spettro di tempi e varie chiavi differenti, il che lo rende uno strumento di studio molto coinvolgente.

Publisher: Musicians Institute Press

Play rhythm guitar in the style of Stevie Ray Vaughan, B.B. King, Chuck Berry, T-Bone Walker, Albert King, Freddie Green, and many other blues greats! The CD includes 40 full-demo tracks and the instruction covers all styles of blues and the essential chords, patterns and riffs.

LEZIONI PRIVATE

BASIC BLUES GUITAR

I PRINCIPALI STILI, PATTERN A PROGRESSIONI
CD CON 40 TRACCE

Esegui parti di chitarra ritmica nello stile di Stevie Ray Vaughan, B. B. King, Chuck Berry, T-Bone Walker, Albert King, Freddie Green e molti altri!

- I principali accordi, pattern e riff
- La forma blues, le variazioni più comuni, i turnaround
- Il CD allegato comprende 40 tracce d'esempio complete
- Shuffle, swing, straight blues, mambo, blues minore e blues in 8 battute
- In notazione standard e tablatura