LIBRO CON CD

GUITAR ATLAS AFRICA CD CHITARRA LIBRO TABLATURE CONGOLESE MALIAN BLUES MBIRA MBAQANGA

GUITAR ATLAS AFRICA. Chi nel 2003 ha ascoltato il chitarrista classico John Williams in concerto, sarà ancora incuriosito dalle allegre melodie del continente africano. CD TABLATURE

LIBRO PER CHITARRA CON CD E TABLATURE

By Banning Eyre
SERIES: National Guitar Workshop
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Banning Eyre, a nationally recognized expert in African guitar music, guides you through a variety of important styles, including congolese, mbira, Malian blues and juju. Explore the history and origin of each style including the pioneering musicians that developed them, and learn the dominant characteristics and techniques necessary to play this remarkable music. All material and examples are presented in standard notation and TAB for both lead and rhythm parts. A CD demonstrating all examples and compositions in the book makes learning easy and trouble-free for all players.


Expand your musical horizons with guitar styles from the African continent.
Banning Eyre, a nationally recognized expert
in African guitar music, guides you through the elements that
are at the heart of the African guitar sound. Explore a variety
of important styles, from the intertwining guitar boogie of the
Congo and the serene, percussive weave of Nigerian juju
music, to the flashy fingerpicking of Mali and Madagascar.
The CD demonstrates ali the examples and compositions
featured in the book.
The author's travels and experiences with guitarists throughout
Africa lend this book unmistakable authenticity, and the
popularity of Afropop makes Guitor Atlos: Africo a must for
every player. This thorough yet concise introduction makes it
fun and easy to explore the fascinating styles of a continent
rich in musical traditions.
Guitar Atlas: Africa

Guitar Styles From Around the Globe
20450

African guitar is a big subject, as big as the continent itself. Africa is 54 countries and
many hundreds of distinct ethnic groups, and while most people think of African music
as principally drumming and singing, there is an astounding number of guitar styles
unique to particular African settings. Paul Simon's breakthrough 1986 album
"Graceland" focused international attention on South African pop music and initiated
a process of discovery for cutious music fans around the world. What they found was
the dazzling array of music styles we now call Afropop. From the tangled guitar boogie
of the Congo-soukous music-to the serene percussive weave ofNigerianjuju music,
to the flashy fingerpickers of Mali and Madagascar, Africa's treasure chest of beautiful
and originaI contemporary guitar idioms seems inexhaustible.
Many of these idioms deserve a book of their own. Some are extensions of ancient
musical traditions that used indigenous instruments for centuries before the first
guitars carne to Africa with Portuguese sailors in the 16th century. These "roots"
genres sometimes have rich, widely inrerpreted repertoires and diverse, demanding
techniques specifically developed to render the sounds of African instruments on
guitar. Even brazenly modern guitar styles, like those in the Congo, have achieved
a remarkable level of depth and rigor within a few short decades of developmenr.
For all the travel and study l've put in, l've only scratched the surface of Africa's
guitar wealth. But l've learned enough to convey a number of important principI es
of some key African guitar styles.
That is the limited objective of Guitar Atlas: Africa. The African guitar styles introduced
here are by no means the only ones worthy of study. They are simply the ones I have been
fortunate enough to discover, and the ones l've become intrigued enough to tackle as a
player. This book would not have been possible without the openness and generosity of
the many guitarists who have shared their wisdom with me. Using the principles and
fundamentals in this book as a starting point, players will be able to approach recordings
of African music with greater appreciation and understanding. Still, mere is no substitute
for sitting down with those who grew up playing these styles, especially ifyou can do so in
Africa. My fondest hope for this book is that it will inspire other players to dig dee per into
this underexamined world of guitar music. I hope others will make their own journeys,
write their own books and articles, and bring as yet undiscovered African guitar geniuses
to international attention.
Guitar Atlas: Africa assumes that you have some experience playing and reading standard
music notation and/or TAB, and that you have some experience with both
fingerstyle and flatpick playing. It also assumes that you have some understanding of
basic music theory-time signatures, rhythms and note values (ranging from whole
notes to sixteenth notes), intervals, harmony (chords and chord symbols), and so on.

 

Banning Eyre has played guitar professionally since me mid1970s,
working in genres as diverse as jazz, flamenco, dancerock,
and reggae. Since 1990, he has specialized in guitar
styles from Mrica, making six trips to the continent to research
guitar music. Over the years, Banning has played in a
series of Congolese soukous bands in Boston, in the West Mrican
folk ensemble Cora Connection, and with a variety of
musicians performing Zimbabwean mbira music. He teaches
Mrican guitar styles, both privately and in workshops at Tribal
Soundz in New York City.
During travels in Mrica, Banning has performed with the Super Rail Band of Bamako
and Sali Sidibe in Mali, and with Thomas Mapfumo and the Blacks Unlimited in
Zimbabwe. He plays on two Thomas Mapfumo albums, "Chimurenga '98" and
"Chimurenga Explosion," and on a track from Taj Mahal and Toumani Diabate's
"Kulanjan" (Hannibal, 1999), voted the Folk Roots Album of the Year in the UK.
Banning has written about international music, especially Mrican guitar styles, since
1988. He comments and reporrs on music for National Public Radio's All Things
Considered and contributes regularly to the Boston Phoenix, Guitar Player, Rhythm,
Folk Roots, The Beat, CM] New Musie Monthly, and the Musie Hound and All Musie
Guide series of books. He has traveled extensively in Mrica and produces regular
programs for the public radio series Afropop Worldwide.
In 1995, Banning co authored AFROPOPf.- An Illustrated Guide to Contemporary Afriean
Musie with Sean Barlow. His critically acclaimed book In Griot Time: An Ameriean
Guitarist in Mali (Tempie University Press, 2000) recounts his seven-month apprenticeship
with DjelimadyTounkara of the Super Rail Band of Bamako, Mali. He compiled a
companion CD, In Griot Time: String Musie from Mali (Stern's Mrica, 2000), including a
number of his own recordings of musicians in Mali. Banning is currently at work on a
book abour Thomas Mapfumo and the contemporary history of Zimbabwe.
Banning is the senior editor.

Amponsah
Balafon
Chimurenga
Clave
Diaoura
Dosongoni
Griot
Guirare etouffée
Hosho
Kaira
Kamelengoni
Karigamombe
Karagnan
Keme Burema
Kwaito
Kwassa-kvvassa
Marabi
Marche militaire
am-POHN-sah
BAH-lah-fohn
CHI-mur-EHNG-ah
CLAH-vay
jah-OO-rah
DOH-soh-NGOH-nee
GREE-oh
gih-TAHR AY-too-fay
HOH-shoh
KIE-rah
KAH-meh-leh-N GO H -nee
KAH-tee-gah-MOHM-bay
KAH-ran-YAH(n)
KAY-mayBRAH-mah
KWIE-toh
KWAH-sah KWAH-sah
mah-RAH-bee
MARZH mee-lee-TEHR
Marovany
Matonge
Mbaqanga
Mbira dza vadzimu=
Mi-solo
Ngoni
Pidigori
Seben
Son monruno
Songhai
Soukous
Sungura
Sunjata
Taireva
Ukapika
Valiha
Wassoulou
Yoruba
MAH-roh-VAHN
MAH-tohn-gay
mbah- KAHN -gah
MBEE-rah DZAH-vah-DZEE-
MEE-soh-loh
NGOH-nee
PIH -dee-goh-ree
SEH-ben
SOHN mahn-TOO -oh
SOHN-gie
SOO-koos
soon-GOO-rah
soon-JAH-tah
tie-RAY-vah
OO-kah- PEE-kah
vah-LEE
WAH-soo-loo
yoh-ROO-bah


ABOUT THE AUTHOR
PRONUNCIATION GUIDE
INTRODUCTION

CHAPTER l-Palm Wine Piekers
Two-Finger Pieking
Palm Wine Basies
Parallel 6ths
Making It Swing

CHAPTER 2-Highlife and Juju
Rhythm Guitar
Juju IO
Juju Slow 1 O

CHAPTER 3-Congolese, Rumba, and Soukous
The Clave Rhythm
Congolese Rhythm Guitar
Matonge
Congolese Lead Guitar
Soukous Bass
Congolese Seben 1
Congolese Seben 2.

CHAPTER 4-Music of the Manding Griots
Kora Style
Balafon Style
goni Style
Keme Burema
Diaoura
Lydian Mode
Manding Swing
Manding Groove

CHAPTER 5-Malian Blues .
Major Pentatonie .
Songhai Piece .
Minor Pentatonie .
Minor Pentatonic Duet .
Dorian Pentatonie .
Dorian Desert Blues .
Wassoulou Musie .
Two-Guitar Wassoulou Piece .

CHAPTER 6-South African Piekers
and Strummers .
Zulu Fingerstyle Guitar .
Walking Song .
Zulu Song .
Mbaqanga .
Mbaqanga Song .

CHAPTER 7-Zimbabwe Rumba .
Sungura Stomp .

CHAPTER 8-Zimbabwe Mbira .
Mbira Fingerstyle .
Karigamombe Fingerstyle .
Flatpiek Mbira Guitar .
Pidigori .
Lead Mbira Guitar .
Pidigori Extended Lead .
Taireva .
1àireva (version 1) .
1àireva (version 2) .

CHAPTER 9-Miracles of Madagasear .
Sammy's Vamp .
Variation on Sammy's Vamp .
Malagasy Song .


Track
A compact disc is included with this book. This disc can make learning
with the book easier and more enjoyable. The symbol shown at the left
appears next to every example that is on me CD. Use me CD to help
ensure that you're capturing me feel of me examples, interpreting me rhythms
correccly, and so ono The track number below the symbol corresponds directly
to me exampleyou want to hear. Track l will help you runeyourguitar to this CD.
Have fun!

Prezzo: €20,99
€20,99

FINGERPICKING PATTERN ENCYCLOPEDIA. CD TABLATURE

FINGERPICKING PATTERN ENCYCLOPEDIA. CD TABLATURE

Music by Lou Manz
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD
In addition to over 200 useful fingerstyle patterns, lessons on fingerstyle technique, reading music and 13 original fingerstyle compositions are included. Examples are shown in easy-to-read TAB and standard music notation. The CD includes performances of each pattern and the original compositions.

 

 

Introduction

This book is a collection of fingerpicking patterns that will hopefully be a resource, and a source of inspiration, for any guitarist, regardless of style. Since you have picked up this book, you probably already know how exciting and expressive fingerstyle guitar can be. Fingerstyle guitar is not really a style of music; rather it is an approach to guitar that transcends anyone particular style. Many acoustic singer/songwriters, and folk, blues and country players play fingerstyle guitar. Many jazz players also "comp" chords and improvise picking with their fingers, rather than a pick. Of course, fingerstyle technique is also the basis of most contemporary acoustic instrumental playing. Diverse guitarists from leadbelly to Eric C1apton, Merle Travis to Mark Knopfler and Elizabeth Cotton to Joe Pass have used fingerstyle techniques to create their original music.

One of the most definitive aspects of fingerstyle guitar is the use of picking patterns. This is especially true for singer/songwriters and folk/country players. Also, many of our leading acoustic instrumentalists, such as leo Kottke and Adrian legg, have used picking patterns as starting points for their innovative and melodic pieces. In fact, it would be difficult to think of an acoustic singer/guitarist or instrumentalist in folk, blues or country style who does not incorporate picking patterns into their music. This book is appropriate for guitarists of any style or level. Beginners should start with the classic patterns from each chapter and move on to other examples as they progress. Intermediate players will add interesting variations and entirely new patterns to their fingerstyle vocabulary. Even advanced players will find sequences that are new to them in this collection.

WHY FINGERSTYLE PATTERNS ARE USEFUL

They will give you a multitude of options for accompanying songs. You may want to learn a song by one of your favorite artists. Perhaps you have been able to "figure out" the chords by listening to the recording or you may learn the chords from a songbook. If the song was originally recorded using a fingerpicking pattern, you will probably find that pattern or something very close to it, in this book. Even when a song is not originally played fingerstyle, you can be creative and find a pattern that may match the style and rhythmic feel of the recording. Even piano-based pieces, such as Simon and Garfunkel's Bridge Over Troubled Water or Sarah Maclachlan's Angel can work in a fingerstyle setting. They are useful as technique exercises for fingerstyle players. Jazz guitarists practice a multitude of scales, modes and chord voicings. Since fingerstyle players use many picking patterns, it is valuable to practice both common and new patterns as exercises.They will help you develop strength, flexibility, speed and independence in the picking fingers. They can help you create original songs and instrumental pieces. Even well-worn chord progressions sound fresh with new and interesting patterns. Improvise with your favorite fingerpicking patterns and see what develops. The patterns in this encyclopedia are grouped according to type, time signature and special characteristics, such as the inclusion of an alternating bass, syncopation or double stops. A sample piece is provided at the end of each section to suggest some ideas for practical application, and to provide further inspiration. Use the book in any order and in any way that you like.  

 

 

Contents:

 

ABOUT THE AUTHOR

INTRODUCTION

HOW TO USETHIS BOOK

 

GETTING STARTED

Music Notation

Technique

The Left Hand

The Right Hand

 

4/4 PATTERNS PART ONE

Easy Going

 

4/4 PATTERNS PART TWO

Suspended Animation

 

THREE-NOTE CHORDS

The Blues In E

 

TRAVIS PICKING

Travis Time

 

4/4 PATTERNS PARTTHREE 35

Seaside Sounds

 

SINGLE-NOTE PATTERNS IN 3/4

Etude in 3/4

 

DOUBLE STOP & CHORD PATTERNS IN 3/4

Etude in G

 

4/4 PATTERNS PART FOUR

Pedal Power

 

SINGLE-NOTE ALTERNATING PATTERNS

Rainy Day Blues

 

MULTIPLE·NOTE ALTERNATING BASS PATTERNS

Etude in A Mixolydian

 

DOUBLE STOPS ON UPPER STRINGS

Minor Memories

 

SYNCOPATION

E For Elvis

 

PATTERNS IN 6/8 AND 12/8

Study in 6/8

 

The CD that accompanies this book can make learning with the book easier and more enjoyable. The symbol shown above will appear next to every example that is on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The track numbers below the symbols correspond directly to the examples on that page. Track 1 will help you tune your guitar to this CD.

Prezzo: €22,99
€22,99

FINGERSTYLE EXPLORATIONS, JONAS MOLLBERG Book/CD GUITAR standard notation & TABLATURE mel bay

FINGERSTYLE EXPLORATIONS, JONAS MOLLBERG. CD TABLATURE

The purpose of this material is to create a bridge between pop and rock music and the traditional guitar repertoire. As a guitar instructor, the author has often wished there was material based on classical guitar technique but at the same time sounding more like modern, popular music. He also felt a need for a body of literature which is idiomatic and really makes use of the possibilities of the guitar, so he created these pieces. The pieces frequently use open strings as one way of releasing the magic of the guitar. Another prominent element is the use of arpeggio technique, which provides a continuous and natural flow of music. The book is aimed at guitar students as well as people who take delight in music that is melodious and easy to play but doesn't require too much technical skill to perform. The book is written in standard notation and tablature.

Prezzo: €76,00
€76,00

EMMANUEL TOMMY FINGERSTYLE GUITAR METHOD CD TABLATURE LIBRO METODO CHITARRA FINGERPICKING

EMMANUEL TOMMY, FINGERSTYLE GUITAR METHOD. CD TABLATURE

LIBRO METODO PER CHITARRA ACUSTICA, CON CD. 

SPARTITI PER CHITARRA:

ACCORDI, PENTAGRAMMA E TABLATURE. 

The incomparable Australian guitarist Tommy Emmanuel presents four fingerstyle exercises plus an arrangement of the classic tune Freight Train and two signature compositions- Mister Guitar and Dixie McGuire. This book would serve either as a reference text for one of Tommy's workshops or as a helpful guide to developing fingerstyle guitarists working on their own. All selections are written in notation and tablature for the guitar in standard tuning. A convenient chord chart is provided in the appendix. All of the selections in the book appear on the companion CD.

Intermediate to advanced in difficulty, playing these tunes literally involves the thumbs of both hands! Gaining flexibility and control of your left thumb, you too can play like TE!

 

Dictation Notes with Tommy Emmanuel Getting Started on Fingerstyle ...

GETTING PREPARED

• Make sure your guitar is set up so it is comfortable for you to play.
• Choose a good set of strings
• Get in tune ...
TUNING
• If you have an electronic tuner and you just tune acoustically, that is fine.
• If you plug into a tuner, make sure you turn the microphone off.
• When you have a pick up in your guitar and you plug into the tuner, put the midrange flat out or on the lever,
whichever you understand. That gives the tuner, a real accurate tuner, a sparky signal and you will be able
to get your guitar really and truly in tune.
• It is always a good idea to practice tuning up as well as playing the guitar so you can get use to your guitar
sounding in tune. After a while you will find that you will end up training your own ear into what the sound
of being in tune really is.
NAILS ... ACRYLIC NAILS, NO NAILS OR FINGERPICKS
• What works for you?
• What sound are you going for?
CHOICE OF THUMBPICK
• I use Dunlop medium thumb pick ... not too big, small, thin, or thick ... it is right in the middle, like a
plectrum, but it is wrapped around your thumb.
• Some people use the slick picks, which are thinner.
• It depends on what kind of dynamic or strength you play with. Personally, if I use a slick pick, it would
probably fly across the room after the first bass note.
• I like something that hangs on to my thumb, doesn't make it turn blue on the end and it sticks on your thumb
properly.
• The thumb pick ~hould be pushed back so when you look at your thumb it is covering the end of your nail,
where it meets the flesh, first knuckle joint. When I look down at my thumb, it looks like there is 1/2 inch
of thumb sticking out.
• The thumb has to be independent to the fingers. It is important that you develop the thumb first before you
do anything with the fingers. You have to start training it. This takes time and dedication.
• In the key C. pick C, F, and G to play. Put your fingers down on the place of the guitar where the fret guard
is, down at the mouth. I rest the heal of my palm, the corner of the heal down and I take a little bit of
resonance out of the string to give it that music sound. Leave your fingers down and start with the A string
on the 3rd fret of the C chord. When you can get this slow and steady and use to it, go to C, G, and C.
• It is very important that with each chord change, I start the bass note on the root note. When I am playing
in C, the first note you play is C. Whatever chord you are playing, the first bass note should be the root note,
the note of that chord.
• Practice slowly. Keep the fingers down. Do in any key, E, A, G, B, A ...
• Practice until you can get a good feel, groove going and playing the thumb without the fingers coming up.
Get the thumb going first.
• It is important for you to become good at tapping your foot when you play. Chet use to say, pat your foot. It
will help you with your groove and your time. It will put a bit of bounce and confidence into your playing
and timing. You need to have a good time.
• I always tap my foot on 1 and 3. The only time I don't tap on 1 and 3 is in an extreme situation where I
would playa song where for me to get the right feel on it I would tap on the other beat or where I would tap
like a bass drummer. 
(CONTITUA)
 

Contents

Holding Position

Fingerstyle Notation

Learning to Read Tablature

Dictation Notes with Tommy Emmanuel

Getting Started On Fingerstyle Guitar

Tom's Thumb

Freight Train (simple version)

Freight Train

Mr. Guitar

Dixie McGuire

Thumbpickers Chord Chart  

Prezzo: €24,99
€24,99

DYKES DOYLE VIRTUOSO FINGERSTYLE GUITAR LIBRO CD TABLATURE CHITARRA-GIRL-COUNTRY FIED PICKIN'

DYKES DOYLE, ACOUSTIC MASTERS SERIES VIRTUOSO FINGERSTYLE GUITAR. SHEET MUSIC BOOK with CD & GUITAR TABLATURE .

LIBRO DI MUSICA CON CD,

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA E TABLATURE. 

 

Doyle Dykes / transcr. Jon Chappell
SERIES: Acoustic Masters Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Doyle Dykes is the natural heir to Chet Atkins' throne. This Nashville-based virtuoso fingerstyle guitarist plays solo guitar arrangements of originals, hymns, and secular pop music with astounding feel and unheard-of technique. This volume includes Doyle's original guitar compositions and his hugely popular arrangement of The Beatles' song "Girl." Songs are:

Includes the Following Selection:
Title Composer

ANGEL'S DESIRE
DOYLE DYKES

BIRMINGHAM STEELE
DOYLE DYKES

CALEB'S REPORT
DOYLE DYKES

CELTIC COWBOY
DOYLE DYKES

CHANGING OF THE GUARD, THE
DOYLE DYKES

COUNTRY FIED PICKIN'
DOYLE DYKES

GIRL
LENNON, JOHN / MCCARTNEY, PAUL

HOWLING OF THE WOOD
DOYLE DYKES

JAWBONE, THE
DOYLE DYKES

MARTHA'S KITCHEN
DOYLE DYKES

MISS HALEY'S MUSIC BOX
DOYLE DYKES

MISTY NIGHTS IN TOKYO
DOYLE DYKES

ROAD BACK HOME, THE
DOYLE DYKES

SELF PORTRAIT ON ACOUSTIC GUITAR
DOYLE DYKES

VISITATION, THE
DOYLE DYKES

WABASH CANNON BALL (PRINT ONLY)
A.P. CARTER

WHITE ROSE FOR HEIDI
DOYLE DYKES

Prezzo: €39,99
€39,99

DYKES DOYLE DYKESOLOGY LIBRO CD GUITAR TABLATURE LIBRO Jazz In the Box-Zaccheus-Amazing Grace

DYKES DOYLE, DYKESOLOGY. CD TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON CD E TABLATURE. 

 

- Jazz In the Box

- Zaccheus

- Twin Six Shooters

- The Lord's Prayer 

- Laguna Sand

- Mission of St. Holli

- Loving Rita

- Gitarre 2000 

- Amazing Grace

- And Can It Be?

 

Paperback: 79 pages
Publisher: Mel Bay; MB98626BCD edition (1999)
Language: English
ISBN-10: 078665063X
ISBN-13: 978-0786650637

Prezzo: €149,99
€149,99

DADI MARCEL FINGERS CROSSING BOOK WITH CD GUITAR TABLATURE CHITARRA SPARTITI LIBRO

DADI MARCEL, FINGERS CROSSING. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE .

LIBRO DI MUSICA ACUSTICA PER CHITARRA CON CD .

SPARTITI PER CHITARRA CON : 

ACCORDI, PENTAGRAMMA, TABLATURE .

Prezzo: €69,99
€69,99

D'AGOSTINO PEPPINO-NEW ACOUSTIC GUITAR-CD TABLATURE LIBRO SPARTITI CHITARRA ACUSTICA

New Acoustic Guitar contiene 12 brillanti arrangiamenti di Peppino chitarra (11 brani originali, più la sua bella versione di "Walk Away Renée", come registrato con David Wilcox). Inoltre, Peppino fornisce numerose e semplici lezioni di accordi di melodie folk per aiutare a familiarizzare con la varietà delle accordature aperte.

LIBRO DI MUSICA PER CHITARRA ACUSTICA.

SPARTITI PER CHITARRA CON ACCORDI, PENTAGRAMMA E TABLATURE. 

Il libro illustra:

Arrangiamento per chitarra sola
Composizione
accordature Alternate
Chord voicing
Tecniche fingerstyle
Il CD allegato contiene tutti i 24 brani ed esempi musicali e tutta la musica è scritta in notazione standard e tablature.

 

STANDARD TUNING:

Calypso Facto

Song for Carol (Duet)

Mediterranean Dance

DADGAD TUNING:

Rondo alla Turca

Echo of Delphi Valley

Acoustic Spirit

EBBF#BE TUNING:

House of the Rising Sun

Goodbye Robbie

Grand Canyon

DAC#EBC# TUNING:

Silent Night

Walk Away Renée


FBbDFCD TUNING:

Mademoiselles de Paris

Aleza's Eyes

Close to Heaven

DADF#AD TUNING:

The Entertainer

Bella Donna

EBEGAD TUNING:

Star of the County Down

Mother's Tears

Prezzo: €31,99
€31,99

COMPLETE FINGERSTYLE GUITAR METHOD MASTERING Steve Eckels CD TABLATURE CHITARRA

COMPLETE FINGERSTYLE GUITAR METHOD, MASTERING. Eckels. CD TABLATURE

Complete Fingerstyle Guitar Method: Mastering Fingerstyle Guitar
By Steve Eckels
Item: 00-17814
UPC: 038081158594
ISBN 10: 0739016555
ISBN 13: 9780739016558

Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
This advanced volume in the comprehensive method for fingerstyle guitar is perfect for experienced players who want to add greater variety, refinement, and creativity to their playing. Develops skillful tone production and dynamic control, and covers the free-stroke, rest-stroke, shifting, tremolo, planting, and inventive techniques used by contemporary fingerstyle masters like left-hand tapping, right-hand tapping, drumming, and "the scrape." Also includes unusual alternate tunings, ideas for creating your own new tunings, and arranging. All music is shown in standard notation and TAB, and the CD demonstrates all the examples in the book. 96 pages. 

 

ABOUT THE AUTHOR

 

Steve Eckels received his Bachelor's degree in guitar from Berklee College of Music and his Master's degree in guitar and jazz at New England Conservatory. His teachers have included Robert Paul Sullivan, Gene Burtoncini, William Leavitt, Chuck Wayne, Barry Galbraith, Gary Burton and Pat Metheny. In addition to concert and public engagements, he now teaches guitar at New Mexico State University at Las Cruces. He is the author of seven guitar folios, and has recorded 18 albums and Cds.

 

ACKNOWLEDGEMENTS

I would like to express a special thank you to those authors from whom I have learned so much: Joseph Schillinger, Yehudi Menuhin, Ivan Galamian, George Van Eps, Vincent Persichetti, Lee F.Ryan, Mark Hanson, Mick Goodrick and John Stropes. Special thanks to my violin teacher, Dr. Frank McDonald, to my friend Joe Mancilla for assistance with alternate tunings and to my editor, Nat Gunod, for his meticulous attention to detail and pedagogy.

 

INTRODUCTION

Greetings, and welcome to Mastering Fingerstyle Guitar. Most of you have already traveled the trail of Beginning Fingerstyle Guitar and Intermediate Fingerstyle Guitar, and are ready for the next step in your fingerstyle adventure. This book will introduce you to new musical ideas and subtle techniques that will help you reach your potential as a fingerstyle player, arranger and composer. To help guide you along your way, I have prepared examples that are musical, educational and enjoyable. Since my approach is based in art and nature, which are things common to us all, you may find yourself saying, "Of course, why didn't I think of that?" Don't worry, you don't have to reinvent the wheel. Contained in the following pieces of music are gems of wisdom that I have gathered from studying the masters of guitar, violin and composition for the past thirty years. One of the most satisfying parts of this book was composing the examples for the sections on alternate tunings and modern tapping and drumming techniques. If your background is in the traditional approach to guitar, as mine was, you might find yourself a bit hesitant about venturing into these areas. The good news is that the learning approach presented here is based on what you already know. You can and should learn to perform in alternate tunings and incorporate drumming and tapping into your playing. Primordially speaking, I think we are all drummers at heart. These modern techniques are satisfying and can greatly expand your creative potential. Another component of this book that I feel will be very helpful to you is the chapter on developing your sense of touch. In learning guitar, touch is one of the most neglected areas of discussion. It is assumed that you just press down on the fret, and that's it. There are some subtleties involved can make your playing more effortless and flowing. One of the advantages of studying out of a book such as this is that you can make steady progress, page by page. Nevertheless, be open to the idea of making a giant step forward in your playing. It can happen.

TABLE OF CONTENTS:

 

About the Author 

Introduction .

Review .

 

CHAPTER 1-Tone and Balance .

Fingernail Care .

The Free Stroke .

The Rest Stroke .

The Thumb .

Alternating Rest and Free Stroke .

Planting .

Balanced Control .

 

CHAPTER 2-Exploring the Harp .

Harp Finger Pattern on Individual String .

Harp Finger Pattern Using Two Strings .

Harp Finger Pattern Using Three Strings .

Harp Finger Pattern Using Four Strings .

Harp Finger Pattern Using Five Strings .

Harp Finger Pattern Using Six Strings .

 

CHAPTER 3-Chord Formulas .

Chords in 2nds .

Chords in 3rds .

Chords in 4ths .

Mixed Intervals .

Drop-Two Voicings .

Drop-Three Voicings .

 

CHAPTER 4-Sense of Touch

Gray Tones .

Gray Tones Into Clear Tones .

Relaxing The Left Arm .

Shifting Technique: Impulse and Momentum .

Pussy Footing .

Square and Diagonal Frames .

Vibrato .

Bending Vibrato .

 

CHAPTER 5-Fingerstyle Speed .

Right Hand Preparation for Tremolo .

Coordinating Left-Hand Patterns With Right-Hand Tremolo .

Four-Note Left-Hand Patterns With Right-Hand Tremolo .

Three-Note Left-Hand Patterns With Right-Hand Tremolo .

Two-Note Left-Hand Patterns With Right-Hand Tremolo .

One-Note Left-Hand Patterns With Right-Hand Tremolo .

Speed Bursts .

Sequences .

 

CHAPTER 6 -Modern Techniques

Expression And Invention .

Left-Hand Tapping .

Left-Hand Tapping With Pull-Offs .

Left-Hand Tapping With Right-Hand Drumming .

Left-Hand Tapping With Left-Hand Drumming .

Left-Hand Tapping In Double Stops .

Left-Hand Tapping In Double Stops With Pull-Offs .

Left-Hand Tapping In Double Stops With Right-Hand Drumming .

Left-Hand Tapping In Double Stops With Left-Hand Drumming .

Right-Hand Tapping .

Left- And Right-Hand Tapping in Triple Stops .

TappingTriple Stops With Right- and Left-Hand Drumming & Introducing "The Scrape" .

Tapping Triple Stops in Triplets With Pull-Offs .

Tapping And Slapping The Blues In E .

Tapping And Drumming An A Minor Blues .

Tapping A Walking Bass Line For A Blues In E .

The Ostinato Pattern, Right-Hand String Stopping

and Slap Harmonics .

Tapping With Pull-Offs In Triplets .

Tapping With Pull-Offs In Sixteenth Notes .

Harmonics Combined In Intervals With Non-Harnmonics .

Artificial Harmonics .

Harmonics In Alternation With Non-Harmonics .

 

CHAPTER 7-Alternate Tunings .

Dorian Tunings: C, G, Eb,A, D .

Phrygian Tuning: C, G, Db, F,G, C .

Lydian Tuning: C, G, D, E, F#, B .

Mixolydian Tuning: C, G, Bb, E, G, C .

Major #5Tuning: D, G, D, G, B, D# .

Pentatonic Tunings: C, F,C, G,A, D .

Creating Your Own Arrangements In Altered Tunings .

Alternate Tunings Summary .

Alternate Tuning Note Guide .

 

CHAPTER 8 - Arranging And Composing .

The Creative Process-The Seed Metaphor .

Methodology .

A "To Do " List For Composers And Arrangers .

Arranging Scarborough Fair .

Rhythmic Variations .

Motivic Variations .

Melodic Elasticity .

Same Rhythm, Different Melody .

Harmonic Variations .

Modulation .

Structural And Rhythmic Mapping .

Playful Melodic Variation .

 

A compact disc is available for this book. This disc can make learning the examples in this book easier and more enjoyable. The symbol will appear at the beginning of every example or song:

Use the CD to make sure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on.

The track number below the symbol corresponds directly to the example or song you want to hear. Track I will help you tune to the CD. 

 

MASTERING FINGERSTYLE ECKELS


MASTERING FINGERSTYLE

ALL THREE BOOKS ARE LOADED WITH:
- Examples in standard music notation and TABLATURE
- Tons of fingerpicking patterns
- Plenty of complete songs in a variety of styles for you to learn
- Lessons on alternate tunings
- Lessons on every imaginable fingerstyle technique
- Techniques and theory for making your own fingerstyle arrangements


BEGINNING FINGERSTYLE GUITAR
by Lou Manzi
With this comprehensive book, you will enjoy getting started on fingerstyle guitar.
It's also great for more experienced players who want to "fill in the gaps" and enhance their knowledge. It teaches everything from basic chord theory and pattern picking to putting the melody in the bass, alternating bass, modes, "drop D" tuning and more. Loaded with fun examples to play,the final chapter also provides a selection of complete pieces in a variety of styles.


INTERMEDIATE FINGERSTYLE GUITAR
by Lou Manzi and Nat Gunod
The perfect continuation of Beginning Fingerstyle Guitar, this book is great for fingerstyle guitarists who know the basics and are ready to take the next step. Topics include alternate tunings, modes, fingerpicking patterns, barre chords, diatonic harmony, special techniques, bass lines and an exploration of styles ranging from Celtic and country blues to contemporary "new age" styles.
Also included is an essential chapter on arranging with a clever step-by-step approach.


MASTERING FINGERSTYLE GUITAR
by Steve Eckels
This advanced method for fingerstyle guitar is perfect for experienced players who want greater variety, refinement and creativity in their playing.You will start with an in-depth look at essential techniques such as tone production and dynamic control, free-stroke, rest-stroke, shifting, tremolo and planting. Moving on, you'll discover all the inventive techniques of the contemporary fingerstyle masters such as left-hand tapping, right-hand tapping, drumming and "the scrape." Topics also include unusual alternate tunings and ideas for creating your own new tunings. The arranging section from Intermediate Fingerstyle Guitar is continued with even more creative and interesting ideas. This one-of-a-kind book is a must for any serious fingerstyle player.
BooK and CD 

Prezzo: €23,99
€23,99

CELTIC MUSIC FOR GUITAR VOLUME 1 CD TABLATURE LIBRO CHITARRA SPARTITI SCOZIA IRLANDA

CELTIC MUSIC FOR GUITAR VOLUME 1. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE .

LIBRO DI MUSICA CELTICA, CON CD.

SPARTITI PER CHITARRA CON: 

PENTAGRAMMA E TABLATURE. 

Celtic Music For Guitar by Allan Alexander contains 31 pieces transcribed for Guitar, most of them originating from Ireland and Scotland. The book also includes three charming original pieces written in the Celtic style by Allan Alexander. The music is presented in both music notation and guitar tablature for people who do not read music.

Play the beautiful haunting melodies of the Irish Harper O'Carolan, take a musical journey with dances that were written more than 400 years ago and experience Celtic traditional music that is the mainstay of modern players. If you are learning and looking for great music, this is one book that you will not be able to put down. If you are a performer looking for high quality material, these great pieces, expertly arranged, will become part of your permanent repertoire.

The CD, played by Allan Alexander, gives the musician the advantage of being able to hear how these pieces should be played by an expert in this genre of music and will make the learning process easier. Many of these pieces were written for the Lute; however Allan Alexander has found that they work very well on the guitar. Being an accomplished player of both lute and guitar, he has the knowledge to make accurate, musical transcriptions. Other pieces in this book are traditional tunes that have been arranged specifically for guitar. Many of the selections have variations on the original melodies. This adds another dimension to the music and enhances the performance.

Prezzo: €34,00
€34,00
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