HENDRIX JIMI, SOUTH SATURN DELTA. SHEET MUSIC BOOK WITH GUITAR TABLATURE .
LIBRO DI MUSICA ROCK.
SPARTITI PER VOCE E CHITARRA.
ACCORDI, ACCORDI, PENTAGRAMMA, TABLATURE.
About South Saturn Delta
By Jimi Hendrix. For guitar and voice. Hal Leonard Guitar Recorded Versions (Authentic note-for-note transcriptions),. Psychedelic Rock, Hard Rock and Classic Rock. Difficulty: medium. Guitar tablature songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar chord diagrams. 232 pages.
With guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar chord diagrams. Psychedelic Rock, Hard Rock and Classic Rock.
Matching folio to the recent release of 15 tracks, including lost gems like 'Tax Free,' 'Look Over Yonder,' and 'Pali Gap,' as well as previously unreleased recordings like 'Here He Comes (Lover Man),' 'Message to the Universe' and 'Midnight Lightning,' and more.
POWER OF SOUL
RECORDED: RECORD PLANT, NEW YORK, JANUARY 21, FEBRUARY 3, 1970
ELECTRIC LADY, AUGUST 22, 1970
PRODUCER: JIMI HENDRIX
ENGINEER: BOB HUGHES [RECORD PLANT]
EDDIE KRAMER [ELECTRIC LADY STUDIOS]
MIXED By EDDIE KRAMER
ELECTRIC LADY STUDIOS, JULY 16, 1997
GUITAR, VOCALS: JIMI HENDRIX
BASS: BILLY Cox
DRUMS, PERCUSSION: BUDDY MILES
BACKING VOCALS: JIMI HENDRIX, BILLY Cox, BUDDY MILES
PREVIOUSLY UNRELEASED ALTERNATE VERSION
Recorded three weeks after the grou p'S legendary Fillmore East
concerts, the Band Of Gypsys meticulously crafted this
prototypical illustration of sophisticated funk.
Hendrix would revisit the track on February 3, 1970, overdubbing
guitar parts and creating a rough mix. At that stage, work on "Power Of Soul" drew to
a close. Hendrix instead chose to feature a live version of the song as part of Band or
Gypsys, issued in March 1970.
The January/February 1970 studio recording of "Power Of Soul" was shelved until the
marathon mixing sessions Hendrix staged at Electric Lady Studios in August 1970. As
Jimi reviewed the many contenders for his projected double album First Rays orThe
New Rising Sun, "Power Of Soul" was treated to a new rough mix, resulting in the
unique delay effect heard during the song's opening.
Because "Power Of Soul" had been featured on Band orGypsys, Jimi had not reserved
a position for the song on First Rays orThe New Rising Suno Although considered for
The Cry orLave, the first posthumous album of Jimi's unissued studio material,
"Power Of Soul" remained unavailable until a truncated version was overhauled and
included as part of the controversial 1975 compilation Crash Landing. Inexplicably,
the originai master was edited and remixed to accommodate overdubs recorded in
1974 by session percussionist Jimmy Maeulen. Lasting only 3:15 and retitled "With
The Power", the elaborate introduction and its two soaring lead guitar solos were
scrapped.
The version featured on this compilation discards the posthumous additions, restoring
the full length version with ali of its regal glory intact.
TAX FREE
RECORDED: OLYMPIC STUDIOS, LONDON, JANUARY 26,28, 1968
REcoRD PLANT, NEW YORK, MAY l, 1968
PRODUCER: CHAS CHANDLER
ENGINEER: EDDIE KRAMER
MIXED By EDDIE KRAMER AND JOHN JANSEN
ELECTRIC LADY STUDIOS, JANUARY 26, 1972
GUITAR: JIMI HENDRIX
BAss: NOEL REDDING
DRUMS: MITCH MITCHELL
ORIGINALLY ISSUED AS PART OF WAR HEROES.
Written by Bo Hansson and Jan Carlsson, "Tax Free" was
recorded at the outset of sessions for Electr;c Ladyland.
Despite its relative obscurity, the Experience discovered
the song during an earlier tour of Sweden. Hendrix, in
particular, relished the song's freewheeling arrangement
and intricate time changes.
Under Chas Chandler's direction, the Experience
record ed the basic track for "Tax Free" at Olympic
Studios on January 26, 1968. Additional work was
completed two days later, including the recording of the
distinctive rhythm guitar part fed through a Leslie organ
speaker, but the song was not yet complete. When
production for Electr;c Ladyland shifted to the Record
Plant, work on "Tax Free" continued. On May l,1968,
Jimi finally turned the corner, enhancing the final master
via a series of guitar overdubs.
Though "Tax Free" was not incl uded as part of Electric
Ladyland, the grou p often performed the song duri ng
their 1969 American and European tours. Eddie
Kramer, the originai engineer on both the Olympic and
Record Plant session dates, would later remix the song
with John Jansen in January 1972 so that it would be
included as part of the posthumous compilation War
Heroes.
THE STARS THAT PLAY WITH LAUGHTING SAM'S DICE
RECORDED: MAYFAIR STUDIOS, NEW YORK, JULY 19, 1967
PODUCER: CHAS CHANDLER
E GI EER: GARY KEllGREN
IXED By EDDIE KRAMER AND JOHN JANSEN
E~ECTRIC LADY STUDIOS, JANUARY 27, 1972
GUITAR, VOCALS: JIMI HENDRIX
oUMS: MITCH MITCHEll
BASS: NOEL REDDING
B CKING VOCALS: JIMI HENDRIX, MITCH MITCHEll, NOEL REDDING
ORIGINAllY ISSUED AS PART OF LOOSE ENDS.
erhaps the most outlandish of all of Jimi's studio
recordings, "The Stars That Play With Laughing Sam's
Dice" is laced with his searing guitar work and unique
humor. Recorded at New York's Mayfair Studios shortly
a er the Experience's triumphant US debut at the
onterey Pop Festival in June 1967, the sessions for
bo h "Burning Of The Midnight Lamp" and "The Stars
That Play With Laughing Sam's Dice" were among the
oup's first to utilize eight-track technology. Apart from
Is whimsical lyrics, the song's most prominent
characteristics were the sounds Jimi obtained from
s omping on customized tone pedals designed by Roger
ayer, a London based electron ics maven. Mayer, who
e riended Hendrix shortly after his arrival in London ,
as famed for the creation of such devices as the
Octavia, a tone pedal which allowed Hendrix to jump
octaves on the guitar with a simple flip of a switch.
Originally issued as the B-side of the 1967 Track
ecords UK "Burning Of The Midnight Lamp" single,
"The Stars That Play With Laughing Sam's Dice" was
la er added to the 1968 UK compi lation Smash Hits.
The version included here was remixed by Eddie
ramer and John Jansen in January 1972. It would
a er be featured on the 1973 compi lation Loose Ends,
hich has never been released in America.
MIDNIGHT
RECORDED: OLMSTEAD STUDIOS, NEW YORK, APRil 1,3, 1969
PRODUCER: JIMI HENDRIX
ENGINEER: EDDIE KRAMER
MIXED By EDDIE KRAMER AND JOHN JANSEN
ELECTRIC LADY STUDIOS, JANUARY 28, 1972
GUITAR: JIMI HENDRIX
BASS: NOEL REDDING
DRUMS: MITCH MITCHEll
ORIGINAllY ISSUED AS PART OF WAR HEROES.
Following a difficult and unproductive series of sessions
at Olympic Studios in February 1969, the Experience
did not return to the recording studio as a unit until
April, when they gathered at New York's Olmstead
Studios to try and recapture their momentum.
One of the most promising songs to emerge from these
early April 1969 sessions was the extended instrumental
"Midnight". Jimi had originally designated "Midnight
Lightning" as the song's title, before it was shortened
simply to "Midnight". "Midnight", like "Tax Free", was
hardly the result of an impromptu jam session. Instead,
the Experience devoted considerable time to
establishing the song's intricate rhythm pattern. With
that properly established, Hendrix carefully labored over
a series of inspired lead guitar lines.
The break-up of the Experience in June 1969 relegated
"Midnight" to the sidelines, where it joined a growing
stockpi Ie of original material the group had earmarked for
their fourth album. As a result, "Midnight" would remain
unreleased until it was mixed and put forward as part of
the posthumous compilation War Heroes in 1972.
BLEEDING HEART
RECORDED: RECORD PLANT, NEW YORK, MARCH 24, 1970
ELECTRIC LADY STUDIOS, NEW YORK, JUNE, 1970
PRODUCER: JIMI HENDRIX
ENGINEER: JACK ADAMS [RECORD PLANT]
EDDIE KRAMER [ELECTRIC LADY]
MIXED By EDDIE KRAMER AND JOHN JANSEN
ELECTRIC LADY STUDIOS, MARCH 11, 1971
GUITAR, VOCALS: JIMI HENDRIX
BASS: BILLY COX
DRUMS: MITCH MITCHELL
ORIGINALLY ISSUED AS PART OF WAR HEROES.
Like "Room Full Of Mirrors", "Bleeding Heart"
began as a twelve-bar bl ues before evolvi ng as an
uptempo Hendrix original.
As Jimi had transformed B.B. King's "Rock Me
Baby" into his own "Lover Man", "Bleeding Heart"
was modeled first on the original recording by the
legendary slide guitarist Elmore James. Both the
Experience and Band Of Gypsys performed
exceptional stage interpretations of the blues
classic in its original form. Yet, beginning with the
April 1969 Olmstead Studios sessions, Jimi began
to tinker with the song's structure, modifying its
elements unti I he had rei nvented it as h is own.
Hendrix maintained the song's blues heritage, but
altered the arrangement to accommodate new,
original lyrics and a faster tempo.
With Electric Lady Studios still under construction
and unavailable to him, Hendrix entered the Record
Plant on March 24, 1970 and captured the basic
track for "Bleeding Heart" with the last of four
inspired takes.
Like "Ezy Ryder", "Stepping Stone", "Izabella" and
many other Record Plant recordings from this
period, the master reel for "Bleeding Heart" would
be transferred to Electric Lady in May 1970.
Additional guitar parts would be overdubbed at the
new facility and Mitch Mitchell replaced the existing
percussion tracks with new drum parts. A rough mix
by Hendrix and Kramer encompassing these
improvements was made before the guitarist's
death, but no final master was achieved.
PALI GAP
RECORDED: ELECTRIC LADY STUDIOS, NEW YORK, JULY 1, 1970
PRODUCER: JIMI HENDRIX
ENGINEER: EDDIE KRAMER
MIXED By EDDIE KRAMER AND JOHN JANSEN
ELECTRIC LADY STUDIOS, MAY 12, 1971
GUITAR: JIMI HENDRIX
BASS: BillY COX
DRUMS: MITCH MITCHELL
PERCUSSION: JUMA SULTAN
ORIGINAllY ISSUED AS PART OF RAINBOW BRIOGE.
Recorded on what was perhaps his most productive night at Electric
Lady Studios, "Pali Gap" originally began as the instrumental jam
immediately following the master take of "Dolly Dagger."
Originally marked on the tape box as "Slow Part", "Pali Gap" actually
began as the recording of the basic track for "Dolly Dagger" drew to a
close. "As 'Dolly Dagger' began to come apart," explains Eddie
Kramer, "Billy Cox started playing the bass line to 'Gimme Some
Lovin',' the Spencer Davis Group song, and that developed into a jam
lasting nearly ten minutes."
Nearly three minutes into the jam, Hendrix shifted gears into "Pali
Gap" and the group fell in behind in full stride. "When the jam started,
Jimi was just [messing] around," remembers Kramer. "The tone he
was using was just his quiet jam tone, with the'amplifier turned down
some, and not the full-bore Marshall sound he had used to cut the
basic track for 'Dolly Dagger'. Afterwards, he overdubbed a second
guitar and new solo, with the Marshall back at full volume. He did
these with the Uni-Vibe, as well as a Leslie at the end."
While Hendrix never officially named this recording, the title "Pali Gap"
was coined after the guitarist's death by his manager, Michael Jeffery.
One of the producers of the ill-fated hippie docudrama Rainbow Bridge,
Jeffery hoped the new title "Pali Gap" would further wed the song to the
movie's Hawaiian locale. An edited version of the instrumental was
issued as part of the 1971 Rainbow Bridge film and its accompanying
soundtrack album.
DRIFTER'S ESCAPE
RECORDED: ELECTRIC LADY STUDIOS, NEW YORK, JUNE 17, JULY 19, 20, AUGUST 22, 1970
PRODUCER: JIMI HENDRIX
ENGINEER: EDDIE KRAMER
MIXED By JIMI HENDRIX AND EDDIE KRAMER
ELECTRIC LADY STUDIOS, AUGUST 22, 1970
GUITAR, VOCALS: JIMI HENDRIX
BASS: BILLY COX
DRUMS: MITCH MITCHELL
PERCUSSION: JUMA SULTAN
PREVIOUSLY UNRELEASED ALTERNATE VERSION.
The last of several inspired interpretations of Bob Dylan's
catalog by Jimi, "Drifter's Escape" ranked as a strong contender
for First Rays Of The New Rising Sun. The song's basic track was
achieved during an enthusiastic June 17, 1970 session. Hendrix
was intent on perfecting a series of lead guitar overdubs before the
song would be deemed complete. This master features additional
guitar parts recorded on July 19 and 20 as Jimi made a number of
attempts to try and realize a specific sound and tone for his lead guitar.
Unlike the track posthumously mixed by John Jansen and included as part of
Loose Ends, this version of "Drifter's Escape" was mixed by Hendrix and Kramer
during the lengthy overdub and mixing sessions staged at Electric Lady in the days
prior to the guitarist's departure for the August 1970 Isle Of Wight Festival in England.
About Guitar Recorded Versions:
Guitar Recorded Versions are note-for-note transcriptions of guitar music taken directly off recordings. This series, one of the most popular in print today, features some of the greatest guitar players and groups from blues, rock, and heavy metal. Guitar Recorded Versions are transcribed by the best transcribers in the business. Every book contains notes and tablature.
Contents:
LOOK OVER YONDER - WORDS AND MUSIC: JIMI HENDRIX - 1971
LITTLE WING - WORDS AND MUSIC: JIMI HENDRIX - 1968
HERE HE COMES (LOVER MAN) - WORDS AND MUSIC: JIMI HENDRIX - 1971
SOUTH SATURN DELTA (INSTRUMENTAL) - MUSIC: JIMI HENDRIX - 1973
POWER OF SOUL - WORDS AND MUSIC: JIMI HENDRIX - 1970
MESSAGE TO THE UNIVERSE (MESSAGE TO LOVE) - WORDS AND MUSIC: JIMI HENDRIX - 1970
TAX FREE - WORDS AND MUSIC: BO INGVAR HANSSON, JAN HUGO CARLSSON - 1973
ALL ALONG THE WATCHTOWER - WORDS AND MUSIC: BOB DYLAN - 1968
THE STARS THAT PLAY WITH LAUGHING SAM'S DICE - WORDS AND MUSIC: JIMI HENDRIX - 1970
MIDNIGHT (INSTRUMENTAL) - MUSIC: JIMI HENDRIX - 1971
SWEET ANGEL (ANGEL) - WORDS AND MUSIC: JIMI HENDRIX - 1972
BLEEDING HEART - WORDS AND MUSIC: JIMI HENDRIX - 1972
PALI GAP - WORDS AND MUSIC: JIMI HENDRIX - 1971
DRIFTER'S ESCAPE - WORDS AND MUSIC: BOB DYLAN - 1968
MIDNIGHT LIGHTNING - WORDS AND MUSIC: JIMI HENDRIX - 1971
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