CHITARRA E VOCE

KING B.B., Guitar Play-Along Volume 100. CD TABLATURE.

LIBRO DI MUSICA BLUES CON CD.

CD DI BASI PER VOCE E, VOCE E CHITARRA.  

SPARTITI PER VOCE E CHITARRA CON :

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist : B.B. King

The Guitar Play-Along series will help you play your favorites songs quickly and easily. Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate, sound-alike backing tracks! Melody and lyrics are also included in case you want to sing, or to simply help you follow along.

The CD is playable on any CD player, and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch!

Songs: Just like a Woman - Paying the Cost to Be the Boss - Please Accept My Love - Rock Me Baby - Sweet Little Angel - Sweet Sixteen - Why I Sing the Blues - You Upset Me Baby.

Song List:
1966 - Just Like A Woman - parole e musica B.B. King
1968 - Paying The Cost To Be The Boss - parole e musica B.B. King 
1970 - Please Accept My Love - parole e musica B.B. King, Saul Bihari
1964 - Rock Me Baby - parole e musica B.B. King, Joe Bihari
1956 - Sweet Little Angel - parole e musica B.B. King, Jules Bihari
1967 - Sweet Sixteen - parole e musica B.B. King, Joe Bihari 
1969 - Why I Sing The Blues - parole e musica B.B. King, Dave Clark
1954 - You Upset Me Baby - parole e musica B.B. King, Jules Bihari

56 pages

ROLLING STONES, GET YER YA-YA'S OUT ! IN CONCERT. Authentic Guitar TABLATURE Edition

The Rolling Stones in Concert registato il
26 November 1969, Baltimore, Maryland, United States and 
27 – 28 November 1969, New York City, New York, United States

January-February 1970 (vocal overdubs)

CATEGORY: Guitar Personality
VERSION: Authentic Guitar TABLATURE
FORMAT: Book
Item: 00-33882

This deluxe edition of the Stones' legendary live recording from Madison Square Garden includes five previously unreleased songs. All are fully transcribed. Featuring text and photos, this book is a must-have for any guitarist and every Stones fan. Titles: Jumpin' Jack Flash * Stray Cat Blues * Love in Vain * Midnight Rambler * Sympathy for the Devil * Live with Me * Honky Tonk Women * You Gotta Move * Under My Thumb/I’m Free * (I Can’t Get No) Satisfaction * and more.

The Rolling Stones' Madison Square Garden concerts in November of 1969 might very well have been - at least for the 1960s – as good as it was ever going to get.

The Stones' performances came at the end of an unprecedented ascendance of music's influence over an entire generation. It is probably fair to say that never in the history of America had music played a more important role than our music did for us. And the most extraordinary music it was. The Stones 1969 tour was the latest wave of the so-called "British Invasion," which stood on the shoulders of American rock and roll back to Little Richard, Chuck Berry (and American blues before that). The "British invaion" revitalized an American rock 'n' roll that had grown soft and fluffy until Bob Dylan's rocket fueled lyrical, social, and electrical revitalization - some say reinvention - of it all. There was no reason for those assembled in Madison Square Garden to believe that we - with our music - wouldn't continue on our heady course upward, and rise ever "higher," a word with a lot of currency at the time. But you never know.

The Rolling Stones tour launched on the West Coast less than 3 month after the Festival at Woodstock. Those who were at Woodtock as well as those whose sympathies were aligned - a much larger number - were famously dubbed the "Woodstock ation" in a phra e attributed to Abbie Hoffman, a "Yippie Activist." Hoffman would come backstage before the Chicago concert to visit "Mick and the boys," try to bon'ow money, be rebuffed, and wander out muttering "bunch of cultural nationalists." It was a clever phrase "Woodstock ation" grouping us as it did into a political and social entity as if we had power. at ions had their own armies, right? And national anthems? Certainly, no nation ever had a soundtrack like ours. 1969 was an extraordinary year, there can be no doubt about it. Now in the 40th anniversary we have reason to remember it: the Rolling Stones in Hyde Park on July 5th (prior to Woodstock the largest of the mushrooming "free concerts"), July 20th the landing on the muon August 15th-17th Woodstock, and (although unknown at the time) the last Beat1es' performance, to name a few. In that year a barrage of unbelievable albums was released, as rock and roll continued to peak. A writer in December of2003 would call late December 1969 the "greatest week in rock history," citing the Billboard chart at the time which had in its top 10, The Beatles ", ''abbey Road," the Rolling Stones "Let It Bleed," Led Zeppelin's "Led Zeppelin II," Santana's "Santana," Blood Sweat & Tears, "Blood Sweat & Tears," and Crosby, Stills & Nash, "Crosby, Stills & Nash.'' ot listed, perhaps because they didn't have albums out that mouth, were Bob Dylan, Janis Joplin, the Doors, and Jimi Hendrix.

It was against this backdrop that the Rolling Stones arrived in Los Angeles in late October. They almost didn't make it. To work in the U.S. they needed U.S. work permits, and in the years between the last tour (1966) and the current, the Rolling Stones had three drug arrests between the five of them. The charges against Mick and Keith were dropped (though Keith spent a night in prison) but Brian Jones had been arrested twice, and would probably be convicted at least once. And that, as Americans say, would have been the ball game. Not for that reason, but perhaps not in complete ignorance of it either, Brian Jones was asked to leave the group. He did and (by some accounts) happily. ot long after, on July 3rd he was fooud at the bottom of his swimming pool. Efforts to revive him failed. Mick Taylor had already replaced Brian, and the 2nd iteration of the Rolling Stones was now set to tour. They rented two houses in Los Angeles - the "Oriole House" high in the Hollywood hills above Sunset Strip and Steven Stills' house off Laurel Canyon on the Valley side of the hills. The Rolling Stones rehearsed at the Stills' house in a small basement studio, not assiduously as Bill Wyman recalls, "We didn't do a lot. It was mostly party time. You know what the Stones are like."

I knew the Stones from work we had done together in 1968 and again in 1969. After working with them I went to work with the Beatles on "Let It Be," but left them after their last photo session (not knowing it would be their last) and went back to my family home in San Francisco. Later I heard the Stones were in L.A. - I don't remember knowing about it before - so 1 drove down and found my way up the winding streets to the Oriole House. Inside was a ...

Contents:

JUMPIN’ JACK FLASH - Parole e Musica di: Mick Jagger, Keith Richards - 1968
STRAY CAT BLUES - Parole e Musica di: Mick Jagger, Keith Richards - 1968
LOVE IN VAIN - Parole e Musica di: Robert Johnson - 1978
MIDNIGHT RAMBLER - Parole e Musica di: Mick Jagger, Keith Richards - 1969
SYMPATHY FOR THE DEVIL - Parole e Musica di: Mick Jagger, Keith Richards - 1968
LIVE WITH ME - Parole e Musica di: Mick Jagger, Keith Richards - 1969
HONKY TONK WOMEN - Parole e Musica di: Mick Jagger, Keith Richards - 1969
STREET FIGHTING MAN - Parole e Musica di: Mick Jagger, Keith Richards - 1968
PRODIGAL SON - Parole e Musica di: Robert Wilkins - 1965
YOU GOTTA MOVE - Parole e Musica di: Fred McDowell, Rev. Gary Davis - 1971
UNDER MY THUMB - Parole e Musica di: Mick Jagger, Keith Richards - 1966
I’M FREE - Parole e Musica di: Mick Jagger, Keith Richards - 1965
(I CAN’T GET NO) SATISFACTION - Parole e Musica di: Mick Jagger, Keith Richards - 1965

KNOPFLER MARK, GET LUCKY. TABLATURE

Get Lucky is Knopfler's fifth studio album of the decade and was recorded at his award-winning British Grove Studios in West London and co-produced with long-time cohorts Chuck Ainlay and Guy Fletcher.

It is a beautifully crafted exploration of a lifetime of musical roots, fluently combining folk and blues with his original song writing and vivid observational lyricism.

He will be starting a 'Get Lucky' world tour in the spring of 2010.

All the songs from the album arranged for Guitar tab, complete with full lyrics and melody line.

Before Gas & TV
Border Reiver
Cleaning My Gun
Get Lucky
Hard Shoulder
Monteleone
Piper To The End
Remembrance Day
So Far From The Clyde
The Car Was The One
You Can't Beat The House

OSBOURNE OZZY, GUITAR PLAY-ALONG VOLUME 70. ESSENTIAL. LIBRO CON CD E TABLATURE

LIBRO DI MUSICA HEAVY METAL, CON CD.

CD DI BASI PER VOCE E VOCE E CHITARRA.

CD CON SOFTWARE PER RALLENTARE LE TRACCE AUDIO, E ALTRO.

LIBRO DI SPARTITI PER VOCE E CHITARRA CON:

ACCORDI, PENTAGRAMMA E TABLATURE.  

Series: Guitar Play-Along
Format: Softcover with CD - TAB

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch! 8 songs, 80 pages
Song List:

anno - Title - Autori

1989 - Crazy Babies – Parole e musica di Ozzy Osbourne, Robert Daisley, Zakk Wylde e Randy Castillo

1981 - Goodbye To Romance - Parole e musica di John Osbourne, Robert Daisley, Randy Rhoads

1981 - I Don't Know - Parole e musica di Osbourne, Randy Rhoads, Robert Daisley

1991 - Mama, I'm Coming Home - Parole e musica di Ozzy Osbourne e Zakk Wylde

1981 - Over The Mountain - Parole e musica di Osbourne, Randy Rhoads, Robert Daisley, Lee Kerslake

1995 - Perry Mason - Parole e musica di Ozzy Osbourne, Zakk Wylde e John Purdell

1981 - Suicide Solution - Parole e musica di John Osbourne, Robert Daisley, Randy Rhoads

1991 - Time After Time - Parole e musica di Ozzy Osbourne, Zakk Wylde

REED LOU, SONGBOOK, SIX STRINGS AND THE WORDS. ARTIST APPROVED. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA ROCK.

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

36 titoli, 196 Pagine. TABLATURE

This book was approved by Lou Reed

Lou ha registrato il doppio album "live in Italy" dal concerto all'arena di Verona del 7 settembre 1983.

E c'eravamo anca noi.

Six Strings and the Words
Format: Softcover - TAB
Artist : Lou Reed

Here are 36 songs selected by Lou Reed's fan club in an unplugged, pared-down presentation with just the guitar chords and lyrics. Some of these songs are also shown in Play-It-Like-It-Is guitar tab, approved by Reed himself! Includes: Berlin - Coney Island Baby - Ecstasy - Goodnight Ladies - Guardian Angel - Heroin - NYC Man - Pale Blue Eyes - Ride Sally Ride - Rock and Roll - Sweet Jane - This Magic Moment - Walk on the Wild Side - Who Am I? - and more, plus an intro written by Reed and lots of rare photos. 196 pages

TITOLO - ALBUM

ADVENTURER     -     from SET THE TWILIGHT REELING

BERLIN     -     from LOU REED

THE BLUE MASK     -    from THE BLUE MASK

CAROLINE SAYS II     -     from BERLIN

CONEY ISLAND BABY    -    from CONEY ISLAND BABY

THE DAY JOHN KENNEDY DIED    -     from THE BLUE MASK

DIRTY BLVD.    -   From NEW YORK

ECSTASY     -   from ECSTASY

GOODNIGHT LADIES    -   from TRASFORMER

GUARDIAN ANGEL   -   from THE RAVEN

HEROIN    -    from ROCK N ROLL ANIMAL

THE HEROINE    -   from THE BLUE MASK

I'LL BE YOUR MIRROR   -   from THE VELVET UNDERGROUND & NICO

I'M WAITING FOR THE MAN (WAITING FOR MY MAN)    -   from THE VELVET UNDERGROUND & NICO

LEGENDARY HEARTS    -    from LEGENDARY HEARTS

MAGIC AND LOSS: THE SUMMATION    -    from MAGIC AND LOSS

NYC MAN    -    from SET THE TWILIGHT REELING

PALE BLUE EYES    -    from THE VELVET UNDERGROUND

PARANOIA KEY OF E    -    from ECSTASY

PERFECT DAY    -     from TRASFORMER

RIDE SALLY RIDE     -    from SALLY CAN'T DANCE

RIPTIDE     -     from SET THE TWILIGHT REELING

ROCK AND ROLL       -      from ROCK N ROLL ANIMAL

SATELLITE OF LOVE       -      from TRASFORMER

SET THE TWILIGHT REELING     -    from SET THE TWILIGHT REELING

STREET HASSLE    -    from STREET HASSLE

SUNDAY MORNING    -   from THE VELVET UNDERGROUND & NICO

SWEET JANE    -     from LOADED

SWEET JANE (INTRO)     -    from ROCK N ROLL ANIMAL

TALKING BOOK     -     from PERFECT NIGHT: LIVE IN LONDON

TATTERS     -     from ECSTASY

VENUS IN FURS     -     from THE VELVET UNDERGROUND & NICO

WALK ON THE WILD SIDE    -     from TRANSFORMER

WHAT BECOMES A LEGEND MOST    -   from NEW SENSATIONS

WHITE LIGHT WHITE HEAT   -   from ROCK N ROLL ANIMAL

WHO AM I?       -     from THE RAVEN

WHY DO YOU TALK       -      from PERFECT NIGHT: LIVE IN LONDON