ACCORDI - PENTAGRAMMA

JAZZ HARMONY ON THE GUITAR, Smith. CD

Series: Jazz Book
Publisher: Houston Publishing, Inc.
Medium: Softcover with CD
Composer: Stan Smith

This approach to studying jazz harmony provides an appropriate sound in a jazz setting early in guitarists' development and gives them a foundation in both linear and structural harmonic concepts, preparing them for more advanced theoretical concepts. Other applications for this book/CD pack include voicings for percussionists developing four mallet technique on vibes, and material for band directors who want to use the guitar to its fullest potential, and for arrangers writing for the guitar. 56 pages.

MELODIC RHYTHMS FOR GUITAR, W. G. Leavitt. Berklee.

Series: Guitar Method
Publisher: Berklee Press Publications
Author: William Leavitt

A thorough presentation of rhythms commonly found in contemporary music, including 68 harmonized melodies and 42 rhythm exercises. This highly respected and popular book is also an excellent source for duets, sight-reading and chord studies. 72 pages

BERKLEE BASIC GUITAR, PHASE 1. Leavitt, William. (EDIZIONE ITALIANA).

THE BRAZILIAN GUITAR BOOK, Nelson Faria. Contiene 84 esempi di Samba, Choro, Bossa, frevo, Baião. Con fotografie, discografie, ritmi, ecc. ecc. . Con notazione tradizionale e accordi. CD

This is the only book on the market designed to show guitarists how to play authentic accompaniments in all the main Brazilian styles. On the accompanying CD, Nelson plays each exercise so the student can clearly hear and see what his role in this beautiful music is. There are also fingerboard diagrams for people who are not great readers. Nelson has been singer/songwriter Joao Bosco's accompanist for many years, one of the most prestigious gigs in Brazil. Endorsed by Tonino Horta and Joe Diorio, among others. 139 Pages.

By one of Brazil's best new guitarists. A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles (Samba, Bossa Nova, Frevo, etc. ) Comes with a CD of Nelson demonstrating each exercise, plus a tune in each style. Many variations of basic comping patterns written out, each with complete chord voicings. Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto, etc. Leny Andrade - "When I think about Brasil, I think about "Violao" (that's what we call the nylon string guitar in our country). The art of playing "Violao" looks simple, but it isn't and this book shows how to assimilate and how to understand this art. This makes me feel happy. With talent and clear information, Nelson will help guitar players all around the world to enjoy all the pleasures of this wonderful instrument. Make good use of this excellent musical book!" Toninho Horta - "Nelson Faria was the right person to write this book, which contains examples and transcriptions of Brazil's greatest guitarists. This talented musician and dedicated music professor has a deep knowledge of Brazilian music and its rhythmic, melodic and harmonic subtleties." Joe Diorio - "Nelson Faria's book is a welcome addition to the guitar literature. I'm sure those who work with this volume will benefit greatly."

Contents:
So te esperando (Song & accompaniment example) 17 samba variations.
Tristez (chord melody example) 17 samba variations.
Antes Tarde (song & accompaniment example) 6 bossa nova variations.
Triste (chord melody example) 6 bossa nova variations.
Influenciado (song & accompaniment example) 5 Choro variations.
Marceneiro Paulo (chord melody example) 5 Choro variations.
Ioio (song & accompaniment example) 5 Frevo variations.
Baiao por acaso (song & accompaniment example) 7 Baiao.

Guitarist, arranger and composer, Nelson Faria was born in Belo Horizonte, MG (1963), and when he was a child he moved to Brasilia, OF, where he began his guitar lessons. In 1983, he moved to L.A. to attend G.I.T (Guitar Institute of Technology), where he studied with Joe Diorio, Joe Pass, Ron Eschete, Howard Roberts, Scott Henderson, Frank Gambale, and many others. While in L.A., he also attended private lessons with the chord melody master Ted Greene. Back in Brazil, Nelson Faria became one of the most important names on call lists for guitar workshops, clinics and seminars all over the country. He released a book on improvisation -"A arte da improvisacao" (Lumiar Editora), an instructional guitar video "Toques de Mestre" (Giannini S/A), and a solo CD - "Ioio" (Perfil musical). He also performed on the instructional video "Secrets of Brazilian Music" and on the book "Brazilian Music Workshop" by Antonio Adolfo. Presently Nelson teaches guitar and improvisation at the ESTACIO DE SA UNIVERSITY, in Rio de Janeiro, Brazil, and has been performing and recording with many fine Brazilian artists, such as: - Milton Nascimento, Edu Lobo, Toninho Horta, Antonio Adolfo, Joao Bosco, Wagner Tiso, Nivaldo Ornelas, Nico Assumpcao, Baby Consuela, Cassia Eller, Luiz Melodia, Carlos Lyra, Emilio Santiago, Tim Maia, among others. Nelson Faria also leads his own group. Nelson's CD "Ioio" (containing complete versions of his original compositions found in this book) is available from Sher Music Co., P.O. Box 445, Petaluma, CA 94953.

TABLE OF CONTENTS:
About the author .
My special thanks to .
Note from the author .
List of recorded examples .
Understanding the chord symbol system .
Reading the examples .
Table of contents .
Credits .
PART I Samba
General outline .
Subdivisions .
Musical characteristics .
Basic pattern and variations for rhythm guitar .
Basic Pattern .
Musical example .
Variations .
Variation #1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Variation #4 .
Musical example 1 .
Musical example 2 .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Variation #7 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Musical example 4 .
Variation #8 .
Musical example 1 .
Musical example 2 .
Variation #9 .
Musical example .
Variation #10 .
Musical example .
Variation # 11 .
Musical example .
Variation #12 .
Musical example .
Variation #13 .
Musical example .
Variation #14 .
Musical example .
Variation #15 .
Musical example .
Variation # 16 .
Musical example .
Variation #17 .
Musical example .
Song example "So te esperanda" .
Accompaniment example "So te esperanda" .
Chord melody example "Tristeza" .

PART II Bossa Nova
General outline .
Musical characteristics .
Bossa Nova clave .
Basic pattern and variations for rhythm guitar .
Basic pattern - .
Musical example .
Variations .
Variation #1 .
Musical example .
Variation #2 .
Musical example 1 .
Musical example 2 .
Variation #3 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Variation #4 .
Musical example 1 .
Musical example 2 .
Musical example 3 .
Musical example 4 .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Song example "Antes Tarde" .
Accompaniment example "Antes Tarde" .
Chord melody example "Triste"

PART III - Choro
Musical characteristics ,
Musical examples .
Basic pattern and variations for rhythm guitar ,
Basic pattern ,
Musical example .
Variations .
Variation # 1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example .
Variation #4
Musical example .
Variation #5
Musical example .
Song example "1nfluenciado" .
Accompaniment example "1nfluenciado" .
Chord melody example "Marceneiro Paulo" ,

PART IV - Frevo
General outline .
Subdivisions .
Musical characteristics .
Musical examples .
Basic pattern and variations for rhythm guitar .
Basic pattern , .
Musical example .

Variations .
Variation # 1 .
Musical example .
Variation #2 .
Musical example .
Variation #3 .
Musical example .
Variation #4 .
Musical example 1 .
Musical example 2 .
Variation #5 .
Musical example .
Song example "loio" .
Accompaniment example "loio" .

PART V Baiao
General outline .
Musical characteristics .
Musical examples .
Basic pattern and variations for rhythm guitar .
Basic pattern .
Musical example .
Variations .
Variation # 1 .
Musical example 1 .
Musical example 2 .
Variation:2 .
Musical example .
Variation #3 .
Musical example .
Variation #4 .
Musical example .
Variation #5 .
Musical example .
Variation #6 .
Musical example .
Variation #7 .
Musical example : .
Song example "Baiao por acaso" .
Accompaniment example "Baiao por acaso" .
Selected discography
Bibliography
Glossary

LIST OF RECORDED EXAMPLES
[track 01] Tuning notes (E, B, G, D, A, E) page
[track 02] Samba basic pattern musical example
[track 03] Samba variation #1 musical example
[track 04] Samba variation #2 musical example
[track 05] Samba variation #3 musical example 1
[track 06] Samba variation #3 musical example 2
[track 07] Samba variation #3 musical example 3 - partial transcription of
the guitar part played by Toninho Horta on the song
"Aquelas Coisas Todas" by Toninho Horta
[track 08] Samba variation #4 musical example 1 - partial transcription of
the guitar part played by Ivan Lins on the song
"Desesperar Jamais" by Ivan Lins / Victor Martins 31
[track 09] Samba variation #4 musical example 2
[track 10] Samba variation #5 musical example
[track 11] Samba variation #6 musical example
[track 12] Samba variation #7 musical example 1
[track 13] Samba variation #7 musical example 2
[track 14] Samba variation #7 musical example 3 - partial transcription of
the guitar part played by Joao Bosco on the song
"Incompatibilidade de Genius" by Joao Bosco / Aldir Blanc
[track 15] Samba variation #7 musical example 4 - partial transcription of the
guitar part played by Joao Bosco on the song "Coisa Feita"
by Joao Bosco / Aldir Blanc / Paulo Emilio
[track 16] Samba variation #8 musical example 1 - partial transcription of the
guitar part played by Joyce on the song "Feminina" by Joyce
[track 17] Samba variation #8 musical example 2
[track 18] Samba variation #9 musical example - partial transcription of the
guitar part played by Luiz Bonfa on the song "Batukada" by Luiz Bonfa
[track 19] Samba variation #10 musical example
[track 20] Samba variation #11 musical example 4
[track 21] Samba variation #12 musical example - partial transcription
of the guitar part played by Milton Nascimento on the
song "Cravo e Canela" by Milton Nascimento 4
[track 22] Samba variation #13 musical example 4
[track 23] Samba variation #14 musical example 4-
[track 24] Samba variation #15 musical example 4
[track 25] Samba variation #16 musical example - partial transcription of the
guitar part played by Toninho Horta on the song "From the Lonely
Afternoon" by Milton Nascimento / Fernando Brant
[track 26] Samba variation #17 musical example
[track 27] Song example: "S6 te esperando" by Nelson Faria
[track 28] Accompaniment example: "So te esperando" by Nelson Faria
[track 29] Chord melody example: "Tristeza" by Haroldo Lobo
[track 30] Bossa Nova basic pattern musical example - partial transcription
of the guitar part played by Joao Gilberto on the song
"Insensatez" by Tom Jobim
[track 31] Bossa Nova variation #1 musical example
[track 32] Bossa Nova variation #2 musical example 1
[track 33] Bossa Nova variation #2 musical example 2
[track 34] Bossa Nova variation #3 musical example 1
[track 35] Bossa Nova variation #3 musical example 2
[track 36] Bossa Nova variation #3 musical example 3 - partial transcription
of the guitar part played by Oscar Castro Neves on the
song "Brigas nunca mais" by Tom Jobim
[track 37] Bossa Nova variation #4 musical example 1
[track 38] Bossa Nova variation #4 musical example 2
[track 39] Bossa Nova variation #4 musical example 3
[track 40] Bossa Nova variation #4 musical example 4 - partial transcription
of the guitar part played by Joao Gilberto on the song
"Esse seu olhar" by Tom Jobim
[track 41] Bossa Nova variation #5 musical example - partial transcription of
the guitar part played by Helio Delmiro on the song
"é com esse que eu vou" by Pedro Caetano
[track 42] Bossa Nova variation #6 musical example - partial transcription
of the guitar part played by Roberto Menescal on the song
"Aquarela do Brasil" by Ary Barroso
[track 43] Song example: "Antes Tarde" by Nelson Faria
[track 44] Accompaniment example: "Antes Tarde" by Nelson Faria
[track 45] Chord melody example: "Triste" by Tom Jobim
[track 46] Choro basic pattern musical example
[track 47] Chorovariation#l musicalexampl.
[track 48] Choro variation #2 musical example - Choros n 1
by Heitor Villa Lobos
[track 49] Choro variation #3 musical example
[track 50] Choro variation #4 musical example
[track 51] Choro variation #5 musical example
[track 52] Song example: "Influenciado" by Nelson Faria
(Lyrics by Zelia Christina)
[track 53] Accompaniment example: "Influenciado" by Nelson Faria
[track 54] Chord melody example: "Marceneiro Paulo" by Helio Delmiro
[track 55] Frevo basic pattern musical example
[track 56] Frevo variation #1 musical example
[track 57] Frevo variation #2 musical example
[track 58] Frevo variation #3 musical example
[track 59] Frevo variation #4 musical example 1
[track 60] Frevo variation #4 musical example 2
[track 61] Frevo variation #5 musical example
[track 62] Song example: "loio" by Nelson Faria .
[track 63] Accompaniment example: "loio" by Nelson Faria .
[track 64] Baiao basic pattern musical example .
[track 65] Baiao variation #1 musical example 1 .
[track 66] Baiao variation # 1 musical example 2
"Vera Cruz" by Milton Nascimento .
[track 67] Baiao variation #2 musical example .
[track 68] Baiao variation #3 musical example .
[track 69] Baiao variation #4 musical example .
[track 70] Baiao variation #5 musical example .
[track 71] Baiao variation #6 musical example .
[track 72] Baiao variation #7 musical example .
[track 73] Song example: "Baiao par acaso"
by N. Faria / H. Stamato / R. Cardoso .
[track 74] Accompaniment example: "Baiao par acaso"
by N. Faria / H. Stamato / R. Cardoso .
[track 75] Tamborim playing a samba pattern
[track 76] Pandeiro playing a samba pattern
[track 77] Ganza playing a bossa nova pattern
[track 78] Clave playing a bossa nova pattern
[track 79] Pandeiro playing a choro pattern
[track 80] Pandeiro playing a frevo pattern
[track8!] Surdo playing a frevo pattern
[track 82] Triangle playing a baiao pattern
[track 83] Cowbell playing a baiao pattern
[track 84] Zabumba playing a baiao pattern 

BRUNEL BUNNY, COMPLETE BOOK OF BASS ESSENTIALS. Un metodo direttamente dal bassista francese di Al Di Meola, e altri della jazz-fusion. DVD TAB.

Product Description:
Bunny Brunel has played with Chick Corea, Herbie Hancock, Tony Williams, Larry Coryell, Wayne Shorter, Al Dimeola, Al Jarreau, and many other jazz and fusion greats. Bunny has compiled over 250 pages of "nuts and bolts" basics needed to play contemporary bass. Applicable to either 4- or 5-string bass, this comprehensive text covers position playing, utilizing scales and modes, chords and harmony, creating bass lines, improvising, fingering, and much more! In notation only with fretboard diagrams.

Product Number: 94740DP
Format: Book+DVD
ISBN: 0786672439
UPC: 796279096959
ISBN13: 9780786672431
Series: Complete
Publisher: Mel Bay Publications, Inc.
Date Published: 3/8/2006

Contents:

Lesson #1
The Right- & Left-Hand Fingerings

Lesson #2
The Major Modes
The Ancient Greek Modes

Lesson #3
The C Major Positions

Lesson #4
The G and D Major Positions

Lesson #5
The Harmonic Minor Modes

Lesson #6
The C Harmonic Minor Positions

Lesson #7
The G and D Harmonic Minor Positions

Lesson #8
The Melodic Minor Modes

Lesson #9
The C Melodic Minor Positions

Lesson #10
The G and D Melodic Minor Positions

Lesson #11
The Additional Modes

Lesson #12
Reviewing the Modes

Lesson #13
The Pentatonic Scales

Lesson #14
Chords & Harmony

Lesson #15
Key Signatures

Lesson #16
Matching the Chords with the Modes

Lesson #17
A Few Tips

Lesson #18
Creating Bass Lines

Lesson #19
Improvisation