DAVE RUBIN

25 GREAT CLASSIC ROCK GUITAR SOLOS. Dave Rubin. BOOK WITH CD & TABLATURE

LIBRO METODO DI MUSICA ROCK, CON CD. 

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA E TABLATURE. 

Featuring legends of lead guitar, including Jimmy Page, Eric Clapton, Eddie Van Halen, Jeff Beck, Carlos Santana, Duane Allman, Tony Iommi, David Gilmour, and many mire.

Transcriptions · Lessons · Bios · Photos
Series: Guitar Book
Format: Softcover with CD - TAB
Author : Dave Rubin

From Eric Clapton and George Harrison to Brian May and Eddie Van Halen, take an inside look at the genesis of classic rock guitar. This book/CD pack provides solo transcriptions in standard notation and tab, lessons on how to play them, guitarist bios, equipment, photos, history, and much more. The accompanying CD contains full-band demonstrations of every guitar solo in the book. It's playable on any CD player, and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch! Songs include: Louie, Louie - Mississippi Queen - Money - Paranoid - Radar Love - Reeling in the Years - Smoke on the Water - Sweet Home Alabama - Tush - We Will Rock You - White Room , and more.

Rock guitar solos have evolved significantly over time. In the "stone age" of the fifties, they often served merely as an "instrumental break" from the vocals; by the "stoned age" of the sixties, however, they sometimes seemed the whole point of the exercise. Even back then, however, the difference was always in the songs with the closest lineage to the blues. Beginning with Chuck Berry and the raucous, howling highway sound of his grinding solo on "Maybellene" in 1955, a freedom to improvise and express joy, anger, lust, menace, or just sheer rebellion for the hell of it became the province of those players willing to test their mettle (metal?) and chops. It's a fairly straight shot from Chuck to the Kingsmen in the Northwest in the early sixties and their primal, iconic garage rock version of "Louie Louie" (1963) featuring lead guitarist Mike Mitchell. In England, Jeff Beck was helping to create psychedelic music in the Yardbirds by filtering the blues through Les Paul and rockabilly music, and his wildly creative chops produced the swinging and humorous "Jeff's Boogie" in 1966. His predecessor in the 'birds, Eric Clapton, would advance the cause of heavy blues rock in Cream during the late sixties with dramatic blues rock like the monolithic "White Room" in 1968. A year later in the U.S., a band from northern California led by the exceptionally talented singer/songwriter/guitarist John Fogerty combined country blues with country, folk, and rockabilly music to create a dazzling string of hit singles. "Born on the Bayou," the flips ide of the future wedding band staple "Proud Mary," captured a Southern ambience not present in British blues rock. Also in 1969, Mexico-born Carlos Santana in the San Francisco area found yet another way to combine the blues with a new genre in the celebratory Latin rock of "Soul Sacrifice" that he had performed that summer at the landmark Woodstock festival in upstate New York. John Lennon likely thought himself the "bluesiest" of the Beatles, that most eclectic and imaginative of sixties bands, but George Harrison and Paul McCartney joined him in trading funky blues rock solos during their crunching jam on 'The End" in 1969 that actually marked the "end" for the Beatles with Abbey Road. Led Zeppelin, their polar opposites led by the brilliant tone king Jimmy Page, gave a nod to a passel of blues classics with their original composition "The Lemon Song" on their second release in 1969. That same watershed year, an authentic American blues group from the South, the Allman Brothers Band featuring Duane Allman and Dicky Betts, included the ultimate encore tune of "Whipping Post" on their debut album. The seventies started off showing no let up in creativity regarding blues influenced rock. Mountain, with the physically "mountainous" lead guitarist Leslie West, paid props to the "Mississippi Queen" in 1970. Across the "big pond," heavy metal avatars Black Sabbath with guitarist Tony Iommi were feeling rather "Paranoid" in 1971, while Deep Purple with the "Dark Knight" Richie Blackmore smoldered with "Smoke on the Water" in 1972. At the same time stateside, the jazz-bopping Steely Dan, with a rotating cast of top session guitarists, recorded the fast shuffling "Reeling in the Years" with studio cat Elliot Randall spinning fluid lines. David Gilmour and the second incarnation of Pink Floyd used "Money" in 1973 to make a major musical statement in England, while the pride of Ohio,

Song List:

YEAR - TITOLO - CHITARRISTA - BAND - ALBUM

1977 - Black Betty - Bill Bartlett - RAM JAM - Ram Jam
1969 - Born On The Bayou - John Fogerty - CREEDENCE CLEARWATER REVIVAL - Bayou Country
1969 - The End - Paul McCartney, George Harrison, John Lennon - The BEATLES - Abbey Road
1966 - Jeff's Boogie - Jeff Beck - YARDBIRDS - Over under sideways Down  
1969 - The Lemon Song - Jimmy Page - LED ZEPPELIN II
1977 - Lights Out - Michael Schenker - UFO - lights out 
1976 - Long Time - Tom Scholz - BOSTON - Long time
1963 - Louie, Louie - Mike Mitchell - The KINGSMEN - The Kingsmen in person
1970 - Mississippi Queen - Leslie West - MOUNTAIN - Climbing!
1973 - Money - David Gilmour - PINK FLOYD - dark side of the moon
1971 - Paranoid - Tony Iommi - BLACK SABBATH - Paranoid
1973 - Radar Love - George Kooymans - GOLDEN EARRING - Moontan
1972 - Reeling In The Years - Elliot Randall - STEELY DAN - Can't buy a thrill
1973 - Rock And Roll Hoochie Koo - Rick Derringer - all american boy
1973 - Rocky Mountain Way - Joe Walsh - the smoker you drink, the player you get
1972 - Smoke On The Water - Ritchie Blackmore - DEEP PURPLE - Machine Head 
1980 - Snortin' Whiskey - Pat Travers e Pat Thrall - PAT TRAVERS BAND - crash and burn
1969 - Soul Sacrifice - Carlos Santana - SANTANA 
1974 - Sweet Home Alabama - Ed King - LYNYRD SKYNYRD - Second helping
1974 - Train Kept A-Rollin' - Steve "the deacon" Hunter - AEROSMITH - Get your wings
1975 - Tush - Billy Gibbons - ZZ TOP - Fandango
1977 - We Will Rock You - QUEEN - news of the world
1969 - Whipping Post - Duane Allman - The ALLMAN BROTHERS BAND 
1968 - White Room - Eric Clapton - CREAM - Wheels of fire
1978 - You Really Got Me - Eddie Van Halen - VAN HALEN - Van Halen

106 pagine

PETTY TOM, GUITAR SIGNATURE LICKS. CD TABLATURE

LIBRO METODO DI MUSICA ROCK, CON CD.

SPARTITI PER CHITARRA.

ACCORDI, PENTAGRAMMA E TABLATURE. 

A Step-by-Step Breakdown of the Guitar Styles of Tom Petty and Mike Campbell
Serie: Signature Licks Guitar
Medium: Softcover with CD
Author: Dave Rubin
Artist: Mike Campbell
Artist: Tom Petty

INTRODUZIONE

Venduto più di cinquanta milloni di dischi in tutto il mondo di musica dura e ti musica tenera, Tom Petty ha ontrattato con sucesso ogni decennio della sua carriera che parte a meta degli anni settanta quando lui dormiva sotto punk radar e finoad oggi. Al inizio Petty veniva percepito come un'artista nell'avanguardia della "new wave" quando lui in realtà era uno tradizionalista con le profonde radici nel classic-rock. Lui ha preso questi elementi e ha aggiunto la sua  impronta unica, conferendo alla sua musica un suono fortemente personale. Con il chitarrista solista Mike Campbell al suo fianco che era come Keith Richards per Mick Jagger, Petty ha creato il rock "fuori" dal tempo come erano i suoi illustri predecessori: The Rolling Stones, the Byrds, e Bob Dylan. Thomas Earl Petty era nato a Gainesville, Florida il 20 Ottobre del 1950. Non pensava di suonare la chitarra fino il 1961 quando nella vicina città di Ocala iniziarono le riprese del film "Follow that Dream" con Elvis. Lo zio di Petty aveva una impresa di produzione cinematografica e ha organizzato per il ragazzo grazie ai suoi contatti un breve incontro sul set con the "King". Come raccontava Petty, quell' incontro da vicino con Elvis, che ha appena ricevuto gli applausi della folla gremita, intero spettacolo e il suo entourage: capelli corvini di Elvise, i fans strillanti, di punto in bianco cambiato la  sua vita. Questo suo pensiero "che essere una rock star è un bel lavoro", Petty commercializzò una vera "catapulta " per molti single di Elvis ed è emerso nello studio di musica del leggendario cantante. In più,come moltissimi altri, l'aver visto i Beatles" all' Ed Sullivan Show al inizio del 1964 ha deciso il suo futuro: doveva proprio fare qualcosa anche lui. Al età di 14 anni, Petty suonava la chitarra nelle band come Sundowners ed Epics. Grazie ad Epics incontra Tom Leadon. Interessante che il fratello di Tom - Berni era il membro fondatore del mega stars The Eagles. A dicciasette anni Petty lascia lo studio e crea insieme ad Leadon e il tastierista Benmont Tench Mudcrutch. Mike Campbell viene aggiunto come secondo chitarrista e Petty all'inizio suonava il basso fino quando il Leadon è partito per California nel 1972. Mudcrutch faceva i tour nei stati del Sud -Est per qualche anno arrivando ad avere la grande popolarità e condividendo le locandine con Lynyrd Skynyrd.

Examine the masterful axe work that supports the songs of this classic rock legend! Dave Rubin provides detailed analysis of Tom & Mike's on:

l'autore insieme Tom, Jeff Lynne è il "capoccione" della Electric Light Orchestra E.L.O. 

anno  -  titolo  -  Album  -  Parole e musica di:

1976  -  American Girl  -  Tom Petty & the Heartbreakers  -  parole e musica di Tom Petty 
1976  -  Breakdown  -  Tom Petty & the Heartbreakers  -  parole e musica di Tom Petty 
1979  -  Don't Do Me Like That  -  Damn the Torpedoes-  parole e musica di Tom Petty 
1989   -  Free Fallin'  -  Full Moon Fever  -  parole e musica di Tom Petty e Jeff Lynne
1989   -  I Won't Back Down  -  Full Moon Fever  -  parole e musica di Tom Petty e Jeff Lynne
1991  -  Into The Great Wide Open  -  Into the Great Wide Open  -  parole e musica di Tom Petty e Jeff Lynne
1991  -  Learning To Fly  -  Into the Great Wide Open  -  parole e musica di Tom Petty e Jeff Lynne
1993  -  Mary Jane's Last Dance  -  Greatest Hits  -  parole e musica di Tom Petty
1979  -  Refugee  -  Damn the Torpedoes  -  parole e musica di Tom Petty e Mike Campbell
1989  -  Runnin' Down A Dream  -  Full Moon Fever  -  parole e musica di Tom Petty e Jeff Lynne, Mike Campbell
1994  -  You Don't Know How It Feels  -  Wildflowers  -  parole e musica di Tom Petty

8-BAR BLUES, Inside the Blues Series, Dave Rubin. CD TABLATURE

LIBRO DI MUSICA PER CHITARRA, CON CD E TABLATURE.

The complete guide for guitar
Series: Guitar Educational
Softcover with CD - TABLATURE
Author: Dave Rubin

Although the term "12-bar" is usually the first form one thinks of when hearing the word "blues," a surprising number of songs make use of another popular form: the 8-bar. This book/CD pack is solely devoted to providing you with all the technical tools necessary for playing 8-bar blues with authority. Includes: a CD with 45 full-band tracks; a history of the 8-bar blues form; instruction on boogie, shuffle, and jazz-blues progressions, including minor keys; rhythm patterns and solos; and much more. 56 pages

8-BAR BLUES The Complete Guide for GUITAR

By Dave Rubin

Description

8-Bar Blues: A Select History

8-Bar Boogie

8-Bar Shuffle

8-Bar Minor Blues

8-Bar Jazzy Shuffle

8-Bar Slow Jazzy Blues

8-Bar Boogie Solo

8-Bar Shuffle Solo

8-Bar Minor-Blues Solo

8-Bar Minor-Key Solo

8-Bar Jazzy Shuffle Solo

8-Bar Jazzy Slow-Blues Solo

Tuning

INSIDE THE BLUES

8-Bar Blues The Complete Guide for GUITAR.

Though the 12-bar is usually the first form one thinks of when

hearing the word /'blues," a surprising amount of songs make use

of another popular form: the 8-bar. This book and CD package is

solely devoted to providing you with all the technical tools

necessary for playing 8-bar blues with authority.

- CD Includes 44 Full-Band 1racks

- History of the 8-Bar Blues Fonn

- Boogie, Shuffle, and Jazzy Blues Progressions, Including Minor Keys

- Rhythm Patterns and Solos

A Select History
8-BAR BLUES: A SELECT HISTORY

Eight-bar blues became popular in the era of the "classic women blues singers," in the Twenties,
long before 12-bar blues became the norm, in the Thirties. It appears that 8-bar blues existed in the
South years before the first commercial blues recordings and possibly during the formative years of both blues and jazz, in the 1890s. By extension, American popular music, particularly prior to rock 'n' roll in the Fifties, was often based on 8-measure progressions that were arranged into 32-measure song forms.
In a spoken introduction to a live performance of "Sc James Infirmary" at Louis Armstrong's Town
Hall concert in New York City in 1947, jazz trombonist Jack Teagarden referred to the song as the "oldest blues I ever heard." Not coincidentally, it contains an 8-bar progression:
Dm A7 Dm Gm A7

"Gamblers Blues," a song that can be traced back to 1899, seems to be a precedent for "St. James
Infirmary," though the original derivation possibly goes back even further, to old English ballads. Note that measures 1 and 2 contain the I chord (because the chord is minor, it's a i chord, while the A 7 is just a quick V-chord substitution), a common occurrence in many 8-bar blues.
An early recorded 8-bar blues, and a subsequent classic, is Bessie Smith's "Taint Nobody's Bizness
If We Do" from April 1923. The last four measures of the arrangement reflect elements that are not only common to future 8- and 12-bar blues, but jazz as well:

G7
III7
A b 7 I A07 I E b 7 C7
IV7 #Ivo7 17 VI7
F7 B b 7IE b 7 A b 7IE b 7 B b 7II
II7 V7 17 IV7 17 V7

Sylvester Weaver, the first African-American blues guitarist to record with vocalist Sara Martin, in
November 1923, waxed a clever instrumental ditty in April 1927 called "Damfino Stomp" (pronounced
"damn if I know"), which contains several eight-bar verse variations:

Lonnie Johnson, arguably the most influential guitarist of the 20th century, recorded an eight-bar
duet with a pianist in October 1927 named "6/88 Glide":
 

INSIDE THE BLUES, 1942-1982 - UPDATED EDITION, Four Decades of the Greatest Electric Blues Guitarists. Rubin. T-Bone Walker, Elmore James, B.B. King, Otis Rush, Buddy Guy, Albert King, Jimi Hendrix, Johnny Winter, Stevie Ray Vaughan, e altri. CD TAB. 176 pagine.

Series: Guitar Educational
Softcover with CD - TABLATURE
Author: Dave Rubin

This definitive collection now includes a CD! Spans 40 years of blues history, covering the techniques of: T-Bone Walker, Elmore James, B.B. King, Otis Rush, Buddy Guy, Albert King, Jimi Hendrix, Johnny Winter, Stevie Ray Vaughan, and more. Features top-notch instruction, ample musical examples, explanations of regional styles, info on tunings and gear, 20+ rare photos and more. Essential for students of the blues! 176 pages.

25 GREAT BLUES GUITAR SOLOS. Dave Rubin CD TABLATURE

Transcriptions · Lessons · Bios · Photos

Series: Guitar Book
Softcover with CD - TAB
Author: Dave Rubin

From Magic Sam and the Three Kings to Eric Clapton and the Vaughan brothers, take an inside look at the genesis of blues guitar. This book and CD compendium provides solo transcriptions in standard notation and tablature, lessons on how to play them, guitarist biographies, equipment, photos, history, and much more. The accompanying CD contains full-band demonstrations of every guitar solo in the book. For PC and Mac users, the CD is enhanced with Amazing Slow Downer software so you can adjust the recording to any tempo without changing pitch! 124 pages. Songs include:

Preface
Ever since the first guitar hero, Sylvester Weaver, recorded the first blues guitar solos on "Guitar Blues" and "Guitar Rag" in 1923, they have been an integral part of the blues experience. From that time forward through the country and Delta blues era until the early 1940s, acoustic guitars were the only means of expression, and most blues were solo affairs. With the exception of the sensational duets Lonnie Johnson performed with Eddie Lang in the late 1920s and Scrapper Blackwell's accompaniment of pianist Leroy Carr in the 1930s, little in the way of memorable soloing was

CONTENTS

Year - Title - GUITARIST

1942 - I Got a Break Baby - T-Bone Walker 

1954 - Okie Dokie Stomp - Clarence "Gatemouth" Brown

1956 - Honky Tonk - Billy Butler

1956 - All Your Love (I Miss Loving) - Otis Rush

1961 - Blue Guitar - Earl Hooker

1962 - Moaning for Molasses - Jody Williams

1963 - Hidden Charms - Hubert Sumlin

1963 - Remington Ride - Freddie King

1963 - Rockin' Awhile - B.B. King

1966 - Sweet Sixteen - B.B. King

1968 - Blues Power - Albert King

1968 - Cross Road Blues (Crossroads) - Eric Clapton

1968 - Every Day I Have the Blues - Kenny Burrell

1968 - Sweet Home Chicago - Magic Sam

1969 - Be Careful with a Fool - Johnny Winter

1969 - Don't Throw Your Love on Me So Strong - Michael Bloomfield

1973 - Cotton Picking Blues - Son Seals

1974 - Let's Have a Little Talk - Luther Allison

1974 - Wayfaring Pilgrim - Roy Buchanan

1979 - I Smell a Rat - Buddy Guy

1980 - Brick - Albert Collins

1983 - Phone Booth - Robert Cray

1983 - Texas Flood - Stevie Ray Vaughan

1985 - Satisfy Susie - Lonnie Mack

1986 - Why Get Up - Jimmie Vaughan

Guitar Notation Legend