DAVE WHITEHILL

JOHNSON ERIC, THE FINE ART OF GUITAR, TABLATURE BOOKLET & DVD

JOHNSON ERIC, THE FINE ART OF GUITAR. TABLATURE DVD

Table of contents:

Six Important Guitar Techniques

Tuning

Picking Ex. 1-2
Fingering Ex. 3-5
Dampening Ex. 6-10
String Stretching Ex. 11-19
Vibrato Ex. 20-24
Four Major Aspects of Playing
Projection Ex. 25
Taking Chances Ex. 26-31
Strength and Focus 
Signature
HarmonicsEx. 32-33
Slide Guitar
Left-hand Thumb Punctuation
Thinking Creatively
Acoustic Guitar Technique Ex. 34
How to Get a Good Sound and Tone
Chords and Chording Ex. 35
Leads and Solos Ex. 36-38
 
For the first time the legendary HOT LICKS classic video titles are available on DVD, making it even easier to learn with top players ... right in your own home! These brilliant new DVD transfers make them look better than ever, giving you improved navigation, many extra features and some newly recorded introductions.
 
Here is the follow-up to Eric's classic instructional DVD Total Electric Guitar. Building on the foundations of that DVD, Eric goes on to show you: tempered tuning, pick and finger techniques, his famous "Koto" technique, slide guitar, volume swells for lead and slide plus a host of technical tips including multi-amp setup, action and string tension adjustments. The DVD also includes several exclusive live performances by Eric playing with his band! It all adds up to the ultimate electric guitar lesson!
 
You'll never miss a note !
You see the music and the tablature on screen as i'ts beging played!
All right and left hand techniques are shown in close-up and with helpful split-screen effects to make learning easy.
 
Slow-motion segments with standard pitch sound
artist biography
suggested listening
booklet with music examples included
 
Produced by Arlen Roth with a new introduction by Jeff Golub
 
COVER PHOTO: MAX CRACE
TRANSCRIPTION: DAVE WHITEHILL
INSCRIPTION: CHARYLU ROBERTS
 
 
Description

Here is the follow-up to Eric’s classic instructional DVD Total Electric Guitar. Building on that DVD, Eric goes on to show you: tempered tuning, pick and finger techniques, his famous 'Koto' technique, slide guitar, volume swells for lead and slide plus a host of technical tips including multi-amp setup, action and string tension adjustments. The DVD also includes several exclusive live performances by Eric playing with his band! It all adds up to the ultimate electric guitar lesson!


SOTTOTITOLI IN ITALIANO

SUBTITLES: English / French / German / Italian / Spanish

Prezzo: €27,95
€27,95

VAUGHAN STEVIE RAY THE SKY IS CRYING GUITAR TABLATURE HAL LEONARD CHITARRA SPARTITI LIBRO

VAUGHAN STEVIE RAY, THE SKY IS CRYING. GUITAR TABLATURE

LIBRO DI MUSICA BLUES - ROCK.
SPARTITI PER CHITARRA E VOCE. 
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE. 

Series: Guitar Recorded Version TAB

Artist: Stevie Ray Vaughan

Matching folio to the album featuring 10 previously unreleased studio performances, including:

Boot Hill
Chitlins Con Carne
Close To You (I Wanna Get)
Empty Arms
Life By The Drop
Little Wing
May I Have A Talk With You
The Sky Is Crying
So Excited
Wham

80 pages

Prezzo: €29,99
€29,99

JOHNSON ERIC, VENUS ISLE. Guitar Recorded Version TABLATURE

JOHNSON ERIC, VENUS ISLE. TABLATURE.

Serie: Guitar Recorded Version TAB
Artista: Eric Johnson
'Venus Isle' di Eric Johnson raccolta di brani per chitarra trascritti nota per nota dalla registrazione. é La Serie di Versione Registrata per la Chitarra di Hal Leonard e l'ultima di Eric Johnson.


'Venus Isle' by Eric Johnson is a matching guitar folio featuring note-for-note transcriptions from that recording. This folio is from the Recorded Versions for Guitar series from Hal Leonard and is the latest by Eric Johnson. 136 pages

Contenuto :
All About You
Battle We Have Won
Camel's Night Out
Lonely In The Night
Manhattan
Pavilion
Song For Lynette
S.R.V.
Venus Isle
Venus Reprise
When The Sun Meets The Sky

Prezzo: €22,95
€22,95

HENDRIX JIMI VARIATIONS ON A THEME RED HOUSE GUITAR TABLATURE BOOK LIBRO CHITARRA BASSO BATTERIA

HENDRIX JIMI, VARIATIONS ON A THEME: RED HOUSE. Dopo il Festival pop di Monterey; Brian Jones dei Rolling Stones si recò appositamente al concerto per presentarlo; Hendrix fu ingaggiato dal celebre promoter e faccendiere della musica rock Bill Graham. Bill nato a Berlino da genitori Russi il cui vero nome è Wolfgang Grajonca, fuggì in America durante in nazismo e prima di creare in un certo qual modo il business della musica rock californiana degli anni sessanta, fece molti mestieri. Nel 1965 aprì il celeberrimo Fillmore Auditorium, nel 1967 sempre a San Francisco rinnovò un vecchio locale chiamandolo il Fillmore West, nel '68 nell'altra costa degli Stati Uniti a New York ricavò il Fillmore East. In questi teatri si sono esibiti tutti i maggiori nomi della scena di quegli anni come ci confermano i numerosi album in essi registrati. Poi il camaleontico vecchio Bill, dopo la chiusura dei Fillmores, mutò lavoro nuovamente: manager e produttore. Jimi dopo lo scioglimento della sua banda "experience", registrò insieme a Billy Cox alla chitarra basso e Buddy Miles alla batteria, l'abum "band of gypsys" dal vivo nel 1970 al Fillmore East. Questa edizione della collana "Jimi Hendrix Reference Library" presenta le trascrizioni complete del blues dalla coloritura espressionista "red house", nelle tre magnetiche versioni del Newport pop festival, dell'Albert hall, e Winterland auditorium. Una lunga presentazione e vari esempi aggiuntivi sono a completamento del libro. Per chitarra, basso e batteria. SHEET MUSIC BOOK WITH BASS & GUITAR WITH TABLATURE, AND DRUM.

 

LIBRO DI MUSICA ROCK.

SPARTITI DI OGNI STRUMENTO: VOCE, CHITARRA, BASSO, BATTERIA. 

CON: ACCORDI, PENTAGRAMMA, CHITARRA E BASSO CON TABLATURE.

Prezzo: €59,99
€59,99

HENDRIX JIMI HIGHLIGHTS FROM BBC SESSIONS Guitar Recorded Version TABLATURE LIBRO SPARTITI

HENDRIX JIMI, HIGHLIGHTS FROM BBC SESSIONS. GUITAR TABLATURE

 

LIBRO DI MUSICA, SPARTITI PER CHITARRA E VOCE. TESTI, ACCORDI, PENTAGRAMMA E TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: Jimi Hendrix

TRANSCRIBED BY: DAVE WHITEHILL, JESS GRESS

Guitar transcriptions of 15 tunes taken from Hendrix's live BBC broadcasts. Includes: Day Tripper - Hey Joe - Hound Dog - I Was Made to Love Her - I'm Your Hoochie Coochie Man - Jammin' - Radio One Theme - Sunshine of Your Love, more. Features a 24-page full-color section, and a bonus transcription of the drum part (as performed by Stevie Wonder) on "Jammin'."

The Burning Of The Midnight Lamp
Can You Please Crawl Out Your Window?
Catfish Blues
Day Tripper
Hear My Train A Comin' (Get My Heart Back Together)
Hey Joe
Hound Dog
I Was Made To Love Her
I'm Your Hoochie Coochie Man
Jammin'
Killing Floor
Radio One Theme
Spanish Castle Magic
Sunshine Of Your Love
Wait Until Tomorrow

152 pages

Prezzo: €49,99
€49,99

HENDRIX JIMI RADIO ONE SCORE GUITAR BASS DRUM TABLATURE Purple Haze-Hey Joe-Foxey Lady-fire

 

HENDRIX JIMI, RADIO ONE. RECORDED VERSIONS TABLATURE

SCORE:
GUITAR TABLATURE TRANSCRIBED DAVE WHITEHILL
BASS TABLATURE TRANSCRIPTIONS BY STEVE GORENBERG
DRUMS TABLATURE TRANSCRIPTIONS DAVE HERSHEY

AUTHORITATIVE TRANSCRIPTIONS FOR GUITAR, BASS AND DRUMS WITH DETAILED PLAYERS' NOTES AND PHOTOGRAPHS FOR EACH COMPOSITION.
283 PAGES.

 

RADIO ONE

As performed by the Jimi Hendrix Experience-Jimi Hendrix, Noel Redding, Mitch Mitchell-
on the Rykodisc album, Radio One.

Transcribed for guitarists by Dave Whitehill
Bass Transcriptions by Steve Gorenburg
Drum Transcriptions by Dave Hershey

Detailed player's notes by Dave Whitehill
Introduction by Noe Goldwasser
Photographs by Douglas Kent Hall
Music Editor • John Cerullo
Art Director • Richard Slater
Editorial Director • Noe "the G" Goldwasser
Photo Research by Bill Nitopi
Assisted by Barry Gruber
Released under the supervision of
Alan Douglas for Bella Godiva Music, Inc.
These transcriptions of music from
Radio One are authorized by
the Estate of Jimi Hendrix
All rights controlled and administered by Don Williams Group, Inc.
All compositions published by Bella Godiva Music, Inc. ASCAP except where otherwise noted.
All Rights Reserved. Any unauthorized use of the material herein is a violation of copyright law.
Hal Leonard Publishing Corporation

 

... that were to become his image-the strutting star of the sixstring
who played it upside down, around the back, with his
teeth, and generally with a lot of gusto.
The London of 1967 was, of course, going through its own
peacock transformation. "Swinging London," with its Mods
and Rockers, The Beatles, The Who, and The Rolling Stones,
Mary Quant, Lord Sutch, and Brian Jones, Jimi's stone buddy
in the heyday of flower power and psychedelic society. All of a
sudden, it was Jimi's world, and the lanky left-hander was on
top of it. He was more than just a novelty-a black American
raver cavorting with the cockney pretty things-he became the
mascot of the whole Brit-pop movement.
This accounts for the absolute cheerleading atmosphere that
prevailed in the studios of the "Top Gear" radio show when.
Jimi exhorted them to "get their hearts together" and join him
in a rendition of the blues-drenched "Hear My Train A
Comin'." "I see we got some friends laying around in this
studio," he said, "We're gonna lay some blues on you ...can
you dig that?" Then he sang a few verses of funk and 'Tm
gonna leave this town, leave this town. I'm gonna be big. I'm
gonna make a whole lot of money, baby, and come back to this
town, and 1 might even get a piece of you." That was to
become prophecy as Hendrix exploded like a supernova, and
the exuberant fans in the radio studio audience (as well as the
ones in the listening audience) that night and the others
collected on Radio One would henceforward have something to
tell their grandchildren about.
With Ryko's release of Radio One, bolstered by Joe Gastwirt's
digital mastering and Alan Douglas' wizened ear, the rest of us
will have that pleasure, too. Radio One is a treasure for those of
us who keep track of the limited supply of recorded evidence of
The Master's work, featuring as it does seventeen great versions
of songs we love, half of them selections not often heard on
"official" recorded sets. While "Purple Haze," "Stone Free,"
"Foxy Lady," and "Hey Joe" are interesting as "live" versions of
the same arrangements as on the official records, there are
fascinatingly bent renditions of "Killing Floor," "Love and
Confusion," "Hear My Train A Comin'," "Hoochie Coochie
Man," and "Fire." Thank God the tapes were rolling.
And there are cute vignettes of Jimi Hendrix the showman,
Jimi the evangelist of the Goodvibes Church of the New Rising
Sun, burning the midnight lamp with a cosmic grin. There is
the "Radio One Theme," Hendrix goofing on the role of the
cosmic radio announcer, playing as white as possible, spinning
off a jingle from the top of his head-"Radio One, you're the
only one"-as he inaugurate the event. And the wild
renditions of other people's classics-these are manna from
heaven. Jimi slashes through "Day Tripper" with reckless
abandon, obviously enjoying this romp through John Lennon's
song repertoire. Though Ryko purposely keeps the issue
vague in its position about the controversy about whether
that's John Lennon there doing the choruses and falsetto "day
trippers," Charles Shaar Murray, in his otherwise authoritative
Crosstown Traffic, states unequivocally that it's John Lennon
"joining in on the lead vocals." Alan Douglas says it's not!
What he heard from Noel Redding is that Noel sang it,
accounting for the nasal Brit accent on the tape.
There's nothing white about his version of "Killing Floor,"
though, and it's captured here on tape much as he would have
played it at many of his live shows-with passion. This is the
Jimmy James approach to a Howlin' Wolf classic in an
updated Muddy Waters country blues pattern, with lead and
rhythm integrated firmly. Ouch! There's just some great blues
on this album. There's also a real Muddy Waters tune,
"Catfish Blues." To me, the chance to hear Jimi stretch out in
this live setting with this bluesy material is one of the added
pleasures of Radio One. From the point of view of Jimi's
development as a musician, the time-frame has Jimi at the
peak of his interest in his own musical roots-not the shifty
slickness of soul, but the deeper, Mississippi Delta-born
motherlode of blues, which Jimi approached as a historian,
uncovering more and more gems in his research. "Catfish
Blues" reveals the blues scholar Jimi, having studied the
recorded works of Muddy Waters and John Hammond both,
and taken some from both, ironically pouring out this new
thing----experience.
When a musical genius has been dead for twenty years, the
discovery of a previously unreleased body of work becomes
an awesome event for those of us who study the master's
every nuance. When Radio One came out, it offered guitar
scholars a whole new palette of sounds to investigate,
correlate, appreciate, and imitate. The book you are about to
read will become your indispensible guide to that pursuit.
-Noif "the G" Goldwasser
Hendrix Library Editor


DRIVIN' SOUTH

I WHOLEHEARTEDLY AGREE WITH THE LINER NOTES TO RADIO ONE, BUT HAVE TO SAY THAT THIS HARD ROCKING INSTRUMENTAL IS DEFlNITELY
more than "worth the price of admission." It starts out in high gear and never once down-shifts. In fact, it seems to go into overdrive via an ascending whole-tone modulation from D to the key of E. Besides its entertainment value, there is truly a thorough education available here in the of art of playing blues and rock guitar. The study of Jimi's playing here will be the equivalent of years at the School of Hard Knocks for Aspiring Stringbenders and Licktraders. He uses all the scales common to these musical idioms, such as the "blues" scale ( 1 b3 4 #4 5 b7 ) and major pentatonic ( 1 2 3 5 6 ), plus he plays many of their characteristic riffs and licks, but in his own unique way that always transcends sounding cliched.
Since the dominant seventh chord is the harmonic base here, this chord's related scale, the mixolydian mode ( 1 2345 6 b7), is reflected in the key signatures. However, the notes used in this song aren't restricted to this particular mode, but these additional notes are used in a logical manner, often functioning as what are called chromatic passing tones. For example, during the first two beats of measure 11,he goes from A to G via Ab,the flatted fifth. Four measures later, he does a little more complicated move that involves delaying the resolution of the G note (which could be described, in this context, as a suspended fourth) by using E#as a leading tone into H, the third of the implied D7 chord (D F# A C). You'll also see these two ideas used frequently throughout this song in conjunction with partial chords, which is very pianistic and also fills up the consequential harmonic void when soloing in a power trio.

17 songs on the album of Jimi's live radio studio performance. Includes authoritative transcriptions for guitar, bass and drums with detailed players' notes/tablature and photographs for each composition.


1. Stone Free - WORDS AND MUSIC: JIMI HENDRIX - 1973
2. Radio One Theme - WORDS AND MUSIC: JIMI HENDRIX - 1967
3. Day Tripper  - WORDS AND MUSIC: JOHN LENNON, PAUL McCARTNEY - 1965
4. Killing Floor  - WORDS AND MUSIC: CHESTER BURNETT - 1973
5. Love or Confusion  - WORDS AND MUSIC: JIMI HENDRIX - 1967
6. Drivin' South - WORDS AND MUSIC: CURTIS KNIGHT - 1970
7. Catfish Blues  - WORDS AND MUSIC: MUDDY WATERS - 1959
8. Wait Until Tomorrow  - WORDS AND MUSIC: JIMI HENDRIX - 1968
9. Hear My Train a Comin'  - WORDS AND MUSIC: JIMI HENDRIX - 1973
10. Hound Dog  - WORDS AND MUSIC: JERRY LEIBER, MIKE STOLLER - 1956
11. Fire - WORDS AND MUSIC: JIMI HENDRIX - 1967
12. (I'm Your) Hoochie Coochie Man - WORDS AND MUSIC: WILLIE DIXON - 1973
13. Purple Haze - WORDS AND MUSIC: JIMI HENDRIX - 1967
14. Spanish Castle Magic  - WORDS AND MUSIC: JIMI HENDRIX - 1968
15. Hey Joe  - WORDS AND MUSIC: BILLY ROBERTS - 1962
16. Foxy Lady  - WORDS AND MUSIC: JIMI HENDRIX - 1967
17. Burning of the Midnight Lamp  - WORDS AND MUSIC: JIMI HENDRIX - 1967

Prezzo: €89,99
€89,99

CINDERELLA LONG COLD WINTER GUITAR TABLATURE BOOK LIBRO CHITARRA SPARTITI Tom Keifer

CINDERELLA, LONG COLD WINTER. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA HARD ROCK.

SPARTITI PER VOCE E CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE.  

 

AUTHENTIC RECORD TRANSCRIPTIONS BY DAVE WHITEHILL. 

HAL LEONARD GUITAR RECORDED VERSIONS WITH NOTES & TAB


Hal Leonard Guitar Recorded Versions With Notes & Tab, Authentic Record Transcriptions by Dave Whitehill
96 pages.

Long Cold Winter è il secondo album dei Cinderella, uscito nel 1988. Due anni dopo il folgorante esordio della band, viene pubblicato Long Cold Winter, da molti considerato il migliore, in cui emerge chiaramente la personalità Blues della band. Conferma le vendite del precedente e sarà certificato doppio platino già nel novembre 1988 e triplo platino il 23 gennaio 1997). È un album di transizione tra i toni pop metal di Night Songs e il Blues-rock dei lavori successivi. Tom Keifer, autore di tutti i brani, cita, infatti, fra le sue principali influenze Muddy Waters, B.B. King e Steve Marriott degli Humble Pie. I singoli Don't Know What You Got (Till It's Gone) e Coming Home fanno di quest'album il più grande successo commerciale dei Cinderella, successo confermato nel tour mondiale omonimo con ben 254 spettacoli.

Bad Seamstress Blues / Fallin' Apart At The Seams
Gypsy Road
Don't Know What You Got (Till It's Gone)
The Last Mile
Second Wind
Long Cold Winter
If You Don't Like It
Coming Home
Fire And Ice
Take Me Back

Prezzo: €99,99
€99,99
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