LIBRO CON CD BACKING TRACKS

TANGO FOR GUITAR, Jorge Polanuer e Brian Chambouleyron. 13 titoli con base. CD

LIBRO E CD

Tango for Guitar
Series: Guitar
Publisher: Centerstream Publications
Format: Softcover with CD
Author: Brian Chambouleyron
Composer: Jorge Polanuer

At the beginning of the 20th Century, the tango was born in Buenos Aires, and it was a style that spread dramatically all over the world. Tango is a dance, a rhythm and a characteristic musical color. The 13 solos in this book were written especially for guitar by award-winning composers Jorge Polanuer and Brian Chambouleyron, and each tune is performed on the CD by Brian, one of the most popular guitarists in Buenos Aires. The solos are presented in different degrees of complexity – tune up with the tuning notes on the CD and play along with the tangos, milangos, waltzes and even a guitar duet. The songs are also repeated on the CD without the lead for you to play the solo part.

Inventory #HL 00000379
ISBN: 9781574241464
UPC: 073999329162
Width: 9.0"
Length: 12.0"
32 pages

The guitar is a charasteristic musical instrument in Argentine culture. Since the arrival of Spaniards to South America, it has had a key role in our folk music. Its sound has been the composers and interpreters' favorite. At present there is a broad and comprehensive catalog of songs and instrumental pieces, which encompasses early genres of the 19th century as well as the latest pop creations. At the beginning of the 20th century (around the time of the blues), the tango was born in Buenos Aires: a style arising from immigration and the melting pot which was going to spread dramatically all over the world. Tango is a dance, a rhythm and a charasteristic musical color. It is in tango where the guitar reaches a remarkable level of technical and expressive development. Today I propose an approach in the 'tanguero' style of playing the guitar, with some pieces specially composed by Jorge Polanuer, a composer and a friend, and myself. The tangos in this book are accompained by valses-tango and milonga-tango, similar and complementary genres also played in ballrooms. For each piece I suggest fingering based on the criterion of economy of movements. The numbers on the notes indicate the finger with which that note must be played, and the encircled number refers to the string. There can be other ways of fingering which might be more practical for you; that being the case, feel free to modify it accordingly. There's a way to play for every instrumentalist! The pieces present different degrees of complexity; therefore, they could also make an excellent complement in learning how to play the instrument. I hope you find this approach useful and you feel like filling yourselves with tango.

Brian Chambouleyron became a musician studying several disciplines (guitar, singing, composition, musical analysis, arrangements and orchestration). Always fascinated with popular music, he traveled to different Latin American countries to learn their traditions. He began his professional activity as a music teacher in 1990.Teaching led to the creation of children's shows. As a composer of popular songs, he participated in the Buenos Aires' Young Artists biennial exhibition. In 1993he went on his first professional tour to Europe, going all over France and Switzerland for two months and performing as both soloist and together with other musical bands. He also gave courses on Argentine popular music. From then on, his activities in European countries became regular. In 1996 he was in charge of the musical direction of the successful show Recuerdos son recuerdos (which received 5 ACE awards nominations). Brian Chambouleyron was nominated for 'male revelation'. (CD Recuerdos son recuerdos - La Trastienda Records). In 1998 he participated in the show Glorias Portenas (1998ACE award) together with Soledad Villamil, which was given an excellent reception by the critics and the public. The show toured continuously throughout Argentina, Latin America and Europe for two years, and participated in prestigious international festivals (CD Glorias Portenas vol. I and II - Epsa Music). Brian Chambouleyron was given the 1999Trinidad Guevara award for 'male revelation of the year' by the Department of Culture of Buenos Aires City. In 2000 he created the show Patio de Tango with Esteban Morgado, which also had a wonderful reception at a national level, and he started a long international tour (Paris, Rome, Madrid, Barcelona, etc). (CD Patio de Tango - BAM records, Department of Culture). With his last show, Tangos, valses and Milongas, he has performed in several cultural events and toured abroad, being highly acclaimed by audiences and critics. Brian has also composed the music for several theatre plays: "La firecilla domada" , 2004; "Pequena historia del tango", 2002; "Granadina", 2003; ect. In 2004 recorded the CD "Chambouleyron sings GardeI", a selection of the finest compositions by Gardel, arranged by B. Ch. (Random records, Buenos Aires). In 2005 recorded the CD "Voiceand Guitar", Twenty tradicional tango and argentinian popular music pieces, arranged by Chambouleyron. (Random records, Buenos Aires) on Ie canta a Gardel (Chambouleyron sings Gardel). This work is a selection of the finest compositions by Gardel-plus a few jewels from his songbook - recreated in an intimate and romantic atmosphere.

Blanca

Childhood Memories

Don't Kill Me Or I'll Die

If Mamma Says So

It's Raining

My Friend

Nobody Left In Town

Nothing To Lose

Pretty Buenos Aires

Rainy Day Waltz

Strolling

The Farewell Waltz

Without Realizing It

PINK FLOYD, DARK SIDE OF THE MOON. Bass Play-Along Volume 23. SHEET MUSIC BOOK WITH CD JAM TRAX & BASS TABLATURE. 

LIBRO DI MUSICA ROCK CON CD.

CD DI BASI PER VOCE, E, VOCE E BASSO. 

SPARTITI PER VOCE E BASSO CON:

ACCORDI, PENTAGRAMMA, TABLATURE.

Series: Bass Play-Along

Medium: Softcover with CD
Artist: Pink Floyd

The Bass Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the bass should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

Songs:

Any Colour You Like
Brain Damage
Breathe
Eclipse
Money
Time
Us And Them

SITTIN' IN WITH THE BIG BAND [GUITAR], JAZZ ENSEMBLE PLAY-ALONG. CD

LIBRO DI MUSICA JAZZ, CON CD DI BASI. 

SPARTITI PER CHITARRA.

ACCORDI E PENTAGRAMMA. 

Sittin' In with the Big Band, Volume I 
Jazz Ensemble Play-Along
Item: 00-27545
UPC: 038081293158
ISBN 10: 0739045199
ISBN 13: 9780739045190
Category: Instrumental Series
Format: Book & CD
Instrument: Guitar
Instrumentation: Guitar
Level: 2 (Easy to Medium Easy)

Performance Notes
How to Use This Book

Each arrangement has two CD tracks:

1) Demonstration track. The guitar part is in the mix. Listen to how your part is played by professional musicians to copy the comping style, rhythm, attack, phrasing, articulation, feel, style, and rhythm section blend.

2) Play-Along track. Your part has been taken out of the mix. You playalong with the big band.

3) See page 24 for Performance Notes.

4) There is a two-measure count-off click at the beginning of each playalong track.

Alfred Publishing Co. Inc. thanks the students of Mary Ward Catholic Secondary School Jazz Ensemble, Toronto, Canada, John Volpe, director, Vince Gassi, assistant director, and photographers Jackie Fong and Jermaine Ong.

Alfred Publishing Co., Inc. 16320 Roscoe Blvd., Suite 100 

Sittin’ In with the Big Band, Vol. I is written at the easy to intermediate-easy level. It provides an opportunity to play along with a professional jazz ensemble to improve your playing, whenever you want. As you play with and listen to the outstanding players in the band, you’ll learn about blend, style, phrasing, tone, dynamics, technique, articulation, and playing in time, as well as a variety of Latin, swing, ballad and rock styles. Performance tips and suggestions are included in each book. Books are available for alto saxophone, tenor saxophone, trumpet, trombone, piano, bass, guitar, and drums. Features include 11 big-band charts arranged by a variety of top writers, solo improvisation opportunities, and a play-along CD with demo tracks.

Titles: Vehicle * Sax to the Max * Nutcracker Rock * Fiesta Latina * Now What * Goodbye My Heart * Two and a Half Men * Burritos to Go * Drummin’ Man * Swingin’ Shanty * and Play That Funky Music.

TITLE COMPOSER
Burritos to Go - Victor Lopez (composer)
Drummin' Man - Gene Krupa (composer); Tiny Parham (composer)
Fiesta Latina - Victor Lopez (composer)
Goodbye My Heart - Mike Smukal (composer)
Now What - Mike Kamuf (composer)
Nutcracker Rock - Peter Illyich Tchaikovsky (composer); Mike Smukal (arranger)
Play That Funky Music - Robert Parissi (composer) arranged: Victor Lopez
Sax to the Max - Mike Lewis (composer)
Swingin' Shanty - Ralph Ford (arranger)
Two and a Half Men (Main Theme) - Grant Geissman (composer); Lee Aronsohn (composer); Chuck Lorre 
Vehicle - James Peterik (composer)

SERIES: Sittin' In with the Big Band
CATEGORY: Instrumental Series
FORMAT: Book & CD
INSTRUMENT: Guitar
LEVEL: 2 (Easy to Medium Easy)

Sittin’ In with the Big Band: Jazz Ensemble Play-Along is written at the easy to medium-easy level. It provides an opportunity to play along with a professional jazz ensemble to improve your playing 24/7. As you play along and listen to the outstanding players in the band, you’ll learn about blend, style, phrasing, tone, dynamics, technique, articulation, and playing in time, as well as a variety of Latin, swing, ballad and rock styles. Performance tips and suggestions are included in each book. Books are available for alto saxophone, tenor saxophone, trumpet, trombone, piano, bass, guitar and drums.
 

SITTIN' IN with the BIG BAND jazz ensemble play-along

features:
• Eleven big-band charts arranged by a variety of top writers
• Play-along CD with demo track
• Solo improvisation opportunities
• Performance tips/suggestions

Sittin 'In with the Big Band:
Jazz Ensemble Play-Along is written at the easy to mediumeasy level. It provides an opportunity to play along with a professional jazz ensemble to improve your playing 24/7. As you play along and listen to the outstanding players in the band, you'llieam about blend, style, phrasing, tone, dynamics, technique, articulation and playing in time, as well as a variety of Latin, swing, ballad and rock styles. Performance tips and suggestions are included in each book. Books are available for alto saxophone, tenor saxophone, trumpet, trombone, piano, bass, guitar and drums.

available books: 

Alto Saxophone (27527)
Tenor Saxophone (27530)
Trumpet (27533)
Trombone (27536)
Piano (27539)
Bass (27542)
Guitar (27545)
Drums (27548)

27545 Book & CD
ISBN-10: 0-739 519-9
ISBN-13: 978-0-739G-45 9-0 

Features:
Eleven big-band charts arranged by a variety of top writers
Play-along CD with demo track
Solo improvisation opportunities
Performance tips/suggestions

PERFORMANCE NOTES FOR GUITAR
Playing guitar in a big band is challenging but very rewarding. Here are a few specific tips for playing
guitar in a big band:
• Within the typical rhythm section, the guitar and piano must work especially close. Share the
camping duties. Always be sensitive to blend with the rhythm section and the ensemble.
• "Comping" means to accompany or compliment. Always keep it simple, tasteful and supportive.
Lessis more.
• Various responsibilities for the guitarist are: com ping, supporting the ensemble harmony and
rhythms, playing individual lines with wind players, soloing, and supporting various soloists.
• Slash marks indicate to camp using three or four note chords usually in a quarter note rhythm
pattern. Typically, the third and seventh are the most important notes in a seventh chord.
• Become skilled at reading both chord changes, written notes and creating chord voicings.
• Always be sensitive to your volume and sound. Begin by setting the tone controls on the
amplifier to the mid-point and then adjust as needed. For a rock tune, the goal is to approximate
an electric guitar sound, but for a jazz swing tune, strive for a hollow body jazz guitar
sound with dark overtones. Listen to examples of these different types of instruments for reference.
• The guitar part is a guide and suggestion of what to play. Depending on your ability and
experience, you can play the part as written or embellish but with good taste and musicality. Always listen!
• Generally, in a big band chart, when there is a written out part with no chord symbols, the arranger
wishes the part played as written. When there are only chord changes and/or slashes,
then comp in the style of the chart.
• For a sound that blends, consider using medium thickness picks which will give the sound a
bright, acoustic quality and hold the pick loosely between the thumb and index finger.
• For a swing style comp of quarter notes, strum straight quarter notes trying to cut off (mute)
the sound of the chord right after striking the strings. Strum from the elbow; giving a bright,
swinging sound that propels the rhythm section forward.
• The guitarist's quarter note comping style should perfectly mesh so that the guitar and bass merge into one big sound.
• If the chord has extensions you don't recognize, play the third and seventh (sixth) of the chord.
There is a two-measure count-off click at the beginning of each play-along track

Vehicle:
1) A rock style chart, dig in and play more aggressivelythan usual and strive for a brighter sound, but
don't overdo the volume.
2) The written camping rhythms are also played by the piano, so listen, blend and lock in the feel.
3) Measure 65 isa rubato trombone solo. In 66, the drumset playsa fill in-tempo to bring you in for the last two measures.

Sax to the Max:
1) In the introduction, play the written notes with the saxesand brass.Listenand blend.
2) This chart callsfor basiccamping in the jazz swing style. Playquarter notes with a muted sound.
3) If the chord hasextensionsyou don't recognize, focus on the third and seventh of the chord.

Nutcracker Rock:
1) Playmeasures 5-8 with a bell-like sound-play it clear and let it ring.
2) Although this isa rock style chart, avoid a radical rock tone-blend.
3) At measure 37, listen and match the articulation and phrasing with the horn players ...

ALL STAR BLUEGRASS JAM ALONG For Guitar. Grier. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO DI MUSICA BLUEGRASS CON CD DI BASI.

CD DI BASI PER CHITARRA. 

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

Medium: Softcover with CD
Artist: David Grier

These fabulous collections for players of all levels feature 21 must-know bluegrss songs & instrumentals, created especially for learning players by the genre's leading artists. The artist plays a basic solo that states the melody of the tune, then a more adventurous improvisation, and each solo is transcribed in detail. The CD provides the audio versions of the solos, plus multiple rhythm tracks performed at moderate tempo for easy play-along. This great series will help you build your repertoire & get your licks in shape, so you can shine in your next performance or jam session!

Songs include: Bill Cheatham - Blackberry Blossom - Down in the Willow Garden - I Am a Pilgrim - I'll Fly Away - In the Pines - John Hardy - Old Joe Clark - Soldier's Joy , more! 75 pages.

ACOUSTIC ANTHOLOGY Guitar Play-Along Volume 80. SHEET MUSIC BOOK WITH 2 CD AND GUITAR TABLATURE. 

LIBRO DI MUSICA ROCK, CON 2 CD.

CD DI BASI PER VOCE E, VOCE E CHITARRA.

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Play-Along
Publisher: Hal Leonard
Softcover with CD - TAB
Composer: Various Composers

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along.

The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

A supersized collection of 16 songs:

- Dance With Me - ORLEANS - Parole e musica: John e Johanna Hall - 1975
- Don't Ask Me Why - BILLY JOEL - Parole e musica: Billy Joel - 1980
- Fooling Yourself (The Angry Young Man) - STYX - Parole e musica: Tommy Shaw - 1977
- Give A Little Bit - SUPERTRAMP - Parole e musica: Rick Davies e Roger Hodgson - 1977
- I'll Have To Say I Love You In A Song - JIM CROCE - Parole e musica: Jim Croce - 1973
- Jack And Diane - JOHN COUGAR - Parole e musica: John Mellencamp - 1982
- The Joker - STEVE MILLER BAND - Parole e musica:  Steve Miller, Eddie Curtis e Ahmet Ertegun - 1973
- Leader Of The Band - DAN FOGELBERG - Parole e musica: Dan Fogelberg - 1981
- Love Will Keep Us Alive - EAGLES - Parole e musica: Peter Vale, Jim Capaldi e Paul Carrack - 1994
- Midnight Rider -THE ALLMAN BROTHERS BAND - Parole e musica: Gregg Allman e Robert Kim Payne - 1970
- More Than A Feeling - BOSTON - Parole e musica: Tom Scholz - 1976
- Rocky Raccoon - THE BEATLES - Parole e musica: John Lennon e Paul McCartney - 1968
- Teach Your Children - CROSBY, STILLS, NASH & YOUNG - Parole e musica: Graham Nash - 1970
- Time For Me To Fly - REO SPEEDWAGON - Parole e musica: Kevin Cronin - 1978
- Walk On The Wild Side - LOU REED - Parole e musica: Lou Reed - 1972
- Working Class Hero - JOHN LENNON - Parole e musica: John Lennon - 1970

120 pages