CHITARRA - GUITAR

ACOUSTIC GUITAR FINGERSTYLE METHOD. 2 CD TAB.

The Acoustic Guitar Fingerstyle Method introduces you to the two most essential fingerstyle approaches for playing American roots music: Travis picking and the steady-bass style. In each lesson, you’ll learn new techniques, concepts, and chord voicings and ways to practice and get them under your fingers. Then you’ll use what you’ve just learned to play a classic song or solo break from the blues, ragtime, folk, country, and ragtime traditions. 18 In-Depth Lessons: Travis Picking Basics - From Backup to Melody - Switching Chords - Eighth Notes and Syncopation - The Steady-Bass Blues - Steady Bass from Chord to Chord - Triplet Feel - Picking Pattern Fills - Descending Bass Lines and Chord Substitutions - Quicker Chord Changes - Double Stops - Seventh Chords up the Neck - Walking Bass Lines - Doin’ that Rag - Chord Anticipations and Early Jazz - Dropped-D Tuning - Swinging the Blues - Open-D Tuning 15 Songs to Play: - John Henry - Since I’ve Laid My Burden Down - Delia - St. James Infirmary - Nobody’s Fault but Mine - Houston Blues - Down in Navasota - Alberta - Hazleton - The Uptown Lowdown - Rag Mama - I Ain’t Got Nobody - St. Louis Blues - The Blunn Creek Slow Drag - Battle Hymn of the Republic

Double-Stops.
Spice up your fingerstyle blues with this melodic technique. With audio examples.

Chapter 1 - Introduction.
CD Track: Tune Up

Chapter 2 - Travis Picking Basics.

Chapter 3 - From Backup to Melody.
CD Track: John Henry

Chapter 4 - Switching Chords.
CD Track: Since I've Laid My Burden Down

Chapter 5 - Eighth Notes and Syncopation.
CD Track: Delia

Chapter 6 - The Steady-Bass Blues.
CD Track: Nobody's Fault but Mine

Chapter 7 - Steady Bass From Chord to Chord.
CD Track: Houston Blues

Chapter 8 - Triplet Feel.
CD Track: Down in Navasota

Chapter 9 - Picking Pattern Fills.
CD Track: Since I've Laid My Burden Down

Chapter 10 - Descending Bass Lines and Chord Substitutions.
CD Track: Delia

Chapter 11 - Quicker Chord Changes.
CD Track: St. James Infirmary

Chapter 12 - Double Stops.
CD Track: Alberta

Chapter 13 - Seventh Chords Up the Neck.
CD Track: Hazleton

Chapter 14 - Walking Bass Lines.
CD Track: The Uptown Lowdown

Chapter 15 - Doin' That Rag.
CD Track: Rag Mama (Versions 1 and 2)

Chapter 16 - Chord Anticipations and Early Jazz.
CD Track: I Ain't Got Nobody

Chapter 17 - Dropped-D Tuning.
CD Track: St. Louis Blues

Chapter 18 - Swinging the Blues.
CD Track: The Blunn Creek Slow Drag

Chapter 19 - Open-D Tuning.
CD Track: Battle Hymn of the Republic

By David Hamburger.
Published by String Letter Publishing
Book/2 CDs

EINAUDI LUDOVICO, FOR GUITAR. Arrangiaments by Giovanni Bailo. Bella notte - Giorni dispari - I due fiumi - Julia - Le onde - Nefeli - Password - Stella del mattino. CD TAB.

WELL-TEMPERED BLUES, 8 new tunes for classical & fingerstyle guitar. W. Beauvais. CD TAB.

Product Description:
The blues present an opportunity to be deeply expressive. Every note can be colored with pitch bends, slides, vibrato, and all manner of attacks. The style makes it easy to own the music, to close your eyes and play as if you wrote it. These pieces are designed to be fun and entertaining as they work through the sharp keys, which are most friendly to the guitar. By working through these keys however, they develop a player's awareness of the different tonalities and the way patterns may be altered to facilitate key changes. Written in notation and tablature.

Format: Book/CD Set

Song Title: Composer/Source:
Chicago Style Blues William Beauvais
Cutback Blues William Beauvais
Deep Down Blues William Beauvais
Drinking Water Blues William Beauvais
Gridlock Blues William Beauvais
Rainy Weekend Blues William Beauvais
Snaky Blue Line William Beauvais
Twisted Fingers William Beauvais

CARCASSI IN TABLATURE, BEN BOLT. CD TABLATURE

Product Description:
The book includes over 100 pages of the best of Carcassi's works. All music is digitally recorded by Ben Bolt in the order of publication. Carcassi has been proven to be a" best seller" among retailers. Now with the man who is credited with being the innovator of classic guitar in notation/tab/recording; this one is a no brainer. 128 PAGES

Song Title: Composer/Source:
Allegretto in A M. Carcassi, Arranged by Ben Bolt
Allegretto in C M. Carcassi, Arranged by Ben Bolt
Allegretto in D M. Carcassi, Arranged by Ben Bolt
Allegretto in E M. Carcassi, Arranged by Ben Bolt
Allegretto in F M. Carcassi, Arranged by Ben Bolt
Allegretto in G M. Carcassi, Arranged by Ben Bolt
Allegro Brillante M. Carcassi, Arranged by Ben Bolt
Allegro in D Major M. Carcassi, Arranged by Ben Bolt
Allegro in E Minor M. Carcassi, Arranged by Ben Bolt
Allegro in Triplets M. Carcassi, Arranged by Ben Bolt
Andante in G M. Carcassi, Arranged by Ben Bolt
Andantino M. Carcassi, Arranged by Ben Bolt
Andantino in E M. Carcassi, Arranged by Ben Bolt
Andantino in F M. Carcassi, Arranged by Ben Bolt
Andantino in G M. Carcassi, Arranged by Ben Bolt
Arpeggio in A M. Carcassi, Arranged by Ben Bolt
Arpeggio in A Minor M. Carcassi, Arranged by Ben Bolt
Arpeggio in D M. Carcassi, Arranged by Ben Bolt
Arpeggio in E M. Carcassi, Arranged by Ben Bolt
Arpeggio in E Minor M. Carcassi, Arranged by Ben Bolt
Arpeggio in F M. Carcassi, Arranged by Ben Bolt
Arpeggio in G M. Carcassi, Arranged by Ben Bolt
Dance in A M. Carcassi, Arranged by Ben Bolt
Danza in C M. Carcassi, Arranged by Ben Bolt
Frolica in A M. Carcassi, Arranged by Ben Bolt
Frolica in E M. Carcassi, Arranged by Ben Bolt
Galop M. Carcassi, Arranged by Ben Bolt
Grazioso M. Carcassi, Arranged by Ben Bolt
Grazioso in C M. Carcassi, Arranged by Ben Bolt
Intro in A M. Carcassi, Arranged by Ben Bolt
Jig in A M. Carcassi, Arranged by Ben Bolt
March in A M. Carcassi, Arranged by Ben Bolt
March in F M. Carcassi, Arranged by Ben Bolt
Melody in C Major M. Carcassi, Arranged by Ben Bolt
Melody in F Major M. Carcassi, Arranged by Ben Bolt
Moderato in G M. Carcassi, Arranged by Ben Bolt
Music Theory
Octave Study M. Carcassi, Arranged by Ben Bolt
Prelude in A M. Carcassi, Arranged by Ben Bolt
Prelude in A Minor M. Carcassi, Arranged by Ben Bolt
Prelude in B Minor M. Carcassi, Arranged by Ben Bolt
Prelude in C M. Carcassi, Arranged by Ben Bolt
Prelude in C# Minor M. Carcassi, Arranged by Ben Bolt
Prelude in D M. Carcassi, Arranged by Ben Bolt
Prelude in D Minor M. Carcassi, Arranged by Ben Bolt
Prelude in E M. Carcassi, Arranged by Ben Bolt
Prelude in E Minor M. Carcassi, Arranged by Ben Bolt
Prelude in F M. Carcassi, Arranged by Ben Bolt
Prelude in F# Minor M. Carcassi, Arranged by Ben Bolt
Prelude in G M. Carcassi, Arranged by Ben Bolt
rolica in A Minor M. Carcassi, Arranged by Ben Bolt
Romance in E Minor M. Carcassi, Arranged by Ben Bolt
Rondino in D M. Carcassi, Arranged by Ben Bolt
Rondo M. Carcassi, Arranged by Ben Bolt
Study in A M. Carcassi, Arranged by Ben Bolt
Study in A Major M. Carcassi, Arranged by Ben Bolt
Study in E Major M. Carcassi, Arranged by Ben Bolt
The Left Hand
The Right Hand
Triste in E Minor M. Carcassi, Arranged by Ben Bolt
Waltz in A M. Carcassi, Arranged by Ben Bolt
Waltz in C M. Carcassi, Arranged by Ben Bolt
Waltz in D M. Carcassi, Arranged by Ben Bolt
Waltz in E M. Carcassi, Arranged by Ben Bolt
Waltz in F M. Carcassi, Arranged by Ben Bolt
Waltz in G M. Carcassi, Arranged by Ben Bolt

JORGENSON JOHN, INTERMEDIATE GYPSY JAZZ GUITAR. CD DVD 2-hour TAB.

Now that you have laid a foundation by completing the material in Intro to Gypsy Jazz Guitar, the second volume Intermediate Gypsy Jazz Guitar, also presented in the DVD/CD/Book format, continues by presenting you with characteristic Gypsy style licks and techniques that are based on the arpeggios and patterns taught in the first volume. Once again Jorgenson presents a very systematic learning method by first teaching simple licks and techniques and then gradually building to more complex material. In studying the left and right hand techniques and ornamentations presented in the second volume, the student will gain an understanding of how to play the guitar with the Gypsy "accent."

Jorgenson also begins the study of Django Reinhardt's playing here by teaching an improvised chorus that Django played on a recorded version of the song "Undecided." Two other songs, Raul Reynoso's "Waneta's Waltz" and Jorgenson's "Snowflake Waltz" are also studied.
Introduction/Acknowledgements
An Interview with John Jorgenson
Licks 1 Amp; 2
Licks 3, 4 Amp; 5
Lick 6
Licks 7 Amp; 8
Lick 9
Licks 10 Amp; 11
Licks 12, 13 Amp; 14
Licks 15 Amp; 16
Licks 17 Amp; 18
Licks 19, 20 Amp; 21
Lick 22
Licks 23, 24 Amp; 25
Licks 26, 27 Amp; 28
Licks 29 Amp; 30
Lick 31
Licks 32 Amp; 33
Lick 34
Licks 35, 36 Amp; 37
Licks 38, 39 Amp; 40
Licks 41, 42 Amp; 43
Licks 44, 45 Amp; 46
Licks 47 Amp; 48
Undecided Melody
Undecided
Undecided (cont.)
Undecided Chord Forms
Licks 52 Amp; 53
Licks 54 Amp; 55
Licks 56 Amp; 57
Snowflake Waltz Introduction
Snowflake Waltz
Snowflake Waltz (cont.)
Snowflake Waltz (cont.)
Snowflake Waltz Chord Shapes
Snowflake Waltz Chord Shapes (cont.)
D minor voicings Amp; Lick 58
Appendix

DVD Content
Jorgenson in Paris (J'Attendral)
Introduction
Welcome
Lick 1-Lick 48
Undecided
Lick 49-Lick 51
Waneta's Waltz
Lick 52-Lick 57
Snowflake Waltz
Lick 58
Closing

Audio CD Contents
1: G diminished rhythm
2: Am Rhythm
3: Am/Dm Rhythm
4: Am Blues Progression Rhythm
5: Straight Blues Rhythm
6: "Undecided" Rhythm
7: "Waneta's Waltz" Rhythm
8: Alternate C and G Chord Progression
9: "Snowflake Waltz" Rhythm