CHITARRA - GUITAR

SALSA HOMAGE TO LATIN MUSIC Jorge Morel CD TABLATURE CHITARRA SPARTITI LIBRO SHEET MUSIC

SALSA HOMAGE TO LATIN MUSIC. In viaggio da Cuba a Puerto Rico sulla zattera di Jorge Morel, cibandosi di senape. CD TAB.

Product Description:
Argentine master Jorge Morel combines his years of experience of life in Cuba and Puerto Rico and acquaintances with great Latin musicians with his talent for guitar performance in composing this delightful extended dance for solo classic guitar. Written in separate standard notation and tablature editions within the same folio (13 pages each), Morel's Homage makes extensive use of the syncopated clave rhythm pattern and the anticipated attack of bass notes so typical of salsa music. The standard notation edition is carefully fingered for the left hand to facilitate performance, with only minimal suggestions for the right hand.

Price: €23,99
€23,99

ELECTRIC GUITAR CONSTRUCTION A Guide for the First-Time Builder Tom Hirst LIBRO LIUTERIA CHITARRA

ELECTRIC GUITAR CONSTRUCTION. A Guide for the First-Time Builder, Tom Hirst. 168 pagine.
Electric Guitar Construction A Guide for the First-Time Builder. The definitive work on the design and construction of a solid body electric guitar.

Series: Guitar
Publisher: Centerstream Publications
Format: Softcover
Author: Tom Hirst


Q.: What on earth would make someone want to build an electric guitar from scratch? Can't you just buy one cheaper? A.: Well sure, but with this definitive book on the subject as your guide, you can create your own axe masterpiece, with the precise finish, the exact pickups, and the custom hardware you've always wanted. Plus, you'll have the indescribable satisfaction of knowing you created something cool out of nothing. And that sure beats buying off the rack! Organized logically from start to finish, this helpful guide will assist you every step of the way; from the design and planning stage to the final setup, each step in the process is written about in abundant detail, with hundreds of photographs, and special full-color sections on wood selection and finishing. Also includes a glossary of terms, an index of materials suppliers, and much more!

Inventory #HL 00000311
ISBN: 9781574241259
UPC: 073999648119
Width: 8.5"
Length: 11.0"
168 pages

What on Earth would make someone want to build an electric guitar from scratch? Can't you just buy one cheaper? What happens if it doesn't tum out? These questions and many many, more will be asked of you as you plow along through the excitement and anxity of building your first guitar. It does help if you're a little bit different and it's very true that it would be both faster and cheaper to just go buy one off the rack. But it wouldn't be the same one would it? Its fairly safe to assume that spending some time on this project will not be a problem for you. If you need an axe for a gig this weekend you're in the wrong place. You're going to have an investment of approximately $500 in your instrument and there are lots of $500 guitars out there, but how many will have the exact Seymour Duncan or EMG pickups and cusm tom deigned switching you want, the Schaller hard- ware and custom finish; yours will. Your guitar will also have that intangible, indescribable feeling that comes from creating something out of, well I can't say nothing, but you get the picture. Friends and relatives will say you're nuts and that you're wasting your time and money and then they'll want you to build them one too. I started building guitars almost by accident. I wanted a Fender Telecaster so badly, but I just couldn't come up with the money to buy one. I was hanging around in my favorite guitar store one day just being a nuisance when a guy came in with a box of guitar parts. He had a neck, a plywood Tele style body, and two of almost everything else; two pickguards, sets of pickups, bridges, etc. He had taken an el cheapo copy guitar and tried to upgrade it with new parts but nothing had fit where it was supposed to go and he was trying to trade the whole mess in on a new guitar. When the store told him they wouldn't take any of it in trade he asked them where the dumpster was. I politely showed him to the hatchback of my little station wagon and I had my Tele. All I had to do was re-assemble it and make it work. I did, and it did, and I was hooked. A short time later I was reading an article in Guitar Player on hot-rodding guitars and "kit" guitars.

First connect each pickup directly to the jack. Use temporary connections like alligator clips for this. They'll hum a bit for lack of shielding but will tell you if the parts are working right. Remember this technique is for problems with pickups and switches not working, and not for chasing down hum. After you've determined that each pickup works, you can connect them to the next item in the chain. This could be a volume pot, mini toggle switch or the main pickup selector depending on your design. Test the circuit after each part is added to the chain and sooner or later you will run into the problem again, only now you know exactly where it is and you can deal with it specifically. The wiring is complete and I'm tightening in the Electrosocket jack plate. "good solder joint/ bad solder joint" drawings. These can short out against other components or against the shield and cause the switch not to work as expected. in connecting your hot leads. Check your plan and your connections care- full y. Look for stray strands of wire that may not have gone through the solder terminal cleanly as was shown in the I like to plug the guitar in and give it a test before I secure the output jack and the rear cover plate. I have found, on occasion, that the guitar works fine in the test but not after the remaining parts are fastened in place. This can be the result of a wire or component shorting against the shielded cover of the electronics compartment. Sometimes the output jack won't fit well in the access hole when the plug is inserted. Most times this can be corrected by rotating the jack in the hole but I have had to take a 1/2 round file in there and open up the hole to get a good fit. This can be an extremely time consuming process and is not one to undertake when you're in a hurry or a bad mood. If you get frustrated with trying to solve a particular problem, take a break. Let it sit for awhile and come back when you are rested and in a better frame of mind. Remember, this guitar has taken a long time to get to this point and you didn't get here by rushing through all the previous steps. Take your time, be thorough and methodical and you'll find the guilty part(y). Using a mini chisel to clear away excess lacquer from the control cover "lip". There are times when all these good ideas fail and things still just don't work right. This can be a frus- trating time and lots of folks will simply take every- thing apart and try re-wiring it from scratch. Some- times this works, but more often you fall into the same rut and make the same mistake you did originally. My approach in these cases is to re-wire just as you did the drawing; from the pickup on down the line. Well now you have it wired tested and ready to rock. You can go ahead and put the rear cavity cover in place (if you've used one) and screw it down. From here we move on to the fi- nal set up adjust- ments. Wired, tested and ready for the final set up.

Electric Guitar Construction;

A Guide for the First Time

Table of contents:
Introduction:

1. Design:
D-I The importance of planning
D-2 Wood selection
D-3 Neck design
D-4 Body design
D-5 Color selection and hardware
D-6 Electronics
D-7 Pickguard design
D-8 What to buy and when to buy it..

2. Tools and Templates:
T-I List of tools
T-2 Power and hand tool safety
T-3 About templates
T-4 Headstock template
T-5 Body template
T-6 Pickguard and rear cover templates .
T-7 Optional templates .
T-8 Neck profile gauges
T-9 Fretboard radius gauge

3. Neck:
-1 Neck layout .
-2 Truss rod channel
-3 Mark and cut fretboard to length
N-4 Fretboard inlay
N-5 Assemble neck
N-6 Rough cut neck shape
-7 Tuning machine holes
-8 Side dots and rough sanding
-9 Sand inlay
I -10 Install fretwire
-11 Shape neck
-12 Finish sand neck

4. Body:
B-1 The body blank
B-2 Neck pocket
B-3 Necklbody axis
B-4 Bridge placement
B-5 Pickup placement and routing
B-6 Control cavity layout
B-7 Rough cut shape
B-8 Rear cavity rout
B-9 Sand body edges
B-1O Rout body edges
B-Il Input jack, strap buttons & wiring channels
B-12 Finish sand body

5. Plastics:
P-I Mark centerline and outline
P-2 Rough cut shape
P-3 Final fit rear cover
P-4 Rout edges (straight bit)
P-5 Bevel edges
P-6 Rout pickup openings
P-7 Drill mounting screw & control holes

6. Finishing:
F-l About finishing
F-2 Spray equipment
F-3 Clear finishes
F-4 Grain filler
F-5 Applying color
F-6 Applying clear coats
F-7 Wet-Sanding and Buffing
F-8 Finishing schedules

7. Assembly:
A-I Final fretwork
A-2 Rough shape the nut
A-3 Install the hardware
A-4 Neck to body assembly

8. Wiring:
W-I My method
W-2 Equipment and soldering
W-3 Shielding
W-4 Pickups
W-5 Mini switches
W-6 Pickup selectors
W-7 Pots and capacitors
W-8 The output jack
W-9 The complete diagram
W-IOTroubleshooting

9. Set up:
S-l What is a set up?
S-2 Slotting the nut
S-3 Adjusting the truss rod
S-4 Setting string height..
S-5 Setting intonation
S-6 Final adjustments

10. Cost Analysis for this guitar:
11. Index of Suppliers:
12. Glossary:
13. Index:  

Price: €99,99
€99,99

CONSTRUCTING A SOLID-BODY GUITAR A COMPLETE TECHNICAL GUIDE-ROGER H. SIMINOFF LIUTERIA LIBRO

CONSTRUCTING A SOLID-BODY GUITAR, ROGER H. Siminoff. Guida tecnica completa curata nei minimi particolari per la costruzione di una chitarra elettrica solid-body. I vari tipi di legno, il manico, la tastiera, il corpo, la posizione dei pickup, l'assemblaggio delle diverse parti, fino al colore e alla verniciatura. Il tutto illustrato da oltre 150 fotografie. Contiene anche un progetto pronto per essere realizzato a grandezza naturale. In inglese.

Whether you're a musician or a woodworking enthusiast, you'll thoroughly enjoy Roger Siminoff's book, Constructing A Solid Body Guitar. This 64-page manual uses over 150 photos, several illustrations and four life-size blueprints to assist the reader in choosing the proper materials and tools, as well as using the correct skills and techniques to produce a beautiful handmade instrment that doesn't look handmade at all! Plastic-comb bound.

Price: €69,99
€69,99

GUITARMAKING TRADITION AND TECHNOLOGY LIBRO LIUTERIA CHITARRA ACUSTICA CLASSICA COSTRUZIONE

 

GUITARMAKING: TRADITION AND TECHNOLOGY.

388 pagine illustrate, sulla costruzione e il design della chitarra folk e della chitarra classica.

Guitarmaking TRADITION AND TECHNOLOGY

A Complete Reference for the Design & Construction of the Steel·String Folk Guitar & the Classical Guitar

William R. Cumpiano and Jonathan D. Natelson
photographs by Clyde Herlitz / line dravvings by William R. Cumpiano

CHRONICLE BOOKS SAN FRANCISCO

 

LAYING OUT THE BRACING PATTERN

These depict the width of the cross struts. To denote the fan-brace locations, we now use as an inital reference the lower parallel line for the lower cross strut. Mark on that line, at intervals of 1/4 inches, three dots on both sides of the centerseam (that is, at1 1/4 inches, 2 ½ inches, and 3/4 inches from the seam). Next, measure ½ inches up the centerseam from the bottom of the outline, and make a dot. Using the ruler, find a point on the guitar outline that is 7 inches from that dot and draw a line connecting the two points. Repeat for the other side. These lines denote the bottom V of the bracing pattern. Measuring from the centerseam on each leg of the bottom V, mark dots at intervals of 2 inches. Connecting the six dots on the lower cross with the Six dots on the bottom V completes the fanbrace layout. The rosette grafts are laid out by drawing lines tangential to the soundhole and square to the cross struts, and then drawing parallel lines I inch from each tangent. To denote the finger braces, mark a dot on the upper parallel line of the lower cross strut % inch from the outer edge of each rosette graft. Then mark a dot on the lower parallel line of the upper cross strutI ½ inches from the outer edges of the rosette grafts, and connect the dots. Measure 1 ¼ inches up along the centerseam from the upper cross strut and draw a line perpendicular to the seam. Draw a parallel line 5/16 inch further up. These lines denote the upper transverse bar. Next, draw two vertical lines connecting the upper transverse bar with the upper cross strut, each 2 1/2 inches from the centerseam. These lines indicate the boundaries of the upper transverse graft. To locate the transverse bridge pad, mark from the top of the outline down the centerseam the distance from the twelfth fret to the saddle. For a 25.6-inch scale, that will be 12.8 inches plus .10 inch compensation, or 12.9 inches. Draw a line perpendicular to the centerseam at that point, and then parallel lines ¼ inch above andI inch below. The pad will actually be shaped as shown in Fig. 7-10 (scale drawings), but it will be positioned using the horizontal lines1 1 /4 inches apart. Finally, draw a line perpendicular to the centerseam tangent to the top of the outline. This will be a guideline for cutting off the top of the sound board squarely. Steel-string Bracing Layout The template outline and centerline have been marked on the undersurface of the soundboard. Refer to Fig. 7-10 (scale drawings) while reading the following steps. The headblock is represented by a 2 x 2l /2-inch rectangle, which is located at the upper center of the template outline. Draft the rectangle so that it is bisected by the sound board centerline. The top line of the rectangle must be set back 3/32 inch from the template outline (the thickness of the sides) and accurately perpendicular to the centerline. The accuracy of this line is vital, since we will alig the actual headblock to it when it is glued to the soundboard. If the headblock is crooked, the neck will be also. The bridge outline must be drafted on the undersurface of the sound board. Refer to Chapter 15 to make a bridge outline template, and locate its outline as shown in the layout drawing in Chapter 3. The upper face brace is just above the soundhole. Its closest edge is1/4 inch above the soundhole rim. Draw two parallel lines1/2 inch apart, perpendicular to the centerline. Extend the lines till they reach the template outline. The upper face graft is between the head block and the upper face brace. Draw two parallel lines 7/8 inch apart, perpendicular to the centerline. Center them in the space allotted. Connect the ends with angled lines as shown. The X-brace is represented by two sets of two parallel lines 5/16 inch apart, which cross at the centerline. You may copy the splay of the X brace from the diagram, paying particular attention to the distance between the ends of ...


CONTENTS
PREFACE
CHAPTER 1 The Guitars Anatomy
CHAPTER 2 Materials & Tools
CHAPTER 3 Preparation & Planning
CHAPTER 4 The Neck & the Headpiece
CHAPTER 5 The Plates
CHAPTER 6 The Soundhole Rosette II
CHAPTER 7 Soundboard Bracing
CHAPTER 8 Side Bending
CHAPTER 9 Assembly I
CHAPTER 10 Assembly II
CHAPTER 11 Purf1ing & Binding
CHAPTER 12 The Fingerboard
CHAPTER 13 Final Carving & Finiting
CHAPTER 14 Finishing
CHAPTER 15 The Bridge & Pinning the Steel-String Neck
CHAPTER 16 Set-Up
AFTERWORD Troubleshooting & Guitar Care
BIBLIOGRAPHY
BILL OF MATERIALS
SOURCES OF GUlTARMAKING SUPPLIES
INDEX  

Price: €74,99
€74,99

MAKING AN ARCHTOP GUITAR Robert Benedetto Centerstream Publications LIBRO LIUTERIA CHITARRA

MAKING AN ARCHTOP GUITAR. R. Benedetto. 260 pagine.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover
Author: Robert Benedetto

The definitive work on the design and construction of an acoustic archtop guitar by one of the most talented luthiers of the twentieth century. Benedetto walks the reader through all aspects of construction through to marketing your finished work. Includes a list of suppliers to acquire all the tools and materials listed; a list of serial numbers for Benedetto guitars; full-color plates featuring the author's models; photos from the author's personal scrapbook of players who endorse his guitars; and fold-out templates for construction. 8-1/2? x 11. 279 pages.

Price: €99,99
€99,99

EAR TRAINING FOR THE CONTEMPORARY GUITARIST JODY FISHER CD LIBRO CHITARRA TABLATURE

EAR TRAINING FOR THE CONTEMPORARY GUITARIST, J. Fisher. This companion to the popular book "Theory for the Contemporary Guitarist" starts with the basics of pitch discrimination and leads you to making fine distinctions between interval types, chord types, scales and chord progressions. Everything is organized in a handy workbook format with correct answers provided for all exercises. Examples are shown in standard music notation and TAB. A CD demonstrating all the examples played on guitar is included. CD TAB.

Price: €29,99
€29,99

FAST FORWARD LEAD GUITAR SOLOS LIBRO MUSICA ROCK CD TABLATURE BENDS pull-offs hammer-on

FAST FORWARD, LEAD GUITAR SOLOS. CD TAB.

Description

An exciting new series of 12 instrumental instruction books. Includes complete music for all riffs, licks, hints and tips, plus easy-to-follow instructions, tips and advice. Accompanying CD allows you to listen and play along to the matching audio tracks. Essential information on how to get all the great rock guitar sounds, from classic 1950s lick to pull-offs, hammer-ons, bends and the slide. Plus, how to get the very best effects from your pedal, and inside tips and tricks on scales and position playing.

Price: €21,99
€21,99

MASTERING CONTEMPORARY ROCK BOOK & CD Chris Amelar LIBRO TABLATURE SPARTITI METODO

MASTERING CONTEMPORARY ROCK, Chris Amelar. CD TAB.

Mastering Contemporary Rock
Music by Chris Amelar
CATEGORY: Guitar Method or Supplement
FORMAT: Book CD

The Rock Guitar Method uses a comprehensive instruction course for the serious rock guitarist. This book is loaded with large, easy to read scale and chord diagrams, examples in standard music notation and tab, plenty of fun exercises to practice and techniques and theory for lead and rhythm guitar playing.

Price: €99,99
€99,99

METAL RHYTHM GUITAR VOLUME 1 Troy Stetina CHITARRA CD TABLATURE LIBRO METODO

METAL RHYTHM GUITAR VOLUME 1. Stetina. CD TABLATURE

Series: Stylistic Method
Medium: Softcover with CD
Author: Troy Stetina

Troy Stetina is internationally recognized as a leading author, teacher, musician, and critically-acclaimed guitar virtuoso. His books, methods and videos from the TROY STETINA SERIES have been applauded by the guitar magazines and used by teachers and players the world over. Troy has also been a contributing editor for Guitar World, Guitar School, and Guitar One magazines, and he has created rock and metal programs for workshops as well as a universitylevel program at the Wisconsin Conservatory of Music. The youngest in a family of Olympic cyclists from Indianapolis, Troy grew up on the competitive U.S. Cycling circuit and captured several National medals. But racing was more a family imperative than a personal choice, and music was his passion. At the age of 12, Troy had begun playing guitar in his spare time. Primarily self-taught, he was first inspired by the hard rock rhythms of Kiss and then the lead guitar legends Eddie Van Halen and Randy Rhoads, on which he spent countless hours going over each and every note by ear. Later, he honed his technique on the classical music of Bach, Beethoven, Vivaldi, and the legendary violinist Nicolo Paganini. By the age of 18 Troy had his own ideas, and much to his parent's dismay he left athletics behind, chucked a full college scholarship and set out for a life of fame in rock and roll ... Troy moved to the revered and legendary city of beer-Milwaukee-in order to take a position on the faculty of the Wisconsin Conservatory of Music and form the rock and metal guitar program. There, as Director of Rock Guitar Studies, he carved out a niche as a top-level music educator with flawless technique, writing a number of best-selling metal guitar methods for Hal Leonard Corporation and performing solo "shred" guitar versions of the 24 Caprices, Perpetual Motion, and other technically demanding pieces at various Conservatory events. (Interestingly enough, the Conservatory happened to be less than a mile from the spot where he won the National Cycling Championships some years earlier, on the Milwaukee lakefront.) Eventually his focus began to shift from guitar technique toward songwriting, which was reflected in his 1993 recording Set the World on Fire (Screarnin' Cat Records) with co-writer/vocalist Shauna Joyce. An accompaniment to the book Secrets to Writing Killer Metal Songs, this release received rave reviews from critics around the world with its well-crafted songs and striking guitar work. Also that same year, Troy finally decided to leave the Conservatory in order to work with musicians in both New York City and Los Angeles. Now, from his 1700's style home high in the countryside, he continues working with various musicians around the world, writing guitar methods and magazine columns, composing solo projects, as well as performing and teaching at guitar workshops and master classes. For a list of books, methods, and videos in the TROY STETINA SERIES, see the last pages at the end of this book.

Because rhythm and timing lie at the foundation of everything you play, its importance can't be underestimated. This series will give you that solid foundation you need. Starts with simple upbeat rhythms for the beginner and moves step by step into advanced syncopations - all demonstrated with seriously heavy metal examples that have practical applications to today's styles. Tablature. Music and examples demonstrated on CD.

64 pages

 

 

METAL RHYTHM GUITAR VOLUME 1. Troy Stetina. CD TABLATURE

Series: Stylistic Method
Medium: Softcover with CD
Author: Troy Stetina

 

WELCOME TO THE "TROY STETINA SERIES" 

The TROY STETINA SERIES is a complete system for mastering metal and building solid musicianship. Taken together, the methods of the series cover the full spectrum of playing from the beginning all the way up to the most advanced rhythm and lead concepts, fretboard pyrotechniques, theory, melodic principles, songwriting, and how to develop your own personal lead style. In short, the series will take you to a professional level of playing. It is written by someone who specializes in metal so each method gives you what you need to get playing quickly and correctly. Brief descriptions of the books and videos of this series appear at the end of this book. You can use this to help you navigate through the series, selecting what is best for you. It is generally a good idea to use two or even three complementary books at a time, in order to have plenty of variety in your practice. Each book comes with accompanying audio so they can be used individually as well as with the guidance of a teacher.

FOREWORD

The Metal Rhythm Guitar method is designed to get you-the beginning guitarist-playing serious metal guitar as quickly as possible. It jumps right into the real thing, and before you know it, you'll be jamming on metal tunes with a full backing band! You'll be learning the chording, riffs, rhythms and progressions used by leading bands-from Guns 'N' Roses, Aerosmith, Van Halen, Metallica, Ozzy Osbourne, Alice in Chains, Soundgarden, Stone Temple Pilots, Nirvana, and Pearl Jam, to other classic bands such as Black Sabbath, AC/DC, Motley Crue, and the Scorpions. As you probably know, metal in the '90s isn't just one style, but has progressed into a broad range of "substyles" which we could call pop metal, thrash metal, grunge metal, alternative metal, punk metal, progressive metal, rap metal, and so on. (The lines between them are often fuzzy.) Each embodies different attitudes and uses different stylistic elements, yet they also share quite a lot in common-they all use different applications of metal guitar. In this method, we'll shed some light on each of these categories, while we build the solid underlying musical foundation you need to play guitar well. To teach all of this, Metal Rhythm Guitaremploys a series of exciting "mini-songs," or jams with bass and drums, which progress from simple to advanced. And in case you are wondering, you don't have to wait to get to the good stuff. The first song appears right at the end of the first chapter. Volume 2 continues with the same format and concludes with the full instrumental tune "Babylon," which applies nearly all the concepts and techniques learned throughout Metal Rhythm Guitar. (The complete lead guitar track of "Babylon"likewise appears at the end of the companion lead guitar method.) You may also find it helpful to supplement this book with others to keep more variety in your practicing. Check out Metal Lead Guitar Primer and/or the beginning rock videos mentioned at the end of this book. Good luck with your playing, and enjoy the method! 

Because rhythm and timing lie at the foundation of everything you play, its importance can't be underestimated. This series will give you that solid foundation you need. Starts with simple upbeat rhythms for the beginner and moves step by step into advanced syncopations - all demonstrated with seriously heavy metal examples that have practical applications to today's styles. Tablature. Music and examples demonstrated on CD.
64 pages

 

Metal Rhythm Guitar - Volume 1

about the author

Welcome To The Troy Stetina Series 0:06

foreword

the electric guitar

positioning

Tuning 1:07

Getting the Sound 2:31

reading music in this book

 

CHAPTER 1

Power Chords On The Sixth String 0:27

Whole Notes, Half Notes, - Quarter Notes 1:29

Power Chords On The Fith String 1:46

'Switching' Between Strings 1:08

Eighth Notes 0:28

Sound Of Silence 0:23

The Slide 0:46

'Whips And Chains.' (Song -1) 2:28

'Whips And Chains.' (Song -1) - Backing Track 2:33

 

CHAPTER 2

Expanded Power Chords 0:51

Economy Fingering 1:02

Sharps And Flats 0:23

Muting Mayhem 1:02

Pedaling The Root 1:15

'Tales From The Crypt.' (Song -2) 2:28

'Tales From The Crypt.' (Song -2) - Backing Track 2:56

 

CHAPTER 3

Left Hand Muting 0:22

More Open Power 1:10

Upbeat Accents 2:10

Rhythm Variations 1:35

Vibrato Articulation 0:45

'The Tao Of Metal.' (Song -3) 2:37

'The Tao Of Metal.' (Song -3) - Backing Track 2:37

 

CHAPTER 4

Fourth Diads 0:28

Upbeats With Ties (Syncopation) 2:46

Rock And Roll Comping 0:55

12-Bar Changes 2:55

'Rock 'n' Roller.' (Song -4) 2:16

'Rock 'n' Roller.' (Song -4) - Backing Track 2:21

 

CHAPTER 5

Hammer-On And Pull-Off Articulations 0:50

String Bending 0:21

Double Upbeat Accents 1:13

Open Major And Minor Chords 2:30

Arpeggiation 0:47

'On The Prowl.' (Song -5) 3:31

'On The Prowl.' (Song -5) - Backing Track 3:46

 

CHAPTER 6

The Blues Scale 0:30

Riffs In The Blues Scale 1:04

Multiple Upbeats 1:28

Rhythmic Patterns 1:20

'As Darkness Gathers.' (Song -6) 3:13

'As Darkness Gathers.' (Song -6) - Backing Track 3:23

 

Keeping Tabs on your killer riffs

Notation Guide

Glossary Terms

The troy stetina series

Price: €25,99
€25,99

METAL LEAD GUITAR VOLUME 1 TROY STETINA LIBRO CD TABLATURE VIBRATO-BENDING-TAPPING-FRASEGGI

METAL LEAD GUITAR VOLUME 1. Stetina. CD TAB.

Series: Stylistic Method
Medium: Softcover with CD
Author: Troy Stetina

This intense metal method teaches you the elements of lead guitar technique with an easy to understand, player-oriented approach. The metal concepts, theory, and musical principles are all applied to real metal licks, runs and full compositions. Learn at your own pace through 12 fully transcribed heavy metal solos from simple to truly terrifying! "One of the most thorough" and "one of the best rock series currently available" - Guitar Player magazine. Music and examples demonstrated on CD. 64 pages

Price: €24,99
€24,99
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