PLAY IT LIKE IT IS - NOTE FOR NOTE TRANSCRIPTIONS

COOK DAVID. Play It Like It Is Cherry. Lane Music. TABLATURE

COOK DAVID. TABLATURE

David Cook
Series: Play It Like It Is
Publisher: Cherry Lane Music
Format: Softcover - TAB
Artist: David Cook

This matching folio to the full-length major label debut from the winner of the seventh season of American Idol features the hit “Time of My Life” as well as 13 other tunes: Avalanche • Bar-Ba-Sol • Come Back to Me • A Daily Anthem • Declaration • Heroes • I Did It for You • Kiss on the Neck • Lie • Life on the Moon • Light On • Mr. Sensitive • Permanent. Includes a bio and photos.

Avalanche
Bar-Ba-Sol
Come Back To Me
A Daily Anthem
Declaration
Heroes
I Did It For You
Kiss On The Neck
Lie
Life On The Moon
Light On
Mr. Sensitive
Permanent
Time Of My Life

116 pages

Price: €22,99
€22,99

DEREK TRUCKS, ALREADY FREE. Play It Like It Is. Cherry Lane Music. TABLATURE

DEREK TRUCKS, ALREADY FREE. Play It Like It Is. TABLATURE

 

Derek Trucks - Already Free
Series: Play It Like It Is
Publisher: Cherry Lane Music
Format: Softcover - TAB
Artist: Derek Trucks

The Wall Street Journal has described Derek Trucks – also in the Allman Brothers Band – as “the most awe-inspiring electric slide guitar player performing today.” Compelling songwriting, superb playing & smoking grooves take his sixth studio CD to a new level. Here are notes-&-tab transcriptions for all 12 songs, plus a great interview and lots of photos. Includes: Already Free • Back Where I Started • Don't Miss Me • Down in the Flood • I Know • Maybe This Time • Our Love • Sweet Inspiration • and more. 2010 Grammy Winner for Best Contemporary Blues Album!

168 pages
 

Already Free
Back Where I Started
Days Is Almost Gone
Don't Miss Me
Down Don't Bother Me
Down In The Flood
Get What You Deserve
I Know
Maybe This Time
Our Love
Something To Make You Happy
Sweet Inspiration
 

Price: €24,99
€24,99

JAMES DIO RONNIE, BEST OF. Play It Like It Is. TABLATURE

JAMES DIO RONNIE, BEST OF. Play It Like It Is. TABLATURE

 

Best of Ronnie James Dio

Series: Play It Like It Is
Publisher: Cherry Lane Music
Format: Softcover - TAB
Artist: Ronnie James Dio

Note-for-note transcriptions of 12 tunes from the electrifying frontman of Rainbow, Black Sabbath & Dio: Don't Talk to Strangers • Heaven and Hell • Holy Diver • King of Rock & Roll • The Last in Line • Man on the Silver Mountain • The Mob Rules • Neon Knights • Rainbow in the Dark • Sacred Heart • Stand Up and Shout • We Rock. Features photos and a foreword by Jack Black!
 

Song List:

Don't Talk To Strangers
Heaven And Hell
Holy Diver
King Of Rock & Roll
The Last In Line
Man On The Silver Mountain
The Mob Rules
Neon Knights
Rainbow In The Dark
Sacred Heart
Stand Up And Shout
We Rock

120 pages
 

Price: €23,00
€23,00

BONAMASSA JOE COLLECTION PLAY IT LIKE IT IS GUITAR TABLATURE LIBRO-Last Kiss-Lonesome Road Blues

 

BONAMASSA JOE, COLLECTION. PLAY IT LIKE IT IS. TABLATURE

 

ARTIST APPROVED

 

THIS BOOK WAS APPROVED BY JOE BONAMASSA IN PERSON

Joe Bonamassa Collection

Series: Play It Like It Is

Publisher: Cherry Lane Music TAB

Artist: Joe Bonamassa

 

Artist-approved, note-for-note transcriptions in standard notation and tab for a dozen of the best from this formidable blues rocker. Includes: Asking Around for You - The Ballad of John Henry - Ballpeen Hammer - Black Night - Bridge to Better Days - Dirt in My Pocket - The Great Flood - Last Kiss - Lonesome Road Blues - One of These Days - Sloe Gin - So Many Roads, So Many Trains.

 

TITLE - AUTORE- ALBUM - ANNO

 

Asking Around For You - WORDS AND MUSIC BY: JOE BONAMASSA, MICHAEL HIMELSTEIN - YOU & ME - 2006

The Ballad Of John Henry - WORDS AND MUSIC BY: JOE BONAMASSA - SLOE GIN - 2009

Ballpeen Hammer - WORDS AND MUSIC BY: CHRIS WHITLEY - THE BALLAD OF JOHN HENRY - 1998

Black Night - WORDS AND MUSIC BY: JESSIE MAE ROBINSON - SLOE GIN - 1951

Bridge To Better Days - WORDS AND MUSIC BY: JOE BONAMASSA - YOU & ME - 2006

Dirt In My Pocket - WORDS AND MUSIC BY: JOE BONAMASSA, JIM HUFF - SLOE GIN - 2007

The Great Flood - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009

Last Kiss - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009

Lonesome Road Blues - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009

One Of These Days - WORDS AND MUSIC BY: JOE BONAMASSA - SLOE GIN - 2007

Sloe Gin - WORDS AND MUSIC BY: BOB EZRIN, MICHAEL KAMEN - SLOE GIN - 1978

So Many Roads, So Many Trains - WORDS AND MUSIC BY: PAUL MARSHALL - YOU & ME - 

 

160 pages

 

 

 

Joe Bonamassa performs at the Kravis Center on Tuesday.

 

Guitarist Joe Bonamassa doesn’t just play the blues - he is a student of the form.

 

For example, here’s how he describes Rory Gallagher, an Irish blues guitarist who never got nearly as well-known in the United States as he did in Europe: "Think of Rory like this - what you see is what you get. He comes out in a flannel shirt, blue jeans, playing a battered old Strat. He walks up to the mic, and he just plays, and it’s honest, the music’s honest."

 

Bonamassa, who’ll be performing at the Kravis Center on Tuesday, is not just interested in knowing the blues. He wants to pass along his knowledge - so he started Keeping the Blues Alive, where he visits with groups of middle-school and high-school students to keep the fire of the blues burning.

 

"That’s the whole point, how do we get through the next hundred years?" Bonamassa said in a telephone interview. "Blues is 100 years old, essentially, so how do we get to the next hundred years? We get the kids interested in it. A lot of blues guys tend to play the victim - that the music doesn’t get covered by the media, it gets ignored. But at the end of the day, you have to be proactive about it."

 

Directions, invite a friend, nearby dining

So Bonamassa will be taking his love of the blues to the kids - including a session before his show at the Kravis.

 

"As it happens, it’s about self-preservation for the blues, but it’s also about giving a little back to the community," he said. "I get to do this nightly, playing music and a couple thousand people show up, so I feel indebted to the community."

 

These days, it’s just one more thing on a busy slate for Bonamassa - he’s just wrapped up a pair of albums and tours with the supergroup Black Country Communion, which also features bassist/vocalist Glenn Hughes, drummer Jason Bonham and keyboardist Derek Sherinian; he’s worked on an album with singer/songwriter Beth Hart that he calls the project he’s most proud of; and he’s touring in support ofDust Bowl, his latest solo record.

 

Bonamassa set out to make Dust Bowl a much more American album than what he’s done before - he said his guitar work was closer to that of Duane Eddy, the great surf guitarist of the 1950s and ’60s, than anyone else. He also had the chance to work with singer/songwriter John Hiatt and Vince Gill, a country legend who also happens to be a highly respected guitarist in his own right. Bonamassa first met Gill at the Crossroads Guitar Festival just outside Chicago in the summer of 2010, and from there, it just took off.

 

"I saw him from afar, but I didn’t really approach him," Bonamassa said. "But he came up to me, and he said, ‘My wife and I watched your concert at Albert Hall on DVD and we really like it,’ and he asked, ‘Do you know me?’ I said, ‘I know exactly who you are!’

 

"I’m not one to go up to famous people, I don’t enjoy the experience, it’s very daunting to me. I probably wouldn’t have approached him, but he approached me, and it’s Vince freakin’ Gill! Two months later we’re doing a session with John Hiatt, and then he’s on stage with me at the Beacon Theater in New York. My Rolodex has changed a bit in the last 10 years - used to be my mom and dad and a couple of friends!"

 

 

 

As Joe Bonamassa grows his reputation as one of the world’s greatest guitar players, he is also evolving into a charismatic blues-rock star and singer-songwriter of stylistic depth and emotional resonance. His ability to connect with live concert audiences is transformational, and his new album, Black Rock, brings that energy to his recorded music more powerfully than ever before. The tenth solo album and eighth studio release of his career - as well as his fifth consecutive with producer Kevin Shirley (Led Zeppelin, Black Crowes, etc.) - the disc adds an enlivening dose of ‘world’ vibes to Bonamassa’s virtuoso mix of ‘60s-era British blues-rock (à la Beck and Clapton) and roots-influenced Delta sounds.

 

The album was recorded at Black Rock Studios in Santorini, Greece. "With this album, we wanted to explore a ‘world’ feeling, and this was the inspiration behind going to record in Greece and using some of the best Greek musicians to add a little flavor to a couple of the tracks. But it’s by no means a ‘world’ album. We wanted Joe’s usual youthful and energetic tones to play alongside the worldly vibes of the Greek bouzouki and clarino," said Shirley. Bonamassa adds, "It was the kind of record Kevin and I wanted to make. We needed to rock again a bit like on my first album. It’s youthful, like going back to your childhood." Throughout, Bonamassa is again backed by the stellar players Carmine Rojas (bass), Anton Fig, Bogie Bowles (both on drums) and Rick Melick (keyboards).

 

2009 was a big year for Bonamassa. He was awarded the Breakthrough Artist of the Year Award at the U.K.’s prestigious Classic Rock Roll of Honour Awards and Classic Rock magazine has said, "They’re calling him the future of blues, but they’re wrong - Joe Bonamassa is the present; so fresh and of his time that he almost defines it." He was also named Best Blues Guitarist in Guitar Player Magazine’s 2009 Readers’ Choice Awards for the third consecutive year. Guitar Player writer Matt Blackett has said, "He’s an old soul, and that comes through in his bends, vibrato, singing voice, and note choices, which - which each passing year - get more restrained and refined."

 

In May ’09, he played to a sold out crowd at London’s Royal Albert Hall, arguably the most prestigious concert venue in the world. During the show, Bonamassa’s hero, Eric Clapton, joined him on stage for a joint-performance of Clapton’s hit "Further On Up The Road." London’s The Independent said about the show, "The man has arrived, and there’s no turning back." Shortly after, Bonamassa released a 2-DVD live set " Joe Bonamassa - Live From The Royal Albert Hall - which captures the night in full. Guitar Edge gave it five stars and also said, "It is the wallop of his emotional expression, fueled by the rocking energy he derives from that trans-Atlantic connection and driven by his devastating technical ability, that elevates him about his peers and makes him a certifiable blues guitar hero and the face of his blues generation."

 

Last year also coincided with Bonamassa’s twentieth year as a professional musician, an extraordinary timeline for a young artist just into his ’30s. A child prodigy, Bonamassa was finessing Stevie Ray Vaughan licks when he was seven and by the time he was ten, had caught B.B. King’s ear. After first hearing him play, King said, "This kid’s potential is unbelievable. He hasn’t even begun to scratch the surface. He’s one of a kind." By age 12, Bonamassa was opening shows for the blues icon and went on to tour with venerable acts including Buddy Guy, Foreigner, Robert Cray, Stephen Stills, Joe Cocker and Gregg Allman.

 

Bonamassa reunites with King for a duet on Black Rock. The song they perform together is a rendition of the Willie Nelson-penned song, "Night Life," which appeared on King’s 1967 album Blues Is King. Shirley says about the experience, "This is a rollicking Stonesy-vibe version of the Willie Nelson song on which B.B. duets with Joe, both vocally and on his famous Lucille guitar. What a joy and an honor to work with the legend who is possibly the pivot point and unifying musician between blues and rock."

 

Other tracks appearing on Black Rock include Jeff Beck’s "Spanish Boots," a lively version of Leonard Cohen’s poetic "Bird On A Wire," Otis Rush’s "Three Times A Fool," as well as Bobby Parker’s "Steal Your Heart Away," a song recommended by Robert Plant, who said Led Zeppelin rehearsed it in their earliest days. Also, Blind Boy Fuller’s "Baby, You Gotta Change Your Mind," John Hiatt’s "I Know A Place," and James Clark’s "Look Over Yonder’s Wall," as well as the Bonamassa-penned originals "When The Fire Hits The Sea," "Wandering Earth,"

 

"Athens To Athens," and "Blue and Evil."

 

Bonamassa’s recording career began in the early ’90s with Bloodline, a hard-charging rock-blues group also featuring Robby Krieger’s son Waylon and Miles Davis’ son Erin. His 2000 solo debut, A New Day Yesterday, was produced by the legendary Tom Dowd; Bonamassa’s rendering of the title track, originally a Jethro Tull hit, was called, "a jaw-dropping performance" by allmusic.com.

 

His last studio album, The Ballad Of John Henry - with no shortage of its own jaw-dropping moments - debuted at #1 on the Billboard blues chart and stayed there for six months. The album marks a more confessional approach to songcraft than he’s previously employed. "Making the first half of the album," Bonamassa says, "I was in the happiest place I’d ever been in my life. The second half found me in completely the opposite state. I’ve come to the conclusion that experience makes for better art. I had more to say, and it’s the first time I’ve personally opened up the book on my life."

 

Previous studio sets include 2007’s Sloe Gin, which debuted at #1 on Billboard’s blues chart and received a 2008 nod for Album Of The Year from the Classic Rock Roll Of Honour Awards. Sloe Gin careens between heavy electric blues-rockers and acoustic, folk-etched cuts in a flow that Bonamassa says was partly inspired by Rod Stewart’s classic 1969 solo debut LP. Modern Guitars Magazine wrote, "If calling Sloe Gin a Bonamassa sampler isn’t graphic enough, think of the album as a musical buffet in which unrelated entrees share a single trait: they taste good."The Boston Phoenix called it, "an elegant and brawny guitar-hero album."

 

In 2008, he released the 2-CD set Live From Nowhere In Particular, which Guitar Player said, "finds Joe playing with soul, intensity and savage tones." It features 13 songs recorded live in concert on the artist’s 2007 North American tour - at shows like the one at New York’s Westhampton Beach Performing Arts Center reviewed by Lon S. Cohen: "In a thousand years, when archeologists dig out Joe Bonamassa’s guitar from the strata of the earth, it will still be smoking... He holds the guitar like a shotgun but what comes out of it is poetry, color, and a story is told in notes." A review of a show at Alexandria, VA’s Birchmere drew similar sentiments from writer Paul Roy on blogcritics.org: "I have flirted with the opinion that Bonamassa may be the overall best guitarist on the planet these days, and after seeing him perform live again... I am now totally comfortable with that opinion. He is simply mesmerizing to watch."

 

Bonamassa circles the globe playing an average of 200 shows a year, and his mind-blowing guitar wizardry and electrifying stage presence are selling out progressively larger venues all the time. The OC Register’s Robert Kinsler has written, "Whether in a club or outdoors at a festival, something magnetic happens when Bonamassa steps to the front of the stage, leans his head back and simply lets loose."

 

Ongoing journeyman touring is a given, and looking beyond Black Rock, Bonamassa will continue his recording collaboration with producer Kevin Shirley, who says, "It’s great working with Joe and seeing him enjoy the discovery of all these places he can go. He’s an artist who can play anything, there are so many facets to him." Bonamassa adds, "Kevin comes up with fantastic ideas outside the box. He appreciates the blues, but pushes me, the only person besides Tom Dowd who’s done that."

 

On top of touring, recording and overseeing the independent label J&R Adventures with his entrepreneurial partner and manager Roy Weisman, Bonamassa is a spokesperson for the Blues Foundation’s respected Blues In The Schools program, volunteering his time during tours to speak with groups of high school students about the heritage of blues music - the first pure American music form. Recently, he was chosen by Channel One, the largest in-school news network, to host an ongoing segment called "Know Your Roots with Joe Bonamassa" in which he traces the musical roots of Channel One’s weekly "Hear It Now" featured artist.

 

And, 2010 has already started with a bang - Guitar World dubbed Bonamassa "The Blues Rock Titan" and his song, "Lonesome Road Blues," is a part of Guitar Hero V’s New Blues Masters Track Pack. Keeping with his blues roots but fluently moving between rock n’ roll and international sounds, 2010 is not only a new decade but a new era for Bonamassa.

 

Price: €25,99
€25,99

JOHNSON JACK-TO THE SEA-Play It Like It Is-TABLATURE-LIBRO SPARTITI CHITARRA-PENTAGRAMMA NOTE ACCORDI

 

JOHNSON JACK, TO THE SEA. Play It Like It Is. TABLATURE

Jack Johnson - To the Sea
Series: Play It Like It Is
Publisher: Cherry Lane Music
Format: Softcover - TAB
Artist: Jack Johnson

Johnson says the title of his fifth studio CD is “a reference to a father leading his son to the sea – with the water representing the subconscious, so it's about trying to go beneath the surface and understand yourself.” The 2010 album dropped in June and debuted at #1. Our folio features notes & tab for all 13 tunes: Anything but the Truth • At or with Me • From the Clouds • My Little Girl • No Good with Faces • Only the Ocean • Pictures of People Taking Pictures • Red Wine, Mistakes, Mythology • To the Sea • Turn Your Love • The Upsetter • When I Look Up • You and Your Heart.

Anything But The Truth
At Or With Me
From The Clouds
My Little Girl
No Good With Faces
Only The Ocean
Pictures Of People Taking Pictures
Red Wine, Mistakes, Mythology
To The Sea
Turn Your Love
The Upsetter
When I Look Up
You And Your Heart

Width: 9.0"
Length: 12.0"
68 pages
 

Price: €29,95
€29,95

GUNS N' ROSES APPETITE FOR DESTRUCTION. PLAY IT LIKE IT IS BASS TABLATURE LIBRO

GUNS N' ROSES, APPETITE FOR DESTRUCTION. BASS TAB.

Series: Bass Guitar Series
The matching folio to the hit album arranged for bass with tab. Twelve songs in all, 86 pages

Anything Goes (Axl Rose/Slash/St
It's So Easy
Mr. Brownstone
My Michelle
Nightrain
Out Ta Get Me (Rose/Slash/
Paradise City
Rocket Queen
Sweet Child O' Mine
Think About You (Rose/Slash/
Welcome To The Jungle
You're Crazy

Price: €27,99
€27,99

GUNS N' ROSES USE YOUR ILLUSION II Cherry Lane BASS TABLATURE BOOK LIBRO SPARTITI BASSO

GUNS N' ROSES, USE YOUR ILLUSION II. BASS TAB.

Price: €59,99
€59,99

MAYER JOHN-ROOM FOR SQUARES guitar TABLATURE Play It Like It Is TRANSCRIPTIONS Back to You-SPARTITI LIBRO

MAYER JOHN, ROOM FOR SQUARES. TABLATURE

TRANSCRIPTIONS SUPERVISED BY JOHN MAYER. 

Transcribed by Andy Aledort and Steve Gorenberg, under the Supervision by John Mayer.

Transcriptions Supervised by John Mayer
Series: Play It Like It Is TABLATURE
Publisher: Cherry Lane Music
Artist: John Mayer
Inventory #HL 02500529
ISBN: 9781575605845
UPC: 073999899696
Width: 9.0"
Length: 12.0"
104 pages

We proudly present the guitar matching folio to acclaimed singer/songwriter John Mayer's major label debut. Includes a biography, photos and note-for-note transcriptions with tab supervised by Mayer himself! 13 songs, including -Your Body Is a Wonderland, the Grammy winner for Best Male Pop Vocal Performance, and: Back to You - City Love - 83 - Great Indoors - Love Song for No One - My Stupid Mouth - Neon - No Such Thing - Not Myself - St. Patrick's Day - 3X5 - Why Georgia.


Since the release of his major label debut, Room for Squares, in 2001, 25-year-old singer/songwriter John Mayer has become a full-fledged phenomenon, slowly rising from obscurity to stardom, and doing it on his own terms.
His memorable first single, "No Such Thing," begins with the recollection of a life lesson from a high school guidance counselor: "Welcome to the real world/She said to me/Condescendingly." Mayer's ascent proves that the real world can occasionally be bent into unlikely, wondrous shapes. As of this writing, Squares has passed the two million plateau and continues selling tens of thousands every week, while Mayer has moved from solo sets in listening rooms to rapid sellouts of 10,000-seat amphitheaters. And this is no flavor-of-the-month, fast-burn success story; his still-growing stardom is based on substance. In an age of ephemera, Mayer is a bona fide career artist, and there's no doubt that this guy is making a connection.
Mayer has built a passionate fan base, from adoring teenagers to discerning boomers who've finally encountered a young artist who lives up to their decades-old memories. The lack, until recently, of media attention and next-big-thing status have actually been a benefit to this aspiring artist, allowing him to fly under the radar and enabling people to discover him in an organic way, thus forming a bond between performer and fan that is extremely rare in this fickle era. Reviewing Mayer's L.A. House of Blues set in April 2002, Bud Scoppa of HITS Daily Double noted, "Perhaps the most remarkable single aspect of the show was the way the crowd sang along with every word, in tune and in unison, so locked in that it sounded rehearsed. I've never seen an audience more hooked up with an artist."
Mayer, who grew up in Fairfield, CT, by way of Bridgeport, is the second of three children born to an English teacher mother and high school principal father. His first musical epiphany came at age 13, when he discovered Stevie Ray Vaughan, then badgered his dad into getting him an electric guitar. The kid turned out to be a quick study: two years later he was doing solo turns in local clubs. After high school, Mayer spent a few months at Boston's Berklee School of Music before dropping out and moving to Atlanta, where he quickly clicked on the area's club circuit. During this time, he began amalgamating the key elements of his influences-notably, Vaughan, Hendrix, Clapton, Elton John, Ben Folds, and Dave Matthews-into a wide-open approach that somehow meshed fluent guitar playing, fat grooves, conversational narratives, heady improvisation, and emphatic hooks into a remarkably expressive whole.

JOHN MAYER
"Connecticut's where I built the parts, Boston's where I assembled them, and Atlanta is where I sold them to people," he quipped about his own Field of Dreams scenario.
In 1999 Mayer cut Inside Wants Out (reissued by Columbia in 2002) to sell at his shows. What's startling about these early solo performances is how utterly complete they are, a vivid testament to his elevated songcraft and to the rich, expressive guitar style he'd developed by that time. Indeed, Mayer's guitar lines on the early versions of "No Such Thing," "My Stupid Mouth," and "Neon" provided detailed blueprints for the full-band arrangements on Room for Squares.
The buzz spread across the South, and caught the ear of the record biz, when Mayer played a masterful set at Austin's South by Southwest (SxSW) Music Conference in March 2000. Soon afterward, he signed with Aware Records and began traversing the U.S. and winning over fans one by one, night by night, while recording his first official album with producer John Alagia (Dave Matthews, Ben Folds) between legs on what would turn out to be two full years of touring.
He decided to call the album Room for Squares, a characteristically wry take on jazz sax player Hank Mobley's 1963 LP No Room for Squares. "It made sense to me because I feel unsteady in coolness," he explained.
The album initially came out as an indie release on Aware in the spring of 2001 and was reissued by Columbia four months later, with the addition of the stunning track "3X5," new packaging and a limited edition bonus EP featuring covers of songs by Jimi Hendrix and Stevie Ray Vaughan. By year's end, the media began to pick up the scent. In a benchmark review that December in Rolling Stone, critic Anthony DeCurtis proclaimed the album "instantly likable and accessible. But it's no less smart and affecting for that. These 13 songs are a travelogue of discovery, of love, identity, and purpose."
Then, in 2002, all hell broke loose, and John Mayer broke through.
"Every day someone says to me, 'I just want you to know this never happens,''' Mayer said last April. "And I go, 'Well, what do you mean? It's happening to me.'''


Back To You
City Love
83
Great Indoors
Love Song For No One
My Stupid Mouth
Neon
No Such Thing
Not Myself
St. Patrick's Day
3X5
Why Georgia
Your Body Is A Wonderland

104 pages

 

Song List:

Back To You - Words and Music: John Mayer - 1999
City Love - Words and Music: John Mayer - 2001
83 - Words and Music: John Mayer - 2001
Great Indoors - Words and Music: John Mayer - 2001
Love Song For No One - Words: John Mayer – Music: John Mayer, Clay Cook - 1999
My Stupid Mouth - Words and Music: John Mayer - 1999
Neon - Words: John Mayer – Music: John Mayer, Clay Cook - 1999
No Such Thing - Words: John Mayer – Music: John Mayer, Clay Cook - 2001
Not Myself - Words and Music: John Mayer - 2001
St. Patrick's Day - Words and Music: John Mayer - 2001
3X5 - Words and Music: John Mayer - 2001
Why Georgia - Words and Music: John Mayer - 2001
Your Body Is A Wonderland - Words and Music: John Mayer - 2001 

Price: €28,99
€28,99

OSBOURNE OZZY BLIZZARD OF OZZ Play It Like It Is TABLATURE LIBRO SPARTITI CHITARRA ACCORDI

OSBOURNE OZZY, BLIZZARD OF OZZ. BOOK SCORE WITH GUITAR TABLATURE

BOOK OF HEAVY METAL MUSIC.

SHEET MUSIC FOR VOICE AND GUITAR.

CHORDS, STANDARD NOTATION AND TABLATURE.  

Series: Play It Like It Is
Artist: Ozzy Osbourne

Note-for-note transcriptions with tab for Randy Rhoads' brilliant guitar work on all 9 songs from Ozzy's 1981 solo debut. Includes an interview with Ozzy entitled "Randy Rhoads Remembered". 72 pages.

Crazy Train
Dee
Goodbye To Romance
I Don't Know
Mr. Cowley
No Bone Movies
Revelation (Mother Earth)
Steal Away (The Night)
Suicide Solution

Price: €29,99
€29,99

SATRIANI JOE SATRIANI play it like it is GUITAR TABLATURE LIBRO SPARTITI CHITARRA

SATRIANI JOE, SATRIANI. TAB.

Series: Guitar Personality
Publisher: Cherry Lane Music
Artist: Joe Satriani

The matching songbook to the hot new album, including: (You're) My World - Luminous Flesh Giants and all the rest! Plus photos and a feature interview with Joe, detailing the evolution of the new album.
Authorised guitar edition of all 12 tracks from Satriani's eponymous seventh album. Arranged for advanced guitarists, with an introduction by HP Newquist of Guitar Magazine.

Cool #9
Down, Down, Down
Home
If
Killer Bee Bop
Look My Way
Luminous Flesh Giants
Moroccan Sunset
Sittin' Round
Slow Down Blues
S.M.F.
(You're) My World

123 pages

Price: €99,99
€99,99
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