MIKE STERN

MIKE STERN JAZZ NOTES TABLATURE DVD METODO CHITARRA SPARTITI

MIKE STERN, JAZZ NOTES. SHEET MUSIC BOOKLET WITH GUITAR TABLATURE. DVD

VIDEO METODO DI MUSICA JAZZ / ROCK / FUSION. 

LIBRO DI SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

DVD

Series: DVD

Publisher: Guitar Webinars

Format: DVD - TAB

Artist: Mike Stern

Jazz Notes is your opportunity to take a lesson from a true jazz master. Mike discusses his background, the learning process, the importance of chord tones and embellishments, tension tones and lots of melodic ideas for major, minor and dominant chords. Additional solos include dozens of lines for the II-V-I progression plus 13 choruses of a jazz-blues jam. All is transcribed in music and tablature in the PDF included on the disc. 1 hr., 7 min.

Run Time: 1:07:00

Price: €34,99
€34,99

STERN MIKE Guitar Styles & Techniques of a Jazz-Fusion Signature Licks CD TABLATURE SPARTITI

 

Mike Stern, A Step-By-Step Breakdown of the Guitar Styles & Techniques of a Jazz-Fusion Pioneer

Serie: Signature Licks Guitar

Formato: Softcover with CD - TABLATURE
Autore: Joe Charupakorn
Artista: Mike Stern

Scopri la magia di un asso di chitarra Mike Stern con l'edizione speciale di Assoli d'Autore che includono le interviste e le lezioni con Stern, informazini esclusive sull'attrezzatura, l'analisi approfondita di 14 titoli e in più un CD audio con tutti  gli esempi musicali del libro. Le canzoni sono: After You • Jigsaw • Like Someone in Love • One Liners • Play •Sunnyside • Swunk • There Is No Greater Love • Tipatina's • Wing and a Prayer • e altre.

Larghezza: 9.0"
Lunghezza: 12.0"
128 pagine

 

After Blood, Sweat & Tears, Stern returned to Boston and played with saxophonist

Jerry Bergonzi (who he met through his teacher, the late Charlie Banacos). He also took

over Bill Frisell's spot in trumpeter Tiger Okoshi's Tiger's Baku, a band that Frisell helped

put together. In 1979, Stern landed his next big gig, with drummer Billy Cobham. During

a gig with Cobham at the now-defunct Bottom Line in New York City, Miles Davis (at the

suggestion of saxophonist Bill Evans) came to check out Stern. He liked what he heard

and Stern got the ultra high-profile gig for Davis's 1981 comeback tour. It was a major

milestone in Stern's career, and one that catapulted him into jazz stardom.

Stern played on three Miles Davis albums: The Man With the Horn, which featured a

burning solo on the first cut "Fat Time" (named in Stern's honor for both his great timefeel

and his at-the-time, corpulent physique); We Want Miles, a great live album; and Star

People, which also featured guitarist John Scofield, who was recruited as a second guitarist

because of Stern's then drug and alcohol problem. Having gradually become unreliable,

Davis ultimately let Stern go, to sober up.

During this time, Stern reconnected with Jaco Pastorius, playing in his Word of Mouth

band. They also played together nonstop when Stern lived above 55 Grand Street, a New

York City jazz club they played at since its inception (not to be confused with the 55 Bar

on Christopher Street, where Stern currently plays twice a week when he's in town). Jaco

wound up crashing at Stern's pad and the two were inseparable, playing at all hours of

the day and blowing lines over changes. Alas, they were also doing "white lines" to the

point of losing control. Stern checked into rehab, and in 1985, the cleaned-up guitarist

rejoined the Miles Davis band. Pastorius, however, never cleaned up. The drugs and alcohol

had severely impacted his mental state and behavior for the worse, and in 1987, during

an altercation with a bouncer outside a nightclub in Florida, he was tragically beaten

to death.

Since his tenure with Miles Davis, Stern has gone on to perform and record with

Michael Brecker, the Brecker Brothers, Bob Berg (with whom he co-led the Mike Stern/

Bob Berg band), Jaco Pastorius's Word of Mouth band, Steps Ahead, David Sanborn, Joe

Henderson, George Coleman, Ron Carter, Jim Hall, and Pat Martino, among others.

Stern has also recorded numerous solo albums-the first being Neesh, in 1983, which

was recorded for Trio (a Japanese label), right after Stern first left Miles Davis's band. It

was recently re-released, but only in Japan (on Absord Music Japan). In 1986, Stern

signed a deal with Atlantic Records and recorded Upside Downside. This marked the

beginning of a 15-year association with Atlantic Records that spawned ten albums and

three Grammy nominations. In 2004, with the demise of the jazz department at Atlantic

Records, Stern recorded his first album for ESC Records, These Times (now available on

BHM Records). In 2006 Stern moved to Heads Up International Records for his release

Who Let the Cats Out?, which garnered Stern a fourth Grammy nomination. A live DVD,

Live-New Morning The Paris Concert was also released in 2006, by independent

German label, lnakustik. This DVD featured Richard Bona, Dennis Chambers, and Bob

Franceschini. In 2009, a sequel to Live-New Morning The Paris Concert was released

and features Tom Kennedy, Dave Weckl, and Bob Franceschini. Big Neighborhood,

Stern's most explosive guitar album to date, was also released in 2009 and featured virtuoso

guitarists Steve Vai and Eric Johnson, among others. Stern's earlier Atlantic recordings,

with the exception of Play and Voices (which are still available through Warner

Music), are now distributed by Wounded Bird Records, a CD-only re-issue label.

Despite Stern's enormous status as a world-renowned jazz-fusion guitar virtuoso, his

prodigious technical abilities (which he seamlessly combines with a heartfelt lyricism),

and his impressive history onstage with countless jazz legends, Stern is a humble and

grounded musician whose sole mission is to constantly grow as a player. "The more I

know, the less I know" is one of Stern's favorite quotes, and it is indicative of his approach

to music, as a neverending quest.

For this Signature Licks edition we have enlisted Mike Stern as a consultant. He offers

not only unique analytical and historical insight for each selection but also a special private

lesson, to help you understand the theory behind his burnin' lines. And indirectly,

large portions of the information in this book have been gathered over the years, during

my studies with Stem and om itnessing countless live shows.

 

ONE ON ONE WITH MIKE STERN

What was the first jazz solo that had an impact on you?

Well that's a hard question because my mom used to playa lot of jazz records so I always

heard jazz around the house. I started playing when I was 12, but I was 17 when I started

getting more into jazz. I guess it was something off a Miles Davis record. One of the

first records I used to scope was Herbie Hancock's Maiden Voyage. That was one of the

first albums that I checked out and tried to play along with. At the time, I was listening to

more blues, rock, and Motown, and playing along by ear.

When you played along with Maiden Voyage, were you soloing over it or were you

trying to play the actual parts?

I was doing a little bit of both-the actual parts and the solos.

Do you remember the first solo you transcribed?

Yeah, it was a Joe Pass solo. I picked a blues because it's an easy form and Joe's solo

had a lot of inside bebop. It was a medium swing, not a real fast tempo.

Did he playa lot of sixteenth notes in the solo?

He was playing a lot of eighth notes, just a lot of really cool bebop lines. Joe was a very

clear, inside player in a lot of ways. He didn't go outside the key too much, and it was very

clear what he did when he did go out, the way he outlined it. He was amazing like that.

There was a lot of bebop vocabulary; he used to play with Oscar Peterson. It took me

about three weeks to transcribe the solo. I had to slow the record player down, which

almost ruined the record. Finally I taped it and finished the rest. Later on I showed it to

some people and they said most of it was wrong [laughs]. But doing it myself was amazingly

helpful.

After you learned the solo did you take licks from it and use them in your own playing?

A little bit, and some of the phrasing, too. It's like when you read a book or short storyyou

don't memorize every word; you just take certain things away from it and then enough

of the remaining information goes unconsciously into your brain, or in the case of music,

into your ear. Over time, if you take from enough different solos from different people, you

don't sound like just one guy.

For a long time now, I've been more into copping piano and saxophone solos. But

when I was first transcribing, it was guitar because it was my own instrument-and that

was hard enough. But like I said, transcribing lines for myself was really helpful; I got a lot

more out of it that way than from reading it from a book.

Were you writing out the solos?

Yeah, I wrote them down. Then I'd read through it, not so much to cop licks but more like

reading a magazine or a short book, where you might remember a couple of phrases and

quote from it-you don't memorize every word. Some people go too far and memorize the

whole solo, but the idea is to learn how to phrase unconsciously and then twist it around

your own way, as a kind of springboard for your own ideas. That way you get a vocabulary

in a certain style; for instance, if you want to work on your bebop vocabulary, you do

a lot of bebop players. I did a bunch of guitar players at first-Joe Pass, Jim Hall, Wes

Montgomery, George Benson-and then I got into horn players.

INTRODUCTION
DISCOGRAPHY
THE RECORDING
ABOUT THE AUTHOR
MIKE STERN'S GEAR
ONE ON ONE WITH MIKE STERN
BOP 'N ROLL: A LESSONS WITH MIKE STERN

After You - Mike Stern - 1986
Jigsaw - Mike Stern - 1989
Like Someone In Love - Words: Johnny Burke, Music: Jimmy Van Heusen - 1944
Odds Or Evens - Mike Stern - 1991
One Liners - Mike Stern - 1997
Play - Mike Stern - 1999
Showbiz - Mike Stern - 1996
Sunnyside - Mike Stern - 1996
Swunk - Mike Stern - 1994
That's What You Think - Mike Stern - 1997
There Is No Greater Love - Words: Marty Symes, Music: Isham Jones - 1936
Tipatina's - Mike Stern - 1999
Upside Downside - Mike Stern - 1986
Wing And A Prayer - Mike Stern - 1996

Price: €29,99
€29,99

STERN MIKE ULTIMATE PLAY-ALONG FOR GUITAR BOOK & 2 CD TABLATURE CHITARRA SPARTITI METODO

STERN MIKE, ULTIMATE PLAY-ALONG FOR GUITAR. Basi complete, studio avanzato. 2 CD. TAB.

Ultimate Play-Along for Guitar
By Mike Stern with Askold Buk
SERIES: Ultimate Play-Along Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & 2 CDs

Ultimate Play-Along for Guitar has been developed so that the beginner to intermediate level guitarist can practice in different styles along with all-star musicians including Mike Stern on guitar, John Patitucci on bass and Dave Weckl on drums. This book and CDs package contains two CDs: the first disc contains seven complete rhythm tracks with the guitar melodies and solos, and the second CD contains the rhythm tracks minus the guitar. The book features complete transcriptions of all of Mike Stern's guitar parts and solos, as well as tear-out "roadmap" charts for each tune.

Price: €32,99
€32,99

STERN MIKE ORIGINAL SCORES LIBRO TABLATURE MARK EGAN CHITARRA BASSO BATTERIA AFTER YOU

STERN MIKE, ORIGINAL SCORES. After you (con Mark Egan al basso) -another way around -chromazone -jigsaw -loose ends -mood swings (con Jaco) -time in place -upside downside (con Mark Egan al basso). Per chitarra Tab., basso Tab., batteria. 131 Pagine. SCORE TAB.

Price: €99,99
€99,99

STERN MIKE, GUITAR INSTRUCTIONAL. TABLATURE DVD

STERN MIKE, GUITAR INSTRUCTIONAL. Featuring LIVE PERFORMANCES at the 55 Bar on New York City. TAB. DVD

Practice routine, picking harmonics.
Running time: 1hr. 6 min.

Grammy-nominated jazz guitarist Mike Stern has been in the public eye (and ears) since he was a member of the Miles Davis Band in the early '80s. His prolific performances and recordings have earned him recognition as one of the best and most popular contemporary guitarists today. This, his first instructional DVD, includes four live performances by Mike and his band at the 55 Bar in New York City, the historical club in which Mike has played for over 15 years, accompanied by many great musicians, including Jaco Pastorius. Additionally, in an exclusive interview with New York-based jazz guitarist Satoshi Inoue, Stern offers his own analysis and explanation of each tune. The songs a blues, a standard, a ballad, and a funk tune were carefully selected by Mike himself in order to demonstrate every aspect of his guitar performance and techniques. He also gives insight into his background, influences and practice routines, and provides a thorough review of his gear configurations. Everything you need to know about this versatile guitar master! Includes lesson sheets. 1 hour, 6 minutes. Song: I Love You.

Price: €33,00
€33,00

STERN MIKE THE BEST OF Guitar Recorded Version TABLATURE LIBRO SPARTITI CHITARRA ACCORDI

STERN MIKE, THE BEST OF. 184 Pagine. TABLATURE

The Best of Mike Stern
Series: Guitar Recorded Version TAB
Artist: Mike Stern

17 guitar transcriptions with tab from this jazz guitarist who got his start playing with Miles Davis in the '80s. Includes: Chromozone • Little Shoes • Mood Swings • Nardis • Sunnyside • There Is No Greater Love • Wing and a Prayer • and more.

Music Transcriptions by Pete Billmann, Jeff Jacobson, Paul Pappas
Cover Photo by George Lange

Inventory #HL 00690655
ISBN: 9780634068003
UPC: 073999888966
Width: 9.0"
Length: 12.0"
184 pages

One of the premier guitarists of his generation, the three-time Grammy nominee was born
on January 10, 1953 in Boston. After growing up in Washington D.C., he returned to Boston
to study at the Berklee College of Music and got his start as a guitar player with Blood,
Sweat & Tears at the age of 22. Following a stint with Billy Cobham's powerhouse fusion
band from 1979-1980, Mike moved to New York City and was recruited by Miles Davis and
played a key role in his celebrated comeback band of 1981 (which also included bassist
Marcus Miller, drummer AI Foster, percussionist Mino Cinelu and saxophonist Bill Evans).
During his three-year period with Miles, Mike appeared on three recordings with the jazz
maestro - Man with the Horn, Star People and the live We Want Miles. From 1983 to 1984,
he toured with Jaco Pastorius' Word of Mouth band and in 1985 returned to Miles' lineup
for a second tour of duty that lasted close to a year.
In the summer of 1986, Stern went out on the road with David Sanborn and later joined an
electrified edition of Steps Ahead which featured Mike Mainieri on midi vibes, Michael
Brecker on the Electronic Wind Instrument (EWI), Darryl Jones on electric bass and Steve
Smith on drums. Stern made his first recording as a leader for the Japanese Trio label
(1985's Neesh) before making his debut on Atlantic Records in 1986 with Upside Downside,
featuring such celebrated colleagues as Sanborn, Pastorius, saxophonist Bob Berg,
bassists Mark Egan and Jeff Andrews, keyboardist Mitch Forman and drummers Dave
Weckl and Steve Jordan. From 1986 through 1988, Mike was a member of Michael
Brecker's potent quintet, appearing on Don't Try This at Home. Stern's second Atlantic
album, 1988's Time in Place, continued the promise of his debut. He followed that in succession
with 1989's Jigsawand 1991's Odds or Evens, both of which ably showcased his
legendary guitar prowess and musicality. During this period he also formed a touring group
with saxophonist Berg that included drummer Dennis Chambers and bassist Lincoln
Goines. They remained a working unit from 1989 to 1992, at which point Stern joined a
reunited Brecker Brothers Band, appearing on 1992's Return of the Brecker Brothers. (Other
notable sideman credits include work with the late, great tenor saxophonist Joe Henderson
and the recent live recording 4 Generations of Miles, in which the guitarist joins with other
Miles Davis alumni George Coleman on tenor sax, Jimmy Cobb on drums and Ron Carter
on bass).
Mike's acclaimed 1993 Atlantic Jazz release, Standards (And Other Songs), led to him being
named Best Jazz Guitarist of the Year by the readers and critics of Guitar Player magazine.
He followed that up with two hard-hitting offerings in 1994's Is What It Is and 1996's
Between the Lines, both of which received Grammy nominations. In 1997, Stern recorded
Give and Take with bassist John Patitucci, drummer Jack DeJohnette, percussionist Don
Alias and special guests Michael Brecker and David Sanborn. Their freewheeling covers of
Sonny Rollins' "Oleo," John Coltrane's "Giant Steps:' Cole Porter's "I Love You" and Jimi
Hendrix's "Who Knows" helped Mike earn the Orville W. Gibson Award for Best Jazz
Guitarist that year. Stern's ninth release for Atlantic was a six-string summit meeting with
colleagues Bill Frisell and John Scofield that was appropriately titled Play. 2001's Voices,
his first foray into vocal music, earned Mike his third Grammy nomination. And now he ups
the ante with These Times. Stern's 12th release as a leader and debut on BHM Productions
stands as one of the best.


Chromozone
Jigsaw
Like Someone In Love
Little Shoes
Mood Swings
Nardis
Odds Or Evens
Play
Sunnyside
Swunk
That's What You Think
There Is No Greater Love
Time In Place
Tipatina's
Upside Downside
What I Meant To Say
Wing And A Prayer

Price: €26,99
€26,99
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