TRASCRIZIONE

FOGERTY JOHN, BLUE MOON SWAMP. TAB.

Series: Guitar Recorded Version TAB
Artist: John Fogerty

Twelve songs from Fogerty's acclaimed new album: 96 pages

Table of contents:
Bad Bad Boy
Blue Moon Nights
Blueboy
Bring It Down To Jelly Roll
Hot Rod Heart
A Hundred And Ten In The Shade
Joy Of My Life
Rambunctious Boy
Rattlesnake Highway
Southern Streamline
Swamp River Days
Walking In A Hurricane

FOO FIGHTERS, THERE IS NOTHING LEFT TO LOSE. TAB.

Series: Guitar Recorded Version TAB
Artist: Foo Fighters
This folio features note-for-note transcriptions for all 11 songs from the Foos' stripped down, hard rocking, critically acclaimed '99 release, including the smash hit single, Includes photos of the band.

Ain't It The Life
Aurora
Breakout
Generator
Gimme Stitches
Headwires
Learn To Fly
Live-In Skin
M.I.A.
Next Year
Stacked Actors

80 pages

FOO FIGHTERS, THERE IS NOTHING LEFT TO LOSE. SCORE TAB.

FORD ROBBEN, BLUES GUITAR COLLECTION. 10 Titoli dagli album: "the blue line" e "mystic mile". The brother (for jimmie and steve) -busted up -he don't play nothin' but the blues -life song (one for annie) -misdirected blues -the plunge -prison of love -start it up -trying to do the right thing -you cut me to the bone. TAB.

FORD ROBBEN, THE BLUES AND BEYOND. E' Ford in persona che parla e con la sua chitarra ci fa ascoltare le sue note. Contiene: PART I: -rhunba blues transcription -chord usage -scale usage -trasposing scale -comparing the three scales -focusing on the D7 (V) chord -comping examples. PART II: -reveletion transcription -chord for revelation -the B7 -change -the bridge -the chorus -tying it all together. PART III: -diminisched scale usage. PART IV -I ain't got nothing' but the blues lead sheet -chord voicing -the D altered scale -the G harmonic and melodic minor scale -the bridge. PART V: -miles groove transcription -the changes -final version. CD TABLATURE

CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

This book begins with basic blues concepts such as the pentatonic, mixolydian and blues scales and builds on them, progressively incorporating more sophisticated scales and chord voicings. With lots of transcriptions and music examples, the book moves from basic 12-bar blues through gospel, jazz and modal feels.