Warner Bros.

SIGHT TO SOUND guide reading LEON WHITE CHITARRA LIBRO SPARTITI LETTURA SOLFEGGIO METODO

SIGHT TO SOUND, A guide to reading for the studio. LEON WHITE

 

LIBRO DI MUSICA, METODO, SOLFEGGIO, LETTURA PER CHITARRA. PENTAGRAMMA.

Description:

This method covers two main components of playing - sound and time. In the section on sound you learn to locate pitches on the guitar and on paper. Basic definitions, derivations of scales and position playing are all covered. The section on time focuses on definitions of beat, pulse and rhythm. Note values are carefully derived and time signatures explained without the vague 'common time' concept.
All basic concepts are taught through single line playing. Other methods demand that the student become fluent at chord reading before being exposed to difficult rhythmic figures. The ominous appearance of block chords often discourages the student from progressing rhythmically. He fumbles with the chords and confuses the rhythm. Soon the simplest solo line has become an incredible challenge. It is for this reason that we have placed block chord reading at the end of this learning programme.

Prezzo: €34,99
€34,99

CAKE, THE BEST OF. Authentic Guitar TAB TABLATURE

CAKE, THE BEST OF. TABLATURE

The Best of Cake
Cake

ITEM: 00-28973
UPC: 038081315089
ISBN 10: 0739049488
ISBN 13: 9780739049488

CATEGORY: Guitar Personality
VERSION: Authentic Guitar TAB
FORMAT: Book

Learn the best songs ever released from popular alternative rock band Cake. Compiled from all six of Cake’s albums, this 17-song collection is a must-have for guitarists. Songs include lyrics and authentic guitar TAB.

TItles:

- Arco Arena

- The Distance

- Guitar

- I Will Survive

- Jolene

- Love You Madly

- Mahna Mahna

- Never There

- No Phones

- Rock ‘N’ Roll Lifestyle

- Satan Is My Motor

- Shadow Stabbing

- Sheep Go to Heaven

- Short Skirt/Long Jacket * Stickshifts and Safetybelts

- War Pigs- Black Sabbath

- Wheels

Prezzo: €22,99
€22,99

YOUNG NEIL, PRAIRIE WIND guitar TAB edition TABLATURE Emmylou Harris-FAR FROM HOME-THIS OLD GUITAR-NO WONDER

NEIL YOUNG, PRAIRIE WIND. TABLATURE

CATEGORY: Guitar Personality
VERSION: Guitar Songbook Edition
FORMAT: Book

Ospite speciale la vocalist Emmylou Harris in "FAR FROM HOME", "THIS OLD GUITAR", "NO WONDER"

 

The album-matching folio for Neil Young's latest release Prairie Wind

Prairie Wind was written and recorded in 2005, while Neil Young was being treated for a potentially fatal brain aneurysm. He recorded eight of the songs prior to his surgery for the aneurysm, and two following is surgery, as he recovered.Prairie Wind has been described as a very personal record, stylistically similar to Neil Young's classic records Harvest and Harvest Moon

Includes the Following Selection:
Titolo, Compositore

FALLING OFF THE FACE OF THE EARTH, parole e musica di NEIL YOUNG,
FAR FROM HOME, parole e musica di NEIL YOUNG
HE WAS THE KING, parole e musica di NEIL YOUNG

HERE FOR YOU, parole e musica di NEIL YG
IT'S A DREAM, parole e musica di NEIL YOUNG

NO WONDER, parole e musica di NEIL YOUNG
PRAIRIE WIND, parole e musica di NEIL YOUNG
THE PAINTER, parole e musica di NEIL YOUNG
THIS OLD GUITAR, parole e musica di NEIL YOUNG
WHEN GOD MADE ME, parole e musica di NEIL YOUNG

Prezzo: €99,99
€99,99

GUITAR SOLO JAZZ STANDARDS Silverman TABLATURE SPARTITI LIBRO CHITARRA

GUITAR SOLO JAZZ STANDARDS. Silverman. TABLATURE

LIBRO DI SPARTITI PER CHITARRA IN NOTAZIONE E TABLATURE. 

Guitar Solo Jazz Standards
Arr. Jerry Silverman and Gregory Coleman
SERIES: Guitar Solo
CATEGORY: Guitar Mixed Folio
FORMAT: Book
Nineteen classic jazz standards in beautiful and playable solo guitar arrangements. 82 Pages.Titles include:

Ain't She Sweet
Bess, You Is My Woman
Body And Soul
The Boulevard Of Broken Dreams
Don't Get Around Much Anymore
Emily
Fascinating Rhythm
In A Mellow Tone
In A Sentimental Mood
It Don't Mean A Thing (If It Ain't Got That Swing)
Li'l Darlin'
Mood Indigo
The More I See You
Mood Indigo
The More I See You
'Round Midnight
Skylark
Solitude
Sophisticated Lady
Take Five
Stardust

Prezzo: €19,99
€19,99

ELLINGTON DUKE GREAT JAZZ STANDARDS LIBRO CD TABLATURE CHITARRA CARAVAN-SATIN DOLL-SOLITUDE

ELLINGTON DUKE, GREAT JAZZ STANDARDS, FRED SOKOLOW. CD TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON CD E TABLATURE. 

Caravan -do nothin' till you hear from me -don't get around much anymore -I got it bad (and that ain't good) -In a sentimental mood -it don't mean a thing (if it ain't got that swing) -moon indigo -prelude to a kiss -satin doll -solitude -sophisticated lady. CD TABLATURE

Great Jazz Standards of Duke Ellington
Duke Ellington / arr. Fred Sokolow

SERIES: Jazz Masters Series
CATEGORY: Guitar Personality
FORMAT: Book & CD

Solid, clear, and accessible solo arrangements for eleven memorable jazz standards. Every song is presented with the guitar part, written in standard notation and tablature, combined with the lead sheet for analysis. All arrangements are demonstrated on the included CD. Titles are:

Includes the Following Selections:
Title Composer
CARAVAN - IRVING MILLS, DUKE ELLINGTON, JUAN TIZOL
DO NOTHIN' TILL YOU HEAR FROM ME - DUKE ELLINGTON; BOB RUSSELL
DON'T GET AROUND MUCH ANYMORE - ELLINGTON DUKE/L: RUSSELL, BOB
I GOT IT BAD {PRINT (C) - DUKE ELLINGTON; PAUL WEBSTER
IN A SENTIMENTAL MOOD (PRINT ONLY) - DUKE ELLINGTON , I. MILLS & M. KURTZ
IT DON'T MEAN A THING (IF IT AIN'T GOT THAT SWING) - ELLINGTON DUKE/L: MILLS, IRVING
MOOD INDIGO - ELLINGTON DUKE/MILLS, IRVING/BIGARD, ALBANY
PRELUDE TO A KISS (PRINT (C) - DUKE ELLINGTON, I MILLS, I GORDON
SATIN DOLL (INSTRUMENTAL) - STRAYHORN, BILLY/ELLINGTON, DUKE
SOLITUDE - ELLINGTON DUKE/L: DELANGE, EDDIE/L: MILLS, IRVING
SOPHISTICATED LADY {PRINT (C) - DUKE ELLINGTON, I. MILLS, M. PARISH

SERIES: Jazz Masters Series
CATEGORY: Guitar Personality
FORMAT: Book & CD

Solid, clear, and accessible solo arrangements for eleven memorable jazz standards. Every song is presented with the guitar part, written in standard notation and tablature, combined with the lead sheet for analysis. All arrangements are demonstrated on the included CD.

Prezzo: €29,99
€29,99

GERHARD ED THE GUITAR SONGBOOK Acoustic Masterclass CD TABLATURE LIBRO SPARTITI CHITARRA

GERHARD ED, THE GUITAR SONGBOOK. Blue highway -crow -duet -farther along -homage -promised land -shallow brown -si bhig si mhor -the water is wide -wild mountain thyme. CD TABLATURE

Acoustic Masterclass Series: Ed Gerhard The Guitar Songbook
By Ed Gerhard

SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
VERSION: Guitar TAB
FORMAT: Book & CD

Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement.

Ten of Ed Gerhard's most beautiful solo guitar pieces transcribed in full notation and tablature. On the accompanying master class-style CD, Ed carefully describes and demonstrates all the key passages for each song. Titles are:

Big thanks to Aaron Stang for his interest in this project, Mark Herndon for his great work with the transcriptions, and Chief Noda for his invaluable help and friendship throughout the years. Thanks to all of my friends and listeners around the world who have honored me with their attention and encouragement. Very special thanks and love to Kelli Bertram. Introduction I grew up listening to the world around me; for some reason, just the phenomenon of sound itself was enormously entertaining to me as a kid. It didn't even matter what kind of sound it was. Music, animals, machines, and voices-all held equal intrigue for me. When, at the age of ten, I first heard Segovia, watching him in the grainy flicker of a little black-and-white TV, I knew that this sound was different. I had never heard a guitar played alone before, and the sound that came out of that instrument changed me profoundly. Even at the age of ten I knew it. It wasn't until I was 14 that my Dad finally gave in and got me a guitar. My life was changed again the moment I put my hand on it. That was in 1970, when the accepted method for learning the guitar was to go to the local music store and learn to read music, play one string at a time, and generally struggle to play the uncoolest music ever. Where was the payoff? How far down the line would I get to enjoy the guitar? I lasted for about three lessons. I began teaching myself, learning from friends, and immersing myself in any music that had an acoustic guitar in it. I slowed down records to help figure out the hard parts. I fell in love with blues and wore out at least two copies of Mississippi John Hurt's Today! Within months I was making up pieces, experimenting with altered tunings, and playing slide. My appreciation for the guitar fueled my interest in all kinds of music, and I listened to everything from Blind Willie Johnson to Joseph Spence to Shostakovich to Debussy to Miles Davis. 

General technical notes:

Weissnborn and Lap-style playing

Lap-style intruments

Slides, steel and bars

General playing

Vibrato

1993 - Blue Highway - ED GERHARD 

1987 - Crow - ED GERHARD

1999 - Duet - ED GERHARD 

2001 - Farther Along - ED GERHARD 

1999 - Homage - ED GERHARD

2001 - Promised Land - ED GERHARD

1999 - Shallow Brown - TRADITIONAL

1999 - Si Bhig, Si Mhor - TRADITIONAL

1996 - The Water Is Wide - TRADITIONAL

1996 - Wild Mountain Thyme - TRADITIONAL

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€29,99

FORD ROBBEN PLAYIN' THE BLUES TABLATURE DVD VIBRATO-STRING BENDING-G7 CHORD-12-BAR BLUES

FORD ROBBEN, PLAYIN' THE BLUES. TABLATURE DVD

DVD DI MUSICA, LEZIONE PER CHITARRA CON TABLATURE. 

Opening, scales for blues soloing (solo over a G7 vamp, solo Gm pentatonic with added 6th, blues solo in Bb), fingerings, vibrato, string bending, 12-bar blues solo, right-hand technique, slo-mo blues, chords and comping, using 6ths over a C7 chord. Performance: you cut me to the bone -start it up. Interview with Robben, getting a good sound. Running time: 60 mins. Booklet 30 pages.

CATEGORY: Guitar DVD
FORMAT: DVD
You will quickly learn Robben's favorite blues scales and phrases. He also reveals his unique fingerings for string bending and vibrato. Included are chord voicings, rhythm guitar ideas, and some great 12-bar solos featuring many of Robben's classic blues guitar phrases. DVD special features include additional video performances, an interview with Robben, and getting a good sound.
Robben reveals his advanced concepts for improvising and comping. He demonstrates how he plays over chord changes including altered and chord substitutions. He also discusses phrasing and playing "outside" using pentatonic, diminished and melodic minor scales. DVD special features include additional video performances and guitar and stage setup.

Prezzo: €39,99
€39,99

COLLINS ALBERT GUITAR TABLATURE DVD LEZIONE CHITARRA BLUES Iceman-Put the Shoe on the Other-

COLLINS ALBERT. TABLATURE DVD

DVD DIDATTICO PER CHITARRISTI, CON LIBRETTO E TABLATURE, 


Albert Collins, one of the true legends of blues guitar, discusses his tuning, use of the capo, and his influences, as well as doing some great "down home" playing. You'll learn many of Albert's licks, his unique rhythms, and his use of the thumb and fingers to achieve those soulful and funky sounds.
Then, sit back anjoy albert doing what he does best - playng live at Hollywood's Musicians Institute. 
 

 

 

100 min.

- Iceman
- Mr. Collins
- Put the Shoe on the Other 

Prezzo: €35,00
€35,00

THE PROGRESSIVE GUITARIST PRACTICAL THEORY Latarski LIBRO CD TABLATURE METODO MUSICA

THE PROGRESSIVE GUITARIST PRACTICAL THEORY. Latarski. LIBRO CD TABLATURE

LIBRO DI MUSICA CON CD. METODO DI ARMONIA PER CHITARRA. SPARTITI, ACCORDI, PENTAGRAMMA, DISEGNO DELLA TASTIERA CON GLI INTERVALLI, TABLATURE. 

Practical Theory for Guitar
By Don Latarski
ITEM: 00-F3339GTXCD
UPC: 029156059700
ISBN 10: 0898986923
ISBN 13: 9780898986921
SERIES: The Progressive Guitarist Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

--------------------------------------------------------------------------------
A guitar player's guide to music theory. This book is a complete theory course with recorded examples that put everything in an applicable, musical context. The recording includes all the musical examples and play-along tracks.

Prezzo: €34,99
€34,99

GUITAR SECRETS HARMONIC MINOR REVEALED DON MOCK CD TABLATURE CHITARRA LIBRO METODO

GUITAR SECRETS: HARMONIC MINOR REVEALED. by Don Mock. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO METODO DI MUSICA CON CD. 

SPARTITI PER CHITARRA CON : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Guitar Secrets: Harmonic Minor Revealed

By Don Mock
Item: 00-0055B
UPC: 029156658286
ISBN 10: 076920029X
ISBN 13: 9780769200293

Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar

Legendary guitarist and educator Don Mock exposes the closely-guarded "secret" soloing techniques of jazz and rock giants, revealing easy ways to create ultra-cool sounding lines and patterns by substituting simple harmonic minor patterns over dominant 7th chords. These book/CD packages each contain over 60 music examples, lines, licks and patterns. All music is written in standard notation and tablature. 

 

MOCK REVEALS

 

SECRETS OF THE THE MASTERS !

FAMED GIT INSTRUCTOR EXPOSES TRICKS OF THE TRADE

 

Legendary guitarist and educator Don Mock exposesthe closely guarded "secret" soloing techniques of jazz and rock giants, revealing easy ways to create ultra-cool sounding lines and patterns by substituting simple harmonic minor patterns over dominant 7th chords.

Containing over 60 music examples, lines, licks and patterns, this book/CD package approaches the potentially complex topics of soloing and scale substitution from a player's perspective; immediately presenting useful lines and patterns that you can use now. All music is written in standard notation and tablature and all the music examples are contained on the included CD.

• New Sounds! New Ideas!

• Over 60 lines, licks and music examples!

• Learn soloing and scale, substitution from a player's perspedive!

• CD included!

• Standard notation and tablayure!

"I DID IT FOR THEMONEY" MOCK ADMITS

 

ISBN 0-7692-0029-X

9 780769 200293

WARNER BROS. PUBLICATIOS

15800 Avenue Miami

Coming Soon by Don Mock: Guitar Secrets/ Melodic Minor Revealed

 

Foreword

Learning how to play and use scales has always been a large part of every guitar player's practice schedule. Players have spent countless hours practicing scales up and down all over the guitar, sometimes with great success and sometimes with frustration as the end result.

Those of you that know me from my books and videos, or years at the Guitar Institute of Technology (GIT), know I've been involved in guitar education for a long time. I've seen hundreds of students struggle with the same problems that I faced when going through the process of learning how to play and use scales. After many years of experience, both playing and teaching, I've become a big believer in cutting through the B.S.in learning, and getting to the point of it all, which is playing music.

The presentation and ideas in this book are definitely from a "player's" perspective. We're not going to get too in-depth into the history and "classical theory" of the harmonic minor scale. We'll focus more on its uses in contemporary styles like rock, jazz and fusion. Don't get me wrong; there will be no shortcuts here when it comes to modern music theory. As far as I'm concerned, all guitar players must have a good working knowledge of harmony and theory and the ability to read music, even if it's only simple chord charts.

Three Steps to Success Learning to improvise can be thought of as a three step process. The first step istypically the learning of scales. Using either the "key center" approach or the "modal" approach, students should learn at least a few useful fingerings of the major scale and be able to play them in all keys. Also, in this first step, players need to learn about harmony and theory to help them understand which scale fits over which chord. Armed with some theory knowledge, students can immediately begin playing over even difficult chord changes by simply switching to the "correct" scale or key center for the given chord.

Most players, after a period of time, will begin to find this first step limiting. They may say that they can't seem to make their solos sound like the chords, that they sound too "scaler." Moving on to step two, we introduce arpeggios as a tool to create chord sounds. Mixing arpeggios with our scales starts making our solos more harmonically intelligent.

Step three isthe "final frontier" of improvising, as we now start really learning music. So far, we've been using scales and arpeggios, but may not have been able to make our solos sound melodic. Now it's time to learn melodies. Most of us need to learn a repertoire of melodic lines to use when we improvise. Almost every one of our favorite players have, at one time or another, learned lines by copying recordings or transcriptions. I've met many student who tell me they don't want to sound like anyone else and feel they shouldn't copy other players.

They soon realize that the road to "originality" goes through the land of copying licks, phrasing and concepts used by favorite players. Eventually, these "influences" merge together into your own original style.

One last thing. A common misconception about improvising isthe phrase: "Playing what you hear." Many players say they do this, leading students to think that they simply make music up on the spot. What they are really saying they are doing is "playing what they know."

Improvising isthe spontaneous performance of ideas that come to you in the midst of soloing. You may not know ahead of time what you are going to play, but armed with scales, arpeggios, melodic ideas and theoretical concepts, you can playa creative and spontaneous improvised solo.

 

Unit 7: Using Harmonic Minor Arpeggios

How to use arpeggios when improvising can be a pretty big subject. Generally speaking, arpeggios are used to create chordal sounds (one note at a time) and add more melodic variety to musical lines. They're great for breaking up scales and for moving from one register to another. There are basically two approaches to choosing which arpeggio to use at a given time. The first isto use the arpeggio of the chord. For example, if the chord is C7, you simply playa C7 arpeggio; or if the chord isCm 11, use a Cm 11 arpeggio, etc. Thisapproach requires that you know an arpeggio for every chord. Think about how much work that could be. Not a very practical way to go. The other approach only requires that you know triad and seventh chord arpeggios.

The trade off isyou need to became a wizard at chord substitution. By superimposing various arpeggios over the basic chord you can create just about every chord sound imaginable. A quick example, that you may already know, is playing a Cmaj7 arpeggio over an Am7 chord. By doing this, you end up creating the sound of Am9 without actually playing an Am9 arpeggio. Thisconcept can be taken a long way allowing you some very sophisticated harmonic possibilities.

There are many ways to use the arpeggios of the harmonic minor scale. One approach isto think of all seven of the arpeggios as four-note "clusters of sound" that can be used anytime the scale can be used. For example, if you are playing over an E7, resolving to Am, experiment with superimposing all the arpeggios from A harmonic minor over the E7.The trick to this isyou need to be able to phrase the arpeggios in a way that still communicates to your listener the "sound" of E7. With practice, this can be a powerful way to create layers of harmonic minor sounds.

But, before we go crazy, randomly playing a bunch of arpeggios, let's first take a look at the chord sounds that are the result of playing the seven arpeggios over a dominant chord.

An important thing to remember isthat not all dominant 7th chords that we come across in tunes are V7 chords in a minor key. In fact, most dominant 7th chords we deal with are actually in major keys. The harmonic minor scale may not be the best choice in these situations (but feel free to experiment). Harmonic minor sounds best when played over a 7th chord resolving to a minor. The scale has a tendency to "lead" your listener signaling that a minor chord isto follow.

The following list shows the result of superimposing each of the seven arpeggios derived from the harmonic minor scale over a dominant chord. You will find that some sound stronger than others, but by connecting them together and mixing them with the scale, you'll eventually be able to use all seven easily.

 

Arpeggio Resulting Sound

Am(maj7) E7(#5,11)

Bm7 (b5) E7(b9,11)

Cmaj7(#5) E7(#5)

Dm7 E7(#5, b9, 11)

E7 E7

Fmaj7 E7(#5, b9,11)

G#dim7 E7(b9)

 

Here are a few useful arpeggio sequences that will help reinforce the two master arpeggio positions. Although I've indicated the name of each arpeggio, these lines are meant to be "thought of" as dominant (all A7).

 

Guitar Secrets - Harmonic Minor Revealed

Contents:

 

Unit 1: Harmonic Minor Scale History

Examples 1A - D

Examples 2 - 3

 

Unit 2: Fingerings of the Harmonic Minor Scale.

Example 4

 

Unit 3: How to learn and Practice the Scale

Examples 5A - D

 

Unit 4: Transposing the Scale to Other Keys.

Examples 6A - C .

Example 7 .

 

Unit 5: The Harmonic Minor Scale Harmony .

Examples 8A - B

 

Unit 6: Arpeggios From Harmonic Minor .

Examples 9A - G

Examples 10A - G .

 

Unit 7: Using Harmonic Minor Arpeggios.

Examples 11A - C ".

 

Unit 8: The Minor II - V - I ,

Examples 12A - F ,

 

Unit 9: Harmonic Minor in a Blues?

Example 13 .

 

Unit 10: The IV and VI Chords in Harmonic Minor

Example 14 .

 

Unit 11: The Diminished 7th Chord in Harmonic Minor .

Example 15

 

Unit 12: Static and Functioning Dominant 7ths .

Examples 16 - 17 .

Example 18

 

Unit 13:The Classic Use of the I Chord in Harmonic Minor,

Example 19

 

Unit 14: Some Special "Thinking" Tricks.

Examples 20A - D .

Examples 21A - B

 

Unit 15: Horizontal Harmonic Minor Scale Fingerings

Examples 22A - B

Examples 23A - D

Examples 24A - B

 

Unit 16: The licks .

Examples 25 - 26

Examples 27 - 29

Examples 30 - 31

Examples 32 - 33  

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