CENTERSTREAM

GUITAR HARMONY FOR THE ROCK GUITARIST DAVID BREWSTER CD TABLATURE CHITARRA LIBRO ARMONIA

GUITAR HARMONY FOR THE ROCK GUITARIST, DAVID BREWSTER. CD TAB.

SHEET MUSIC BOOK & CD WITH GUITAR TABLATURE. 

 

LIBRO DI TEORIA MUSICALE CON CD.

CD ONLINE. 

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

 

 

Series: Guitar

Publisher: Centerstream Publications

Format: Softcover Audio Online

Author: David Brewster

 

Finally, a book has arrived that will reveal the mysteries surrounding harmony guitar parts, and the interesting harmonized sounds that are waiting for you to explore. In this book, you'll learn the construction and application of intervals, general rules of harmony, and various harmonization techniques, featuring countless examples and harmonized approaches.

 

In addition to these examples and exercises, you'll find several popular harmonized song excerpts and examples, which will give you a great reference to undersand what you're learning as you move through this book, and how you can apply these ideas to your own music with ease. The online audio that accompanies this book features every example (82), and will help you hear the various and different approaches for harmonizing multiple guitar parts. This is a book for every guitar player!

 

Inventory #HL 00174544

ISBN: 9781574243321

UPC: 888680630720

Width: 9.0"

Length: 12.0"

56 pages

Prezzo: €23,99
€23,99

C.F. MARTIN & HIS GUITARS 1796-1873 Philip F. Gura LIBRO CHITARRE ACUSTICHE Centerstream

C.F. MARTIN & HIS GUITARS 1796-1873

LIBRO ILLUSTRATO CHITARRE ACUSTICHE MARTIN

Series: Reference
Publisher: Centerstream Publications
Format: Softcover
Author: Philip F. Gura

The Martin is considered the finest acoustic guitar in the world, a distinction it has held for more that 160 years. Martin guitars have been played by performers Eric Clapton, Stephen Stills, Judy Collins, and Johnny Cash, as well as hundreds of thousands of other professional and amateur musicians. In C.F. Martin and His Guitars, 1796-1873, Philip Gura chronicles the career of Christian Frederick Martin from his humble start as an importer and repairman of musical instruments in New York City in the 1830s through his move to Nazareth, Pennsylvania, and the founding of C.F. Martin & Company. Gura is the first historian to thoroughly study the Martin company records dating back to the 1830s: Letters, account books, inventories, and other documents. Using this rich archive, Gura establishes how a German immigrant from Saxony's guild tradition became the finest American guitar maker of his time and created a uniquely American business that successfully eclipsed its competition.

As Gura shows, Martin's success was based on his successful navigation of the rapid economic expansion and industrialization of his time. The many sketches and hundreds of photographs illustrate how Martin adapted his artisanal craft to modern industrial methods, maintaining quality while meeting increased demand for instruments. Gura traces the network of suppliers who provided Martin with his raw materials and explores the advertising and other methods Martin employed to build a market for his goods. After Martin's death in 1873, the company continued to grow. It thrives today under the leadership of a sixth-generation Martin, producing instruments that are still the most sought after and collectable in the world. Includes an 80-page color section!

252 pages

Endorsements
“Philip Gura's research about the life and times of my great-great-great-grandfather Christian Frederick Martin Sr. provides an incredibly valuable addition to the understanding of our company and family archives. No one before has taken the time to unravel his amazing story with such fastidious detail. Cheers to Mr. Gura for his valiant efforts.” – C.F. Martin IV Chairman and CEO, C. F. Martin & Co.
“Until now C.F. Martin has been a legendary figure about whom we knew little. Philip Gura's book gives all who love Martin guitars what they never have had, a detailed portrait of the founder of the world's most famous guitar company. C.F. Martin and His Guitars is a wonderful book for anyone interested in the guitar and its history.” – Stephen Stills
C.F. Martin and His Guitars is a fascinating and high resolution snapshot of C.F. Martin the man and C.F. Martin the company. In a much greater sense, the book capturers the flavor and essence of American life in the mid-1800's – a time of tremendous integrity and change. For Martin guitar aficionados as well as students of American culture, this book is a vital link. – Dick Boak, Artist Relations and Limited Editions, C.F. Martin & Co.

Prezzo: €37,99
€37,99

FENDER PRECISION BASSES 1951-1954 Detlef Schmidt LIBRO HAL LEONARD CENTERSTREAM-BASSO ELETTRICO

FENDER PRECISION BASSES 1951-1954. Detlef Schmidt

LIBRO ILLUSTRATO SUL FAMOSO MODELLO DI BASSO ELETTRICO FENDER . 

160 PAGINE, FOTOGRAFIE A COLORI

Series: Guitar

Publisher: Centerstream Publications
Format: Hardcover
Author: Detlef Schmidt

Introduced in 1951, the Fender Precision Bass is the precursor of all modern electric basses. This book takes a look at the history of the “slab body basses” and the most famous players. In addition to many historical photos, the full color book lists many basses with beautiful pictures, detail shots, and anecdotes. This book is a must-have for every bass player and enthusiast or collector.
162 pages

Prezzo: €35,99
€35,99

HAWAIIAN STEEL GUITAR-Lorene Ruymar-LIBRO CHITARRA HAWAII TECNICA ACCORDATURE MUSICA

HAWAIIAN STEEL GUITAR. Lorene Ruymar.

LIBRO ILLUSTRATO SULLA STEEL GUITAR DALLE ORIGINI AD OGGI.

Series: Fretted
Publisher: Centerstream Publications
Format: Softcover
Author : Lorene Ruymar

The term "steel guitar" can refer to instruments with multiple tunings, 6 to 14 strings, and even multiple fretboards. To add even more confusion, the term "Hawaiian guitar" refers to an instrument played flat on the lap with a steel bar outside of Hawaii, but in Hawaii, it is the early term for the slack key guitar. Lorene Ruymar clears up the confusion in her new book that takes a look at Hawaiian music; the origin of the steel guitar and its spread throughout the world; Hawaiian playing styles, techniques and tunings; and more. Includes hundreds of photos, a foreword by Jerry Byrd, and a bibliography and suggested reading list. 216 pages

NON CONTIENE PAGINE DI MUSICA

Prezzo: €41,99
€41,99

ASAP CLASSICAL GUITAR Learn How to Play the Classical Way James Douglas Esmond LIBRO CD TABLATURE gymnopedie

ASAP CLASSICAL GUITAR, Learn How to Play the Classical Way, James Douglas Esmond. CD TABLATURE.

LIBRO PER CHITARRA CON CD E TABLATURE


Per chi incomincia a suonare la chitarra classica, ASAP, As Soon As Possible, con il significato di: "al più presto possibile".

Serie: Guitar
Editore: Centerstream Publications
Copertina morbida con CD - TAB
Autore: James Douglas Esmond

Manuale facile anche per studiare da soli. Questo libro e CD per i principianti e chitarristi di livello intermedio propone pezzi classici ed esercizi presentati progressivamente nelle note e tablature, con le spiegazioni precise e brani eseguiti sul CD. Un perfetto metodo per imparare a suonare Più veloce possibile! 36 pagine.

Teacher-friendly or for self-study, this book/CD pack for beginning to intermediate guitarists features classical pieces and exercises presented progressively in notes and tab, with each explained thoroughly and performed on the accompanying CD. A great way to learn to play ASAP! 36 pages.

 

 

List of piece playing tips and explanations of exercises

R.H.Exercise Group #1
An easy introduction to the most basic finger patterns used in these pieces as well as good reading for the open strings.

R.H.Exercise Group #2
Moreindex and middle combinations. Start slowly and work for balance in the hand and an even tone.

L.H.Exercise #1
Stay on one string for as long as necessary to get perfect. Moving each finger deliberately and independent of others.

L.H.Exercise #2
Work to keep fingers down until they absolutely need to move.

Spanish Theme
Use this as a reinforcing piece for first position reading by saying notes out loud while playing. Index and Middle throughout for the top line. Work this line separately for awhile before adding the Bassline.

Ode to Joy
This piece, like the last is introduced in two parts and the Bassline will require a bit more attention.

Minuet in C
This piece should be approached like the last two but the parts require even more attention. Follow the left hand fingerings very closely. Get the left hand and the Bassline very good before adding together.

R.H.Exercise Group #3
These arpeggiations will be useful and comprehensive in regards to learning the next pieces in the book. Take one at at a time and practice very slowly.

L.H.Exercise #3
The L.H. and RH. should be practiced equally in this exercise. Practice the right hand alone and don't go too fast.

Pastoral Theme
Feel the left hand being free even thought the 3rd finger is rooted to the low G. Practice the top line by itself as well.

Gymnopedie #1
This is the first Chordal piece and therefore working on it by "Blocking" the left hand and just practicing the motions that the left hand uses from ms. to ms. will be beneficial. Also practice the Bassline and right hand motions alone.

New World Theme
Approach this piece the same way as the first three "Break-Down" pieces.

Etude in C
For this piece just looking at the tablature and practicing the arpeggio patterns by themselves with no left hand is a good way to start. Then incorporate blocking the left hand motions as well before putting together slowly.

Etude in A minor
Approach this piece the same way as the Etude in C.

Musette
Approach this piece by breaking up the two lines, but pay very close attention to the top line. De-emphasize the
Bass notes as much as possible. A light touch when holding down the repeated C and G is good for the other fingers.

Academic Festival Overture
Practice the chords that happen on every other beat to start. Try to de-emphasize the middle voices as well.

A Dance
Get familiar with the repeating Bassline in this piece so it can be put into the background while the top voice and middle voices can focused on more. Follow the fingering strictly.

Simple Lamentation
Practice the Bassline a lot by itself, being careful to shape it and work on having a good volume and even tone.

Soldier's March
Practice the chords without worrying about the rhythm at first and then after working the RH. motions, combine.

Sunrise
Approach this piece in the same way as Musette, being careful to have a light left hand, especially when moving up
the neck.

Reflections
Practice the RH. arpeggio pattern by itself before learning the L.H. Focus on some of the harder chord changes.

Adagio
Practice the melody by itself a lot to get a very good, even sound. Make sure to de-emphasize the middle voices.

Musetta's Waltz
Use the same approach as with Adagio, take your time to plant the L.H./ RH. fingers on the ending 8th note run

Cannon
Practice the repeating Bassline first to get it very solid, then work on each 4 measure piece before connecting them.

Eine Kleine Nachtmusic
Special care on the opening octaves should be taken. Be careful not to tense up the right hand on repeated fingerings throughout.

 

Foreword - How to use the Book
This book, while organized progressively, is constituted of all pieces that are developmental in nature for a beginner's technique. It is therefore recommended but not necessary to go through the book in a stepwise fashion. In addition the pieces can be broken in to several technique categories( i,m studies, arpeggio studies, chordal, etc.) and some pieces fall in to several of these categories. To ease the student into reading on the guitar the pieces have been arrange in very manageable keys, no more than 1# used.
I strongly suggest following all the fingerings that are suggested, however, if there are places in the book where a teacher or student wishes to change a fingering then that should be fine as long as the student adheres to it. There are many options for fingerings on the guitar and the important thing to remember is that the student is building what I like to call a "Technique Memory" and that each piece, or section of a piece can be seen as a set of directions that will, if practiced carefully, be absorbed and adhered readily to the next similar piece. As Guitarists, we are always building towards more difficult pieces but in a way always dealing with some of the same as well so it makes sense to stick closely to fingerings for some time.
Write in even more if necessary.
The exercises and 1st section of Broken-Down pieces are meant to really help the student ease into the book. The exercises do not have to be mastered before studying the pieces, especially due to the reading aspect, but should be incorporated into a daily practice routine.
I hope you enjoy the pieces and find this to be fun and helpful on your journey as a Classical guitarist.

 

Biography
James Douglas Esmond started playing the guitar
seriously in his teens. He received his Bachelor's
of Music Theory and Classical Guitar performance
from Ithaca College, Ithaca, N.Y.Upon graduating
he became involved in church music. He has held
positions in various churches, as a guitarist, organist,
singer and conductor. In addition to his church
work, he also teaches Guitar and Piano at Blue Sky
Studios in Delmar, N.Y., and writes and arranges
compositions in various genres and styles. He currently
serves as the Organist/Music Coordinator at
Newtonville Methodist Church in Loudonville, N.Y.
He resides in Albany N.Y.with his wife Meighan.

 

Table of Contents and C.D. Track List

Exercises and Pieces in graded order, with playing Tips

Foreword and Biography

Track 1. -R.H.Exercise Group #1
Track 2. - R.H.Exercise Group #2 .
Track 3. -L.H.Exercise #1 .
Track 4. -L.H.Exercise #2 .
Track 5. -Spanish Theme (Melody and Bassline) .
Track 6. -Spanish Theme .
Track 7. - Ode to Joy (Melody and Bassline) .
Track 8. - Ode to Joy .
Track 9. - Minuet in C (Melody and Bassline) .
Track 10. - Minuet in C .
Track 11. -R.H.Exercise Group #3 .
Track 12. -L.H.Exercise #3 .
Track 13. - Pastoral Theme .
Track 14. - Gymnopedie #1 .
Track 15. - New World Theme .
Track 16. -Etude in C .
Track 17. -Etude in A minor .
Track 18. -Musette .
Track 19. - Academic Festival Overture .
Track 20. - A Dance .
Track 21. - Simple Lamentation .
Track 22. - Soldier's March .
Track 23. - Sunrise .
Track 24. - Reflections .
Track 25. - Adagio .
Track 26. - Musetta's Waltz .
Track 27. - Cannon .
Track 28. - Eine Kleine Nachtmusic .

Prezzo: €16,99
€16,99

ASAP TWO-HAND TAPPING Learn How to Tap the Celentano Way TABLATURE DVD Toccata Fugue D minor Bach

ASAP, As Soon As Possible, con il significato di: Imparare "il più presto possibile". TABLATURE

VIDEO DVD DIDATTICO, DI MUSICA ROCK.

TECNICA, METODO, CHITARRA. 

Con la celebre Toccata dalla Toccata e Fuga in Re minore di Bach.

ASAP Two-Hand Tapping
Learn How to Tap the Celentano Way
intermediate to advanced

Series: Guitar
Publisher: Centerstream Publications
Format: DVD - TAB
Author: Dave Celentano

Dave Celentano teaches many new and innovative ways to use tapping with pentatonic and diatonic scales, sequences, and arpeggios. Features great tips and pointers, lessons on soloing over chord changes, and an intense two-hand tapping arrangement of the “toccata” section from J.S. Bach's famous “Toccata and Fugue” in D minor. All examples are in standard notation and tablature on a printable PDF file on the DVD. 85 min.

Inventory #HL 00001292
ISBN: 9781574241822
UPC: 884088407926
Width: 5.25"
Length: 7.5"
Run Time: 1:25:00

 

Impress your guitar players friends !

Learn multi-finger two hand tapping with guitar instructor Dave Celentano as he shows many new and innovative ways to use tapping with pentatonic and diatonic scales, sequences, and arpeggios. Also included are several tips and pointers, how to solo over chord changes, and an intense two hand tapping arrangement of the 'Toccata' section from J.S. Bach's famous 'Toccata and Fugue' in D minor.

Prezzo: €29,99
€29,99

ULTIMATE BASS EXERCISES, Over 700 easy step-by-step exercises for finger building, Max Palermo. TABLATURE

ULTIMATE BASS EXERCISES. Max Palermo

Ultimate Bass Exercises
Series: Bass
Publisher: Centerstream Publications
Format: Softcover
Author: Max Palermo

 

Over 700 easy step-by-step exercises for finger building, based on the 24 possible fingering combinations.

by Max Palermo

Thanks to Patrizia for her unconditional encouragement and valuable support and to Ron Middlebrook and all at Centerstream Publications for all their efforts in realizing this project.

Special thanks to my teacher Attilio Zanchi. This book is dedicated, in loving memory, to my grandfather Domenico.

ISBN-13: 978-1-57424-208-9

ISBN-10: 1-57424-208-3

SAN-683-8022

CENTERSTREAM Publishing, LLC P.O. - Anaheim Hills, CA 92817

Bassist and educator living in Italy, Max Palermo has had extensive experience performing in show bands, concerts, club dates in the jazz, pop and funk worlds. He has toured with a number of artists in Italy and abroad, doing their television promotions and studio recordings for Sony, Polygram and Cecchi Gori.
In addition to his career as a bass player, Max has been active as a bass instructor for over eighteen years, teaching in renowned music schools based in Genova and Milano and he is currently devoting himself to his writing and music training research activities.
Besides ultimate bass exercises, he is the author of several bass instructional and reference books. 

Bassist and educator Max Palermo takes you through more than 700 easy, step-by-step exercises for finger building, based on the 24 possible fingering combinations.

Inventory #HL 00000476
ISBN: 9781574242089
UPC: 884088115463
Width: 9.0"
Length: 12.0"
148 pages

The aim of this two-workbook set is to provide bass players with a wide range of step-by-step exercises to improve the finger physical dexterity, in terms of strength, independence, agility and velocity.

This is an important goal to reach for a musician in order to free his own musical personality. I would therefore advise you to practice these exercises daily (two or three finger combinations per day), starting quite slowly and gradually increasing the metronome (or drum machine) speed. While playing, always keep a clean and well-defined sound together with a good rhythmic feel. Last but not least: keep on studying the harmonic-melodicrhythmic issues of your instrument and the different musical styles, so that your technical improvements make it possible to put into practice what is in your mind and what your body can feel!  

 

WORKBOOK ONE - PART ONE - EXERCISES ON ADJACENT STRINGS

WORKBOOK ONE - PART TWO - ADDITIONAL EXERCISES ALONG THE NECK

WORKBOOK TWO - PART ONE - EXERCISES FOR MOVING ACROSS STRINGS

WORKBOOK TWO - PART TWO - STRETCHING EXERCISES

Two Fingers combinations

Three fingers combinations

Prezzo: €20,99
€20,99

LATIN STYLES FOR GUITAR Brian Chambouleyron TABLATURE DVD-BOLERO-VALS-GUAJIRA-SAMBA-TANGO

LATIN STYLES FOR GUITAR. Brian Chambouleyron. TABLATURE DVD

DVD DI MUSICA, LEZIONE PER CHITARRA CON SPARTITI E TABLATURE. 

LATIN STYLES FOR GUITAR
SERIES: GUITAR
PUBLISHER: CENTERSTREAM PUBLICATIONS
TAB
ARTIST: BRIAN CHAMBOULEYRON

AWARD-WINNING ARGENTINEAN GUITARIST BRIAN CHAMBOULEYRON GIVES YOU AN OVERVIEW OF VARIOUS STYLES OF LATIN AMERICAN MUSIC, EXPLAINING HOW IT HAS EVOLVED AND BEEN EMBRACED AROUND THE WORLD. THE MIXING OF SPANISH, PORTUGUESE, AFRICAN, EUROPEAN AND NATIVE INFLUENCES HAS BLENDED INTO MANY DISTINCT GENRES. BRIAN HAS SPECIALLY COMPOSED SAMPLE PIECES WHICH HE PLAYS (SOLO OR WITH A BAND) IN THIS DVD. FEATURES DOWNLOADABLE PRINTED MUSIC IN STANDARD NOTATION AND TABLATURE SO GUITARISTS CAN PLAY ALONG WITH: A BOLERO FROM MEXICO, VALS FROM PERU, GUARANIA FROM PARAGUAY, GUAJIRA FROM CUBA, SAMBA FROM BRAZIL, AND A TANGO FROM ARGENTINA. YOU CAN ALSO JUST VIEW THE PERFORMANCES WITHOUT THE TEXT. 50 MIN.

Prezzo: €29,00
€29,00

MODERNE Gibson Holy Grail of Vintage Guitars Ronald Lynn Wood libro 208 pagine Flying V-Explorer-Korina-electric

MODERNE, Holy Grail of Vintage Guitars, Ronald Lynn Wood. 208 pagine.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover
Author: Ronald Lynn Wood

The Moderne is an electric guitar designed by Gibson in 1957 alongside the Flying V and Explorer as part of a stylistically advanced line. Sources claim that Gibson made a handful of prototypes, but an original has yet to surface. The Moderne was eventually put into production in 1982. Because of their very limited production and forward design, Modernes are highly sought by collectors. Here is the story, explained in interviews and photos, of this curious development associated with the golden era of guitar making. 208 pages

Prezzo: €36,99
€36,99

FINGERPICKING FIDDLE TUNES, Arranged for Fingerstyle Guitar. Ken Perlman. Centerstream Publications CD TABLATURE

FINGERPICKING FIDDLE TUNES, Arranged for Fingerstyle Guitar. K. Perlman. CD TABLATURE


Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover with CD
Artist: Ken Perlman

With this book/CD pack, Ken Perlman presents a systematic approach to playing classic fiddle tunes fingerstyle on the guitar. Learn hoedowns, reels, set tunes, marches, hornpipes, jigs, strathspeys and airs from a pioneer of the style! 112 pages

Fingerpicking Fiddle Tunes was first published over two decades ago. Now that Centerstream is making it available again, this is a good opportunity to look at the book anew, and to reflect upon its role in contemporary instrumental folk music instruction. When the book first came out, playing traditional Celtic and Southern dance music (often called fiddle tunes) on fingerstyle guitar was quite rare. I had to work out the style and techniques presented in these pages on my own. Fingerpicking Fiddle Tunes was the first modem book to present a systematic approach to the playing of fiddle tunes on fingerstyle guitar. Of course, it was customary as far back as the Renaissance for fretted-instrument players to compose settings for folk dance tunes, and the approach they used was not dissimilar to the one used here. This practice had been out of fashion for centuries, however, and I was in fact unaware of this historical precedent until long after I had come up with my own approach. This was also the first modem folk music book to use a coherent and workable system of guitar tablature that included rhythm notation. Prior to the publication of Fingerpicking Fiddle Tunes, the writing of folk-guitar "tab" was fairly haphazard. In those bad old days, most guitar tab lacked rhythm notation (indications for half, quarter or eighth notes etc). Most tab-writers were also unclear about the location of upbeats and downbeats, inconsistent about the number of beats per measure, and inaccurate in terms of such rhythmic subtleties as ornamentation and syncopation. What's more, there was a general tendency towards carelessness: if a guitarist wasn't already familiar with a tune, he or she usually had little chance of learning it properly from the notation alone. By including rhythm notation, being careful about measures, upbeats, and downbeats, and by making a special effort to represent arrangements precisely, this book succeeded – probably for the first time - in accurately representing folk-guitar settings. It also set a standard that other compi lers of instruction books were quick to emulate. The new publisher and I decided to expand this new edition by roughly 25% and include eleven new arrangements - all of which are selections I have recorded over the years on the following LPs and CDs: Clawhammer Banjo and Fingerstyle Guitar Solos (Folk ways), Devil in the Kitchen (Marimac), Island Boy (Wizmak) and Northern Banjo (Copper Creek). Note that for these new tunes, there have been a few modifications in the tab and standard notational system employed: these are explained in an introduction to this new section. Of late, there has been an upsurge of interest in playing fingerstyle fiddle tunes on guitar. Many recent arrangements have employed open tunings - most notably "Dad-gad" tuning (DADGAD). My own settings are in standard or "drop-D" (DADGBE) tunings, but I'm sure that once you've tried a few pieces, you'll agree that these tunings are equal, or even superior to open tunings as vehicles for the genre. The arrangements in this book offer you an excellent opportunity to transfer the spirit and vitality of traditional Irish, Scottish, and Southern dance music to your instrument. I hope you enjoy playing them as much as I enjoyed creating my approach to the style! Ken Perlman, Massachusetts

 

Table of Contents

Introduction

The Tablature

About the Music

Learning the Necessary Skills

Old Joe Clarke

Angeline the Baker

Boatman

Georgia Railroad

Cluck Old Hen

Jimmy Allen

Little Beggar Man, The

Hoedowns

Over the Waterfall

Arkansas Traveller

June Apple

Sugar in the Gourd

Whiskey Before Breakfast

Reels & Set Tunes

The Spanish Lady

The Rose Tree

Swallowtail Reel

Drowsy Maggie

Marches

Return from Fingal, The

Nancy

Halting March, The

Battle of Aughrim, The

Napoleon Crossing the Rhine

Hornpipes

Boys of Blue Hill, The

Rights of Man, The

Fisher's Hornpipe

Flowers of Edinburgh, The

Jigs

Road to Lisdoonvarna, The

O'Keefe's Slide

Elsie Marley

Haste to the Wedding

Some 3/4 Time Tunes

Sheebeg Agus Sheemore

Sonny's Mazurka

Supplement to the Centerstream Edition.

Strathspeys & Airs

New Tunes for this Edition:

The Humours of Ballyloughlin

Madame Bonaparte 

Coilesfield House 

John Campbell's Strathspey 

Loch Earn 

Professor Blackie 

Glenfiddich Strathspey 

Homeward Bound 

Sweetness of Mary, The 

Mason's Apron 

Niel Gow's Lament for His Second Wife 

Bibliography & Discography

The accompanying CD digitally reproduces one of the flexible plastic LPs that originally accompanied this volume (the original master recording was misplaced years ago by a previous publisher). Although I could have recorded a new version of this material, I felt that the spirit and enthusiasm exhibited in the playing - done when thesearrangementswere all freshly composed- far outweightedtheobvious shortcomingsin audio fidelity. This CD illustrates only the thirty-one tunes that madeup the original edition. Each of the eleven new arrangementsin this edition appears on one of my recordings - ortilern Banjo, Is/and Bay, Devi/ in the Kitcilen or Balljo & Guitar Solos.

Prezzo: €20,00
€20,00
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