PLAY IT LIKE IT IS - BASS GUITAR NOTE FOR NOTE TRANSCRIPTIONS WITH TABLATURE

SATRIANI JOE-SURFING WITH THE ALIEN GUITAR TABLATURE LIBRO SPARTITI CHITARRA Always With Me

SATRIANI JOE, SURFING WITH THE ALIEN. BOOK WITH GUITAR TABLATURE .

LIBRO DI MUSICA ROCK.

SPARTITI PER CHITARRA CON : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Personality
Publisher: Cherry Lane Music TAB
Artist: Joe Satriani

This matching folio showcases Satriani's chilling guitar technique. The 1987 hit album which in spite of being purely instrumental achieved impressive chart success and brought Satriani's virtuoso playing to the notice of the world.

SONGS LIST: 
Always With Me, Always With You
Circles
Crushing Day
Echo (Joe Satriani)
Hill Of The Skull (Joe Satriani)
Ice 9 (Joe Satriani)
Lords Of Karma (Joe Satriani)
Midnight
Satch Boogie
Surfing With The Alien

80 pages.

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€26,99

MR. BIG LEAN INTO IT BASS TABLATURE LIBRO SPARTITI BASSO BOOK ACCORDI MUSICA-A Little Too Loose

MR. BIG, LEAN INTO IT. SHEET MUSIC BOOK WITH BASS TABLATURE . 

LIBRO DI MUSICA ROCK.

SPARTITI PER VOCE E BASSO : 
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE. 

Mr. Big - Lean Into It
Bass Guitar Series from Cherry Lane Music Co. 1992 -78 pages
ISBN: 0895247542

Great songs with tablature. The are:

Daddy, Brother, Lover, Little Boy (The Electric Drill Song)
Alive and Kickin'
Green-Tinted Sixties Mind
CDFF- Lucky This Time
Voodoo Kiss
Never Say Never
Just Take My Heart
My Kinda Woman
A Little Too Loose
Road to Ruin
To Be With You

Prezzo: €99,99
€99,99

METALLICA RIDE THE LIGHTNING BASS TABLATURE SPARTITI LIBRO BASSO PLAY IT LIKE IT IS ACCORDI

METALLICA, RIDE THE LIGHTNING. BASS TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA BASSO E VOCE. ACCORDI, PENTAGRAMMA, TABLATURE. 

Metallica - Ride the Lightning
Series: Bass Guitar Series
Publisher: Cherry Lane Music
Artist: Metallica

Matching folio to Metallica's second album, including: Creeping Death - Fade To Black - and more. 40 pages

Inventory #HL 02507040
ISBN: 9780895245540
UPC: 073999070408
Publisher Code: 7040
Width: 9.0"
Length: 12.0"
40 pages
 

RIDE THE LIGHTNING

Metallica is an extraordinary thrash band. Widely regarded as the "Beatles of speed metal,"
they are, by far, the most ambitious, inventive and musically satisfying proponents of the genre.
In their vision, the possibilities for enlargement and elaboration of the heavy metal medium
have been more than glimpsed, they have become practically codified, attaining a contemporary
"classic" significance while providing virtually everyone else presently active in the style
with a model of how it's done. Emerging in the early 1980's, they rapidly assumed the status
of archetype, following the release of their second album, Ride the Lightning, in 1984.
Cliff Burton was an extraordinary thrash bassist. He was the perfect foil for the energetic and
propulsive drum bombast of Lars Ulrich and the pulverizing crunch-chording of guitarists
James Hetfield and Kirk Hammett. Maintaining a heavy, relentless bottom-end pulse as a
component of the rhythm section as well as astrong intuitive sense of embellishment in melodic
fills, Cliff represented the obvious next link in the lineage of modern rock bass playing (in the
tradition of Jack Bruce, Tim Bogert, Chris Squire and Steve Harris). Consider the unusual
approaches found in the bass parts of "The Call of Ktulu" (an instrumental rendering of the
classic horror tale by H. P. Lovecraft-originally spelled "The Call of Cthulhu"-well worth
checking out). Here, Cliff provides an eerie bass solo colored by distortion and wah wah pedal,
which is somewhat buried in the mix but is nonetheless felt lurking menacingly in the
background like one of Lovecraft's own tentacled monstrosities. The use of distortion and wah
wah is a well-known timbral touch in Burton's sound-think back to the similar tone of the "(Anesthesia)-
Pulling Teeth" solo from Kill 'Em All. In "Ktulu," the soloing assumes a textural role
within the powerful ensemble groove, adding strange vowel effects to accented power chords,
diads and octaves or blurring the separate notes of the bass melody with sudden shifts of treble
(+) and bass (0) boosting. A very effective tactic considering the nature of Lovecraft's story.
The distorted wah tone is recalled orchestrally behind Kirk Hammett's guitar soloing to add yet
more unusual color to the arrangement, this time decorating the sinister A5 to 0#5 tritone riff
with wah-inflected timbres.
Cliff's distortion/wah wah sound is heard also in "For Whom the Bell Tolls" (intro). Here, two
basses are involved: one (Bass I) playing the ensemble root notes F# to E (with a straight,
unprocessed tone) and the other (Bass II) doubling the guitar melody above (with the
processed sound).
"Ride the Lightning" gives us an ideal opportunity to examine the area of feel changes in
modern speed metal and how they are reflected in the creation of an appropriate bass line. A
variety of rhythmic feels are employed throughout the piece. The basic pulse is a moderate
rock at =152, and this is emphasized by the use of quarter notes in the intro progressing to
a solid 4/4 feel (a tempo) of steady eighth notes in the verse (Bass Fig. 2). Bass Fig. 3 sets
up a double time feel with its transition to straight sixteenths in the second bar. The transition
leads to Bass Fig. 4 (officially in double time feel) which is constructed of sixteenths completely.
The use of the double time sixteenths give the impression of faster movement without actually
changing tempo, hence the term "double time feeL"
Also noteworthy in "Ride the Lightning" and in Metallica's music in general is the trademark use
of the tritone (flatfive) interval in riff building. It appears in the intro (bar 13: Bb5 over an E pedal)
and in Bass Fig. 1 in melodic form (relationship of F#5to C5 in the line). It is also the main idea
harmonically and thematically in the verse riff (Bass Fig. 2). Here, it again occurs as a Bb note
played against the E pedal (presented in ensemble form as a heavy bass/rhythm-guitarfigure).
Cliff Burton contributed compositionally to Metallica as well, co-writing six of the eight songs
on Ride the Lightning. Often referred to as the "soul of Metallica," he was an integral part of
their innovative sound and approach during a particularly important period in their development.
His untimely death while touring with Metallica (behind the Master of Puppets record)
remains one of the most regrettable tragedies in rock. The band responded by releasing the
tribute video Cliff 'Em All, dedicated to his memory shortly thereafter-for a great musician,
bass player and personality who helped to shape the most striking sounds in modern metal.
 

Released: July 27, 1984
Recorded: February 20 - March 14, 1984 at Sweet Silence Studios, Copenhagen, Denmark
Genre: Thrash metal
Length: 47:23
Label: Megaforce, Music for Nations, Elektra, Vertigo

James Hetfield – lead vocals, rhythm guitar
Kirk Hammett – lead guitar
Cliff Burton – bass, backing vocals
Lars Ulrich – drums

Production
Metallica; Flemming Rasmussen; Mark Whitaker – producers
Flemming Rasmussen – engineer
George Marino – remastering

Ride The Lightning

As recorded by METALLICA on ELEKTRA RECORDS
Management: Q Prime, Inc.
Transcribed by Steve Gorenberg
Music Engraving by W.R. Music
Production Manager: Daniel Rosenbaum
Art Direction: Alisa Hill
Administration: Monica Corton
Director of Music: Mark Phillips
Photography by Ross Halfin
ISBN: 0-89524-554-X
1990 Cherry Lane Music Company, Inc. International Copyright Secured All Rights Reserved

CONTENTS
Introduction by Wolf Marshall
Tablature Explanation

Song List:

The Call of Ktulu (Instrumental) - Hetfield, Ulrich, Burton, Mustaine
Creeping Death - Hetfield, Ulrich, Burton, Hammett 
Escape - Hetfield, Ulrich, Hammett 
Fade to Black - Hetfield, Ulrich, Burton, Kirk Hammett 
Fight Fire with Fire - James Hetfield, Lars Ulrich, Cliff Burton 
For Whom the Bell Tolls - Hetfield, Ulrich, Burton 
Ride the Lightning - Hetfield, Ulrich, Burton, Dave Mustaine 
Trapped Under Ice - Hetfield, Ulrich, Hammett 

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€28,99

METALLICA LOAD BASS TABLATURE SHEET MUSIC BOOK BASSO SPARTITI VOCE LIBRO ACCORDI HAL LEONARD

METALLICA, LOAD. BASS. SHEET MUSIC BOOK WITH TABLATURE .

LIBRO DI MUSICA METAL,

SPARTITI PER BASSO E VOCE : 

ACCORDI, PENTAGRAMMA, TABLATURE

 

Cover Artwork by Andres Serrano

METALLICA - LOAD
Series: Bass
Publisher: Cherry Lane Music TAB
TRANSCRIBED by : Steve Gorenberg .

Artist: Metallica

The matching folio to the long-awaited, hard-hitting new album - with the double guitar onslaught of Hetfield and Hammett - features 14 songs, including: 2 x 4 • Ain't My Bitch • Until It Sleeps • The Outlaw Torn • Wasting My Hate • plus biography, photos, and full-color fold-out.

TiTLes : 

Ain't My Bitch
Bleeding Me
Cure
Hero Of The Day
The House Jack Built
King Nothing
Mama Said
The Outlaw Torn
Poor Twisted Me
Ronnie
The Thorn Within
2 x 4
Until It Sleeps
Wasting My Hate


Inventory # HL 02505919
ISBN: 1575600153
EAN: 9781575600154
UPC: 073999059199
Width: 9
Length: 12
Pages: 104
 

Prezzo: €99,99
€99,99

METALLICA ...AND JUSTICE FOR ALL BASS TABLATURE SPARTITI LIBRO ACCORDI Harvester Of Sorrow

METALLICA, ...AND JUSTICE FOR ALL. SHEET MUSIC BOOK WITH BASS TABLATURE 

LIBRO DI MUSICA METAL. 

SPARTITI PER VOCE E BASSO : 

ACCORDI, PENTAGRAMMA, TABLATURE .


Series: Bass Guitar Series
Publisher: Cherry Lane Music TAB
Artist: Metallica

Inventory #HL 02506982
ISBN: 9780895244499
UPC: 073999788822
Width: 9.0"
Length: 12.0''

 

Matching folio to the album. Nine smashing metal songs, including:

Titoli : 

...And Justice For All
Blackened
Dyers Eve
Eye Of The Beholder
The Frayed Ends Of Sanity
Harvester Of Sorrow
One
The Shortest Straw
To Live Is To Die

80 pages

Prezzo: €28,99
€28,99

FAITH NO MORE THE REAL THING BASS TABLATURE LIBRO PLAY IT LIKE IT IS War Pigs Black Sabbath

FAITH NO MORE, THE REAL THING. SHEET MUSIC BOOK WITH BASS TABLATURE. 

PLAY LIKE IT IS

LIBRO DI MUSICA ROCK METAL,

SPARTITI PER VOCE E BASSO CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

TRANSCIPTIONS AND INTRODUCTION BY STEVE GORENGERG.

AS RECORDED. 

FULL COLOR FOLD-OUT INSIDE. 

BASS GUITAR SERIES

CHERRY LANE MUSIC

AUTHORIZED EDITION : GUITAR, FOR THE PRACTICING MUSICIAN. 

72 PAGES.

 

CONTENTS

Introduction by Steve Gorenberg
From Out Of Nowhere
Epic
Surprise! You're Dead !
Falling To Pieces
Zombie Eaters
The Real Thing
Underwater Love
The Morning After
Woodpecker From Mars
War Pigs
Edge Of The World
Tablature Explanation
Full Color Fold-Out Follows Page 16
As recorded by FAITH NO MORE On SLASH Records
Management: \ Warren Entner Management, Inc.

Transcribed by Steve Gorenberg

Music Engraving by W.R. Music

Copy .Editor: Cathy Cassinos-carr

Production Manager: Daniel Rosenbaum

Art Direction; Kerstin Fairbend

Administration: Monica Corton

Director of Music: Mark Phillips 

The editors gratefully acknowledge Bill Gould for his help in preparing these transcriptions

Cover photography by Ken Settle .

fold-Out by William Hames

ISBN: 0-89524 61 1 -2
Copyright © .1 991 Cherry Lane Music Company, Inc

International Copyright Secured All Rights' Reserved

EXECUTIVE
 

 

Publisher: Cherry Lane Music (March 1, 1991)
Language: English
ISBN-10: 0895246112
ISBN-13: 978-0895246110

TITLES: 
From Out of Nowhere
Epic
Falling to Pieces
Surprise! You're Dead!
Zombie Eaters
The Real Thing
Underwater Love
The Morning After
Woodpecker from Mars
War Pigs (Black Sabbath)
Edge of the World

TABLATURE EXPLANATION

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€149,99

BUSH THE BEST OF BASS TABLATURE BOOK BASSO LIBRO SPARTITI

BUSH, BEST. BASS. SHEET MUSiC FOR with BASS TABLATURE .

LIBRO DI MUSICA ROCK. 

SPARTITI PER VOCE E BASSO :

ACCORDI, PENTAGRAMMA, TABLATURE.  

Publisher: Cherry Lane Music TAB
Artist: Bush

Features exact transcriptions of big hits from Sixteen Stone and Razorblade Suitcase, including: Comedown - Everything Zen - Glycerine - Machinehead - Mouth - Swallowed - Synapse - more. 80 pages

TITOLI: 

Body
Cold Contagious
Comedown
Everything Zen
Glycerine
Greedy Fly
Little Things
Machinehead
Mouth
Swallowed
Synapse

Prezzo: €99,99
€99,99
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