International Music Publications

GERHARD ED THE GUITAR SONGBOOK Acoustic Masterclass CD TABLATURE LIBRO SPARTITI CHITARRA

GERHARD ED, THE GUITAR SONGBOOK. Blue highway -crow -duet -farther along -homage -promised land -shallow brown -si bhig si mhor -the water is wide -wild mountain thyme. CD TABLATURE

Acoustic Masterclass Series: Ed Gerhard The Guitar Songbook
By Ed Gerhard

SERIES: Acoustic Masterclass
CATEGORY: Guitar Method or Supplement
VERSION: Guitar TAB
FORMAT: Book & CD

Guitar arrangements transcribed by the artists themselves, in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement.

Ten of Ed Gerhard's most beautiful solo guitar pieces transcribed in full notation and tablature. On the accompanying master class-style CD, Ed carefully describes and demonstrates all the key passages for each song. Titles are:

Big thanks to Aaron Stang for his interest in this project, Mark Herndon for his great work with the transcriptions, and Chief Noda for his invaluable help and friendship throughout the years. Thanks to all of my friends and listeners around the world who have honored me with their attention and encouragement. Very special thanks and love to Kelli Bertram. Introduction I grew up listening to the world around me; for some reason, just the phenomenon of sound itself was enormously entertaining to me as a kid. It didn't even matter what kind of sound it was. Music, animals, machines, and voices-all held equal intrigue for me. When, at the age of ten, I first heard Segovia, watching him in the grainy flicker of a little black-and-white TV, I knew that this sound was different. I had never heard a guitar played alone before, and the sound that came out of that instrument changed me profoundly. Even at the age of ten I knew it. It wasn't until I was 14 that my Dad finally gave in and got me a guitar. My life was changed again the moment I put my hand on it. That was in 1970, when the accepted method for learning the guitar was to go to the local music store and learn to read music, play one string at a time, and generally struggle to play the uncoolest music ever. Where was the payoff? How far down the line would I get to enjoy the guitar? I lasted for about three lessons. I began teaching myself, learning from friends, and immersing myself in any music that had an acoustic guitar in it. I slowed down records to help figure out the hard parts. I fell in love with blues and wore out at least two copies of Mississippi John Hurt's Today! Within months I was making up pieces, experimenting with altered tunings, and playing slide. My appreciation for the guitar fueled my interest in all kinds of music, and I listened to everything from Blind Willie Johnson to Joseph Spence to Shostakovich to Debussy to Miles Davis. 

General technical notes:

Weissnborn and Lap-style playing

Lap-style intruments

Slides, steel and bars

General playing

Vibrato

1993 - Blue Highway - ED GERHARD 

1987 - Crow - ED GERHARD

1999 - Duet - ED GERHARD 

2001 - Farther Along - ED GERHARD 

1999 - Homage - ED GERHARD

2001 - Promised Land - ED GERHARD

1999 - Shallow Brown - TRADITIONAL

1999 - Si Bhig, Si Mhor - TRADITIONAL

1996 - The Water Is Wide - TRADITIONAL

1996 - Wild Mountain Thyme - TRADITIONAL

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ROCK GUITAR FOR ADULTS LIBRO CD TABLATURE BENDING SLIDING Hammer-ons-Pull-offs-Tapping-Gypsy

ROCK GUITAR FOR ADULTS. CD TABLATURE

LIBRO DI MUSICA METODO CON CD.

SPARTITI PER CHITARRA CON ACCORDI, PENTAGRAMMA E TABLATURE


Introduction
For many adults, playing guitar is a
long-time dream that is routinely put aside
for more pressing concerns. After all,
what's more important, dusting off that old
Martin in your attic or getting your kids to
the dentist on time? But our personal
dreams can't be put aside forever, and true
believers will never stop chasing them. So,
if you've been wanting to get a good start
at rock guitar for a long time and you've
decided that you're finally going to do it,
this book is for you.
There are two appendices at the back of -;
this book. Appendix A on page 88 is a
quick review of reading music. Appendix
B on page 92 is a basic theory lesson.
Reading the appendices before going
through the book will be very helpful.
I grew up on the music of Pink Floyd, Alice
Cooper, The Rolling Stones, Deep Purple,
The Grateful Dead and all of those other
great bands we've come to know and
love. Rock music has always impressed
 Acknowledgements

The author thanks Terry, his Mom, Norman,
Dad, Joy, Toby-Joe, Gandhi, Dave,
Nat Gunod, Paula Abate, Glenn, Phil, my
students/friends, The National Guitar
Workshop, DayJams, Guitar Player
Magazine, Dante, Tom Henry Guitars and
early guitar mentors, Rick Rutledge and
John Thompson.
me as being a unique art in that it lovingly
embraces everything ittouches. It's hardly
an exclusive club. After all, where else can
one find The London Philharmonic
Orchestra, Sid Vicious, Indian sitar music,
blues, jazz, funk and sheer noise all in the
same "style"?
Rock music is a bigger part of modern
culture than many people would care to
admit. It keeps our laborers pumping
through long hard days, increasing
productivity and melting away those
tedious hours. It's a big part of kicking
back on the weekends and enjoying down
time with our friends. It makes the old
feel younger and helps the young to feel
strong and alive. But, most importantly,
its study is endlessly challenging and
stimulating, and can be a true path to
self-discovery. I hope this book helps to
make your rock'n'roll dreams come true.
Rock on!
Tobias Hurwitz

 

About the Author

Introduction

Chapter One - Rock Chords
The First Wave of Rock Chords
The Second Wave of Rock Chords
Power Chords
Barre Chords

Chapter Two - Getting Bluesy
The Twelve-Bar Blues
Rockin' Up the Blues
Varying the Shuffle
Shuffle Blues
Cool Chords & the Blues
Cool Chord Blues
Blues in E with Mixed Techniques
Turn Me Around
Late-Night Wanderer
Playing the Blues in Any Key

Chapter Three - Fun with Chord Progressions
Common Progressions
Transposing

Chapter Four - Spice Up the Strumming
Musical Strumming
Strumming Patterns
Play That Funky Music
Other Techniques

Chapter Five - The First Wave of Rock Scales
The Major Scale
Five Major Scale Forms
Tune in G Major
The Minor Pentatonic Scale
Five Minor Pentatonic Scale Forms
Beneath My Digital Extremity
Power Pentatonic

Chapter Six - The Second Wave of Rock Scales
The Blues Scale
Five Blues Scale Forms
Improvisation Concepts & Strategies
A Blues Groove
The Major Pentatonic Scale
Five Major Pentatonic Scale Forms
Melinda 

Chapter Seven - The Modes of the Major Scale
Where Modes Come From
Aeolian Mode (Natural Minor)
Five Aeolian Mode (Natural Minor) Forms
Aeolian Metal
Dorian Mode
Five Dorian Mode Forms
Mixolydian Mode
Five Mixolydian Mode Forms

Chapter Eight - Harmonic Minor Scale
Five Harmonic Minor Scale Forms .
Gypsy Rock

Chapter Nine - Using the Scales 
Soloing on the Blues
Matching Scales to Chords
Understanding Diatonic Chord Progressions
Recognizing Modal Progressions
Using the Harmonic Minor Scale

Chapter Ten - Lead Guitar Techniques
Bending
Sliding
Hammer-ons and Pull-offs
Finger Tapping
Eddie's Tune
Harmon ics
Harmonics Etude

Chapter Eleven - Jamming
Leading :
Followi ng
Common Musical Forms
Jamming Exercises
Try This with Your Band
Going "Out"
Song for Jamming
Jam Tune

Chapter Twelve - Pickin' and Grinnin'
Arpeggios
For Kathy

Chapter Thirteen - "The World's Greatest Rock'n'Roll Band"
Honky- Tonk Groove

Chapter Fourteen - Slowhand
Melodic Embellishment
Melodic Lead Style of Eric Clapton
Eric's Blues

Chapter Fifteen - A New Rock Experience
Chord Embellishment
Licks
Chapter Sixteen - Another Page of Rock History
Pentatonic Madness: "Box Licks"

Appendix A - The Basics
Reading Music
Scale Diagrams
Reading Tablature
Special Notation

Appendix B - An Introduction to Music Theory
The Major Scale and Key
Key
Minor Key
Key Signatures
How Chords are Derived from the Major Scale
Diatonic Triads
Diatonic 7th Chords
Have fun!

Track
A compact disc is available for this book. This disc can make learning with the book easier and more enjoyable. The symbol shown above will appear next to every example that is on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The track numbers below the symbols correspond directly to the example(s) you want to hear. Track 1 will help you tune your guitar to this CD.


 

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THE STEVE HOWE GUITAR COLLECTION LIBRO YES STRUMENTI MUSICALI CHITARRA GUITAR LIUTO SITAR MIDI

 

THE STEVE HOWE GUITAR COLLECTION. Edizione con illustrazioni a colori, sulla collezione di strumenti a corda, e sull'utilizzo durante la carriera del musicista degli YES. Chitarre antiche, moderne, lire, liuti, sitar, digitali, ecc. .


Publisher's Note
Throughout his consistently successful career, rock guitarist Steve Howe has built up a collection of guitars which is unparalleled in diversity and richness. For the first time, this book offers a private view of Steve's fabulous collection, showing 125 instruments ranging from antique lyre guitars to modern solidbody electrics. During the 1970s Steve Howe was guitarist in Yes, the most successful and adventurous of all progressive rock groups. In 1981 Steve formed Asia, since when he has worked as a member of GTR (1986), Anderson Bruford Wakeman Howe (1989), and in the reunited Yes of 1991. He has also made four solo albums, was instrumental in the production of the Symphonic Music of Yes album (1993), and has appeared as a guest guitarist on recordings by Queen, Lou Reed, and many others. Every instrument in The Steve Howe Guitar Collection is shown in superb full color photography, some at nearly two-thirds actual size on special fold-out pages. The work of 40 instrument makers is represented, including celebrated companies like Gibson, Fender and Martin alongside less familiar names such as Panormo, Sho-Bud and Levin, dating from the 1780s to the 1990s. As well as the standard guitars, the collection includes a host of related instruments such as banjos, bass guitars, guitar-synths, lutes, tenor guitars, mandolins, pedal steel guitars, sitars and harp guitars. Steve's engaging commentary details the circumstances in which he acquired each of the instruments in his collection. He pinpoints exactly how the guitars have been used during 30 years of recordings and tours, from his first pop group The Syndicats (1963) to his latest solo album The Grand Scheme of Things (1993). The SteveHowe Guitar Collection is a unique combination of guitar history, musical memorabilia and beautiful photography. It brings alive the most fascinating and wide-ranging individual collection in instruments ever seen together in one book, and documents the continuing career of one of rock's finest guitarists. 88 pages.

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GUITAR SECRETS SYMMETRICAL SCALES REVEALED Diminished Scale DON MOCK CD LIBRO TABLATURE SPARTITI

GUITAR SECRETS: SYMMETRICAL SCALES REVEALED, (Diminished and Whole Tone Scales). Don Mock. CD TABLATURE

LIBRO DI MUSICA CON CD, SPARTITI PER CHITARRA. ACCORDI, PENTAGRAMMA E TABLATURE. 

 

CATEGORY: Guitar Method or Supplement

FORMAT: Book & CD
Learning how to play and use scales has always been a large part of every guitar player's practice schedule. Written from a player's perspective, this book doesn't get too in-depth into the history and classical theory of the scales, but focuses on their uses in contemporary styles such as blues, rock, fusion, and jazz. Includes tons of diminished and whole-tone lines, licks, and music examples; soloing and scale substitution from a player's perspective; and new sounds and ideas. Written in standard notation and Tablature.

Foreword
Welcome to Symmetrical Scales Revealed. Learning how to play and use scales has always been a large
part of every guitar player's practice schedule. Playershave spent countless hours practicing scales up
and down all over the guitar, sometimes with great success and sometimes with frustration as the end
result.
Thoseof you who know me from my books and videos or years at the Guitar Institute of Technology (Gin
know I've been involved in guitar education for a long time. I've seen hundreds of students struggle with
the same problems that I faced when going through the process of learning how to play and use scales.
After many years of experience, both playing and teaching, I've become a big believer in cutting through
the nonsense and getting to the point of it all, which is playing music.
The presentation and ideas in this book are definitely from a player's perspective. We're not going to get
too in-depth into the history and classical theory of the diminished and whole-tone scales. We'll focus more
on their usesin contemporary styleslike blues, rock, fusion, and jazz. Don't get me wrong: there will be no
shortcuts here when it comes to modern music theory. As far as I'm concerned, all guitar players must
have a good working knowledge of harmony and theory and the ability to read music, even if it's only simple
chord charts.
Three Steps to Success
Learning to improvise can be thought of as a three-step process. The first step istypically the learning of
scales. Usingeither the key center approach or the modal approach, students should learn at least a few
useful fingerings of the major scale and be able to play them in all keys.Also, in this first step, players need
to learn about harmony and theory to help understand which scale fits over which chord. Armed with
some theory knowledge, students can immediately begin playing over even difficult chord changes by
simply switching to the correct scale or key center for the given chord.
Most players after a period of time will begin to find this first step limiting. They may say that they can't
seem to make their solossound like the chords, that they sound too scalar. Moving on to step two, we
introduce arpeggios as a tool to create chord sounds. Mixing arpeggios with our scales starts making our
solos more harmonically intelligent.
Step three isthe final frontier of improvising, as we now start really learning music. So far we've been using
scales and arpeggios but may not been able to make our solossound melodic. Now it's time to learn
melodies. Most of us need to learn a repertoire of melodic lines to use when we improvise. Almost every
one of our favorite players has, at one time or another, learned linesby copying recordings or transcriptions.
I've met many students who tell me they don't want to sound like anyone else and feel they shouldn't
copy other players. They soon realize that the road to originality goes through the land of copying licks,
phrasing, and concepts used by favorite players. Eventually, these influences merge together into your
own original style.
One last thing: A common misconception about improvising isthe phrase "playing what you hear." Many
players say they do this, leading students to think that they simply make up music on the spot. What they
are really saying isthat they are playing what they know.
Improvising isthe spontaneous performance of ideas that come to you in the midst of soloing. You may
not know ahead of time what you are going to play, but armed with scales, arpeggios, melodic ideas,
and theoretical concepts, you can playa creative and spontaneous improvised solo.

 

Introduction
This book deals with the two most used symmetrical scales-the diminished and whole-tone. Symmetrical scales are best defined as having repetitive or equal-note spacing that repeats throughout the octave. For example, the whole-tone scale is exactly what the name indicates; it's a scale built entirely of whole tones The symmetry of a diminished scale is a pattern of alternating whole steps and half steps, four times per octave.
One great thing about symmetrical scales is that they are very guitar-friendly and easy to memorize. The fingerboard is a visual, graphic instrument similar to a slide-rule. In most cases, you can get by with just one fingering for each of these scales and then repeat the same fingering every two frets (whole-tone) or three frets (diminished) up or down the fingerboard, Guitar players can easily discover hundreds of unique melodic and harmonic ideas that are not as obvious on other instruments like keyboards, reeds, or brass.
Both of these scales are very useful and creative tools used by improvisers. Their simplicity can be deceptive; it's almost surprising how these simple scales can provide such a complex sound. In traditional jazz, they provide a contrasting flavor against functional dominant chords, Modern players exploit these scales to add an outside sound to contemporary jazz, rock, and even blues. In Symmetrical Scales Revealed you'll learn the most useful scale patterns and explore sequences and arpeggios within the scales. Next we'll learn the secrets of how to best use the scales, followed by several of my favorite melodic lines.
We'll begin each of the two sections by first learning some good fingerings for each scale. If you already know a fingering or two, stick with them or feel free to modify any of the fingerings here to suit your technique and style. The ultimate goal isto be able to play the particular scale anywhere on the guitar in any key.
One more thing about the fingerings: You are limited only by the lowest and highest notes on the guitar. Think of scales as having no beginning and no end. Don't be too concerned with the bottom or top notes of each individual pattern, You'll find that each has a different starting and ending note because of the natural range of the strings.
SCales are simply a row of notes, and you should learn to control the scale by being able to start and end on any note. Eventually, individual scale fingerings will begin to blend together into larger patterns until finally the whole fingerboard is under your control!
How to Get the Most Out of This Book
The best way to get the most out of this book is to scan through each chapter first. Get a feel about where and what the various topics are and if they contain information you already know. You should read every page carefully, but it's okay to start with any section in the book that interests you

 

Guitar Secrets - Symmetrical Scales Reveale
Contents:

SECTION I: INTRODUCTION
Tuning Notes

Unit 1: Modes of the Diminished and Whole-Tone Scales
Examples 

Unit 2: Static and Functioning Dominant 7ths 
Examples 

SECTION II: THE DIMINISHED SCALE
Unit 3: Fingerings of the Diminished Scale 
Examples 

Unit 4: How to Learn and Practice the Diminished Scale
C7 Practice Track

Unit 5: Diminished Scale Sequences 
Examples 

Unit 6: Diminished Arpeggios,
Examples 

Unit 7: Using the Diminished Scale,
Examples 

Unit 8: Six-Note Diminished Shapes 
Examples 

Unit 9: Major Triads in the Diminished Scale 
Examples 

Unit 10: Using the Diminished Scale Over Static Chords ..
Examples 

SECTION III: THE WHOLE-TONE SCALE

Unit 11: Fingerings of the Whole-Tone Scaie,
Examples 

Unit 12: Whole-Tone Scale Sequences
Examples 

Unit 13: Whole-Tone Arpeggios
Examples 

Unit 14: Using the Whole-Tone Scale
Examples 

Unit 15: Modern Uses of the Whole-Tone - Static Chords 
Examples 

Unit 16: The Fingerboard - Symmetrical Scales Geometric Playground ,
Examples 

Unit 17: Diminished and Whole-Tone Lines 
Examples 

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THE ROOTS OF ROCK GUITAR LIBRO CD TABLATURE Blue suede shoes-bluejean bop-no particular place to go-Susie-Q-not fade away-walk don't run.

THE ROOTS OF ROCK GUITAR. Fred Sokolow. CD TABLATURE

THE SONGS AND LICKS THAT MADE IT HAPPEN

Blue suede shoes -bluejean bop -no particular place to go -not fade away -Susie-Q -walk don't run. 


Series: Guitar Collection
Softcover with CD - TAB
Author: Fred Sokolow

This comprehensive collection is a great overview of rock guitar. Includes: instruction on the essential playing styles, using six note-for-note transcriptions as examples; notes on the history and development of rock guitar; biographies of the pioneering artists; and more. Songs include: Blue Suede Shoes (Carl Perkins) - Bluejean Bop (Cliff Gallup with Gene Vincent) - No Particular Place to Go (Chuck Berry) - Not Fade Away (Buddy Holly) - Susie Q (James Burton with Dale Hawkins) - Walk Don't Run (The Ventures). The CD features all of the songs, exercises and licks.

Blue Suede Shoes
Bluejean Bop
No Particular Place To Go
Not Fade Away
Susie-Q
Walk Don't Run

56 pages

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SURF & SPY GUITAR, WHERE ARE THEY NOW? TABLATURE Tequila-Wipeout-Mystery Train-James Bond Theme-Pink Panther

SURF & SPY GUITAR, WHERE ARE THEY NOW?

17 TITOLI STRUMENTALI.

Austin's Theme -Batman Theme -Espionage -Forty Miles Of Bad Road -Hawaii Five-O -James Bond Theme, Misirlou, Mystery Train, Out Of Limits -Peter Gunn -Pink Panther Theme -Pipeline -Ramrod -Rebel Rouser -Secret Agent Man -Telstar -Tequila - Wipeout. TABLATURE 

Where Are They Now?: Surf & Spy Guitar
Instrumental TWANG Guitar Classics

Surf & Spy Guitar: Instrumental TWANG Guitar Classics (Where Are They Now?)

SERIES: Where Are They Now?
CATEGORY: Guitar Mixed Folio
VERSION: Guitar/Vocal with Tablature
FORMAT: Book

Each book in the Where Are They Now? series contains over 50 songs by the artists who defined the music of the era. Plus, each book contains an essay about the times and a special "Where Are They Now?" update section on the songs and the artists.

All of the songs in this one-of-a-kind collection represent the golden age of instrumental guitar music. Titles include:

includes the Following Selection:
Title Composer

AUSTINS THEME
CLINTON, GEORGE

BATMAN THEME
HEFTI, NEAL

CANNONBALL
HAZLEWOOD, LEE/EDDY, DUANE

ESPIONAGE
L: ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E.,
III/PRITCHARD, MICHAEL

FORTY MILES OF BAD ROAD
CASEY, AL/EDDY, DUANE

HAWAII FIVE-O (MAIN TITLE)
MORT STEVENS

JAMES BOND THEME
NORMAN, MONTY

MISIRLOU

OUT OF LIMITS
GORDON, MICHAEL

PETER GUNN (FROM "PETER GUNN")
MANCINI HENRY

RAMROD
CASEY, AL

REBEL-ROUSER
HAZLEWOOD, LEE/EDDY, DUANE

SECRET AGENT MAN
P F SLOAN, STEVE BARRI

TELSTAR
MEEK, JOE

TEQUILA 
CHUCK RIO

THE PINK PANTHER (FROM "THE PINK PANTHER")
MANCINI, HENRY

WIPE OUT
SURFARIS, THE

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SKA GUITAR DALE TURNER LIBRO CD TABLATURE CHITARRA Jamaican ska-English-Southern California-punk-hard rock-soloing-strumming techniques

SKA GUITAR. Turner. CD TABLATURE

LIBRO CON CD E TABLATURE

Ska Guitar
Series: Guitar Educational
Format: Softcover with CD - TAB
Author: Dale Turner

This book/CD pack is the complete guide to playing in the styles of the Skatelites, Specials, Mighty Mighty Bosstones, Sublime and others. Provides in-depth coverage of: Jamaican ska, English ska, Southern California ska, and ska-ska; punk and hard rock sounds in ska; soloing and strumming techniques; and more. The music is in standard notation & TAB, and the CD features 60 full-band tracks. 48 pages

Inventory #HL 00695297
ISBN: 9780793592661
UPC: 073999952971
Width: 9.0"
Length: 12.0"
48 pages

 

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€16,00

CONTEMPORARY ROCK THE BEST CD GUITAR TABLATURE LIBRO BECK CAKE CARDIGANS JEWEL NO DOUBT SISTER HAZEL

CONTEMPORARY ROCK THE BEST. 10 Basi di: Beck, cake, Cardigans, Jewel, No doubt, Duncan Sheik, Sublime, Toad the wet sprocket, Sister Hazel, e altri. CD TABLATURE

Best of Contemporary Rock. For guitar and voice. Hal Leonard Guitar Recorded Versions. Rock. Difficulty: medium. Guitar tablature songbook. Guitar tablature, standard notation, vocal melody, lyrics, chord names, performance notes and performance notes. 64 pages. Published by Hal Leonard (HL.690220).
ISBN 0793584957. With guitar tablature, standard notation, vocal melody, lyrics, chord names, performance notes and performance notes. Rock. 9x12 inches.
Learn today's greatest hits faster and more accurately than ever before! This book/CD pack includes complete note-for-note transcriptions plus a CD with 48 tracks including half-speed demonstrations, effects settings, performance notes, and more. This great collection includes: All for You * Barely Breathing * Come Down * Lovefool * Spiderwebs * Where It's At * and more.

 

Where It's At Performed by Beck
Barely Breathing Performed by Duncan Sheik
The Distance Performed by Cake
Lovefool Performed by The Cardingans
Spiderwebs Performed by No Doubt
You Were Meant For Me Performed by Jewel
Santeria Performed by Sublime
Come Down Performed by Toad The Wet Sproket
Where You Get Love Performed by Matthew Sweet
All For You Performed by Sister Hazel

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BEST OF MODERN ROCK FOR GUITAR PLAY ALONG LIBRO CD TABLATURE

BEST OF MODERN ROCK FOR GUITAR. PLAY ALONG.

LIBRO PER CHITARRA CON C E TABLATURE 

Molteplici esempi elettrici, e basi con la sola batteria.
Schede dei cocktail con ricettario al milligrammo delle dosi per i mix degli effetti. The Mighty Bosstones, Live, Blur, -gone away, The Offsping, Silverchair, Third eye blind, Tonic, Seven Mary Three, -villians, The Verve Pipe. CD TABLATURE

 

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NEW YORK UNDERGROUND Psycho Killer Talking Heads Burning Down the House-Sheena Is a Punk Rocker

NEW YORK UNDERGROUND.

LIBRO PER CHITARRA CON TABLATURE

 

Titoli dei, New York dolls, Richard Hell & the void oids, Talking Heads, Tom Verlaine and television, Ramones. Inslusa -burning down the house, dei Talkin Head, e -chinese rock, the heartbreakers

 

The songs and artists are:

* Blank Generation (Richard Hell and the Void Oids)
* Blitzkrieg Bop (Ramones)
* Burning Down the House (Talking Heads)
* Chinese Rocks (The Heartbreakers)
* Foxhole (Tom Verlaine and Television)
* I Wanna Be Sedated (Ramones)
* Life During Wartime (Talking Heads)
* Personality Crisis (New York Dolls)
* The Plan (Richard Hell and the Void Oids)
* Psycho Killer (Talking Heads)
* Rock 'n' Roll High School (Ramones)
* Rockaway Beach (Ramones)
* See No Evil (Tom Verlaine and Television)
* Sheena Is a Punk Rocker (Ramones)
* Subway Train (New York Dolls)
* Teenage Lobotomy (Ramones)
* Trash (New York Dolls)
* Who Are the Mystery Girls? (New York Dolls) 

 

 

Prezzo: €49,00
€49,00
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