Johann Sebastian Bach

BACH TWO-PART INVENTIONS FOR MANDOLIN & GUITAR CD TABLATURE CHITARRA MANDOLINO LIBRO

Bach Two-Part Inventions for Mandolin & Guitar . SHEET MUSIC BOOK WITH CD, FOR MANDOLIN AND GUITAR.  

LIBRO DI MUSICA CLASSICA CON CD. 

SPARTITI PER DUO DI MANDOLINO E CHITARRA  :

PENTAGRAMMA,

TABLATURE DEL MANDOLINO,

TABLATURE DELLA CHITARRA.  

 

 

Audio Access Included!

Series: Fretted

Format: Softcover Audio Online

Arrangers: Carlo Aonzo, John Carlini

 

Unique arrangements by two skilled arrangers for a beautiful playing result. The book includes access to online audio for download or streaming of recordings of each invention plus separate mandolin and guitar parts.

 

Online audio is accessed at halleonard.com/mylibrary

 

Inventory #HL 00125309

ISBN: 9781480372115

UPC: 884088989446

Width: 9.0"

Length: 12.0"

124 pages

 

https://www.halleonard.com/viewaudio.action?itemId=00125309&fileName=https%3A%2F%2Fs3.amazonaws.com%2Fhalleonard-closerlook%2F00125309%2FInv4Mix.mp3

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BACH CELLO SUITES FOR ELECTRIC BASS TABLATURE LIBRO SPARTITI CHITARRA BASSO

BACH CELLO SUITES FOR ELECTRIC BASS. TABLATURE.
SHEET MUSIC BOOK FOR BASS & TABLATURE

LIBRO DI MUSICA CLASSICA.
SPARTITI PER BASSO CON:
ACCORDI, PENTAGRAMMA, TABLATURE.

 

Series: Bass
Format: Softcover - TAB
Composer: Johann Sebastian Bach

All six of J.S. Bach's essential suites for unaccompanied cello are arranged here for bass guitar in standard notation and tablature. Includes: Suite No. 1 in G Major, BWV 1007 • Suite No. 2 in D Minor, BWV 1008 • Suite No. 3 in C Major, BWV 1009 • Suite No. 4 in Eb Major, BWV 1010 • Suite No. 5 in C Minor, BWV 1011 • Suite No. 6 in D Major, BWV 1012.

Song List:
Cello Suite No. 4 In E-Flat Major, BWV 1010
Cello Suite No. 5 In C Minor, BWV 1011
Cello Suite No. 1 In G Major, BWV 1007
Cello Suite No. 6 In D Major, BWV 1012
Cello Suite No. 2 In D Minor, BWV 1008
Cello Suite No. 3 In C Major, BWV 1009

104 pages
 

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JOHANN SEBASTIAN BACH 24 PRELUDI E 24 FUGHE CLAVICEMBALO BEN TEMPERATO TRASCITTI CHITARRA

JOHANN SEBASTIAN BACH, 24 PRELUDI E 24 FUGHE, CLAVICEMBALO BEN TEMPERATO, RENOUVIN. TRASCITTI PER PER CHITARRA

TUTTI I 48 PEZZI PER IL CLAVICEMBALO BEN TEMPERATO. 

 

LIBRO DI MUSICA CLASSICA, 

SPARTITI PER CHITARRA CON PENTAGRAMMA. 

113 PAGINE.

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PRESTI LAGOYA COLLECTION VOL.2 PRELUDES FUGUES FROM "THE WELL-TEMPERED CLAVIER" BACH

PRESTI LAGOYA COLLECTION VOL.2. PRELUDES AND FUGUES FROM "THE WELL-TEMPERED CLAVIER"
BY JOHANN SEBASTIAN BACH. PER 2 CHITARRE. SHEET MUSIC BOOK FOR GUITAR DUETS. 

LIBRO DI MUSICA CLASSICA.

SPARTITI PER DUO DI CHITARRE: 

PENTAGRAMMA. 

 

IDA PRESTI LAGOIA COLLECTION VOLUME 2. BACH, PRELUDES AND FUGUES FROM ''THE WELL TEMPERED CLAVIER'' PRELUDE ET FUGUE BWV 847, PRELUDE ET FUGUE 847, PRELUDE ET FUGUE BWV 862, PRELUDE ET FUGUE BWV 881, PRELUDE BWV 928. Per 2 chitarre.

The Presti-Lagoya Collection Vol.2 (Preludes and Fugues from "the Well-Tempered Clavier"). Composed by Johann Sebastian Bach (1685-1750). Edited by Frederic Zigante. For 2 Guitars. Score and parts. 

The second installment of this collection from Berben contains both transcriptions of Bach's preludes and fugues from "The Well-Tempered Clavier" and original performance works for two guitars created by classical guitar masters Ida Presti and Alexandre Lagoya. French master classical guitarist Frederic Zigante has carefully translated and adapted the original manuscripts of Presti and Lagoya for modern use, while remaining faithful to the stylistic decisions and marking made by the arrangers. This edition contains two separate guitar parts and a score, with exhaustive references and a thorough foreword. For advanced players. 

Prezzo: €36,99
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Johann Sebastian Bach-Il Primo Bach del Chitarrista-trascrizione diteggiatura Mauro Storti SPARTITI

BachJohann Sebastian, Il Primo Bach del Chitarrista

trascrizione e diteggiatura di Mauro Storti

 Autore Bach, Johann Sebastian
 Strumento Chitarra
 Prodotto Libro di spartiti
 Sezione Autori
 

LIBRO DI MUSICA CLASSICA. 

SPARTITI PER CHITARRA CON PENTAGRAMMA. 

24 BRANI

14 SONO TRATTI DAL 'NOTENBUCHLEIN FUR ANNA MAGDENA BACH''.

SARABANDA DALLA I PARTITA PER VIOLINO SOLO 1002

PRELUDIO PER LIUTO 999

ECC. 

Prezzo: €13,50
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BACH, JOHANN SEBASTIAN-Ich Ruf' Zu Dir, Herr Jesu Christ, BWV 639 transcribed Philip Hii CHITARRA SPARTITO

BACH, JOHANN SEBASTIAN, Ich Ruf' Zu Dir, Herr Jesu Christ, BWV 639 (transcribed as recorded by Philip Hii)

SPARTITO DI MUSICA CLASSICA PER CHITARRA

PENTAGRAMMA

Prezzo: €13,00
€13,00

BACH JOHANN SEBASTIAN Toccata & Fugue BWV 565 transcrizione GUITAR Philip Hii CHITARRA LIBRO

BACH, JOHANN SEBASTIAN, Toccata & Fugue, BWV 565 (Hii) SHEET MUSIC 

SPARTITO DI MUSICA CLASSICA PER CHITARRA CON PENTAGRAMMA. 

TRASCRIZIONE COMPLETA PER CHITARRA DELLA FAMOSA TOCCATA E FUGA IN RE minore 565 PER ORGANO.

 

(transcribed and recorded by Philip Hii)

It's not the only transcription of Bach's Toccata & Fugue in D minor, but it's certainly a contender for top notch.
Corpus Christi Caller Times 

Sorprendente chitarrista dalle ottime qualità tecniche interpretative.

 

Toccata & Fugue

guitar

editor: Hii, Philip

composer: Bach, Johann Sebastian

pagine: 14

Prezzo: €23,99
€23,99

BACH JOHANN SEBASTIAN Chromatic Fantasy & Fugue BWV 903 transcribed GUITAR Philip Hii LIBRO

BACH, JOHANN SEBASTIAN

Chromatic Fantasy & Fugue (Hii)
(transcribed and recorded by Philip Hii)

At around 13 minutes in length this version could perhaps offer highly ambitious players an alternative to the famous Chaconne.  Chris Kilvington, Classical Guitar Magazine

Chromatic Fantasy & Fugue

guitar

editor: Hii, Philip

composer: Bach, Johann Sebastian

pagine: 20

Prezzo: €13,99
€13,99

Bach Johann Sebastian Nun Komm' Der Heiden Heiland BWV 659 LIBRO guitar Philip Hii trascrizione CHITARRA

Nun Komm' Der Heiden Heiland, BWV 659

LIBRO DI MUSICA, SPARTITI PER CHITARRA.

Trascrizione del fenomeno virtuoristico della Malesia !!

Nun Komm' der Heiden Heiland

guitar

editor: Hii, Philip

composer: Bach, Johann Sebastian

pagine: 5

Prezzo: €9,99
€9,99

BACH JOHANN SEBASTIAN TRANSCRIPTIONS CLASSIC GUITAR Javier Calderon CD LIBRO SPARTITI

BACH JOHANN SEBASTIAN, TRANSCRIPTIONS FOR CLASSIC GUITAR, transcribed arranged Javier Calderon. LIBRO E CD

LIBRO DI MUSICA CLASSICA, CON CD,

SPARTITI PER CHITARRA CON PENTAGRAMMA.

CONTIENE LA FAMOSA  ''Chaconne in D Minor BWV 1004'' DI BACH. TRASCRITTA PER LA PRIMA VOLTA PER CHITARRA DA SEGOVIA.  


Product Description:
Absolute, universal, and harmonious - Bach's music is as profoundly satisfying and uplifting today as it was in his era. One of the most eloquent and expressive guitarists of our time, Javier Calderon, presents these timeless pieces, expertly arranged and transcribed for the classic guitar. Selections include: Sonata BWV 1001 (Adagio, Fugue, Siciliano, and Presto); Chaconne in D Minor BWV 1004; Prelude in D Minor, Prelude, Fugue, and Allegro BWV 998; Suite for Lute BWV 996 (Prelude, Allemande, Courante, Sarabande, Bourree, and Gigue); Prelude for Lute BWV 999; and Jesu, Joy of Man's Desiring. Written in standard notation only with minimal, unobtrusive left-hand fingering. The attached performance CD presents the author's exquisite rendition of every selection in the book.

 

Javier Calderon

J.S.BACH Transcriptions for Guitar

It is difficult to imagine how a composer of the stature of Johann Sebastian Bach (1685-1750) could have lived for 65 years, having written some of the world's most universally accessible and beautifully original compositions in every manner and for practically every instrument of the late Baroque period, in relative obscurity. Trained initially by his father and later by his elder brother, Johann Sebastian is now considered the greatest in a long line of noteworthy musicians and composers of the Bach family. Neither tormented by the specter of financial ruin nor obscured by less competent musical pedagogues, Bach was nevertheless no more well known than a host of other reasonably successful musical functionaries of his time. He was often influenced in his composing career more by external circumstances than by any driving internal impulse to create. And yet, the element of genius is indisputable evident in his music, a fact which elevates his work above that of his equally dedicated contemporaries. His music is as profoundly satisfying and uplifting today as it was in his own time, yet he fit in to his world as comfortably and as unremarkably as the average citizen of any era, he was no brooding outcast seeking to shatter the foundations of his own creative medium, an image that so often accompanies the notions of genius and artistry Indeed, what makes Bach's greatness especially recognizable is the extent to which it celebrates and improves upon the very spirit of his age. Absolute, universal, and harmonious, Bach's music reflects back the sum total of its essential parts, devoid of their imperfections. It is as though he had refined or purified the very elements that made up his world and, by doing so, crystallized them into their immortal expression. It is no wonder that, upon listening to his music, one is transported back to an age largely unfamiliar to him and yet simultaneously immersed in an intangible musical realm whose existence is everlasting. Bach, in this way, was not the artistic antithesis of his age but rather its ultimate revelation. If his music still recalls the religiosity of his day, it is no less as the sanctification of itself as the structure of musical perfection.

The Music

The Sonata, (BWV 1001) originally intended for solo violin was composed in 1720 in Coethen . It is well known that this piece was influenced by Bach's experience in composing for the lute, an instrument which, by Bach's time, had already seen its prime. Wistful, even reminiscent of early music, the Adagio begins with a slowness that is, at the same time, resolute - not yet echoing the multi-voiced scenarios that in large part define and punctuate Bach's vast musical repertoire. The Adagio is much more self-contained, without the obvious symmetry so pervasive in other pieces, suggesting a simpler composition.

The Fugue which follows begins the standard cascade of evenly patterned voices, livelier and yet balanced even as it breaks into centrally placed, almost rhapsodic variations that come into blossom throughout the movement. In the Siciliano we are met with an almost folksy, song-like melody, simple without yet being simplistic, sitting in the work itself like an island away from the more serious themes that dominate the prior and proceeding movements. In the final Presto, we encounter once again the lively exuberance of the Fugue. Full of energy and continuing the merriment of the Siciliano with a wilder, less introverted pacing, it is nevertheless neither hurried nor lacking in the synchronization that brings full circle the three prior episodes.

The Chaconne (BWV 1004) from Bach's solo violin Partita in D minor written in Coethen around 1720 and arranged for Lute, is one of the most famous works in this series. According to Donald Grout in A History of Western Music, Bach here "demonstrated his ability to create the illusion of a harmonic and contrapuntal texture by means of multiple stops or single melodic lines which outline or suggest an interplay of independent voices, a technique going back to the Lute composers of the Renaissance and related to the style of the French Lutenists and Clavecinists ofthe middle and late Baroque". The stillness of the full chords which announce this composition suggest the discipline and control which only mastery over this technique could produce. The Chaconne is neither morose nor worldly. In places practically devoid of emotion, removed from either joy or sorrow, it nevertheless breaks again and again into a beauty, haunting in its appeal. While both dramatic and outspoken, the repetition of movement to overtake the ...

 

Format: Book/CD Set

Contents:

SONATA BWV 1001 - ADAGIO -- J. S. BACH
SONATA BWV 1001 - FUGUE -- J. S. BACH
SONATA BWV 1001 - SICILIANO -- J. S. BACH
SONATA BWV 1001 - PRESTO -- J. S. BACH
CHACONNE IN D MINOR BWV 1004 -- J. S. BACH
PRELUDE IN D MINOR -- J. S. BACH
PRELUDE - FUGUE & ALLEGRO BWV 998 - PRELUDE -- J. S. BACH
PRELUDE - FUGUE & ALLEGRO BWV 998 - FUGUE -- J. S. BACH
PRELUDE - FUGUE & ALLEGRO BWV 998 - ALLEGRO -- J. S. BACH
SUITE FOR LUTE BWV 996 - PRELUDE -- J. S. BACH
SUITE FOR LUTE BWV 996 - ALLEMANDE -- J. S. BACH
SUITE FOR LUTE BWV 996 - PRELUDE -- J. S. BACH
SUITE FOR LUTE BWV 996 - ALLEMANDE -- J. S. BACH
SUITE FOR LUTE BWV 996 - COURANTE -- J. S. BACH
SUITE FOR LUTE BWV 996 - SARABANDE -- J. S. BACH
SUITE FOR LUTE BWV 996 - BOURREE -- J. S. BACH
SUITE FOR LUTE BWV 996 - GIGUE -- J. S. BACH
PRELUDE FOR LUTE BWV 999 -- J. S. BACH
JESU, JOY OF MAN'S DESIRING -- J. S. BACH

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