2016

LED ZEPPELIN, ULTIMATE BASS PLAY-ALONG: VOLUME 2. SHEET MUSIC BOOK WITH 2 CD & BASS TABLATURE.

LIBRO DI MUSICA ROCK CON 2 CD.
CD DI BASI PER VOCE E, VOCE E BASSO.
SPARTITI PER VOCE E BASSO CON:
ACCORDI, PENTAGRAMMA, TABLATURE.

Play Along with 8 Great-Sounding Tracks
Led Zeppelin
Item: 00-32201
UPC: 038081353036
ISBN 10: 0739059432
ISBN 13: 9780739059432

Series: Ultimate Play-Along
Category: Bass Guitar Method or Supplement
Format: Book & 2 CDs
Instrument: Bass Guitar
Version: Authentic Bass TAB
All new transcriptions and tracks drawn from more than 30 years of documentation, interviews, and recorded footage. These TABs and tracks deliver unprecedented accuracy and insight into the music of Led Zeppelin. This book includes complete music notation and TAB transcriptions to eight Led Zeppelin classics. There are two versions of every song on the included CDs: an instrumental sound-alike recording, and an instrumental accompaniment track (without bass) so you can play along. When you use the CDs in your Mac or Windows-based computer, the TNT (Tone 'N' Tempo) Changer lets you easily loop sections for practice, slow tracks down or speed them up without changing the pitch, change the key, and switch back and forth between full instrumental and accompaniment tracks. Titles: Stairway to Heaven * The Song Remains the Same * Over the Hills and Far Away * Trampled Under Foot * Kashmir * Achilles Last Stand * Nobody's Fault But Mine * All My Love.
TITLE COMPOSER
The Song Remains the Same Jimmy Page (composer); Robert Plant (composer)
Stairway to Heaven Jimmy Page (composer); Robert Plant (composer)
Achilles Last Stand Jimmy Page (composer); Robert Plant (composer)
Nobody's Fault but Mine Jimmy Page (composer); Robert Plant (composer)
Trampled Under Foot Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
Kashmir Jimmy Page (composer); John Bonham (composer); Robert Plant (composer)
Over the Hills and Far Away Jimmy Page (composer); Robert Plant (composer)
All My Love Robert Plant (composer); John Paul Jones (composer)
 

ESSENTIAL FLAMENCO GUITAR: VOLUME 1 (BOOK/2-DVD SET)

30458DP

BY JUAN MARTIN AND PATRICK CAMPBELL

SHEET MUSIC BOOK WITH 2 DVD & GUITAR TABLATURE.

LIBRO METODO DI MUSICA FLAMENCO CON 2 DVD.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

This book and accompanying video provide a thorough introduction to flamenco guitar. What are the essential elements and techniques of flamenco guitar playing? How does one capture the real essence of authentic flamenco guitar? These are questions that Juan Martin, celebrated virtuoso flamenco guitarist and teacher, addresses in this first book of a projected three-volume series. The method is designed for the complete beginner and requires no prior knowledge of the guitar or flamenco music. It also provides invaluable insight and material for more advanced players who want to capture the essential sounds, rhythms and emotional power of true flamenco.The series begins with in-depth demonstrations of how the basic building blocks of flamenco guitar technique are used in actual flamenco music. The material then progresses to a detailed exploration of the individual rhythmic forms - the palos. In this book, the fundamental palos of Solea and Alegrias are presented to emphasize the basic rhythms and provide examples of falsetas - the melodic passages. Martin then shows how to apply these when collaborating with a dancer and singer. The music is transcribed in standard notation and tablature (cifra), and the two DVDs contain over 3.5 combined hours of explanation and demonstrations. The first DVD provides a detailed introduction to basic techniques, using examples of authentic flamenco to show these techniques in action. The second DVD progresses to demonstrations of the Solea and Alegrias, including music for the soloist and the guitar accompanying the dancing and singing.

Product Number:30458DP

Format:BOOK/2-DVD Set

Skill Level:Multiple Levels

Notation Type:Standard Notation and Tab

Pages:140

Binding:Squareback Saddle Stitched

Size:8.75 x 11.75

ISBN:0-7866-8572-7

ISBN13:978-07866-8572-1

Series:None

Publisher:Mel Bay Publications, Inc.

Date Published:1/10/2014

Essential Flamenco Guitar: Volume 1

Introduction by Juan Martín . . . . . . . . . . . . . . . 6

Key to Symbols and Notation . . . . . . . . . . . . . . 7

Tuning the Guitar . . . . . . . . . . . . . . . . . . . . . . . 9

First Rumba . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 

Simple Rumba with Ami7 chords . . . . . . . . . . . . 12

Alternative Simple Rumba Patterns . . . . . . . . . . 13

Second Rumba . . . . . . . . . . . . . . . . . . . . . . . . . . 14

A Modern-Style Rumba Technique . . . . . . . . . . 15

Index Finger and Apagado (Bulerías from Lebrija) 16

The 4-Stroke Rasgueo (in Verdiales) . . . . . . . . . 17

Verdiales Falseta . . . . . . . . . . . . . . . . . . . . . . . . 18

Verdiales Song . . . . . . . . . . . . . . . . . . . . . . . . . 19

por medio Chords . . . . . . . . . . . . . . . . . . . . . . . 20

Tientos Chords and Rhythm . . . . . . . . . . . . . . . 20

First Tientos . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Ligado Exercise . . . . . . . . . . . . . . . . . . . . . . . . . 24

Falseta for Alegrías por Rosas . . . . . . . . . . . . . . 24

4-Stroke Rasgueo in Tangos. . . . . . . . . . . . . . . . 25

Tangos por arriba (El agua se va). . . . . . . . . . . . 26

Song Tune (picado) . . . . . . . . . . . . . . . . . . . . . . 28

Picado Exercises . . . . . . . . . . . . . . . . . . . . . . . . 28 

Zapateado Falseta . . . . . . . . . . . . . . . . . . . . . . . 30

Another Zapateado Falseta . . . . . . . . . . . . . . . . 32

A Fast Triplet Ending . . . . . . . . . . . . . . . . . . . . . 33

More Picado Exercises . . . . . . . . . . . . . . . . . . . . 29

Ligado in Taranto . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

The Arrastre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Taranto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Comparing the 4-Stroke, 5-Stroke and 3-Stroke Rasgueos 36

Introduction to the Soleá. . . . . . . . . . . . . . . . . . . . . . 37

Alegrías Escobilla . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

p, i, m Arpegio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Back and Forward Arpegios . . . . . . . . . . . . . . . . . . . 39

Campanela Arpegio . . . . . . . . . . . . . . . . . . . . . . . . . 41

Campanela in Zapateado . . . . . . . . . . . . . . . . . . . . . 42

Arpegios in Farruca . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Continual Rasgueo, Alzapúa . . . . . . . . . . . . . . . . . . . 46

The Triplet Rasgueo . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Rasgueo followed by the Thumb . . . . . . . . . . . . . . . . 48

The Flamenco Trémolo . . . . . . . . . . . . . . . . . . . . . . . 48

Exercises for Trémolo . . . . . . . . . . . . . . . . . . . . . . . . 49

Fandangos por medio (SLOW). . . . . . . . . . . . . . . . . . 50

The Compás of Soleá. . . . . . . . . . . . . . . . . . . . . . . . . 53

Continuing the Rhythm of Soleá . . . . . . . . . . . . . . . . 54

Chords for Soleá de Alcalá . . . . . . . . . . . . . . . . . . . . 55

Adding Interest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Adding Syncopation . . . . . . . . . . . . . . . . . . . . . . . . . 58

Simpler Ritmeo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Transition to Falsetas. . . . . . . . . . . . . . . . . . . . . . . . . 66

Bass-side Golpes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Simple Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Thumb Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Repeated-Note Falseta. . . . . . . . . . . . . . . . . . . . . . . . 71

Arpegio Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Wistful Falseta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Falseta to Open the Fingers. . . . . . . . . . . . . . . . . . . . 76

Another Arpegio Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Picado and Arpegio Falseta . . . . . . . . . . . . . . . . . . . . . . . . 78

Trémolo Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

LA CAÑA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Falseta for La Caña . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Polo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Soleá por medio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

More Soleá por medio. . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Basic Alegrías por arriba. . . . . . . . . . . . . . . . . . . . . . . . . . 98

Chords and Ritmeo for Singer . . . . . . . . . . . . . . . . . . . . . 101

‘A More Advanced Form’ . . . . . . . . . . . . . . . . . . . . . . . . . 102

A Modern Entrada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Subida. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Silencio to Escobilla . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Escobilla . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108

Transition to Bulerías . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Bulerías Falseta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Bulerías de Cádiz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

The Silencio in the Dance . . . . . . . . . . . . . . . . . . . . . . . . . 116

Falseta A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

An Alternative Ending for Falseta A . . . . . . . . . . . . . . . . . . 121

Falseta B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Trémolo Falseta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Falseta C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Falseta D. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

More Falsetas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

Falseta de Niño Ricardo . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Falseta de Ramón Montoya . . . . . . . . . . . . . . . . . . . . . . . . 132

About the Author . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Juan Martín’s Other Publications . . . . . . . . . . . . . . . . . . . 139

JOHN FAHEY, GUITAR ANTHOLOGY. GUITAR RECORDED VERSION. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA. 

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

SERIES: GUITAR RECORDED VERSION
Format: Softcover - TAB
Artist: John Fahey

Inventory #HL 00150257
ISBN: 9781495036033
UPC: 888680084431
Width: 9.0"
Length: 12.0"
114 pages

18 songs in note-for-note transcriptions with tab from the man who was considered the grandfather of instrumental acoustic fingerstyle guitar. Includes: America • Brenda's Blues • Desperate Man Blues • In Christ There Is No East or West • John Henry • Poor Boy, Long Ways from Home • Some Summer Day • Steamboat Gwine 'Round De Bend • Tell Her to Come Back Home • When the Springtime Comes Again • and more. Includes a biography and discography.

Song List :

America
Assassination Of Stephan Grossman
Brenda's Blues
Dance Of The Inhabitants Of The Palace Of King Philip Of Spain
Desperate Man Blues
In Christ There Is No East Or West
Jaya Shiva Shankarah
John Henry
Poor Boy, Long Ways From Home
Sligo River Blues
Some Summer Day
Spanish Dance
Steamboat Gwine 'Round De Bend
Sun's Gonna Shine In My Backdoor Someday Blues
Sunflower River Blues
Tell Her To Come Back Home
When The Springtime Comes Again
The Yellow Princess

MANDOLIN FAVORITES PLAY-ALONG VOLUME 8. SHEET MUSIC BOOK WITH CD & TABLATURE.

LIBRO DI MUSICA CON CD.
SPARTITI PER MANDOLINO CON:
ACCORDI, PENTAGRAMMA, TABLATURE
BASI, JAM,

Series: Mandolin Play-Along
Format: Softcover Audio Online - TAB
Composer: Various

The Mandolin Play-Along Series will help you play your favorite songs quickly and easily. Just follow the written music, listen to the audio to hear how the mandolin should sound, and then play along using the separate backing tracks. Standard notation and tablature are both included in the book. Includes Playback+, a mutli-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys and pan left or right!

Songs include: Arrivederci Roma (Goodbye to Rome) • The Godfather (Love Theme) • Never on Sunday • Over the Rainbow • Somewhere, My Love • Spanish Eyes • That's Amoré (That's Love) • Theme from “Zorba the Greek”.

Song List:
Arrivederci Roma (Goodbye To Rome) (from the Motion Picture SEVEN HILLS OF ROME)
The Godfather (Love Theme) (from the Paramount Picture THE GODFATHER)
Never On Sunday (from Jules Dassin's Motion Picture NEVER ON SUNDAY)
Over The Rainbow (from THE WIZARD OF OZ)
Somewhere, My Love (Lara's Theme from DOCTOR ZHIVAGO)
Spanish Eyes
That's Amore (That's Love) (from the Paramount Picture THE CADDY)
Theme From “Zorba The Greek” (from ZORBA THE GREEK)

Inventory #HL 00119494
ISBN: 9781480343238
UPC: 884088909895
Width: 9.0"
Length: 12.0"
48 pages 

400 SMOKIN' BLUEGRASS MANDOLIN LICKS CD. SHEET MUSIC BOOK WITH CD & TABLATURE. 

LIBRO METODO DI MUSICA CON CD.
SPARTITI PER MANDOLINO CON:
ACCORDI, PENTA - TABLATURE

Series: Fretted
Publisher: Centerstream Publications
Format: Softcover with CD
Author: Eddie Collins

Only have a handful of licks at your disposal? 400 Smokin' Bluegrass Mandolin Licks utilizes 24 common bluegrass chord progressions to teach you over 400 licks, which will allow you to create solos to literally hundreds of bluegrass tunes. Licks are developed from major, pentatonic and blues scales. Mandolin-specific techniques, such as tremolo, double stops, drone strings, and cross picking are included in many of the phrases. Licks and solos are presented in numerous different keys, including the keys of F, Bb and B. The demo CD includes every lick performed at learning speed. Each practice progression uses sample licks and is played with rhythm accompaniment. “Nine-Pound Hammer,” “Salt Creek,” “Black Mountain Rag,” “Little Maggie,” and “Ragtime Annie” are just some of the many traditional bluegrass tunes included.

Inventory #HL 00160407
ISBN: 9781574243307
UPC: 888680622633
Width: 9.0"
Length: 12.0"
68 pages